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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5944 it is the complementary color #45A6BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5944. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BA5944: #BF593F, #D06B52, #E17D65, #F28F78 and #FFA18B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5944. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BA5944: #BA5944, #A94731, #98351E, #87230B and #761100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

Complementary color

CMYK 63 / 11 / 0 / 27

HEX #45A6BB

RGB 69 166 187

HSL 190.68, 0.46%, 0.5%

LAB 63.45, -21.83, -19.25

 

CMYK 0 / 53 / 67 / 25

HEX #BF593F

RGB 191 89 63

HSL 12.19, 0.5%, 0.5%

LAB 50.19, 39.08, 34.31

 

CMYK 0 / 49 / 61 / 18

HEX #D06B52

RGB 208 107 82

HSL 11.9, 0.57%, 0.57%

LAB 56.62, 37.67, 32.09

 

CMYK 0 / 44 / 55 / 12

HEX #E17D65

RGB 225 125 101

HSL 11.61, 0.67%, 0.64%

LAB 63.02, 36.36, 30.12

 

CMYK 0 / 41 / 50 / 5

HEX #F28F78

RGB 242 143 120

HSL 11.31, 0.82%, 0.71%

LAB 69.38, 35.14, 28.38

 

CMYK 0 / 37 / 45 / 0

HEX #FFA18B

RGB 255 161 139

HSL 11.38, 1%, 0.77%

LAB 75.21, 32.52, 26.09

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 0 / 58 / 71 / 34

HEX #A94731

RGB 169 71 49

HSL 11, 0.55%, 0.43%

LAB 43.01, 38.88, 32.92

 

CMYK 0 / 65 / 80 / 40

HEX #98351E

RGB 152 53 30

HSL 11.31, 0.67%, 0.36%

LAB 36.58, 40.24, 35.66

 

CMYK 0 / 74 / 92 / 47

HEX #87230B

RGB 135 35 11

HSL 11.61, 0.85%, 0.29%

LAB 30.34, 41.31, 38.22

 

CMYK 0 / 86 / 100 / 54

HEX #761100

RGB 118 17 0

HSL 8.64, 1%, 0.23%

LAB 24.49, 41.56, 36.27

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 0 / 42 / 63 / 27

HEX #BA6B44

RGB 186 107 68

HSL 19.83, 0.46%, 0.5%

LAB 53.35, 27.91, 35.14

 

CMYK 0 / 32 / 63 / 27

HEX #BA7F44

RGB 186 127 68

HSL 30, 0.46%, 0.5%

LAB 58.07, 16.88, 40.68

 

CMYK 0 / 21 / 63 / 27

HEX #BA9344

RGB 186 147 68

HSL 40.17, 0.46%, 0.5%

LAB 63.11, 5.83, 46.41

 

CMYK 0 / 11 / 63 / 27

HEX #BAA644

RGB 186 166 68

HSL 49.83, 0.46%, 0.5%

LAB 68.12, -4.43, 51.91

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 0 / 52 / 63 / 7

HEX #ED7157

RGB 237 113 87

HSL 10.4, 0.81%, 0.64%

LAB 62.09, 45.92, 37.01

 

CMYK 0 / 52 / 64 / 87

HEX #21100C

RGB 33 16 12

HSL 11.43, 0.47%, 0.09%

LAB 6.51, 7.93, 4.92

 

CMYK 0 / 52 / 63 / 67

HEX #54281F

RGB 84 40 31

HSL 10.19, 0.46%, 0.23%

LAB 21.95, 19.46, 15.18

 

CMYK 0 / 52 / 64 / 47

HEX #874131

RGB 135 65 49

HSL 11.16, 0.47%, 0.36%

LAB 36.28, 28.5, 23.55

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 23 / 0 / 63 / 27

HEX #8FBA44

RGB 143 186 68

HSL 81.86, 0.46%, 0.5%

LAB 70.44, -32.41, 53.47

 

CMYK 63 / 48 / 0 / 27

HEX #4460BA

RGB 68 96 186

HSL 225.76, 0.46%, 0.5%

LAB 42.97, 18.56, -50.72

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 63 / 0 / 53 / 27

HEX #44BA58

RGB 68 186 88

HSL 130.17, 0.46%, 0.5%

LAB 67.32, -53.51, 39.81

 

CMYK 53 / 63 / 0 / 27

HEX #5844BA

RGB 88 68 186

HSL 250.17, 0.46%, 0.5%

LAB 37.4, 39.77, -59.67

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 23 / 0 / 63 / 27

HEX #8FBA44

RGB 143 186 68

HSL 81.86, 0.46%, 0.5%

LAB 70.44, -32.41, 53.47

 

CMYK 63 / 11 / 0 / 27

HEX #44A6BA

RGB 68 166 186

HSL 190.17, 0.46%, 0.5%

LAB 63.38, -22.3, -18.79

 

CMYK 40 / 63 / 0 / 27

HEX #6F44BA

RGB 111 68 186

HSL 261.86, 0.46%, 0.5%

LAB 39.68, 44.37, -55.86

 

CMYK 0 / 52 / 63 / 27

HEX #BA5944

RGB 186 89 68

HSL 10.68, 0.46%, 0.5%

LAB 49.5, 37.47, 30.46

 

CMYK 42 / 0 / 63 / 27

HEX #6BBA44

RGB 107 186 68

HSL 100.17, 0.46%, 0.5%

LAB 68.5, -45.32, 50.8

 

CMYK 63 / 11 / 0 / 27

HEX #44A6BA

RGB 68 166 186

HSL 190.17, 0.46%, 0.5%

LAB 63.38, -22.3, -18.79

 

CMYK 21 / 63 / 0 / 27

HEX #9344BA

RGB 147 68 186

HSL 280.17, 0.46%, 0.5%

LAB 44.06, 52.51, -48.58

 

Description

Color code: HEX #BA5944 | qconv.com Color code: HEX #BA5944 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 89 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 89 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 63 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 63% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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