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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA575A it is the complementary color #45A8A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA575A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA575A shade: #BF5755, #D06968, #E17B7B, #F28D8E and #FF9FA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA575A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA575A shade: #BA575A, #A94547, #983334, #872121 and #760F0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA575A shade: #BB585B and #BB5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA575A shade: #BB585B, #BB5876, #BB5891, #BB58AB and #B058BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA575A shade matches the following richer shades: #BB585B, #CE454A, #E13238 and #F41F26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA575A shade: #BB585B, #A86B6D, #957E7F, #829191 and #6FA4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA575A shade: #BB5890, #BB5876, #BB585C, #BB6F58 and #BB8A58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA575A shade: #89383A, #A64447, #BB585B, #C77678 and #D39395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA575A shade: #BA575A, #ABBB58 and #5883BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA575A shade: #BA575A, #5CBB58 and #585CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA575A shade: #BA575A, #ABBB58, #58BBB8 and #6958BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA575A shade: #BA575A, #8DBB58, #58BBB8 and #8658BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 52 / 27

HEX #BA575A

RGB 186 87 90

HSL 358.18, 0.42%, 0.54%

LAB 49.49, 40.22, 17.55

 

Complementary color

CMYK 59 / 0 / 2 / 34

HEX #45A8A5

RGB 69 168 165

HSL 178.18, 0.42%, 0.46%

LAB 63.33, -29.25, -7.11

 

CMYK 0 / 54 / 55 / 25

HEX #BF5755

RGB 191 87 85

HSL 1.13, 0.45%, 0.54%

LAB 50.15, 41.63, 21.55

 

CMYK 0 / 50 / 50 / 18

HEX #D06968

RGB 208 105 104

HSL 0.58, 0.53%, 0.61%

LAB 56.6, 40.49, 19.5

 

CMYK 0 / 45 / 45 / 12

HEX #E17B7B

RGB 225 123 123

HSL 0, 0.63%, 0.68%

LAB 63.01, 39.38, 17.74

 

CMYK 0 / 42 / 41 / 5

HEX #F28D8E

RGB 242 141 142

HSL 359.41, 0.8%, 0.75%

LAB 69.38, 38.33, 16.21

 

CMYK 0 / 38 / 37 / 0

HEX #FF9FA1

RGB 255 159 161

HSL 358.75, 1%, 0.81%

LAB 75.22, 35.9, 14.11

 

CMYK 0 / 53 / 52 / 27

HEX #BA575A

RGB 186 87 90

HSL 358.18, 0.42%, 0.54%

LAB 49.49, 40.22, 17.55

 

CMYK 0 / 59 / 58 / 34

HEX #A94547

RGB 169 69 71

HSL 358.8, 0.42%, 0.47%

LAB 42.98, 41.3, 19.84

 

CMYK 0 / 66 / 66 / 40

HEX #983334

RGB 152 51 52

HSL 359.41, 0.5%, 0.4%

LAB 36.54, 42.25, 22.66

 

CMYK 0 / 76 / 76 / 47

HEX #872121

RGB 135 33 33

HSL 0, 0.61%, 0.33%

LAB 30.28, 42.79, 26.2

 

CMYK 0 / 87 / 88 / 54

HEX #760F0E

RGB 118 15 14

HSL 0.58, 0.79%, 0.26%

LAB 24.4, 42.4, 30.29

 

CMYK 0 / 53 / 51 / 27

HEX #BB585B

RGB 187 88 91

HSL 358.18, 0.42%, 0.54%

LAB 49.86, 40.17, 17.48

 

CMYK 0 / 53 / 53 / 27

HEX #BB5858

RGB 187 88 88

HSL 0, 0.42%, 0.54%

LAB 49.8, 39.9, 19.18

 

CMYK 0 / 53 / 51 / 27

HEX #BB585B

RGB 187 88 91

HSL 358.18, 0.42%, 0.54%

LAB 49.86, 40.17, 17.48

 

CMYK 0 / 53 / 37 / 27

HEX #BB5876

RGB 187 88 118

HSL 341.82, 0.42%, 0.54%

LAB 50.51, 43.01, 2.25

 

CMYK 0 / 53 / 22 / 27

HEX #BB5891

RGB 187 88 145

HSL 325.45, 0.42%, 0.54%

LAB 51.37, 46.59, -12.58

 

CMYK 0 / 53 / 9 / 27

HEX #BB58AB

RGB 187 88 171

HSL 309.7, 0.42%, 0.54%

LAB 52.38, 50.66, -26.33

 

CMYK 6 / 53 / 0 / 27

HEX #B058BB

RGB 176 88 187

HSL 293.33, 0.42%, 0.54%

LAB 51.61, 50.39, -36.94

 

CMYK 0 / 53 / 51 / 27

HEX #BB585B

RGB 187 88 91

HSL 358.18, 0.42%, 0.54%

LAB 49.86, 40.17, 17.48

 

CMYK 0 / 67 / 64 / 19

HEX #CE454A

RGB 206 69 74

HSL 357.81, 0.58%, 0.54%

LAB 49.34, 54.26, 27.48

 

CMYK 0 / 78 / 75 / 12

HEX #E13238

RGB 225 50 56

HSL 357.94, 0.74%, 0.54%

LAB 50.19, 65.81, 39.77

 

CMYK 0 / 87 / 84 / 4

HEX #F41F26

RGB 244 31 38

HSL 358.03, 0.91%, 0.54%

LAB 52.23, 74.71, 52.56

 

CMYK 0 / 53 / 51 / 27

HEX #BB585B

RGB 187 88 91

HSL 358.18, 0.42%, 0.54%

LAB 49.86, 40.17, 17.48

 

