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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5E11 it is the complementary color #45A1EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5E11 shade: #BF5E0C, #D0701F, #E18232, #F29445 and #FFA658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5E11 shade: #BA5E11, #A94C00, #983A00, #872800 and #761600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5E11 shade: #BB5E11, #BB3111 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5E11 shade: #BB5E11, #BB8C11, #BBBA11, #8EBB11 and #60BB11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5E11 shade matches the following richer shades: #BB5E11 and #CB5D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5E11 shade: #BB5E11, #AA6022, #9A6132, #896343 and #796453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5E11 shade: #BB111F, #BB3011, #BB5E11, #BB8B11 and #BBB811

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5E11 shade: #6F380A, #954B0E, #BB5E11, #E07215 and #EC8733

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5E11 shade: #BA5E11, #4DBB11 and #1A11BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5E11 shade: #BA5E11, #11BB5E and #5E11BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5E11 shade: #BA5E11, #4DBB11, #116EBB and #7F11BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5E11 shade: #BA5E11, #1ABB11, #116EBB and #B211BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 91 / 27

HEX #BA5E11

RGB 186 94 17

HSL 27.34, 0.83%, 0.4%

LAB 50.08, 32.75, 54.79

 

Complementary color

CMYK 71 / 32 / 0 / 7

HEX #45A1EE

RGB 69 161 238

HSL 207.34, 0.83%, 0.6%

LAB 64.1, -2.46, -46.5

 

CMYK 0 / 51 / 94 / 25

HEX #BF5E0C

RGB 191 94 12

HSL 27.49, 0.88%, 0.4%

LAB 50.81, 34.72, 56.95

 

CMYK 0 / 46 / 85 / 18

HEX #D0701F

RGB 208 112 31

HSL 27.46, 0.74%, 0.47%

LAB 57.17, 32.64, 57.26

 

CMYK 0 / 42 / 78 / 12

HEX #E18232

RGB 225 130 50

HSL 27.43, 0.74%, 0.54%

LAB 63.51, 30.75, 56.41

 

CMYK 0 / 39 / 71 / 5

HEX #F29445

RGB 242 148 69

HSL 27.4, 0.87%, 0.61%

LAB 69.81, 29.06, 55.09

 

CMYK 0 / 35 / 65 / 0

HEX #FFA658

RGB 255 166 88

HSL 28.02, 1%, 0.67%

LAB 75.6, 25.93, 52.94

 

CMYK 0 / 49 / 91 / 27

HEX #BA5E11

RGB 186 94 17

HSL 27.34, 0.83%, 0.4%

LAB 50.08, 32.75, 54.79

 

CMYK 0 / 55 / 100 / 34

HEX #A94C00

RGB 169 76 0

HSL 26.98, 1%, 0.33%

LAB 43.66, 34.93, 53.6

 

CMYK 0 / 62 / 100 / 40

HEX #983A00

RGB 152 58 0

HSL 22.89, 1%, 0.3%

LAB 37.3, 37.18, 48.53

 

CMYK 0 / 70 / 100 / 47

HEX #872800

RGB 135 40 0

HSL 17.78, 1%, 0.26%

LAB 31.04, 39.05, 43.21

 

CMYK 0 / 81 / 100 / 54

HEX #761600

RGB 118 22 0

HSL 11.19, 1%, 0.23%

LAB 25.03, 40.04, 36.79

 

CMYK 0 / 50 / 91 / 27

HEX #BB5E11

RGB 187 94 17

HSL 27.18, 0.83%, 0.4%

LAB 50.23, 33.16, 54.97

 

CMYK 0 / 74 / 91 / 27

HEX #BB3111

RGB 187 49 17

HSL 11.29, 0.83%, 0.4%

LAB 42.46, 53.56, 49.31

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 50 / 91 / 27

HEX #BB5E11

RGB 187 94 17

HSL 27.18, 0.83%, 0.4%

LAB 50.23, 33.16, 54.97

 

CMYK 0 / 25 / 91 / 27

HEX #BB8C11

RGB 187 140 17

HSL 43.41, 0.83%, 0.4%

LAB 61.1, 8, 63.18

 

CMYK 0 / 1 / 91 / 27

HEX #BBBA11

RGB 187 186 17

HSL 59.65, 0.83%, 0.4%

LAB 73.37, -16.36, 72.66

 

CMYK 24 / 0 / 91 / 27

HEX #8EBB11

RGB 142 187 17

HSL 75.88, 0.83%, 0.4%

LAB 70.41, -35.74, 68.94

 

CMYK 49 / 0 / 91 / 27

HEX #60BB11

RGB 96 187 17

HSL 92.12, 0.83%, 0.4%

LAB 68.07, -52.18, 66.06

 

CMYK 0 / 50 / 91 / 27

HEX #BB5E11

RGB 187 94 17

HSL 27.18, 0.83%, 0.4%

LAB 50.23, 33.16, 54.97

 

CMYK 0 / 54 / 100 / 20

HEX #CB5D01

RGB 203 93 1

HSL 27.33, 0.99%, 0.4%

LAB 52.43, 39.9, 61.24

 

CMYK 0 / 50 / 91 / 27

HEX #BB5E11

RGB 187 94 17

HSL 27.18, 0.83%, 0.4%

LAB 50.23, 33.16, 54.97

 

CMYK 0 / 44 / 80 / 33

HEX #AA6022

RGB 170 96 34

HSL 27.35, 0.67%, 0.4%

LAB 48.29, 25.38, 46.13

 

