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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5A8C it is the complementary color #45A573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5A8C shade: #BF5A87, #D06C9A, #E17EAD, #F290C0 and #FFA2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5A8C shade: #BA5A8C, #A94879, #983666, #872453 and #761240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5A8C shade: #BA5A8C, #BA5A72 and #BA5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5A8C shade: #BA5A8C, #BA5AA6, #B45ABA, #9A5ABA and #805ABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5A8C shade matches the following richer shades: #BA5A8C, #CD478C, #E0348D and #F3218E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5A8C shade: #BA5A8C, #A76D8B, #94808A, #819389 and #6EA689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5A8C shade: #B35ABA, #BA5AA7, #BA5A8D, #BA5A73 and #BA5A5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5A8C shade: #883962, #A54577, #BA5A8C, #C677A0 and #D294B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5A8C shade: #BA5A8C, #BA9A5A and #5AB3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5A8C shade: #BA5A8C, #8DBA5A and #5A8DBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5A8C shade: #BA5A8C, #BA9A5A, #5ABA86 and #5A7ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5A8C shade: #BA5A8C, #BAB75A, #5ABA86 and #5A5DBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

Complementary color

CMYK 58 / 0 / 30 / 35

HEX #45A573

RGB 69 165 115

HSL 148.75, 0.41%, 0.46%

LAB 61.14, -40.15, 17.65

 

CMYK 0 / 53 / 29 / 25

HEX #BF5A87

RGB 191 90 135

HSL 333.27, 0.44%, 0.55%

LAB 51.99, 45.52, -5.65

 

CMYK 0 / 48 / 26 / 18

HEX #D06C9A

RGB 208 108 154

HSL 332.4, 0.52%, 0.62%

LAB 58.48, 44.74, -6.9

 

CMYK 0 / 44 / 23 / 12

HEX #E17EAD

RGB 225 126 173

HSL 331.52, 0.62%, 0.69%

LAB 64.92, 43.93, -7.96

 

CMYK 0 / 40 / 21 / 5

HEX #F290C0

RGB 242 144 192

HSL 330.61, 0.79%, 0.76%

LAB 71.3, 43.12, -8.89

 

CMYK 0 / 36 / 17 / 0

HEX #FFA2D3

RGB 255 162 211

HSL 328.39, 1%, 0.82%

LAB 77.16, 41.01, -10.46

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 57 / 28 / 34

HEX #A94879

RGB 169 72 121

HSL 329.69, 0.4%, 0.47%

LAB 44.87, 45.22, -8.19

 

CMYK 0 / 64 / 33 / 40

HEX #983666

RGB 152 54 102

HSL 330.61, 0.48%, 0.4%

LAB 38.33, 45.68, -6.49

 

CMYK 0 / 73 / 39 / 47

HEX #872453

RGB 135 36 83

HSL 331.52, 0.58%, 0.34%

LAB 31.89, 45.68, -4.23

 

CMYK 0 / 85 / 46 / 54

HEX #761240

RGB 118 18 64

HSL 332.4, 0.74%, 0.27%

LAB 25.73, 44.73, -1.06

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 52 / 39 / 27

HEX #BA5A72

RGB 186 90 114

HSL 345, 0.41%, 0.54%

LAB 50.65, 41.18, 4.82

 

CMYK 0 / 52 / 52 / 27

HEX #BA5A5A

RGB 186 90 90

HSL 0, 0.41%, 0.54%

LAB 50.08, 38.69, 18.36

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 52 / 11 / 27

HEX #BA5AA6

RGB 186 90 166

HSL 312.5, 0.41%, 0.54%

LAB 52.4, 48.55, -23.38

 

CMYK 3 / 52 / 0 / 27

HEX #B45ABA

RGB 180 90 186

HSL 296.25, 0.41%, 0.54%

LAB 52.47, 50.32, -34.98

 

CMYK 17 / 52 / 0 / 27

HEX #9A5ABA

RGB 154 90 186

HSL 280, 0.41%, 0.54%

LAB 49.16, 43.05, -40.4

 

CMYK 31 / 52 / 0 / 27

HEX #805ABA

RGB 128 90 186

HSL 263.75, 0.41%, 0.54%

LAB 46.24, 36, -45.23

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 65 / 32 / 20

HEX #CD478C

RGB 205 71 140

HSL 329.1, 0.57%, 0.54%

LAB 51.13, 59.08, -9.69

 

CMYK 0 / 77 / 37 / 12

HEX #E0348D

RGB 224 52 141

HSL 328.95, 0.74%, 0.54%

LAB 52.09, 70.84, -8.51

 

