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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA529B it is the complementary color #45AD64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA529B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA529B shade: #BF5296, #D064A9, #E176BC, #F288CF and #FF9AE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA529B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA529B shade: #BA529B, #A94088, #982E75, #871C62 and #760A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA529B shade: #BB549C, #BB5480, #BB5464 and #BB5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA529B shade: #BB549C, #BB54B8, #A254BB, #8654BB and #6A54BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA529B shade matches the following richer shades: #BB549C, #CE40A4, #E12DAC and #F519B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA529B shade: #BB549C, #A76794, #947A8C, #818E84 and #6DA17D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA529B shade: #A154BB, #BB54B9, #BB549D, #BB5482 and #BB5467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA529B shade: #86366E, #A44186, #BB549C, #C671AD and #D28FBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA529B shade: #BA529B, #BB8554 and #54BBAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA529B shade: #BA529B, #9DBB54 and #549DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA529B shade: #BA529B, #BB8554, #54BB71 and #5489BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA529B shade: #BA529B, #BBA454, #54BB71 and #546ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 17 / 27

HEX #BA529B

RGB 186 82 155

HSL 317.88, 0.43%, 0.53%

LAB 50.5, 50.68, -19.84

 

Complementary color

CMYK 60 / 0 / 42 / 32

HEX #45AD64

RGB 69 173 100

HSL 137.88, 0.43%, 0.47%

LAB 63.4, -46.36, 28.77

 

CMYK 0 / 57 / 21 / 25

HEX #BF5296

RGB 191 82 150

HSL 322.57, 0.46%, 0.54%

LAB 51.05, 51.45, -15.97

 

CMYK 0 / 52 / 19 / 18

HEX #D064A9

RGB 208 100 169

HSL 321.67, 0.53%, 0.6%

LAB 57.45, 50.87, -17.13

 

CMYK 0 / 48 / 16 / 12

HEX #E176BC

RGB 225 118 188

HSL 320.75, 0.64%, 0.67%

LAB 63.83, 50.18, -18.1

 

CMYK 0 / 44 / 14 / 5

HEX #F288CF

RGB 242 136 207

HSL 319.81, 0.8%, 0.74%

LAB 70.17, 49.45, -18.93

 

CMYK 0 / 40 / 11 / 0

HEX #FF9AE2

RGB 255 154 226

HSL 317.23, 1%, 0.8%

LAB 75.98, 47.44, -20.41

 

CMYK 0 / 56 / 17 / 27

HEX #BA529B

RGB 186 82 155

HSL 317.88, 0.43%, 0.53%

LAB 50.5, 50.68, -19.84

 

CMYK 0 / 62 / 20 / 34

HEX #A94088

RGB 169 64 136

HSL 318.86, 0.45%, 0.46%

LAB 44.06, 51.06, -18.55

 

CMYK 0 / 70 / 23 / 40

HEX #982E75

RGB 152 46 117

HSL 319.81, 0.54%, 0.39%

LAB 37.69, 51.06, -16.88

 

CMYK 0 / 79 / 27 / 47

HEX #871C62

RGB 135 28 98

HSL 320.75, 0.66%, 0.32%

LAB 31.49, 50.31, -14.57

 

CMYK 0 / 92 / 33 / 54

HEX #760A4F

RGB 118 10 79

HSL 321.67, 0.84%, 0.25%

LAB 25.66, 48.24, -11.29

 

CMYK 0 / 55 / 17 / 27

HEX #BB549C

RGB 187 84 156

HSL 318.06, 0.43%, 0.53%

LAB 51.04, 50.18, -19.58

 

CMYK 0 / 55 / 32 / 27

HEX #BB5480

RGB 187 84 128

HSL 334.37, 0.43%, 0.53%

LAB 50.05, 46.23, -4.41

 

CMYK 0 / 55 / 47 / 27

HEX #BB5464

RGB 187 84 100

HSL 350.68, 0.43%, 0.53%

LAB 49.28, 43.03, 11.3

 

