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Color name
HEX #BA4B223F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4B223F it is the complementary color #45B4DD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #BA4B223F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4B223F shade: #BF4B1D3F, #D05D303F, #E16F433F, #F281563F and #FF93693F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #BA4B223F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4B223F shade: #BA4B223F, #A9390F3F, #9827003F, #8715003F and #7603003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4B223F shade: #B94B22 and #B92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4B223F shade: #B94B22, #B97422, #B99C22, #ADB922 and #85B922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4B223F shade matches the following richer shades: #B94B22 and #CB4310

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4B223F shade: #B94B22, #A85334, #965B45, #846357 and #726B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4B223F shade: #B9224A, #B92222, #B94A22, #B97322 and #B99B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4B223F shade: #742F15, #963D1C, #B94B22, #D85B2C and #DF764F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4B223F shade: #BA4B22, #73B922 and #2236B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4B223F shade: #BA4B22, #22B94A and #4A22B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4B223F shade: #BA4B22, #73B922, #2291B9 and #6922B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4B223F shade: #BA4B22, #45B922, #2291B9 and #9622B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 7

RGBA 186 75 34 0.25

HSLA 16.18, 0.69%, 0.43%, 0.25

LABA 46.43, 42.74, 45.23, 0.25

Complementary color

CMYK 17 / 5 / 0 / 3

RGBA 69 180 221 0.25

HSLA 196.18, 0.69%, 0.57%, 0.25

LABA 68.84, -18.5, -29.78, 0.25

Lighter colors

CMYK 0 / 15 / 21 / 6

RGBA 191 75 29 0.25

HSLA 17.04, 0.74%, 0.43%, 0.25

LABA 47.23, 44.46, 48.53, 0.25

CMYK 0 / 14 / 19 / 5

RGBA 208 93 48 0.25

HSLA 16.88, 0.63%, 0.5%, 0.25

LABA 53.44, 42.85, 46.56, 0.25

CMYK 0 / 13 / 18 / 3

RGBA 225 111 67 0.25

HSLA 16.71, 0.72%, 0.57%, 0.25

LABA 59.69, 41.28, 44.42, 0.25

CMYK 0 / 12 / 16 / 1

RGBA 242 129 86 0.25

HSLA 16.54, 0.86%, 0.64%, 0.25

LABA 65.94, 39.78, 42.36, 0.25

CMYK 0 / 11 / 15 / 0

RGBA 255 147 105 0.25

HSLA 16.8, 1%, 0.71%, 0.25

LABA 71.65, 36.86, 39.69, 0.25

Darker colors

CMYK 0 / 15 / 20 / 7

RGBA 186 75 34 0.25

HSLA 16.18, 0.69%, 0.43%, 0.25

LABA 46.43, 42.74, 45.23, 0.25

CMYK 0 / 17 / 23 / 8

RGBA 169 57 15 0.25

HSLA 16.36, 0.84%, 0.36%, 0.25

LABA 40.24, 44.25, 46.9, 0.25

CMYK 0 / 19 / 25 / 10

RGBA 152 39 0 0.25

HSLA 15.39, 1%, 0.3%, 0.25

LABA 34.24, 45.42, 46.92, 0.25

CMYK 0 / 21 / 25 / 12

RGBA 135 21 0 0.25

HSLA 9.33, 1%, 0.26%, 0.25

LABA 28.61, 45.79, 41.36, 0.25

CMYK 0 / 24 / 25 / 13

RGBA 118 3 0 0.25

HSLA 1.53, 1%, 0.23%, 0.25

LABA 23.39, 44.69, 35.18, 0.25

Warmer colors

CMYK 0 / 59 / 82 / 27

HSL 16.29, 0.69%, 0.43%

LAB 46.26, 42.36, 45.02

CMYK 0 / 82 / 82 / 27

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

