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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5010 it is the complementary color #45AFEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5010. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5010 shade: #BF500B, #D0621E, #E17431, #F28644 and #FF9857

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5010. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5010 shade: #BA5010, #A93E00, #982C00, #871A00 and #760800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5010 shade: #BC5110, #BC2310 and #BC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5010 shade: #BC5110, #BC7F10, #BCAD10, #9CBC10 and #6EBC10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5010 shade matches the following richer shades: #BC5110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5010 shade: #BC5110, #AB5521, #9B5931, #8A5D42 and #7A6152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5010 shade: #BC102D, #BC2110, #BC4F10, #BC7D10 and #BCAB10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5010 shade: #70300A, #96400D, #BC5110, #E26114 and #ED7831

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5010 shade: #BA5010, #5BBC10 and #1016BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5010 shade: #BA5010, #10BC4F and #4F10BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5010 shade: #BA5010, #5BBC10, #107DBC and #7110BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5010 shade: #BA5010, #27BC10, #107DBC and #A510BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 91 / 27

HEX #BA5010

RGB 186 80 16

HSL 22.59, 0.84%, 0.4%

LAB 47.25, 39.89, 53.01

 

Complementary color

CMYK 71 / 27 / 0 / 6

HEX #45AFEF

RGB 69 175 239

HSL 202.59, 0.84%, 0.6%

LAB 68.14, -9.95, -40.72

 

CMYK 0 / 58 / 94 / 25

HEX #BF500B

RGB 191 80 11

HSL 23, 0.89%, 0.4%

LAB 48.06, 41.74, 55.32

 

CMYK 0 / 53 / 86 / 18

HEX #D0621E

RGB 208 98 30

HSL 22.92, 0.75%, 0.47%

LAB 54.28, 39.81, 55.2

 

CMYK 0 / 48 / 78 / 12

HEX #E17431

RGB 225 116 49

HSL 22.84, 0.75%, 0.54%

LAB 60.53, 37.97, 53.97

 

CMYK 0 / 45 / 72 / 5

HEX #F28644

RGB 242 134 68

HSL 22.76, 0.87%, 0.61%

LAB 66.78, 36.27, 52.34

 

CMYK 0 / 40 / 66 / 0

HEX #FF9857

RGB 255 152 87

HSL 23.21, 1%, 0.67%

LAB 72.5, 33.14, 49.91

 

CMYK 0 / 57 / 91 / 27

HEX #BA5010

RGB 186 80 16

HSL 22.59, 0.84%, 0.4%

LAB 47.25, 39.89, 53.01

 

CMYK 0 / 63 / 100 / 34

HEX #A93E00

RGB 169 62 0

HSL 22.01, 1%, 0.33%

LAB 41.03, 41.78, 52.14

 

CMYK 0 / 71 / 100 / 40

HEX #982C00

RGB 152 44 0

HSL 17.37, 1%, 0.3%

LAB 34.96, 43.47, 47.31

 

CMYK 0 / 81 / 100 / 47

HEX #871A00

RGB 135 26 0

HSL 11.56, 1%, 0.26%

LAB 29.13, 44.31, 41.78

 

CMYK 0 / 93 / 100 / 54

HEX #760800

RGB 118 8 0

HSL 4.07, 1%, 0.23%

LAB 23.75, 43.65, 35.54

 

CMYK 0 / 57 / 91 / 26

HEX #BC5110

RGB 188 81 16

HSL 22.67, 0.84%, 0.4%

LAB 47.77, 40.17, 53.53

 

CMYK 0 / 81 / 91 / 26

HEX #BC2310

RGB 188 35 16

HSL 6.63, 0.84%, 0.4%

LAB 41.11, 58.19, 48.83

 

CMYK 0 / 91 / 91 / 26

HEX #BC1010

RGB 188 16 16

HSL 0, 0.84%, 0.4%

LAB 39.75, 62.07, 47.91

 

CMYK 0 / 57 / 91 / 26

HEX #BC5110

RGB 188 81 16

HSL 22.67, 0.84%, 0.4%

LAB 47.77, 40.17, 53.53

 

CMYK 0 / 32 / 91 / 26

HEX #BC7F10

RGB 188 127 16

HSL 38.72, 0.84%, 0.4%

LAB 57.95, 15.61, 61.05

 

CMYK 0 / 8 / 91 / 26

HEX #BCAD10

RGB 188 173 16

HSL 54.77, 0.84%, 0.4%

LAB 69.91, -9.27, 70.17

 

CMYK 17 / 0 / 91 / 26

HEX #9CBC10

RGB 156 188 16

HSL 71.16, 0.84%, 0.4%

LAB 71.6, -30.54, 70.43

 

CMYK 41 / 0 / 91 / 26

HEX #6EBC10

RGB 110 188 16

HSL 87.21, 0.84%, 0.4%

LAB 68.98, -48.06, 67.22

 

CMYK 0 / 57 / 91 / 26

HEX #BC5110

RGB 188 81 16

HSL 22.67, 0.84%, 0.4%

LAB 47.77, 40.17, 53.53

 

CMYK 0 / 57 / 91 / 26

HEX #BC5110

RGB 188 81 16

HSL 22.67, 0.84%, 0.4%

LAB 47.77, 40.17, 53.53

 

CMYK 0 / 50 / 81 / 33

HEX #AB5521

RGB 171 85 33

HSL 22.61, 0.68%, 0.4%

LAB 45.99, 31.74, 44.44

 