CMYK 0 / 55 / 55 / 27

HEX #BB5454

RGB 187 84 84

HSL 0, 0.43%, 0.53%

LAB 48.94, 41.57, 20.42

 

CMYK 0 / 55 / 17 / 27

HEX #BB549C

RGB 187 84 156

HSL 318.06, 0.43%, 0.53%

LAB 51.04, 50.18, -19.58

 

CMYK 0 / 55 / 2 / 27

HEX #BB54B8

RGB 187 84 184

HSL 301.75, 0.43%, 0.53%

LAB 52.25, 54.8, -34.09

 

CMYK 13 / 55 / 0 / 27

HEX #A254BB

RGB 162 84 187

HSL 285.44, 0.43%, 0.53%

LAB 49.02, 48.59, -41.15

 

CMYK 28 / 55 / 0 / 27

HEX #8654BB

RGB 134 84 187

HSL 269.13, 0.43%, 0.53%

LAB 45.63, 41.22, -46.75

 

CMYK 43 / 55 / 0 / 27

HEX #6A54BB

RGB 106 84 187

HSL 252.82, 0.43%, 0.53%

LAB 42.75, 34.33, -51.52

 

CMYK 0 / 55 / 17 / 27

HEX #BB549C

RGB 187 84 156

HSL 318.06, 0.43%, 0.53%

LAB 51.04, 50.18, -19.58

 

CMYK 0 / 69 / 20 / 19

HEX #CE40A4

RGB 206 64 164

HSL 317.75, 0.59%, 0.53%

LAB 51.23, 65.1, -23.76

 

CMYK 0 / 80 / 24 / 12

HEX #E12DAC

RGB 225 45 172

HSL 317.67, 0.75%, 0.53%

LAB 52.8, 76.38, -25.78

 

CMYK 0 / 90 / 27 / 4

HEX #F519B3

RGB 245 25 179

HSL 318, 0.92%, 0.53%

LAB 55.44, 85.02, -25.49

 

CMYK 0 / 55 / 17 / 27

HEX #BB549C

RGB 187 84 156

HSL 318.06, 0.43%, 0.53%

LAB 51.04, 50.18, -19.58

 

CMYK 0 / 38 / 11 / 35

HEX #A76794

RGB 167 103 148

HSL 317.81, 0.27%, 0.53%

LAB 51.9, 32.46, -13.81

 

CMYK 0 / 18 / 5 / 42

HEX #947A8C

RGB 148 122 140

HSL 318.46, 0.11%, 0.53%

LAB 54.14, 13.28, -5.97

 

CMYK 9 / 0 / 7 / 44

HEX #818E84

RGB 129 142 132

HSL 133.85, 0.05%, 0.53%

LAB 57.73, -6.72, 3.71

 

CMYK 32 / 0 / 22 / 37

HEX #6DA17D

RGB 109 161 125

HSL 138.46, 0.22%, 0.53%

LAB 61.84, -25.08, 13.34

 

CMYK 14 / 55 / 0 / 27

HEX #A154BB

RGB 161 84 187

HSL 284.85, 0.43%, 0.53%

LAB 48.89, 48.32, -41.36

 

CMYK 0 / 55 / 1 / 27

HEX #BB54B9

RGB 187 84 185

HSL 301.17, 0.43%, 0.53%

LAB 52.3, 54.98, -34.6

 

CMYK 0 / 55 / 16 / 27

HEX #BB549D

RGB 187 84 157

HSL 317.48, 0.43%, 0.53%

LAB 51.08, 50.33, -20.11

 

CMYK 0 / 55 / 30 / 27

HEX #BB5482

RGB 187 84 130

HSL 333.2, 0.43%, 0.53%

LAB 50.12, 46.48, -5.52

 

CMYK 0 / 55 / 45 / 27

HEX #BB5467

RGB 187 84 103

HSL 348.93, 0.43%, 0.53%

LAB 49.36, 43.33, 9.6

 

