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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA57EC it is the complementary color #45A813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA57EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA57EC shade: #BF57E7, #D069FA, #E17BFF, #F28DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA57EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA57EC shade: #BA57EC, #A945D9, #9833C6, #8721B3 and #760FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA57EC shade: #B955EC, #E255EC, #EC55CD, #EC55A5 and #EC557C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA57EC shade: #B955EC, #9155EC, #6855EC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA57EC shade matches the following richer shades: #B955EC and #BF46FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA57EC shade: #B955EC, #B464DD, #AF74CE, #AA83BE and #A592AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA57EC shade: #6755EC, #8F55EC, #B755EC, #E055EC and #EC55D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA57EC shade: #9718D7, #AA30E8, #B955EC, #C97AF0 and #D89FF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA57EC shade: #BA57EC, #EC556C and #55EC7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA57EC shade: #BA57EC, #ECB755 and #55ECB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA57EC shade: #BA57EC, #EC556C, #8AEC55 and #55ECD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA57EC shade: #BA57EC, #EC6C55, #8AEC55 and #55D5EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 63 / 0 / 7

HEX #BA57EC

RGB 186 87 236

HSL 279.87, 0.8%, 0.63%

LAB 55.39, 63.18, -58.73

 

Complementary color

CMYK 59 / 0 / 89 / 34

HEX #45A813

RGB 69 168 19

HSL 99.87, 0.8%, 0.37%

LAB 61.06, -52.82, 59.38

 

CMYK 17 / 62 / 0 / 9

HEX #BF57E7

RGB 191 87 231

HSL 283.33, 0.75%, 0.62%

LAB 55.75, 63.29, -55.32

 

CMYK 17 / 58 / 0 / 2

HEX #D069FA

RGB 208 105 250

HSL 282.62, 0.94%, 0.7%

LAB 62.01, 62.8, -55.78

 

CMYK 12 / 52 / 0 / 0

HEX #E17BFF

RGB 225 123 255

HSL 286.36, 1%, 0.74%

LAB 67.57, 59.41, -49.58

 

CMYK 5 / 45 / 0 / 0

HEX #F28DFF

RGB 242 141 255

HSL 293.16, 1%, 0.78%

LAB 72.99, 55.11, -40.94

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 21 / 63 / 0 / 7

HEX #BA57EC

RGB 186 87 236

HSL 279.87, 0.8%, 0.63%

LAB 55.39, 63.18, -58.73

 

CMYK 22 / 68 / 0 / 15

HEX #A945D9

RGB 169 69 217

HSL 280.54, 0.66%, 0.56%

LAB 49.13, 63.49, -58.18

 

CMYK 23 / 74 / 0 / 22

HEX #9833C6

RGB 152 51 198

HSL 281.22, 0.59%, 0.49%

LAB 42.94, 63.38, -57.34

 

CMYK 25 / 82 / 0 / 30

HEX #8721B3

RGB 135 33 179

HSL 281.92, 0.69%, 0.42%

LAB 36.92, 62.57, -56.06

 

CMYK 26 / 91 / 0 / 37

HEX #760FA0

RGB 118 15 160

HSL 282.62, 0.83%, 0.34%

LAB 31.19, 60.59, -54.09

 

CMYK 22 / 64 / 0 / 7

HEX #B955EC

RGB 185 85 236

HSL 279.74, 0.8%, 0.63%

LAB 54.94, 63.86, -59.47

 

CMYK 4 / 64 / 0 / 7

HEX #E255EC

RGB 226 85 236

HSL 296.03, 0.8%, 0.63%

LAB 60.54, 73.07, -50.21

 

CMYK 0 / 64 / 13 / 7

HEX #EC55CD

RGB 236 85 205

HSL 312.32, 0.8%, 0.63%

LAB 60.55, 70.58, -32.65

 

CMYK 0 / 64 / 30 / 7

HEX #EC55A5

RGB 236 85 165

HSL 328.21, 0.8%, 0.63%

LAB 59.02, 65.28, -12.04

 

CMYK 0 / 64 / 47 / 7

HEX #EC557C

RGB 236 85 124

HSL 344.5, 0.8%, 0.63%

LAB 57.83, 61.01, 10.19

 

CMYK 22 / 64 / 0 / 7

HEX #B955EC

RGB 185 85 236

HSL 279.74, 0.8%, 0.63%

LAB 54.94, 63.86, -59.47

 

CMYK 39 / 64 / 0 / 7

HEX #9155EC

RGB 145 85 236

HSL 263.84, 0.8%, 0.63%

LAB 50.18, 55.41, -67.38

 

CMYK 56 / 64 / 0 / 7

HEX #6855EC

RGB 104 85 236

HSL 247.55, 0.8%, 0.63%

LAB 46.31, 47.9, -73.85

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 22 / 64 / 0 / 7

HEX #B955EC

RGB 185 85 236

HSL 279.74, 0.8%, 0.63%

LAB 54.94, 63.86, -59.47

 

CMYK 24 / 72 / 0 / 2

HEX #BF46FB

RGB 191 70 251

HSL 280.11, 0.96%, 0.63%

LAB 54.47, 74.31, -68.55

 

CMYK 22 / 64 / 0 / 7

HEX #B955EC

RGB 185 85 236

HSL 279.74, 0.8%, 0.63%

LAB 54.94, 63.86, -59.47

 