CMYK 0 / 37 / 68 / 40

HEX #9A6132

RGB 154 97 50

HSL 27.12, 0.51%, 0.4%

LAB 46.51, 18.62, 35.78

 

CMYK 0 / 28 / 51 / 46

HEX #896343

RGB 137 99 67

HSL 27.43, 0.34%, 0.4%

LAB 45.15, 11.31, 24.16

 

CMYK 0 / 17 / 31 / 53

HEX #796453

RGB 121 100 83

HSL 26.84, 0.19%, 0.4%

LAB 43.95, 5.68, 12.8

 

CMYK 0 / 91 / 83 / 27

HEX #BB111F

RGB 187 17 31

HSL 355.06, 0.83%, 0.4%

LAB 39.69, 61.95, 40.5

 

CMYK 0 / 74 / 91 / 27

HEX #BB3011

RGB 187 48 17

HSL 10.94, 0.83%, 0.4%

LAB 42.34, 53.91, 49.22

 

CMYK 0 / 50 / 91 / 27

HEX #BB5E11

RGB 187 94 17

HSL 27.18, 0.83%, 0.4%

LAB 50.23, 33.16, 54.97

 

CMYK 0 / 26 / 91 / 27

HEX #BB8B11

RGB 187 139 17

HSL 43.06, 0.83%, 0.4%

LAB 60.84, 8.55, 62.99

 

CMYK 0 / 2 / 91 / 27

HEX #BBB811

RGB 187 184 17

HSL 58.94, 0.83%, 0.4%

LAB 72.82, -15.35, 72.24

 

CMYK 0 / 50 / 91 / 56

HEX #6F380A

RGB 111 56 10

HSL 27.33, 0.83%, 0.24%

LAB 29.98, 21.14, 36.49

 

CMYK 0 / 50 / 91 / 42

HEX #954B0E

RGB 149 75 14

HSL 27.11, 0.83%, 0.32%

LAB 40.33, 27.32, 45.84

 

CMYK 0 / 50 / 91 / 27

HEX #BB5E11

RGB 187 94 17

HSL 27.18, 0.83%, 0.4%

LAB 50.23, 33.16, 54.97

 

CMYK 0 / 49 / 91 / 12

HEX #E07215

RGB 224 114 21

HSL 27.49, 0.83%, 0.48%

LAB 59.83, 37.87, 63.4

 

CMYK 0 / 43 / 78 / 7

HEX #EC8733

RGB 236 135 51

HSL 27.24, 0.83%, 0.56%

LAB 66.06, 32.66, 58.94

 

CMYK 0 / 49 / 91 / 27

HEX #BA5E11

RGB 186 94 17

HSL 27.34, 0.83%, 0.4%

LAB 50.08, 32.75, 54.79

 

CMYK 59 / 0 / 91 / 27

HEX #4DBB11

RGB 77 187 17

HSL 98.82, 0.83%, 0.4%

LAB 67.4, -57.52, 65.22

 

CMYK 86 / 91 / 0 / 27

HEX #1A11BB

RGB 26 17 187

HSL 243.18, 0.83%, 0.4%

LAB 24.35, 58.9, -81.93

 

CMYK 0 / 49 / 91 / 27

HEX #BA5E11

RGB 186 94 17

HSL 27.34, 0.83%, 0.4%

LAB 50.08, 32.75, 54.79

 

CMYK 91 / 0 / 50 / 27

HEX #11BB5E

RGB 17 187 94

HSL 147.18, 0.83%, 0.4%

LAB 66.88, -59.72, 36.1

 

CMYK 50 / 91 / 0 / 27

HEX #5E11BB

RGB 94 17 187

HSL 267.18, 0.83%, 0.4%

LAB 30.32, 63.04, -71.83

 

CMYK 0 / 49 / 91 / 27

HEX #BA5E11

RGB 186 94 17

HSL 27.34, 0.83%, 0.4%

LAB 50.08, 32.75, 54.79

 

CMYK 59 / 0 / 91 / 27

HEX #4DBB11

RGB 77 187 17

HSL 98.82, 0.83%, 0.4%

LAB 67.4, -57.52, 65.22

 

CMYK 91 / 41 / 0 / 27

HEX #116EBB

RGB 17 110 187

HSL 207.18, 0.83%, 0.4%

LAB 45.44, 4.03, -47.44

 

CMYK 32 / 91 / 0 / 27

HEX #7F11BB

RGB 127 17 187

HSL 278.82, 0.83%, 0.4%

LAB 35, 66.87, -63.97

 

CMYK 0 / 49 / 91 / 27

HEX #BA5E11

RGB 186 94 17

HSL 27.34, 0.83%, 0.4%

LAB 50.08, 32.75, 54.79

 

CMYK 86 / 0 / 91 / 27

HEX #1ABB11

RGB 26 187 17

HSL 116.82, 0.83%, 0.4%

LAB 66.37, -66.33, 63.94

 

CMYK 91 / 41 / 0 / 27

HEX #116EBB

RGB 17 110 187

HSL 207.18, 0.83%, 0.4%

LAB 45.44, 4.03, -47.44

 

CMYK 5 / 91 / 0 / 27

HEX #B211BB

RGB 178 17 187

HSL 296.82, 0.83%, 0.4%

LAB 43.44, 74.62, -49.9

 

Description

Color code: HEX #BA5E11 | qconv.com Color code: HEX #BA5E11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 94 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 94 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 91 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 91% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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