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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4D224C it is the complementary color #45B2DD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4D224C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4D224C shade: #BF4D1D4C, #D05F304C, #E171434C, #F283564C and #FF95694C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4D224C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4D224C shade: #BA4D224C, #A93B0F4C, #9829004C, #8717004C and #7605004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4D224C shade: #B94D22, #B92422 and #B92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4D224C shade: #B94D22, #B97622, #B99E22, #ABB922 and #83B922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4D224C shade matches the following richer shades: #B94D22 and #CB4510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4D224C shade: #B94D22, #A85434, #965C45, #846457 and #726C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4D224C shade: #B9224A, #B92222, #B94A22, #B97322 and #B99B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4D224C shade: #743015, #963E1C, #B94D22, #D85D2C and #DF784F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4D224C shade: #BA4D22, #73B922 and #2236B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4D224C shade: #BA4D22, #22B94A and #4A22B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4D224C shade: #BA4D22, #73B922, #2291B9 and #6922B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4D224C shade: #BA4D22, #45B922, #2291B9 and #9622B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 25 / 8

HEX #BA4D224C

RGBA 186 77 34 0.3

HSLA 16.97, 0.69%, 0.43%, 0.3

LABA 46.79, 41.78, 45.58, 0.3

 

Complementary color

CMYK 21 / 6 / 0 / 4

HEX #45B2DD4C

RGBA 69 178 221 0.3

HSLA 196.97, 0.69%, 0.57%, 0.3

LABA 68.26, -17.45, -30.68, 0.3

 

CMYK 0 / 18 / 25 / 8

HEX #BF4D1D4C

RGBA 191 77 29 0.3

HSLA 17.78, 0.74%, 0.43%, 0.3

LABA 47.59, 43.52, 48.84, 0.3

 

CMYK 0 / 16 / 23 / 6

HEX #D05F304C

RGBA 208 95 48 0.3

HSLA 17.63, 0.63%, 0.5%, 0.3

LABA 53.82, 41.87, 46.94, 0.3

 

CMYK 0 / 15 / 21 / 4

HEX #E171434C

RGBA 225 113 67 0.3

HSLA 17.47, 0.72%, 0.57%, 0.3

LABA 60.09, 40.27, 44.86, 0.3

 

CMYK 0 / 14 / 19 / 2

HEX #F283564C

RGBA 242 131 86 0.3

HSLA 17.31, 0.86%, 0.64%, 0.3

LABA 66.35, 38.77, 42.84, 0.3

 

CMYK 0 / 12 / 18 / 0

HEX #FF95694C

RGBA 255 149 105 0.3

HSLA 17.6, 1%, 0.71%, 0.3

LABA 72.08, 35.84, 40.21, 0.3

 

CMYK 0 / 18 / 25 / 8

HEX #BA4D224C

RGBA 186 77 34 0.3

HSLA 16.97, 0.69%, 0.43%, 0.3

LABA 46.79, 41.78, 45.58, 0.3

 

CMYK 0 / 20 / 27 / 10

HEX #A93B0F4C

RGBA 169 59 15 0.3

HSLA 17.14, 0.84%, 0.36%, 0.3

LABA 40.57, 43.37, 47.15, 0.3

 

CMYK 0 / 22 / 30 / 12

HEX #9829004C

RGBA 152 41 0 0.3

HSLA 16.18, 1%, 0.3%, 0.3

LABA 34.52, 44.66, 47.07, 0.3

 

CMYK 0 / 25 / 30 / 14

HEX #8717004C

RGBA 135 23 0 0.3

HSLA 10.22, 1%, 0.26%, 0.3

LABA 28.81, 45.23, 41.52, 0.3

 

CMYK 0 / 29 / 30 / 16

HEX #7605004C

RGBA 118 5 0 0.3

HSLA 2.54, 1%, 0.23%, 0.3

LABA 23.54, 44.27, 35.32, 0.3

 

CMYK 0 / 58 / 82 / 27

HEX #B94D22

RGB 185 77 34

HSL 17.09, 0.69%, 0.43%

LAB 46.63, 41.4, 45.36

 

CMYK 0 / 81 / 82 / 27

HEX #B92422

RGB 185 36 34

HSL 0.79, 0.69%, 0.43%

LAB 40.72, 57.43, 39.71

 

CMYK 0 / 82 / 82 / 27

HEX #B92222

RGB 185 34 34

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

 

CMYK 0 / 58 / 82 / 27

HEX #B94D22

RGB 185 77 34

HSL 17.09, 0.69%, 0.43%

LAB 46.63, 41.4, 45.36

 

CMYK 0 / 36 / 82 / 27

HEX #B97622

RGB 185 118 34

HSL 33.38, 0.69%, 0.43%

LAB 55.47, 19.71, 53.48

 

CMYK 0 / 15 / 82 / 27

HEX #B99E22

RGB 185 158 34

HSL 49.27, 0.69%, 0.43%

LAB 65.66, -2.25, 62.49

 

CMYK 8 / 0 / 82 / 27

HEX #ABB922

RGB 171 185 34

HSL 65.56, 0.69%, 0.43%

LAB 71.87, -22.33, 67.43

 

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

CMYK 0 / 58 / 82 / 27

HEX #B94D22

RGB 185 77 34

HSL 17.09, 0.69%, 0.43%

LAB 46.63, 41.4, 45.36

 

CMYK 0 / 66 / 92 / 20

HEX #CB4510

RGB 203 69 16

HSL 17.01, 0.85%, 0.43%

LAB 48.25, 51.15, 55.05

 

