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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA445B it is the complementary color #45BBA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA445B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA445B shade: #BF4456, #D05669, #E1687C, #F27A8F and #FF8CA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA445B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA445B shade: #BA445B, #A93248, #982035, #870E22 and #76000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA445B shade: #BA455C and #BA4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA445B shade: #BA455C, #BA457B, #BA459B, #BA45BA and #9A45BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA445B shade matches the following richer shades: #BA455C, #CF304F, #E31C43 and #F80736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA445B shade: #BA455C, #A65968, #916E75, #7C8381 and #68978E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA445B shade: #BA459B, #BA457C, #BA455C, #BA4D45 and #BA6C45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA445B shade: #7E2F3E, #9C3A4D, #BA455C, #C56376 and #D08191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA445B shade: #BA445B, #BABA45 and #458BBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA445B shade: #BA445B, #5CBA45 and #455CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA445B shade: #BA445B, #BABA45, #45BAA3 and #4545BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA445B shade: #BA445B, #97BA45, #45BAA3 and #6845BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 51 / 27

HEX #BA445B

RGB 186 68 91

HSL 348.31, 0.46%, 0.5%

LAB 46.08, 49.34, 12.28

 

Complementary color

CMYK 63 / 0 / 12 / 27

HEX #45BBA4

RGB 69 187 164

HSL 168.31, 0.46%, 0.5%

LAB 69.1, -38.44, 1.92

 

CMYK 0 / 64 / 55 / 25

HEX #BF4456

RGB 191 68 86

HSL 351.22, 0.49%, 0.51%

LAB 46.82, 50.57, 16.48

 

CMYK 0 / 59 / 50 / 18

HEX #D05669

RGB 208 86 105

HSL 350.66, 0.56%, 0.58%

LAB 53.04, 49.84, 14.04

 

CMYK 0 / 54 / 45 / 12

HEX #E1687C

RGB 225 104 124

HSL 350.08, 0.67%, 0.65%

LAB 59.31, 48.96, 12.02

 

CMYK 0 / 50 / 41 / 5

HEX #F27A8F

RGB 242 122 143

HSL 349.5, 0.82%, 0.71%

LAB 65.58, 48.02, 10.3

 

CMYK 0 / 45 / 36 / 0

HEX #FF8CA2

RGB 255 140 162

HSL 348.52, 1%, 0.77%

LAB 71.3, 45.7, 8

 

CMYK 0 / 63 / 51 / 27

HEX #BA445B

RGB 186 68 91

HSL 348.31, 0.46%, 0.5%

LAB 46.08, 49.34, 12.28

 

CMYK 0 / 70 / 57 / 34

HEX #A93248

RGB 169 50 72

HSL 348.91, 0.54%, 0.43%

LAB 39.89, 49.76, 15.09

 

CMYK 0 / 79 / 65 / 40

HEX #982035

RGB 152 32 53

HSL 349.5, 0.65%, 0.36%

LAB 33.91, 49.6, 18.68

 

CMYK 0 / 90 / 75 / 47

HEX #870E22

RGB 135 14 34

HSL 350.08, 0.81%, 0.29%

LAB 28.33, 48.37, 23.31

 

CMYK 0 / 100 / 87 / 54

HEX #76000F

RGB 118 0 15

HSL 352.37, 1%, 0.23%

LAB 23.29, 45.65, 28.66

 

CMYK 0 / 63 / 51 / 27

HEX #BA455C

RGB 186 69 92

HSL 348.21, 0.46%, 0.5%

LAB 46.27, 48.98, 11.93

 

CMYK 0 / 63 / 63 / 27

HEX #BA4545

RGB 186 69 69

HSL 0, 0.46%, 0.5%

LAB 45.8, 47.2, 25.26

 

CMYK 0 / 63 / 51 / 27

HEX #BA455C

RGB 186 69 92

HSL 348.21, 0.46%, 0.5%

LAB 46.27, 48.98, 11.93

 

CMYK 0 / 63 / 34 / 27

HEX #BA457B

RGB 186 69 123

HSL 332.31, 0.46%, 0.5%

LAB 47.14, 52.23, -5.74

 

CMYK 0 / 63 / 17 / 27

HEX #BA459B

RGB 186 69 155

HSL 315.9, 0.46%, 0.5%

LAB 48.34, 56.54, -23.16

 

CMYK 0 / 63 / 0 / 27

HEX #BA45BA

RGB 186 69 186

HSL 300, 0.46%, 0.5%

LAB 49.79, 61.5, -39.14

 

CMYK 17 / 63 / 0 / 27

HEX #9A45BA

RGB 154 69 186

HSL 283.59, 0.46%, 0.5%

LAB 45.18, 53.71, -46.74

 

CMYK 0 / 63 / 51 / 27

HEX #BA455C

RGB 186 69 92

HSL 348.21, 0.46%, 0.5%

LAB 46.27, 48.98, 11.93

 

CMYK 0 / 77 / 62 / 19

HEX #CF304F

RGB 207 48 79

HSL 348.3, 0.62%, 0.5%

LAB 46.9, 62.36, 21.37

 

CMYK 0 / 88 / 70 / 11

HEX #E31C43

RGB 227 28 67

HSL 348.24, 0.78%, 0.5%

LAB 48.97, 71.77, 32.06

 

CMYK 0 / 97 / 78 / 3

HEX #F80736

RGB 248 7 54

HSL 348.3, 0.95%, 0.5%

LAB 52.26, 78.76, 44.46

 

CMYK 0 / 63 / 51 / 27

HEX #BA455C

RGB 186 69 92

HSL 348.21, 0.46%, 0.5%

LAB 46.27, 48.98, 11.93

 