CMYK 0 / 86 / 42 / 5

HEX #F3218E

RGB 243 33 142

HSL 328.86, 0.9%, 0.54%

LAB 54.13, 79.73, -5.7

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 35 / 17 / 35

HEX #A76D8B

RGB 167 109 139

HSL 328.97, 0.25%, 0.54%

LAB 52.97, 27.57, -6.91

 

CMYK 0 / 14 / 7 / 42

HEX #94808A

RGB 148 128 138

HSL 330, 0.09%, 0.54%

LAB 55.65, 9.44, -2.58

 

CMYK 12 / 0 / 7 / 42

HEX #819389

RGB 129 147 137

HSL 146.67, 0.08%, 0.54%

LAB 59.29, -8.48, 3.11

 

CMYK 34 / 0 / 17 / 35

HEX #6EA689

RGB 110 166 137

HSL 148.93, 0.24%, 0.54%

LAB 63.67, -24.83, 9.24

 

CMYK 4 / 52 / 0 / 27

HEX #B35ABA

RGB 179 90 186

HSL 295.63, 0.41%, 0.54%

LAB 52.33, 50.04, -35.2

 

CMYK 0 / 52 / 10 / 27

HEX #BA5AA7

RGB 186 90 167

HSL 311.88, 0.41%, 0.54%

LAB 52.44, 48.72, -23.9

 

CMYK 0 / 52 / 24 / 27

HEX #BA5A8D

RGB 186 90 141

HSL 328.13, 0.41%, 0.54%

LAB 51.47, 44.69, -10.07

 

CMYK 0 / 52 / 38 / 27

HEX #BA5A73

RGB 186 90 115

HSL 344.38, 0.41%, 0.54%

LAB 50.67, 41.29, 4.26

 

CMYK 0 / 52 / 52 / 27

HEX #BA5A5A

RGB 186 90 90

HSL 0, 0.41%, 0.54%

LAB 50.08, 38.69, 18.36

 

CMYK 0 / 58 / 28 / 47

HEX #883962

RGB 136 57 98

HSL 328.86, 0.41%, 0.38%

LAB 36.07, 38.51, -7.62

 

CMYK 0 / 58 / 28 / 35

HEX #A54577

RGB 165 69 119

HSL 328.75, 0.41%, 0.46%

LAB 43.64, 45.1, -8.88

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 40 / 19 / 22

HEX #C677A0

RGB 198 119 160

HSL 328.86, 0.41%, 0.62%

LAB 59.65, 36.45, -8.76

 

CMYK 0 / 30 / 14 / 18

HEX #D294B4

RGB 210 148 180

HSL 329.03, 0.41%, 0.7%

LAB 68.15, 28.15, -7.29

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 17 / 52 / 27

HEX #BA9A5A

RGB 186 154 90

HSL 40, 0.41%, 0.54%

LAB 65.19, 3.76, 37.81

 

CMYK 52 / 4 / 0 / 27

HEX #5AB3BA

RGB 90 179 186

HSL 184.38, 0.41%, 0.54%

LAB 67.99, -24.65, -11.76

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 24 / 0 / 52 / 27

HEX #8DBA5A

RGB 141 186 90

HSL 88.13, 0.41%, 0.54%

LAB 70.54, -31.11, 43.48

 

CMYK 52 / 24 / 0 / 27

HEX #5A8DBA

RGB 90 141 186

HSL 208.13, 0.41%, 0.54%

LAB 56.85, -4.22, -28.74

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 17 / 52 / 27

HEX #BA9A5A

RGB 186 154 90

HSL 40, 0.41%, 0.54%

LAB 65.19, 3.76, 37.81

 

CMYK 52 / 0 / 28 / 27

HEX #5ABA86

RGB 90 186 134

HSL 147.5, 0.41%, 0.54%

LAB 68.76, -40.45, 17.89

 

CMYK 52 / 34 / 0 / 27

HEX #5A7ABA

RGB 90 122 186

HSL 220, 0.41%, 0.54%

LAB 51.43, 6.96, -37.21

 

CMYK 0 / 52 / 25 / 27

HEX #BA5A8C

RGB 186 90 140

HSL 328.75, 0.41%, 0.54%

LAB 51.43, 44.55, -9.53

 

CMYK 0 / 2 / 52 / 27

HEX #BAB75A

RGB 186 183 90

HSL 58.13, 0.41%, 0.54%

LAB 72.92, -11.64, 47.09

 

CMYK 52 / 0 / 28 / 27

HEX #5ABA86

RGB 90 186 134

HSL 147.5, 0.41%, 0.54%

LAB 68.76, -40.45, 17.89

 

CMYK 52 / 50 / 0 / 27

HEX #5A5DBA

RGB 90 93 186

HSL 238.13, 0.41%, 0.54%

LAB 43.58, 24.88, -49.68

 

Description

Color code: HEX #BA5A8C | qconv.com Color code: HEX #BA5A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 90 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 90 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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