Colder colors

CMYK 0 / 59 / 82 / 27

HSL 16.29, 0.69%, 0.43%

LAB 46.26, 42.36, 45.02

CMYK 0 / 37 / 82 / 27

HSL 32.58, 0.69%, 0.43%

LAB 54.99, 20.82, 53.05

CMYK 0 / 16 / 82 / 27

HSL 48.48, 0.69%, 0.43%

LAB 65.13, -1.18, 62.03

CMYK 6 / 0 / 82 / 27

HSL 64.77, 0.69%, 0.43%

LAB 72.03, -21.48, 67.62

CMYK 28 / 0 / 82 / 27

HSL 80.66, 0.69%, 0.43%

LAB 69.33, -37.85, 64.21

Richer colors

CMYK 0 / 59 / 82 / 27

HSL 16.29, 0.69%, 0.43%

LAB 46.26, 42.36, 45.02

CMYK 0 / 67 / 92 / 20

HSL 16.36, 0.85%, 0.43%

LAB 47.94, 51.97, 54.84

Paler colors

CMYK 0 / 59 / 82 / 27

HSL 16.29, 0.69%, 0.43%

LAB 46.26, 42.36, 45.02

CMYK 0 / 51 / 69 / 34

HSL 16.03, 0.53%, 0.43%

LAB 45.3, 32.47, 33.83

CMYK 0 / 39 / 54 / 41

HSL 16.3, 0.37%, 0.43%

LAB 44.8, 21.82, 22.86

CMYK 0 / 25 / 34 / 48

HSL 16, 0.21%, 0.43%

LAB 44.97, 11.54, 11.99

CMYK 0 / 6 / 8 / 55

RGB 114 107 105

HSL 13.33, 0.04%, 0.43%

LAB 45.79, 2.34, 2.09

Analogue colors

CMYK 0 / 82 / 60 / 27

HSL 344.11, 0.69%, 0.43%

LAB 41.14, 59.84, 16.04

CMYK 0 / 82 / 82 / 27

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

CMYK 0 / 60 / 82 / 27

HSL 15.89, 0.69%, 0.43%

LAB 46.08, 42.84, 44.85

CMYK 0 / 38 / 82 / 27

HSL 32.19, 0.69%, 0.43%

LAB 54.75, 21.37, 52.84

CMYK 0 / 16 / 82 / 27

HSL 48.08, 0.69%, 0.43%

LAB 64.86, -0.64, 61.8

Monochromatic colors

CMYK 0 / 59 / 82 / 55

HSL 16.42, 0.69%, 0.27%

LAB 28.9, 28.77, 30.69

CMYK 0 / 59 / 81 / 41

HSL 16.23, 0.69%, 0.35%

LAB 37.67, 35.55, 37.67

CMYK 0 / 59 / 82 / 27

HSL 16.29, 0.69%, 0.43%

LAB 46.26, 42.36, 45.02

CMYK 0 / 58 / 80 / 15

HSL 16.4, 0.69%, 0.51%

LAB 54.3, 46.65, 49.76

CMYK 0 / 47 / 65 / 13

HSL 16.25, 0.69%, 0.59%

LAB 60.97, 37.63, 39.51

Partial complementary colors

CMYK 0 / 60 / 82 / 27

HSL 16.18, 0.69%, 0.43%

LAB 46.43, 42.74, 45.23

CMYK 38 / 0 / 82 / 27

HSL 87.81, 0.69%, 0.43%

LAB 68.36, -44.5, 62.97

CMYK 82 / 71 / 0 / 27

HSL 232.05, 0.69%, 0.43%

LAB 30.6, 40.85, -70.37

Triadic colors

CMYK 0 / 60 / 82 / 27

HSL 16.18, 0.69%, 0.43%

LAB 46.43, 42.74, 45.23

CMYK 82 / 0 / 60 / 27

HSL 135.89, 0.69%, 0.43%

LAB 66.16, -60.54, 44.92

CMYK 60 / 82 / 0 / 27

HSL 255.89, 0.69%, 0.43%

LAB 29.67, 55.04, -71.8

Rectangular (tetradic) colors

CMYK 0 / 60 / 82 / 27

HSL 16.18, 0.69%, 0.43%

LAB 46.43, 42.74, 45.23

CMYK 38 / 0 / 82 / 27

HSL 87.81, 0.69%, 0.43%

LAB 68.36, -44.5, 62.97

CMYK 82 / 22 / 0 / 27

HSL 195.89, 0.69%, 0.43%

LAB 56.18, -16.02, -29.35

CMYK 43 / 82 / 0 / 27

HSL 268.21, 0.69%, 0.43%

LAB 33.24, 58.87, -65.79

Square colors

CMYK 0 / 60 / 82 / 27

HSL 16.18, 0.69%, 0.43%

LAB 46.43, 42.74, 45.23

CMYK 63 / 0 / 82 / 27

HSL 106.09, 0.69%, 0.43%

LAB 66.58, -58.1, 60.69

CMYK 82 / 22 / 0 / 27

HSL 195.89, 0.69%, 0.43%

LAB 56.18, -16.02, -29.35

CMYK 19 / 82 / 0 / 27

HSL 286.09, 0.69%, 0.43%

LAB 39.8, 66.04, -54.83

Description

Color code: HEX #BA4B223F | qconv.com

Color code: HEX #BA4B223F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 75 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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