CMYK 19 / 55 / 0 / 13

HEX #B464DD

RGB 180 100 221

HSL 279.67, 0.64%, 0.63%

LAB 56.13, 52.31, -49.18

 

CMYK 15 / 44 / 0 / 19

HEX #AF74CE

RGB 175 116 206

HSL 279.33, 0.48%, 0.63%

LAB 58.09, 39.23, -37.64

 

CMYK 11 / 31 / 0 / 25

HEX #AA83BE

RGB 170 131 190

HSL 279.66, 0.31%, 0.63%

LAB 60.33, 25.87, -25.14

 

CMYK 6 / 17 / 0 / 31

HEX #A592AF

RGB 165 146 175

HSL 279.31, 0.15%, 0.63%

LAB 63.05, 12.55, -12.56

 

CMYK 56 / 64 / 0 / 7

HEX #6755EC

RGB 103 85 236

HSL 247.15, 0.8%, 0.63%

LAB 46.23, 47.73, -73.99

 

CMYK 39 / 64 / 0 / 7

HEX #8F55EC

RGB 143 85 236

HSL 263.05, 0.8%, 0.63%

LAB 49.97, 55.01, -67.73

 

CMYK 22 / 64 / 0 / 7

HEX #B755EC

RGB 183 85 236

HSL 278.94, 0.8%, 0.63%

LAB 54.68, 63.42, -59.9

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 0 / 64 / 12 / 7

HEX #EC55D0

RGB 236 85 208

HSL 311.13, 0.8%, 0.63%

LAB 60.68, 71.02, -34.15

 

CMYK 30 / 89 / 0 / 16

HEX #9718D7

RGB 151 24 215

HSL 279.9, 0.8%, 0.47%

LAB 41.44, 74.3, -69.63

 

CMYK 27 / 79 / 0 / 9

HEX #AA30E8

RGB 170 48 232

HSL 279.78, 0.8%, 0.55%

LAB 47.61, 74.4, -69.16

 

CMYK 22 / 64 / 0 / 7

HEX #B955EC

RGB 185 85 236

HSL 279.74, 0.8%, 0.63%

LAB 54.94, 63.86, -59.47

 

CMYK 16 / 49 / 0 / 6

HEX #C97AF0

RGB 201 122 240

HSL 280.17, 0.8%, 0.71%

LAB 63.86, 50.54, -47.38

 

CMYK 11 / 35 / 0 / 4

HEX #D89FF4

RGB 216 159 244

HSL 280.24, 0.79%, 0.79%

LAB 73.5, 35.99, -34.39

 

CMYK 21 / 63 / 0 / 7

HEX #BA57EC

RGB 186 87 236

HSL 279.87, 0.8%, 0.63%

LAB 55.39, 63.18, -58.73

 

CMYK 0 / 64 / 54 / 7

HEX #EC556C

RGB 236 85 108

HSL 350.86, 0.8%, 0.63%

LAB 57.48, 59.69, 19.08

 

CMYK 64 / 0 / 48 / 7

HEX #55EC7B

RGB 85 236 123

HSL 135.1, 0.8%, 0.63%

LAB 83.63, -63.31, 43.09

 

CMYK 21 / 63 / 0 / 7

HEX #BA57EC

RGB 186 87 236

HSL 279.87, 0.8%, 0.63%

LAB 55.39, 63.18, -58.73

 

CMYK 0 / 22 / 64 / 7

HEX #ECB755

RGB 236 183 85

HSL 38.94, 0.8%, 0.63%

LAB 77.49, 8.98, 55.88

 

CMYK 64 / 0 / 22 / 7

HEX #55ECB7

RGB 85 236 183

HSL 158.94, 0.8%, 0.63%

LAB 84.66, -52.17, 14.09

 

CMYK 21 / 63 / 0 / 7

HEX #BA57EC

RGB 186 87 236

HSL 279.87, 0.8%, 0.63%

LAB 55.39, 63.18, -58.73

 

CMYK 0 / 64 / 54 / 7

HEX #EC556C

RGB 236 85 108

HSL 350.86, 0.8%, 0.63%

LAB 57.48, 59.69, 19.08

 

CMYK 42 / 0 / 64 / 7

HEX #8AEC55

RGB 138 236 85

HSL 98.94, 0.8%, 0.63%

LAB 85.02, -54.25, 62.17

 

CMYK 64 / 0 / 10 / 7

HEX #55ECD5

RGB 85 236 213

HSL 170.86, 0.8%, 0.63%

LAB 85.37, -45.06, -0.61

 

CMYK 21 / 63 / 0 / 7

HEX #BA57EC

RGB 186 87 236

HSL 279.87, 0.8%, 0.63%

LAB 55.39, 63.18, -58.73

 

CMYK 0 / 54 / 64 / 7

HEX #EC6C55

RGB 236 108 85

HSL 9.14, 0.8%, 0.63%

LAB 60.97, 47.84, 36.71

 

CMYK 42 / 0 / 64 / 7

HEX #8AEC55

RGB 138 236 85

HSL 98.94, 0.8%, 0.63%

LAB 85.02, -54.25, 62.17

 

CMYK 64 / 10 / 0 / 7

HEX #55D5EC

RGB 85 213 236

HSL 189.14, 0.8%, 0.63%

LAB 79.37, -28.2, -21.75

 

Description

Color code: HEX #BA57EC | qconv.com Color code: HEX #BA57EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 87 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 87 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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