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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5E59 it is the complementary color #45A1A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5E59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5E59 shade: #BF5E54, #D07067, #E1827A, #F2948D and #FFA6A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5E59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5E59 shade: #BA5E59, #A94C46, #983A33, #872820 and #76160D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5E59 shade: #BA5F5A and #BA5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5E59 shade: #BA5F5A, #BA785A, #BA925A, #BAAC5A and #ADBA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5E59 shade matches the following richer shades: #BA5F5A, #CD4E47, #E03D34 and #F32B21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5E59 shade: #BA5F5A, #A7706D, #948180, #819293 and #6EA3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5E59 shade: #BA5A88, #BA5A6E, #BA5E5A, #BA785A and #BA925A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5E59 shade: #883D39, #A54A45, #BA5F5A, #C67B77 and #D29794

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5E59 shade: #BA5E59, #A2BA5A and #5A7BBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5E59 shade: #BA5E59, #5ABA5E and #5E5ABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5E59 shade: #BA5E59, #A2BA5A, #5AB5BA and #725ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5E59 shade: #BA5E59, #85BA5A, #5AB5BA and #8F5ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 52 / 27

HEX #BA5E59

RGB 186 94 89

HSL 3.09, 0.41%, 0.54%

LAB 50.88, 36.53, 20.02

 

Complementary color

CMYK 58 / 3 / 0 / 35

HEX #45A1A6

RGB 69 161 166

HSL 183.09, 0.41%, 0.46%

LAB 61.23, -25.5, -10.81

 

CMYK 0 / 51 / 56 / 25

HEX #BF5E54

RGB 191 94 84

HSL 5.61, 0.46%, 0.54%

LAB 51.52, 38, 23.93

 

CMYK 0 / 46 / 50 / 18

HEX #D07067

RGB 208 112 103

HSL 5.14, 0.53%, 0.61%

LAB 58.02, 36.79, 21.98

 

CMYK 0 / 42 / 46 / 12

HEX #E1827A

RGB 225 130 122

HSL 4.66, 0.63%, 0.68%

LAB 64.47, 35.65, 20.3

 

CMYK 0 / 39 / 42 / 5

HEX #F2948D

RGB 242 148 141

HSL 4.16, 0.8%, 0.75%

LAB 70.86, 34.6, 18.81

 

CMYK 0 / 35 / 37 / 0

HEX #FFA6A0

RGB 255 166 160

HSL 3.79, 1%, 0.81%

LAB 76.72, 32.15, 16.76

 

CMYK 0 / 49 / 52 / 27

HEX #BA5E59

RGB 186 94 89

HSL 3.09, 0.41%, 0.54%

LAB 50.88, 36.53, 20.02

 

CMYK 0 / 55 / 59 / 34

HEX #A94C46

RGB 169 76 70

HSL 3.64, 0.41%, 0.47%

LAB 44.3, 37.74, 22.17

 

CMYK 0 / 62 / 66 / 40

HEX #983A33

RGB 152 58 51

HSL 4.16, 0.5%, 0.4%

LAB 37.74, 38.94, 24.77

 

CMYK 0 / 70 / 76 / 47

HEX #872820

RGB 135 40 32

HSL 4.66, 0.62%, 0.33%

LAB 31.28, 39.93, 27.94

 

CMYK 0 / 81 / 89 / 54

HEX #76160D

RGB 118 22 13

HSL 5.14, 0.8%, 0.26%

LAB 25.12, 40.32, 31.47

 

CMYK 0 / 49 / 52 / 27

HEX #BA5F5A

RGB 186 95 90

HSL 3.13, 0.41%, 0.54%

LAB 51.11, 36.1, 19.73

 

CMYK 0 / 52 / 52 / 27

HEX #BA5A5A

RGB 186 90 90

HSL 0, 0.41%, 0.54%

LAB 50.08, 38.69, 18.36

 

CMYK 0 / 49 / 52 / 27

HEX #BA5F5A

RGB 186 95 90

HSL 3.13, 0.41%, 0.54%

LAB 51.11, 36.1, 19.73

 

CMYK 0 / 35 / 52 / 27

HEX #BA785A

RGB 186 120 90

HSL 18.75, 0.41%, 0.54%

LAB 56.69, 22.54, 27.09

 

CMYK 0 / 22 / 52 / 27

HEX #BA925A

RGB 186 146 90

HSL 35, 0.41%, 0.54%

LAB 63.12, 8.14, 35.25

 

CMYK 0 / 8 / 52 / 27

HEX #BAAC5A

RGB 186 172 90

HSL 51.25, 0.41%, 0.54%

LAB 69.95, -5.91, 43.58

 

CMYK 7 / 0 / 52 / 27

HEX #ADBA5A

RGB 173 186 90

HSL 68.13, 0.41%, 0.54%

LAB 72.72, -18.53, 46.6

 

CMYK 0 / 49 / 52 / 27

HEX #BA5F5A

RGB 186 95 90

HSL 3.13, 0.41%, 0.54%

LAB 51.11, 36.1, 19.73

 

CMYK 0 / 62 / 65 / 20

HEX #CD4E47

RGB 205 78 71

HSL 3.13, 0.57%, 0.54%

LAB 50.55, 49.9, 30.71

 

CMYK 0 / 73 / 77 / 12

HEX #E03D34

RGB 224 61 52

HSL 3.14, 0.74%, 0.54%

LAB 51.19, 61.91, 43.01

 

CMYK 0 / 82 / 86 / 5

HEX #F32B21

RGB 243 43 33

HSL 2.86, 0.9%, 0.54%

LAB 52.83, 71.98, 55.31

 

CMYK 0 / 49 / 52 / 27

HEX #BA5F5A

RGB 186 95 90

HSL 3.13, 0.41%, 0.54%

LAB 51.11, 36.1, 19.73

 