CMYK 0 / 60 / 18 / 47

HEX #86366E

RGB 134 54 110

HSL 318, 0.43%, 0.37%

LAB 35.66, 41.17, -15.85

 

CMYK 0 / 60 / 18 / 36

HEX #A44186

RGB 164 65 134

HSL 318.18, 0.43%, 0.45%

LAB 43.35, 48.84, -18.49

 

CMYK 0 / 55 / 17 / 27

HEX #BB549C

RGB 187 84 156

HSL 318.06, 0.43%, 0.53%

LAB 51.04, 50.18, -19.58

 

CMYK 0 / 43 / 13 / 22

HEX #C671AD

RGB 198 113 173

HSL 317.65, 0.43%, 0.61%

LAB 58.82, 41.72, -17.48

 

CMYK 0 / 32 / 10 / 18

HEX #D28FBE

RGB 210 143 190

HSL 317.91, 0.43%, 0.69%

LAB 67.33, 32.53, -14.12

 

CMYK 0 / 56 / 17 / 27

HEX #BA529B

RGB 186 82 155

HSL 317.88, 0.43%, 0.53%

LAB 50.5, 50.68, -19.84

 

CMYK 0 / 29 / 55 / 27

HEX #BB8554

RGB 187 133 84

HSL 28.54, 0.43%, 0.53%

LAB 59.87, 15.21, 34.44

 

CMYK 55 / 0 / 6 / 27

HEX #54BBAF

RGB 84 187 175

HSL 173.01, 0.43%, 0.53%

LAB 69.84, -32.75, -2.98

 

CMYK 0 / 56 / 17 / 27

HEX #BA529B

RGB 186 82 155

HSL 317.88, 0.43%, 0.53%

LAB 50.5, 50.68, -19.84

 

CMYK 16 / 0 / 55 / 27

HEX #9DBB54

RGB 157 187 84

HSL 77.48, 0.43%, 0.53%

LAB 71.79, -26.01, 48.07

 

CMYK 55 / 16 / 0 / 27

HEX #549DBB

RGB 84 157 187

HSL 197.48, 0.43%, 0.53%

LAB 61.3, -14.17, -22.48

 

CMYK 0 / 56 / 17 / 27

HEX #BA529B

RGB 186 82 155

HSL 317.88, 0.43%, 0.53%

LAB 50.5, 50.68, -19.84

 

CMYK 0 / 29 / 55 / 27

HEX #BB8554

RGB 187 133 84

HSL 28.54, 0.43%, 0.53%

LAB 59.87, 15.21, 34.44

 

CMYK 55 / 0 / 40 / 27

HEX #54BB71

RGB 84 187 113

HSL 136.89, 0.43%, 0.53%

LAB 68.47, -46.3, 28.66

 

CMYK 55 / 27 / 0 / 27

HEX #5489BB

RGB 84 137 187

HSL 209.13, 0.43%, 0.53%

LAB 55.45, -2.97, -31.52

 

CMYK 0 / 56 / 17 / 27

HEX #BA529B

RGB 186 82 155

HSL 317.88, 0.43%, 0.53%

LAB 50.5, 50.68, -19.84

 

CMYK 0 / 12 / 55 / 27

HEX #BBA454

RGB 187 164 84

HSL 46.6, 0.43%, 0.53%

LAB 67.84, -1.74, 44.06

 

CMYK 55 / 0 / 40 / 27

HEX #54BB71

RGB 84 187 113

HSL 136.89, 0.43%, 0.53%

LAB 68.47, -46.3, 28.66

 

CMYK 55 / 43 / 0 / 27

HEX #546ABB

RGB 84 106 187

HSL 227.18, 0.43%, 0.53%

LAB 46.69, 15.76, -45.31

 

Description

Color code: HEX #BA529B | qconv.com Color code: HEX #BA529B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 82 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 82 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 17 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 17% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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