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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA52CA it is the complementary color #45AD35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA52CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA52CA shade: #BF52C5, #D064D8, #E176EB, #F288FE and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA52CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA52CA shade: #BA52CA, #A940B7, #982EA4, #871C91 and #760A7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA52CA shade: #BA53CA, #CA53BA, #CA539A, #CA537A and #CA535A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA52CA shade: #BA53CA, #9A53CA, #7A53CA, #5A53CA and #5353CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA52CA shade matches the following richer shades: #BA53CA, #C841DC and #D52FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA52CA shade: #BA53CA, #AD65B8, #A078A6, #928A94 and #859C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA52CA shade: #7B53CA, #9B53CA, #BA53CA, #CA53BA and #CA539B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA52CA shade: #8D309B, #AA39BB, #BA53CA, #C773D4 and #D492DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA52CA shade: #BA52CA, #CA5B53 and #53CA8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA52CA shade: #BA52CA, #CABA53 and #53CABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA52CA shade: #BA52CA, #CA5B53, #63CA53 and #53C2CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA52CA shade: #BA52CA, #CA7F53, #63CA53 and #539FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 59 / 0 / 21

HEX #BA52CA

RGB 186 82 202

HSL 292, 0.53%, 0.56%

LAB 52.66, 58.73, -43.83

 

Complementary color

CMYK 60 / 0 / 69 / 32

HEX #45AD35

RGB 69 173 53

HSL 112, 0.53%, 0.44%

LAB 62.85, -52.53, 50.54

 

CMYK 3 / 58 / 0 / 23

HEX #BF52C5

RGB 191 82 197

HSL 296.87, 0.5%, 0.55%

LAB 53.1, 59.08, -40.21

 

CMYK 4 / 54 / 0 / 15

HEX #D064D8

RGB 208 100 216

HSL 295.86, 0.6%, 0.62%

LAB 59.42, 58.65, -40.93

 

CMYK 4 / 50 / 0 / 8

HEX #E176EB

RGB 225 118 235

HSL 294.87, 0.75%, 0.69%

LAB 65.72, 58.07, -41.49

 

CMYK 5 / 46 / 0 / 0

HEX #F288FE

RGB 242 136 254

HSL 293.9, 0.98%, 0.76%

LAB 71.99, 57.41, -41.96

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 8 / 59 / 0 / 21

HEX #BA52CA

RGB 186 82 202

HSL 292, 0.53%, 0.56%

LAB 52.66, 58.73, -43.83

 

CMYK 8 / 65 / 0 / 28

HEX #A940B7

RGB 169 64 183

HSL 292.94, 0.48%, 0.48%

LAB 46.34, 58.93, -43.01

 

CMYK 7 / 72 / 0 / 36

HEX #982EA4

RGB 152 46 164

HSL 293.9, 0.56%, 0.41%

LAB 40.1, 58.67, -41.86

 

CMYK 7 / 81 / 0 / 43

HEX #871C91

RGB 135 28 145

HSL 294.87, 0.68%, 0.34%

LAB 34.04, 57.6, -40.18

 

CMYK 6 / 92 / 0 / 51

HEX #760A7E

RGB 118 10 126

HSL 295.86, 0.85%, 0.27%

LAB 28.31, 55.18, -37.7

 

CMYK 8 / 59 / 0 / 21

HEX #BA53CA

RGB 186 83 202

HSL 291.93, 0.53%, 0.56%

LAB 52.83, 58.27, -43.56

 

CMYK 0 / 59 / 8 / 21

HEX #CA53BA

RGB 202 83 186

HSL 308.07, 0.53%, 0.56%

LAB 54.33, 59.66, -31.84

 

CMYK 0 / 59 / 24 / 21

HEX #CA539A

RGB 202 83 154

HSL 324.2, 0.53%, 0.56%

LAB 53.03, 54.87, -15.17

 

CMYK 0 / 59 / 40 / 21

HEX #CA537A

RGB 202 83 122

HSL 340.34, 0.53%, 0.56%

LAB 52, 50.92, 2.31

 

CMYK 0 / 59 / 55 / 21

HEX #CA535A

RGB 202 83 90

HSL 356.47, 0.53%, 0.56%

LAB 51.25, 47.9, 20.35

 

CMYK 8 / 59 / 0 / 21

HEX #BA53CA

RGB 186 83 202

HSL 291.93, 0.53%, 0.56%

LAB 52.83, 58.27, -43.56

 

CMYK 24 / 59 / 0 / 21

HEX #9A53CA

RGB 154 83 202

HSL 275.8, 0.53%, 0.56%

LAB 48.66, 50.3, -50.45

 

CMYK 40 / 59 / 0 / 21

HEX #7A53CA

RGB 122 83 202

HSL 259.66, 0.53%, 0.56%

LAB 45.07, 42.76, -56.42

 

CMYK 55 / 59 / 0 / 21

HEX #5A53CA

RGB 90 83 202

HSL 243.53, 0.53%, 0.56%

LAB 42.19, 36.15, -61.2

 

CMYK 59 / 59 / 0 / 21

HEX #5353CA

RGB 83 83 202

HSL 240, 0.53%, 0.56%

LAB 41.67, 34.89, -62.07

 

CMYK 8 / 59 / 0 / 21

HEX #BA53CA

RGB 186 83 202

HSL 291.93, 0.53%, 0.56%

LAB 52.83, 58.27, -43.56

 

CMYK 9 / 70 / 0 / 14

HEX #C841DC

RGB 200 65 220

HSL 292.26, 0.69%, 0.56%

LAB 53.2, 72.1, -53.12

 

CMYK 11 / 80 / 0 / 6

HEX #D52FEF

RGB 213 47 239

HSL 291.88, 0.86%, 0.56%

LAB 54.46, 83.19, -61.7

 

