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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4742 it is the complementary color #45B8BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4742. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4742 shade: #BF473D, #D05950, #E16B63, #F27D76 and #FF8F89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4742. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4742 shade: #BA4742, #A9352F, #98231C, #871109 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4742 shade: #B94641 and #B94141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4742 shade: #B94641, #B96641, #B98741, #B9A741 and #AAB941

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4742 shade matches the following richer shades: #B94641, #CD332D, #E12119 and #F60E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4742 shade: #B94641, #A55955, #906B69, #7C7E7E and #689092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4742 shade: #B9417D, #B9415D, #B94541, #B96541 and #B98541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4742 shade: #7C2F2C, #9A3A36, #B94641, #C6615D and #D17F7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4742 shade: #BA4742, #9DB941 and #416DB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4742 shade: #BA4742, #41B945 and #4541B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4742 shade: #BA4742, #9DB941, #41B5B9 and #5D41B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4742 shade: #BA4742, #79B941, #41B5B9 and #8141B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 65 / 27

HEX #BA4742

RGB 186 71 66

HSL 2.5, 0.48%, 0.49%

LAB 46.09, 46.11, 27.41

 

Complementary color

CMYK 63 / 3 / 0 / 26

HEX #45B8BD

RGB 69 184 189

HSL 182.5, 0.48%, 0.51%

LAB 68.91, -30.24, -12.11

 

CMYK 0 / 63 / 68 / 25

HEX #BF473D

RGB 191 71 61

HSL 4.62, 0.52%, 0.49%

LAB 46.87, 47.57, 31.48

 

CMYK 0 / 57 / 62 / 18

HEX #D05950

RGB 208 89 80

HSL 4.22, 0.58%, 0.56%

LAB 53.1, 46.47, 28.8

 

CMYK 0 / 52 / 56 / 12

HEX #E16B63

RGB 225 107 99

HSL 3.81, 0.68%, 0.64%

LAB 59.36, 45.3, 26.5

 

CMYK 0 / 48 / 51 / 5

HEX #F27D76

RGB 242 125 118

HSL 3.39, 0.83%, 0.71%

LAB 65.63, 44.14, 24.51

 

CMYK 0 / 44 / 46 / 0

HEX #FF8F89

RGB 255 143 137

HSL 3.05, 1%, 0.77%

LAB 71.36, 41.57, 21.97

 

CMYK 0 / 62 / 65 / 27

HEX #BA4742

RGB 186 71 66

HSL 2.5, 0.48%, 0.49%

LAB 46.09, 46.11, 27.41

 

CMYK 0 / 69 / 72 / 34

HEX #A9352F

RGB 169 53 47

HSL 2.95, 0.56%, 0.42%

LAB 39.89, 47, 30.48

 

CMYK 0 / 77 / 82 / 40

HEX #98231C

RGB 152 35 28

HSL 3.39, 0.69%, 0.35%

LAB 33.9, 47.44, 34.07

 

CMYK 0 / 87 / 93 / 47

HEX #871109

RGB 135 17 9

HSL 3.81, 0.88%, 0.28%

LAB 28.3, 46.96, 37.44

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 62 / 65 / 27

HEX #B94641

RGB 185 70 65

HSL 2.5, 0.48%, 0.49%

LAB 45.74, 46.15, 27.52

 

CMYK 0 / 65 / 65 / 27

HEX #B94141

RGB 185 65 65

HSL 0, 0.48%, 0.49%

LAB 44.91, 48.37, 26.49

 

CMYK 0 / 62 / 65 / 27

HEX #B94641

RGB 185 70 65

HSL 2.5, 0.48%, 0.49%

LAB 45.74, 46.15, 27.52

 

CMYK 0 / 45 / 65 / 27

HEX #B96641

RGB 185 102 65

HSL 18.5, 0.48%, 0.49%

LAB 52.06, 30.01, 35.2

 

CMYK 0 / 27 / 65 / 27

HEX #B98741

RGB 185 135 65

HSL 35, 0.48%, 0.49%

LAB 59.91, 11.81, 44.25

 

CMYK 0 / 10 / 65 / 27

HEX #B9A741

RGB 185 167 65

HSL 51, 0.48%, 0.49%

LAB 68.27, -5.58, 53.38

 

CMYK 8 / 0 / 65 / 27

HEX #AAB941

RGB 170 185 65

HSL 67.5, 0.48%, 0.49%

LAB 71.98, -21.24, 56.92

 

CMYK 0 / 62 / 65 / 27

HEX #B94641

RGB 185 70 65

HSL 2.5, 0.48%, 0.49%

LAB 45.74, 46.15, 27.52

 

CMYK 0 / 75 / 78 / 20

HEX #CD332D

RGB 205 51 45

HSL 2.25, 0.64%, 0.49%

LAB 46.36, 59.22, 40.66

 

CMYK 0 / 85 / 89 / 12

HEX #E12119

RGB 225 33 25

HSL 2.4, 0.8%, 0.49%

LAB 48.47, 69.12, 53.87

 

CMYK 0 / 94 / 98 / 4

HEX #F60E04

RGB 246 14 4

HSL 2.48, 0.97%, 0.49%

LAB 51.74, 76.95, 64.5

 

CMYK 0 / 62 / 65 / 27

HEX #B94641

RGB 185 70 65

HSL 2.5, 0.48%, 0.49%

LAB 45.74, 46.15, 27.52

 