CMYK 0 / 58 / 82 / 27

HEX #B94D22

RGB 185 77 34

HSL 17.09, 0.69%, 0.43%

LAB 46.63, 41.4, 45.36

 

CMYK 0 / 50 / 69 / 34

HEX #A85434

RGB 168 84 52

HSL 16.55, 0.53%, 0.43%

LAB 45.52, 31.94, 34.08

 

CMYK 0 / 39 / 54 / 41

HEX #965C45

RGB 150 92 69

HSL 17.04, 0.37%, 0.43%

LAB 45.04, 21.25, 23.18

 

CMYK 0 / 24 / 34 / 48

HEX #846457

RGB 132 100 87

HSL 17.33, 0.21%, 0.43%

LAB 45.23, 10.95, 12.36

 

CMYK 0 / 5 / 8 / 55

HEX #726C69

RGB 114 108 105

HSL 20, 0.04%, 0.43%

LAB 46.07, 1.75, 2.5

 

CMYK 0 / 82 / 60 / 27

HEX #B9224A

RGB 185 34 74

HSL 344.11, 0.69%, 0.43%

LAB 41.14, 59.84, 16.04

 

CMYK 0 / 82 / 82 / 27

HEX #B92222

RGB 185 34 34

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

 

CMYK 0 / 60 / 82 / 27

HEX #B94A22

RGB 185 74 34

HSL 15.89, 0.69%, 0.43%

LAB 46.08, 42.84, 44.85

 

CMYK 0 / 38 / 82 / 27

HEX #B97322

RGB 185 115 34

HSL 32.19, 0.69%, 0.43%

LAB 54.75, 21.37, 52.84

 

CMYK 0 / 16 / 82 / 27

HEX #B99B22

RGB 185 155 34

HSL 48.08, 0.69%, 0.43%

LAB 64.86, -0.64, 61.8

 

CMYK 0 / 59 / 82 / 55

HEX #743015

RGB 116 48 21

HSL 17.05, 0.69%, 0.27%

LAB 29.11, 28.23, 30.9

 

CMYK 0 / 59 / 81 / 41

HEX #963E1C

RGB 150 62 28

HSL 16.72, 0.69%, 0.35%

LAB 37.87, 35.05, 37.85

 

CMYK 0 / 58 / 82 / 27

HEX #B94D22

RGB 185 77 34

HSL 17.09, 0.69%, 0.43%

LAB 46.63, 41.4, 45.36

 

CMYK 0 / 57 / 80 / 15

HEX #D85D2C

RGB 216 93 44

HSL 17.09, 0.69%, 0.51%

LAB 54.67, 45.71, 50.11

 

CMYK 0 / 46 / 65 / 13

HEX #DF784F

RGB 223 120 79

HSL 17.08, 0.69%, 0.59%

LAB 61.38, 36.6, 40

 

CMYK 0 / 59 / 82 / 27

HEX #BA4D22

RGB 186 77 34

HSL 16.97, 0.69%, 0.43%

LAB 46.79, 41.78, 45.58

 

CMYK 38 / 0 / 82 / 27

HEX #73B922

RGB 115 185 34

HSL 87.81, 0.69%, 0.43%

LAB 68.36, -44.5, 62.97

 

CMYK 82 / 71 / 0 / 27

HEX #2236B9

RGB 34 54 185

HSL 232.05, 0.69%, 0.43%

LAB 30.6, 40.85, -70.37

 

CMYK 0 / 59 / 82 / 27

HEX #BA4D22

RGB 186 77 34

HSL 16.97, 0.69%, 0.43%

LAB 46.79, 41.78, 45.58

 

CMYK 82 / 0 / 60 / 27

HEX #22B94A

RGB 34 185 74

HSL 135.89, 0.69%, 0.43%

LAB 66.16, -60.54, 44.92

 

CMYK 60 / 82 / 0 / 27

HEX #4A22B9

RGB 74 34 185

HSL 255.89, 0.69%, 0.43%

LAB 29.67, 55.04, -71.8

 

CMYK 0 / 59 / 82 / 27

HEX #BA4D22

RGB 186 77 34

HSL 16.97, 0.69%, 0.43%

LAB 46.79, 41.78, 45.58

 

CMYK 38 / 0 / 82 / 27

HEX #73B922

RGB 115 185 34

HSL 87.81, 0.69%, 0.43%

LAB 68.36, -44.5, 62.97

 

CMYK 82 / 22 / 0 / 27

HEX #2291B9

RGB 34 145 185

HSL 195.89, 0.69%, 0.43%

LAB 56.18, -16.02, -29.35

 

CMYK 43 / 82 / 0 / 27

HEX #6922B9

RGB 105 34 185

HSL 268.21, 0.69%, 0.43%

LAB 33.24, 58.87, -65.79

 

CMYK 0 / 59 / 82 / 27

HEX #BA4D22

RGB 186 77 34

HSL 16.97, 0.69%, 0.43%

LAB 46.79, 41.78, 45.58

 

CMYK 63 / 0 / 82 / 27

HEX #45B922

RGB 69 185 34

HSL 106.09, 0.69%, 0.43%

LAB 66.58, -58.1, 60.69

 

CMYK 82 / 22 / 0 / 27

HEX #2291B9

RGB 34 145 185

HSL 195.89, 0.69%, 0.43%

LAB 56.18, -16.02, -29.35

 

CMYK 19 / 82 / 0 / 27

HEX #9622B9

RGB 150 34 185

HSL 286.09, 0.69%, 0.43%

LAB 39.8, 66.04, -54.83

 

Description

Color code: HEX #BA4D224C | qconv.com Color code: HEX #BA4D224C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 77 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 77 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 25% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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