CMYK 0 / 46 / 37 / 35

HEX #A65968

RGB 166 89 104

HSL 348.31, 0.3%, 0.5%

LAB 47.3, 33.19, 5.65

 

CMYK 0 / 24 / 19 / 43

HEX #916E75

RGB 145 110 117

HSL 348, 0.14%, 0.5%

LAB 50.04, 15, 1.5

 

CMYK 5 / 0 / 2 / 49

HEX #7C8381

RGB 124 131 129

HSL 162.86, 0.03%, 0.5%

LAB 54.14, -2.99, 0.18

 

CMYK 31 / 0 / 6 / 41

HEX #68978E

RGB 104 151 142

HSL 168.51, 0.18%, 0.5%

LAB 59, -17.89, -0.35

 

CMYK 0 / 63 / 17 / 27

HEX #BA459B

RGB 186 69 155

HSL 315.9, 0.46%, 0.5%

LAB 48.34, 56.54, -23.16

 

CMYK 0 / 63 / 33 / 27

HEX #BA457C

RGB 186 69 124

HSL 331.79, 0.46%, 0.5%

LAB 47.17, 52.35, -6.3

 

CMYK 0 / 63 / 51 / 27

HEX #BA455C

RGB 186 69 92

HSL 348.21, 0.46%, 0.5%

LAB 46.27, 48.98, 11.93

 

CMYK 0 / 59 / 63 / 27

HEX #BA4D45

RGB 186 77 69

HSL 4.1, 0.46%, 0.5%

LAB 47.21, 43.5, 27.03

 

CMYK 0 / 42 / 63 / 27

HEX #BA6C45

RGB 186 108 69

HSL 20, 0.46%, 0.5%

LAB 53.59, 27.43, 34.88

 

CMYK 0 / 63 / 51 / 51

HEX #7E2F3E

RGB 126 47 62

HSL 348.61, 0.46%, 0.34%

LAB 31.39, 35.59, 8.58

 

CMYK 0 / 63 / 51 / 39

HEX #9C3A4D

RGB 156 58 77

HSL 348.37, 0.46%, 0.42%

LAB 38.95, 42.42, 10.28

 

CMYK 0 / 63 / 51 / 27

HEX #BA455C

RGB 186 69 92

HSL 348.21, 0.46%, 0.5%

LAB 46.27, 48.98, 11.93

 

CMYK 0 / 50 / 40 / 23

HEX #C56376

RGB 197 99 118

HSL 348.37, 0.46%, 0.58%

LAB 54.14, 40.97, 7.64

 

CMYK 0 / 38 / 30 / 18

HEX #D08191

RGB 208 129 145

HSL 347.85, 0.46%, 0.66%

LAB 62.64, 32.5, 4.37

 

CMYK 0 / 63 / 51 / 27

HEX #BA445B

RGB 186 68 91

HSL 348.31, 0.46%, 0.5%

LAB 46.08, 49.34, 12.28

 

CMYK 0 / 0 / 63 / 27

HEX #BABA45

RGB 186 186 69

HSL 60, 0.46%, 0.5%

LAB 73.54, -14.76, 57.28

 

CMYK 63 / 25 / 0 / 27

HEX #458BBA

RGB 69 139 186

HSL 204.1, 0.46%, 0.5%

LAB 55.36, -7.47, -31.13

 

CMYK 0 / 63 / 51 / 27

HEX #BA445B

RGB 186 68 91

HSL 348.31, 0.46%, 0.5%

LAB 46.08, 49.34, 12.28

 

CMYK 51 / 0 / 63 / 27

HEX #5CBA45

RGB 92 186 69

HSL 108.21, 0.46%, 0.5%

LAB 67.89, -49.81, 49.51

 

CMYK 63 / 51 / 0 / 27

HEX #455CBA

RGB 69 92 186

HSL 228.21, 0.46%, 0.5%

LAB 41.95, 21.3, -52.37

 

CMYK 0 / 63 / 51 / 27

HEX #BA445B

RGB 186 68 91

HSL 348.31, 0.46%, 0.5%

LAB 46.08, 49.34, 12.28

 

CMYK 0 / 0 / 63 / 27

HEX #BABA45

RGB 186 186 69

HSL 60, 0.46%, 0.5%

LAB 73.54, -14.76, 57.28

 

CMYK 63 / 0 / 12 / 27

HEX #45BAA3

RGB 69 186 163

HSL 168.21, 0.46%, 0.5%

LAB 68.77, -38.24, 1.99

 

CMYK 63 / 63 / 0 / 27

HEX #4545BA

RGB 69 69 186

HSL 240, 0.46%, 0.5%

LAB 36.11, 35.9, -61.83

 

CMYK 0 / 63 / 51 / 27

HEX #BA445B

RGB 186 68 91

HSL 348.31, 0.46%, 0.5%

LAB 46.08, 49.34, 12.28

 

CMYK 19 / 0 / 63 / 27

HEX #97BA45

RGB 151 186 69

HSL 77.95, 0.46%, 0.5%

LAB 70.96, -29.19, 53.76

 

CMYK 63 / 0 / 12 / 27

HEX #45BAA3

RGB 69 186 163

HSL 168.21, 0.46%, 0.5%

LAB 68.77, -38.24, 1.99

 

CMYK 44 / 63 / 0 / 27

HEX #6845BA

RGB 104 69 186

HSL 257.95, 0.46%, 0.5%

LAB 39.15, 42.34, -56.76

 

Description

Color code: HEX #BA445B | qconv.com Color code: HEX #BA445B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 68 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 68 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 51 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 51% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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