CMYK 0 / 43 / 68 / 39

HEX #9B5931

RGB 155 89 49

HSL 22.64, 0.52%, 0.4%

LAB 44.71, 23.55, 34.3

 

CMYK 0 / 33 / 52 / 46

HEX #8A5D42

RGB 138 93 66

HSL 22.5, 0.35%, 0.4%

LAB 43.69, 15.17, 22.9

 

CMYK 0 / 20 / 33 / 52

HEX #7A6152

RGB 122 97 82

HSL 22.5, 0.2%, 0.4%

LAB 43.21, 7.75, 12.39

 

CMYK 0 / 91 / 76 / 26

HEX #BC102D

RGB 188 16 45

HSL 349.88, 0.84%, 0.4%

LAB 40, 62.79, 32.8

 

CMYK 0 / 82 / 91 / 26

HEX #BC2110

RGB 188 33 16

HSL 5.93, 0.84%, 0.4%

LAB 40.92, 58.71, 48.71

 

CMYK 0 / 58 / 91 / 26

HEX #BC4F10

RGB 188 79 16

HSL 21.98, 0.84%, 0.4%

LAB 47.39, 41.15, 53.26

 

CMYK 0 / 34 / 91 / 26

HEX #BC7D10

RGB 188 125 16

HSL 38.02, 0.84%, 0.4%

LAB 57.46, 16.71, 60.68

 

CMYK 0 / 9 / 91 / 26

HEX #BCAB10

RGB 188 171 16

HSL 54.07, 0.84%, 0.4%

LAB 69.37, -8.23, 69.76

 

CMYK 0 / 57 / 91 / 56

HEX #70300A

RGB 112 48 10

HSL 22.35, 0.84%, 0.24%

LAB 28.33, 26.15, 35.2

 

CMYK 0 / 57 / 91 / 41

HEX #96400D

RGB 150 64 13

HSL 22.34, 0.84%, 0.32%

LAB 38.16, 33.6, 44.58

 

CMYK 0 / 57 / 91 / 26

HEX #BC5110

RGB 188 81 16

HSL 22.67, 0.84%, 0.4%

LAB 47.77, 40.17, 53.53

 

CMYK 0 / 57 / 91 / 11

HEX #E26114

RGB 226 97 20

HSL 22.43, 0.84%, 0.48%

LAB 56.85, 46.97, 61.66

 

CMYK 0 / 49 / 79 / 7

HEX #ED7831

RGB 237 120 49

HSL 22.66, 0.84%, 0.56%

LAB 63.06, 40.65, 56.99

 

CMYK 0 / 57 / 91 / 27

HEX #BA5010

RGB 186 80 16

HSL 22.59, 0.84%, 0.4%

LAB 47.25, 39.89, 53.01

 

CMYK 52 / 0 / 91 / 26

HEX #5BBC10

RGB 91 188 16

HSL 93.84, 0.84%, 0.4%

LAB 68.19, -54.08, 66.24

 

CMYK 91 / 88 / 0 / 26

HEX #1016BC

RGB 16 22 188

HSL 237.91, 0.84%, 0.4%

LAB 24.69, 57.3, -81.97

 

CMYK 0 / 57 / 91 / 27

HEX #BA5010

RGB 186 80 16

HSL 22.59, 0.84%, 0.4%

LAB 47.25, 39.89, 53.01

 

CMYK 91 / 0 / 58 / 26

HEX #10BC4F

RGB 16 188 79

HSL 141.98, 0.84%, 0.4%

LAB 67.01, -62.35, 43.54

 

CMYK 58 / 91 / 0 / 26

HEX #4F10BC

RGB 79 16 188

HSL 261.98, 0.84%, 0.4%

LAB 28.55, 62.16, -75.42

 

CMYK 0 / 57 / 91 / 27

HEX #BA5010

RGB 186 80 16

HSL 22.59, 0.84%, 0.4%

LAB 47.25, 39.89, 53.01

 

CMYK 52 / 0 / 91 / 26

HEX #5BBC10

RGB 91 188 16

HSL 93.84, 0.84%, 0.4%

LAB 68.19, -54.08, 66.24

 

CMYK 91 / 34 / 0 / 26

HEX #107DBC

RGB 16 125 188

HSL 201.98, 0.84%, 0.4%

LAB 49.99, -4.81, -40.79

 

CMYK 40 / 91 / 0 / 26

HEX #7110BC

RGB 113 16 188

HSL 273.84, 0.84%, 0.4%

LAB 32.95, 65.52, -68.02

 

CMYK 0 / 57 / 91 / 27

HEX #BA5010

RGB 186 80 16

HSL 22.59, 0.84%, 0.4%

LAB 47.25, 39.89, 53.01

 

CMYK 79 / 0 / 91 / 26

HEX #27BC10

RGB 39 188 16

HSL 111.98, 0.84%, 0.4%

LAB 66.85, -65.21, 64.58

 

CMYK 91 / 34 / 0 / 26

HEX #107DBC

RGB 16 125 188

HSL 201.98, 0.84%, 0.4%

LAB 49.99, -4.81, -40.79

 

CMYK 12 / 91 / 0 / 26

HEX #A510BC

RGB 165 16 188

HSL 291.98, 0.84%, 0.4%

LAB 41.22, 72.79, -54.18

 

Description

Color code: HEX #BA5010 | qconv.com Color code: HEX #BA5010 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 80 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 80 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 91 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 91% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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