CMYK 0 / 33 / 35 / 35

HEX #A7706D

RGB 167 112 109

HSL 3.1, 0.25%, 0.54%

LAB 52.85, 21.41, 10.56

 

CMYK 0 / 13 / 14 / 42

HEX #948180

RGB 148 129 128

HSL 3, 0.09%, 0.54%

LAB 55.64, 7.06, 3.2

 

CMYK 12 / 1 / 0 / 42

HEX #819293

RGB 129 146 147

HSL 183.33, 0.08%, 0.54%

LAB 59.28, -5.85, -2.6

 

CMYK 34 / 2 / 0 / 35

HEX #6EA3A6

RGB 110 163 166

HSL 183.21, 0.24%, 0.54%

LAB 63.56, -16.65, -7.15

 

CMYK 0 / 52 / 27 / 27

HEX #BA5A88

RGB 186 90 136

HSL 331.25, 0.41%, 0.54%

LAB 51.3, 43.98, -7.35

 

CMYK 0 / 52 / 41 / 27

HEX #BA5A6E

RGB 186 90 110

HSL 347.5, 0.41%, 0.54%

LAB 50.54, 40.72, 7.06

 

CMYK 0 / 49 / 52 / 27

HEX #BA5E5A

RGB 186 94 90

HSL 2.5, 0.41%, 0.54%

LAB 50.9, 36.62, 19.46

 

CMYK 0 / 35 / 52 / 27

HEX #BA785A

RGB 186 120 90

HSL 18.75, 0.41%, 0.54%

LAB 56.69, 22.54, 27.09

 

CMYK 0 / 22 / 52 / 27

HEX #BA925A

RGB 186 146 90

HSL 35, 0.41%, 0.54%

LAB 63.12, 8.14, 35.25

 

CMYK 0 / 55 / 58 / 47

HEX #883D39

RGB 136 61 57

HSL 3.04, 0.41%, 0.38%

LAB 35.73, 31.72, 17.95

 

CMYK 0 / 55 / 58 / 35

HEX #A54A45

RGB 165 74 69

HSL 3.13, 0.41%, 0.46%

LAB 43.25, 37.17, 21.28

 

CMYK 0 / 49 / 52 / 27

HEX #BA5F5A

RGB 186 95 90

HSL 3.13, 0.41%, 0.54%

LAB 51.11, 36.1, 19.73

 

CMYK 0 / 38 / 40 / 22

HEX #C67B77

RGB 198 123 119

HSL 3.04, 0.41%, 0.62%

LAB 59.44, 28.73, 14.54

 

CMYK 0 / 28 / 30 / 18

HEX #D29794

RGB 210 151 148

HSL 2.9, 0.41%, 0.7%

LAB 68, 21.74, 10.38

 

CMYK 0 / 49 / 52 / 27

HEX #BA5E59

RGB 186 94 89

HSL 3.09, 0.41%, 0.54%

LAB 50.88, 36.53, 20.02

 

CMYK 13 / 0 / 52 / 27

HEX #A2BA5A

RGB 162 186 90

HSL 75, 0.41%, 0.54%

LAB 71.92, -22.96, 45.46

 

CMYK 52 / 34 / 0 / 27

HEX #5A7BBA

RGB 90 123 186

HSL 219.38, 0.41%, 0.54%

LAB 51.71, 6.36, -36.77

 

CMYK 0 / 49 / 52 / 27

HEX #BA5E59

RGB 186 94 89

HSL 3.09, 0.41%, 0.54%

LAB 50.88, 36.53, 20.02

 

CMYK 52 / 0 / 49 / 27

HEX #5ABA5E

RGB 90 186 94

HSL 122.5, 0.41%, 0.54%

LAB 68.09, -47.34, 37.96

 

CMYK 49 / 52 / 0 / 27

HEX #5E5ABA

RGB 94 90 186

HSL 242.5, 0.41%, 0.54%

LAB 43.12, 27.64, -50.4

 

CMYK 0 / 49 / 52 / 27

HEX #BA5E59

RGB 186 94 89

HSL 3.09, 0.41%, 0.54%

LAB 50.88, 36.53, 20.02

 

CMYK 13 / 0 / 52 / 27

HEX #A2BA5A

RGB 162 186 90

HSL 75, 0.41%, 0.54%

LAB 71.92, -22.96, 45.46

 

CMYK 52 / 3 / 0 / 27

HEX #5AB5BA

RGB 90 181 186

HSL 183.13, 0.41%, 0.54%

LAB 68.58, -25.65, -10.88

 

CMYK 39 / 52 / 0 / 27

HEX #725ABA

RGB 114 90 186

HSL 255, 0.41%, 0.54%

LAB 44.85, 32.4, -47.53

 

CMYK 0 / 49 / 52 / 27

HEX #BA5E59

RGB 186 94 89

HSL 3.09, 0.41%, 0.54%

LAB 50.88, 36.53, 20.02

 

CMYK 28 / 0 / 52 / 27

HEX #85BA5A

RGB 133 186 90

HSL 93.13, 0.41%, 0.54%

LAB 70.07, -34.07, 42.8

 

CMYK 52 / 3 / 0 / 27

HEX #5AB5BA

RGB 90 181 186

HSL 183.13, 0.41%, 0.54%

LAB 68.58, -25.65, -10.88

 

CMYK 23 / 52 / 0 / 27

HEX #8F5ABA

RGB 143 90 186

HSL 273.13, 0.41%, 0.54%

LAB 47.88, 40.03, -42.53

 

Description

Color code: HEX #BA5E59 | qconv.com Color code: HEX #BA5E59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 94 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 94 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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