CMYK 0 / 46 / 48 / 35

HEX #A55955

RGB 165 89 85

HSL 3, 0.32%, 0.49%

LAB 46.71, 30.66, 16.26

 

CMYK 0 / 26 / 27 / 44

HEX #906B69

RGB 144 107 105

HSL 3.08, 0.16%, 0.49%

LAB 48.84, 14.45, 6.88

 

CMYK 2 / 0 / 0 / 51

HEX #7C7E7E

RGB 124 126 126

HSL 180, 0.01%, 0.49%

LAB 52.63, -0.74, -0.27

 

CMYK 29 / 1 / 0 / 43

HEX #689092

RGB 104 144 146

HSL 182.86, 0.17%, 0.49%

LAB 57.04, -13.18, -5.52

 

CMYK 0 / 65 / 32 / 27

HEX #B9417D

RGB 185 65 125

HSL 330, 0.48%, 0.49%

LAB 46.41, 53.88, -8.05

 

CMYK 0 / 65 / 50 / 27

HEX #B9415D

RGB 185 65 93

HSL 346, 0.48%, 0.49%

LAB 45.48, 50.49, 10.18

 

CMYK 0 / 63 / 65 / 27

HEX #B94541

RGB 185 69 65

HSL 2, 0.48%, 0.49%

LAB 45.57, 46.6, 27.31

 

CMYK 0 / 45 / 65 / 27

HEX #B96541

RGB 185 101 65

HSL 18, 0.48%, 0.49%

LAB 51.84, 30.55, 34.94

 

CMYK 0 / 28 / 65 / 27

HEX #B98541

RGB 185 133 65

HSL 34, 0.48%, 0.49%

LAB 59.41, 12.92, 43.68

 

CMYK 0 / 62 / 65 / 51

HEX #7C2F2C

RGB 124 47 44

HSL 2.25, 0.48%, 0.33%

LAB 30.64, 33.29, 19.2

 

CMYK 0 / 62 / 65 / 40

HEX #9A3A36

RGB 154 58 54

HSL 2.4, 0.48%, 0.41%

LAB 38.13, 39.87, 23.5

 

CMYK 0 / 62 / 65 / 27

HEX #B94641

RGB 185 70 65

HSL 2.5, 0.48%, 0.49%

LAB 45.74, 46.15, 27.52

 

CMYK 0 / 51 / 53 / 22

HEX #C6615D

RGB 198 97 93

HSL 2.29, 0.48%, 0.57%

LAB 53.33, 39.86, 21.25

 

CMYK 0 / 39 / 41 / 18

HEX #D17F7C

RGB 209 127 124

HSL 2.12, 0.48%, 0.65%

LAB 61.82, 31.37, 15.2

 

CMYK 0 / 62 / 65 / 27

HEX #BA4742

RGB 186 71 66

HSL 2.5, 0.48%, 0.49%

LAB 46.09, 46.11, 27.41

 

CMYK 15 / 0 / 65 / 27

HEX #9DB941

RGB 157 185 65

HSL 74, 0.48%, 0.49%

LAB 71.04, -26.59, 55.65

 

CMYK 65 / 41 / 0 / 27

HEX #416DB9

RGB 65 109 185

HSL 218, 0.48%, 0.49%

LAB 46.4, 9.44, -44.67

 

CMYK 0 / 62 / 65 / 27

HEX #BA4742

RGB 186 71 66

HSL 2.5, 0.48%, 0.49%

LAB 46.09, 46.11, 27.41

 

CMYK 65 / 0 / 63 / 27

HEX #41B945

RGB 65 185 69

HSL 122, 0.48%, 0.49%

LAB 66.71, -56.16, 47.95

 

CMYK 63 / 65 / 0 / 27

HEX #4541B9

RGB 69 65 185

HSL 242, 0.48%, 0.49%

LAB 35.1, 38.02, -62.89

 

CMYK 0 / 62 / 65 / 27

HEX #BA4742

RGB 186 71 66

HSL 2.5, 0.48%, 0.49%

LAB 46.09, 46.11, 27.41

 

CMYK 15 / 0 / 65 / 27

HEX #9DB941

RGB 157 185 65

HSL 74, 0.48%, 0.49%

LAB 71.04, -26.59, 55.65

 

CMYK 65 / 2 / 0 / 27

HEX #41B5B9

RGB 65 181 185

HSL 182, 0.48%, 0.49%

LAB 67.78, -30.58, -11.61

 

CMYK 50 / 65 / 0 / 27

HEX #5D41B9

RGB 93 65 185

HSL 254, 0.48%, 0.49%

LAB 37.13, 42.14, -59.49

 

CMYK 0 / 62 / 65 / 27

HEX #BA4742

RGB 186 71 66

HSL 2.5, 0.48%, 0.49%

LAB 46.09, 46.11, 27.41

 

CMYK 35 / 0 / 65 / 27

HEX #79B941

RGB 121 185 65

HSL 92, 0.48%, 0.49%

LAB 68.86, -40.4, 52.66

 

CMYK 65 / 2 / 0 / 27

HEX #41B5B9

RGB 65 181 185

HSL 182, 0.48%, 0.49%

LAB 67.78, -30.58, -11.61

 

CMYK 30 / 65 / 0 / 27

HEX #8141B9

RGB 129 65 185

HSL 272, 0.48%, 0.49%

LAB 41.14, 49.62, -52.82

 

Description

Color code: HEX #BA4742 | qconv.com Color code: HEX #BA4742 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 71 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 71 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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