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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA6151 it is the complementary color #459EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA6151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA6151 shade: #BF614C, #D0735F, #E18572, #F29785 and #FFA998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA6151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA6151 shade: #BA6151, #A94F3E, #983D2B, #872B18 and #761905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA6151 shade: #B96050 and #B95050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA6151 shade: #B96050, #B97C50, #B99950, #B9B550 and #A1B950

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA6151 shade matches the following richer shades: #B96050, #CD523C, #E14428 and #F53715

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA6151 shade: #B96050, #A56E64, #927C78, #7E898B and #6A979F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA6151 shade: #B95078, #B9505C, #B96050, #B97C50 and #B99850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA6151 shade: #834034, #A04E40, #B96050, #C57B6D and #D1968B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA6151 shade: #BA6151, #94B950 and #506AB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA6151 shade: #BA6151, #50B960 and #6050B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA6151 shade: #BA6151, #94B950, #50A9B9 and #7550B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA6151 shade: #BA6151, #75B950, #50A9B9 and #9450B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 56 / 27

HEX #BA6151

RGB 186 97 81

HSL 9.14, 0.43%, 0.52%

LAB 51.36, 34.26, 25.33

 

Complementary color

CMYK 60 / 9 / 0 / 32

HEX #459EAE

RGB 69 158 174

HSL 189.14, 0.43%, 0.48%

LAB 60.58, -21.62, -16.3

 

CMYK 0 / 49 / 60 / 25

HEX #BF614C

RGB 191 97 76

HSL 10.96, 0.47%, 0.52%

LAB 52, 35.83, 29.17

 

CMYK 0 / 45 / 54 / 18

HEX #D0735F

RGB 208 115 95

HSL 10.62, 0.55%, 0.59%

LAB 58.51, 34.51, 27.18

 

CMYK 0 / 41 / 49 / 12

HEX #E18572

RGB 225 133 114

HSL 10.27, 0.65%, 0.66%

LAB 64.96, 33.3, 25.44

 

CMYK 0 / 38 / 45 / 5

HEX #F29785

RGB 242 151 133

HSL 9.91, 0.81%, 0.74%

LAB 71.35, 32.2, 23.89

 

CMYK 0 / 34 / 40 / 0

HEX #FFA998

RGB 255 169 152

HSL 9.9, 1%, 0.8%

LAB 77.22, 29.69, 21.79

 

CMYK 0 / 48 / 56 / 27

HEX #BA6151

RGB 186 97 81

HSL 9.14, 0.43%, 0.52%

LAB 51.36, 34.26, 25.33

 

CMYK 0 / 53 / 63 / 34

HEX #A94F3E

RGB 169 79 62

HSL 9.53, 0.46%, 0.45%

LAB 44.77, 35.61, 27.51

 

CMYK 0 / 60 / 72 / 40

HEX #983D2B

RGB 152 61 43

HSL 9.91, 0.56%, 0.38%

LAB 38.18, 37, 30.07

 

CMYK 0 / 68 / 82 / 47

HEX #872B18

RGB 135 43 24

HSL 10.27, 0.7%, 0.31%

LAB 31.68, 38.29, 32.98

 

CMYK 0 / 79 / 96 / 54

HEX #761905

RGB 118 25 5

HSL 10.62, 0.92%, 0.24%

LAB 25.44, 39.11, 35.13

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 57 / 57 / 27

HEX #B95050

RGB 185 80 80

HSL 0, 0.43%, 0.52%

LAB 47.79, 42.48, 21.23

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 33 / 57 / 27

HEX #B97C50

RGB 185 124 80

HSL 25.14, 0.43%, 0.52%

LAB 57.38, 19.03, 33.46

 

CMYK 0 / 17 / 57 / 27

HEX #B99950

RGB 185 153 80

HSL 41.71, 0.43%, 0.52%

LAB 64.7, 3.01, 42.31

 

CMYK 0 / 2 / 57 / 27

HEX #B9B550

RGB 185 181 80

HSL 57.71, 0.43%, 0.52%

LAB 72.19, -11.85, 50.94

 

CMYK 13 / 0 / 57 / 27

HEX #A1B950

RGB 161 185 80

HSL 73.71, 0.43%, 0.52%

LAB 71.46, -23.8, 49.61

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 60 / 71 / 20

HEX #CD523C

RGB 205 82 60

HSL 9.1, 0.59%, 0.52%

LAB 51.08, 47.5, 37.58

 

CMYK 0 / 70 / 82 / 12

HEX #E14428

RGB 225 68 40

HSL 9.08, 0.76%, 0.52%

LAB 52.17, 59.36, 50.18

 

CMYK 0 / 78 / 91 / 4

HEX #F53715

RGB 245 55 21

HSL 9.11, 0.92%, 0.52%

LAB 54.24, 69.3, 61.16

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 33 / 39 / 35

HEX #A56E64

RGB 165 110 100

HSL 9.23, 0.27%, 0.52%

LAB 51.92, 20.59, 14.5

 