CMYK 0 / 36 / 35 / 34

HEX #A86B6D

RGB 168 107 109

HSL 358.03, 0.26%, 0.54%

LAB 51.77, 24.63, 9.07

 

CMYK 0 / 15 / 15 / 42

HEX #957E7F

RGB 149 126 127

HSL 357.39, 0.1%, 0.54%

LAB 54.91, 9, 2.74

 

CMYK 10 / 0 / 0 / 43

HEX #829191

RGB 130 145 145

HSL 180, 0.06%, 0.54%

LAB 59.01, -5.37, -1.84

 

CMYK 32 / 0 / 1 / 36

HEX #6FA4A3

RGB 111 164 163

HSL 178.87, 0.23%, 0.54%

LAB 63.82, -17.63, -5.08

 

CMYK 0 / 53 / 23 / 27

HEX #BB5890

RGB 187 88 144

HSL 326.06, 0.42%, 0.54%

LAB 51.33, 46.44, -12.04

 

CMYK 0 / 53 / 37 / 27

HEX #BB5876

RGB 187 88 118

HSL 341.82, 0.42%, 0.54%

LAB 50.51, 43.01, 2.25

 

CMYK 0 / 53 / 51 / 27

HEX #BB585C

RGB 187 88 92

HSL 357.58, 0.42%, 0.54%

LAB 49.88, 40.26, 16.91

 

CMYK 0 / 41 / 53 / 27

HEX #BB6F58

RGB 187 111 88

HSL 13.94, 0.42%, 0.54%

LAB 54.7, 27.72, 25.66

 

CMYK 0 / 26 / 53 / 27

HEX #BB8A58

RGB 187 138 88

HSL 30.3, 0.42%, 0.54%

LAB 61.17, 12.8, 33.91

 

CMYK 0 / 59 / 58 / 46

HEX #89383A

RGB 137 56 58

HSL 358.52, 0.42%, 0.38%

LAB 34.91, 34.8, 16.27

 

CMYK 0 / 59 / 57 / 35

HEX #A64447

RGB 166 68 71

HSL 358.16, 0.42%, 0.46%

LAB 42.3, 40.69, 18.85

 

CMYK 0 / 53 / 51 / 27

HEX #BB585B

RGB 187 88 91

HSL 358.18, 0.42%, 0.54%

LAB 49.86, 40.17, 17.48

 

CMYK 0 / 41 / 40 / 22

HEX #C77678

RGB 199 118 120

HSL 358.52, 0.42%, 0.62%

LAB 58.47, 31.94, 12.63

 

CMYK 0 / 30 / 29 / 17

HEX #D39395

RGB 211 147 149

HSL 358.13, 0.42%, 0.7%

LAB 67.19, 24.42, 8.68

 

CMYK 0 / 53 / 52 / 27

HEX #BA575A

RGB 186 87 90

HSL 358.18, 0.42%, 0.54%

LAB 49.49, 40.22, 17.55

 

CMYK 9 / 0 / 53 / 27

HEX #ABBB58

RGB 171 187 88

HSL 69.7, 0.42%, 0.54%

LAB 72.83, -20.03, 47.64

 

CMYK 53 / 30 / 0 / 27

HEX #5883BB

RGB 88 131 187

HSL 213.94, 0.42%, 0.54%

LAB 53.92, 1.44, -33.89

 

CMYK 0 / 53 / 52 / 27

HEX #BA575A

RGB 186 87 90

HSL 358.18, 0.42%, 0.54%

LAB 49.49, 40.22, 17.55

 

CMYK 51 / 0 / 53 / 27

HEX #5CBB58

RGB 92 187 88

HSL 117.58, 0.42%, 0.54%

LAB 68.4, -48.01, 41.31

 

CMYK 53 / 51 / 0 / 27

HEX #585CBB

RGB 88 92 187

HSL 237.58, 0.42%, 0.54%

LAB 43.24, 25.39, -50.82

 

CMYK 0 / 53 / 52 / 27

HEX #BA575A

RGB 186 87 90

HSL 358.18, 0.42%, 0.54%

LAB 49.49, 40.22, 17.55

 

CMYK 9 / 0 / 53 / 27

HEX #ABBB58

RGB 171 187 88

HSL 69.7, 0.42%, 0.54%

LAB 72.83, -20.03, 47.64

 

CMYK 53 / 0 / 2 / 27

HEX #58BBB8

RGB 88 187 184

HSL 178.18, 0.42%, 0.54%

LAB 70.23, -29.56, -7.33

 

CMYK 44 / 53 / 0 / 27

HEX #6958BB

RGB 105 88 187

HSL 250.3, 0.42%, 0.54%

LAB 43.61, 31.7, -50.14

 

CMYK 0 / 53 / 52 / 27

HEX #BA575A

RGB 186 87 90

HSL 358.18, 0.42%, 0.54%

LAB 49.49, 40.22, 17.55

 

CMYK 25 / 0 / 53 / 27

HEX #8DBB58

RGB 141 187 88

HSL 87.88, 0.42%, 0.54%

LAB 70.81, -31.8, 44.76

 

CMYK 53 / 0 / 2 / 27

HEX #58BBB8

RGB 88 187 184

HSL 178.18, 0.42%, 0.54%

LAB 70.23, -29.56, -7.33

 

CMYK 28 / 53 / 0 / 27

HEX #8658BB

RGB 134 88 187

HSL 267.88, 0.42%, 0.54%

LAB 46.49, 38.98, -45.37

 

Description

Color code: HEX #BA575A | qconv.com Color code: HEX #BA575A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 87 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 87 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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