CMYK 8 / 59 / 0 / 21

HEX #BA53CA

RGB 186 83 202

HSL 291.93, 0.53%, 0.56%

LAB 52.83, 58.27, -43.56

 

CMYK 6 / 45 / 0 / 28

HEX #AD65B8

RGB 173 101 184

HSL 292.05, 0.37%, 0.56%

LAB 53.66, 42.22, -32.03

 

CMYK 4 / 28 / 0 / 35

HEX #A078A6

RGB 160 120 166

HSL 292.17, 0.21%, 0.56%

LAB 55.75, 23.83, -18.53

 

CMYK 1 / 7 / 0 / 42

HEX #928A94

RGB 146 138 148

HSL 288, 0.04%, 0.56%

LAB 58.44, 4.91, -4.26

 

CMYK 15 / 0 / 17 / 39

HEX #859C82

RGB 133 156 130

HSL 113.08, 0.12%, 0.56%

LAB 61.98, -13.24, 10.95

 

CMYK 39 / 59 / 0 / 21

HEX #7B53CA

RGB 123 83 202

HSL 260.17, 0.53%, 0.56%

LAB 45.17, 42.98, -56.25

 

CMYK 23 / 59 / 0 / 21

HEX #9B53CA

RGB 155 83 202

HSL 276.3, 0.53%, 0.56%

LAB 48.78, 50.54, -50.24

 

CMYK 8 / 59 / 0 / 21

HEX #BA53CA

RGB 186 83 202

HSL 291.93, 0.53%, 0.56%

LAB 52.83, 58.27, -43.56

 

CMYK 0 / 59 / 8 / 21

HEX #CA53BA

RGB 202 83 186

HSL 308.07, 0.53%, 0.56%

LAB 54.33, 59.66, -31.84

 

CMYK 0 / 59 / 23 / 21

HEX #CA539B

RGB 202 83 155

HSL 323.7, 0.53%, 0.56%

LAB 53.07, 55.01, -15.7

 

CMYK 9 / 69 / 0 / 39

HEX #8D309B

RGB 141 48 155

HSL 292.15, 0.53%, 0.4%

LAB 38.1, 53.73, -39.73

 

CMYK 9 / 70 / 0 / 27

HEX #AA39BB

RGB 170 57 187

HSL 292.15, 0.53%, 0.48%

LAB 45.72, 62.71, -46.33

 

CMYK 8 / 59 / 0 / 21

HEX #BA53CA

RGB 186 83 202

HSL 291.93, 0.53%, 0.56%

LAB 52.83, 58.27, -43.56

 

CMYK 6 / 46 / 0 / 17

HEX #C773D4

RGB 199 115 212

HSL 291.96, 0.53%, 0.64%

LAB 60.92, 47.97, -36.4

 

CMYK 5 / 34 / 0 / 13

HEX #D492DE

RGB 212 146 222

HSL 292.11, 0.54%, 0.72%

LAB 69.35, 37.4, -28.79

 

CMYK 8 / 59 / 0 / 21

HEX #BA52CA

RGB 186 82 202

HSL 292, 0.53%, 0.56%

LAB 52.66, 58.73, -43.83

 

CMYK 0 / 55 / 59 / 21

HEX #CA5B53

RGB 202 91 83

HSL 4.03, 0.53%, 0.56%

LAB 52.58, 43.54, 26.21

 

CMYK 59 / 0 / 31 / 21

HEX #53CA8B

RGB 83 202 139

HSL 148.24, 0.53%, 0.56%

LAB 73.51, -47.87, 21.71

 

CMYK 8 / 59 / 0 / 21

HEX #BA52CA

RGB 186 82 202

HSL 292, 0.53%, 0.56%

LAB 52.66, 58.73, -43.83

 

CMYK 0 / 8 / 59 / 21

HEX #CABA53

RGB 202 186 83

HSL 51.93, 0.53%, 0.56%

LAB 75.01, -7.05, 53.13

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 8 / 59 / 0 / 21

HEX #BA52CA

RGB 186 82 202

HSL 292, 0.53%, 0.56%

LAB 52.66, 58.73, -43.83

 

CMYK 0 / 55 / 59 / 21

HEX #CA5B53

RGB 202 91 83

HSL 4.03, 0.53%, 0.56%

LAB 52.58, 43.54, 26.21

 

CMYK 51 / 0 / 59 / 21

HEX #63CA53

RGB 99 202 83

HSL 111.93, 0.53%, 0.56%

LAB 73.23, -52.61, 49.41

 

CMYK 59 / 4 / 0 / 21

HEX #53C2CA

RGB 83 194 202

HSL 184.03, 0.53%, 0.56%

LAB 72.69, -29.01, -13.52

 

CMYK 8 / 59 / 0 / 21

HEX #BA52CA

RGB 186 82 202

HSL 292, 0.53%, 0.56%

LAB 52.66, 58.73, -43.83

 

CMYK 0 / 37 / 59 / 21

HEX #CA7F53

RGB 202 127 83

HSL 22.18, 0.53%, 0.56%

LAB 60.21, 24.71, 35.8

 

CMYK 51 / 0 / 59 / 21

HEX #63CA53

RGB 99 202 83

HSL 111.93, 0.53%, 0.56%

LAB 73.23, -52.61, 49.41

 

CMYK 59 / 21 / 0 / 21

HEX #539FCA

RGB 83 159 202

HSL 201.68, 0.53%, 0.56%

LAB 62.42, -10.87, -29.15

 

Description

Color code: HEX #BA52CA | qconv.com Color code: HEX #BA52CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 82 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 82 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 59 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 59% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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