CMYK 0 / 15 / 18 / 43

HEX #927C78

RGB 146 124 120

HSL 9.23, 0.11%, 0.52%

LAB 53.9, 7.78, 5.32

 

CMYK 9 / 1 / 0 / 45

HEX #7E898B

RGB 126 137 139

HSL 189.23, 0.05%, 0.52%

LAB 56.28, -3.58, -2.45

 

CMYK 33 / 5 / 0 / 38

HEX #6A979F

RGB 106 151 159

HSL 189.06, 0.22%, 0.52%

LAB 59.62, -13.15, -9.09

 

CMYK 0 / 57 / 35 / 27

HEX #B95078

RGB 185 80 120

HSL 337.14, 0.43%, 0.52%

LAB 48.77, 46.5, -1.53

 

CMYK 0 / 57 / 50 / 27

HEX #B9505C

RGB 185 80 92

HSL 353.14, 0.43%, 0.52%

LAB 48.04, 43.51, 14.35

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 33 / 57 / 27

HEX #B97C50

RGB 185 124 80

HSL 25.14, 0.43%, 0.52%

LAB 57.38, 19.03, 33.46

 

CMYK 0 / 18 / 57 / 27

HEX #B99850

RGB 185 152 80

HSL 41.14, 0.43%, 0.52%

LAB 64.44, 3.56, 42

 

CMYK 0 / 51 / 60 / 49

HEX #834034

RGB 131 64 52

HSL 9.11, 0.43%, 0.36%

LAB 35.48, 27.63, 20.58

 

CMYK 0 / 51 / 60 / 37

HEX #A04E40

RGB 160 78 64

HSL 8.75, 0.43%, 0.44%

LAB 43.2, 32.74, 24.07

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 0 / 38 / 45 / 23

HEX #C57B6D

RGB 197 123 109

HSL 9.55, 0.43%, 0.6%

LAB 59.1, 27.23, 19.78

 

CMYK 0 / 28 / 33 / 18

HEX #D1968B

RGB 209 150 139

HSL 9.43, 0.43%, 0.68%

LAB 67.45, 20.72, 14.6

 

CMYK 0 / 48 / 56 / 27

HEX #BA6151

RGB 186 97 81

HSL 9.14, 0.43%, 0.52%

LAB 51.36, 34.26, 25.33

 

CMYK 20 / 0 / 57 / 27

HEX #94B950

RGB 148 185 80

HSL 81.14, 0.43%, 0.52%

LAB 70.58, -28.96, 48.37

 

CMYK 57 / 43 / 0 / 27

HEX #506AB9

RGB 80 106 185

HSL 225.14, 0.43%, 0.52%

LAB 46.33, 14.24, -44.73

 

CMYK 0 / 48 / 56 / 27

HEX #BA6151

RGB 186 97 81

HSL 9.14, 0.43%, 0.52%

LAB 51.36, 34.26, 25.33

 

CMYK 57 / 0 / 48 / 27

HEX #50B960

RGB 80 185 96

HSL 129.14, 0.43%, 0.52%

LAB 67.46, -49.22, 36.09

 

CMYK 48 / 57 / 0 / 27

HEX #6050B9

RGB 96 80 185

HSL 249.14, 0.43%, 0.52%

LAB 40.78, 33.9, -53.57

 

CMYK 0 / 48 / 56 / 27

HEX #BA6151

RGB 186 97 81

HSL 9.14, 0.43%, 0.52%

LAB 51.36, 34.26, 25.33

 

CMYK 20 / 0 / 57 / 27

HEX #94B950

RGB 148 185 80

HSL 81.14, 0.43%, 0.52%

LAB 70.58, -28.96, 48.37

 

CMYK 57 / 9 / 0 / 27

HEX #50A9B9

RGB 80 169 185

HSL 189.14, 0.43%, 0.52%

LAB 64.63, -21.92, -16.3

 

CMYK 37 / 57 / 0 / 27

HEX #7550B9

RGB 117 80 185

HSL 261.14, 0.43%, 0.52%

LAB 42.8, 38.72, -50.22

 

CMYK 0 / 48 / 56 / 27

HEX #BA6151

RGB 186 97 81

HSL 9.14, 0.43%, 0.52%

LAB 51.36, 34.26, 25.33

 

CMYK 37 / 0 / 57 / 27

HEX #75B950

RGB 117 185 80

HSL 98.86, 0.43%, 0.52%

LAB 68.79, -40.36, 45.85

 

CMYK 57 / 9 / 0 / 27

HEX #50A9B9

RGB 80 169 185

HSL 189.14, 0.43%, 0.52%

LAB 64.63, -21.92, -16.3

 

CMYK 20 / 57 / 0 / 27

HEX #9450B9

RGB 148 80 185

HSL 278.86, 0.43%, 0.52%

LAB 46.36, 46.53, -44.32

 

Description

Color code: HEX #BA6151 | qconv.com Color code: HEX #BA6151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 97 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 97 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 56 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 56% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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