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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4342 it is the complementary color #45BCBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4342 shade: #BF433D, #D05550, #E16763, #F27976 and #FF8B89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4342 shade: #BA4342, #A9312F, #981F1C, #870D09 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4342 shade: #B94241 and #B94141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4342 shade: #B94241, #B96241, #B98341, #B9A341 and #AEB941

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4342 shade matches the following richer shades: #B94241, #CD2E2D, #E11A19 and #F60604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4342 shade: #B94241, #A55655, #906A69, #7C7E7E and #689192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4342 shade: #B94181, #B94161, #B94141, #B96141 and #B98141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4342 shade: #7C2C2C, #9A3736, #B94241, #C65E5D and #D17C7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4342 shade: #BA4342, #A1B941 and #4171B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4342 shade: #BA4342, #41B941 and #4141B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4342 shade: #BA4342, #A1B941, #41B9B9 and #5941B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4342 shade: #BA4342, #7DB941, #41B9B9 and #7D41B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 65 / 27

HEX #BA4342

RGB 186 67 66

HSL 0.5, 0.48%, 0.49%

LAB 45.42, 47.9, 26.57

 

Complementary color

CMYK 63 / 1 / 0 / 26

HEX #45BCBD

RGB 69 188 189

HSL 180.5, 0.48%, 0.51%

LAB 70.11, -32.16, -10.31

 

CMYK 0 / 65 / 68 / 25

HEX #BF433D

RGB 191 67 61

HSL 2.77, 0.52%, 0.49%

LAB 46.21, 49.33, 30.7

 

CMYK 0 / 59 / 62 / 18

HEX #D05550

RGB 208 85 80

HSL 2.34, 0.58%, 0.56%

LAB 52.38, 48.34, 27.89

 

CMYK 0 / 54 / 56 / 12

HEX #E16763

RGB 225 103 99

HSL 1.9, 0.68%, 0.64%

LAB 58.61, 47.24, 25.51

 

CMYK 0 / 50 / 51 / 5

HEX #F27976

RGB 242 121 118

HSL 1.45, 0.83%, 0.71%

LAB 64.85, 46.12, 23.46

 

CMYK 0 / 45 / 46 / 0

HEX #FF8B89

RGB 255 139 137

HSL 1.02, 1%, 0.77%

LAB 70.55, 43.58, 20.86

 

CMYK 0 / 64 / 65 / 27

HEX #BA4342

RGB 186 67 66

HSL 0.5, 0.48%, 0.49%

LAB 45.42, 47.9, 26.57

 

CMYK 0 / 71 / 72 / 34

HEX #A9312F

RGB 169 49 47

HSL 0.98, 0.56%, 0.42%

LAB 39.3, 48.61, 29.8

 

CMYK 0 / 80 / 82 / 40

HEX #981F1C

RGB 152 31 28

HSL 1.45, 0.69%, 0.35%

LAB 33.43, 48.75, 33.6

 

CMYK 0 / 90 / 93 / 47

HEX #870D09

RGB 135 13 9

HSL 1.9, 0.88%, 0.28%

LAB 28, 47.82, 37.19

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 64 / 65 / 27

HEX #B94241

RGB 185 66 65

HSL 0.5, 0.48%, 0.49%

LAB 45.07, 47.93, 26.69

 

CMYK 0 / 65 / 65 / 27

HEX #B94141

RGB 185 65 65

HSL 0, 0.48%, 0.49%

LAB 44.91, 48.37, 26.49

 

CMYK 0 / 64 / 65 / 27

HEX #B94241

RGB 185 66 65

HSL 0.5, 0.48%, 0.49%

LAB 45.07, 47.93, 26.69

 

CMYK 0 / 47 / 65 / 27

HEX #B96241

RGB 185 98 65

HSL 16.5, 0.48%, 0.49%

LAB 51.19, 32.16, 34.16

 

CMYK 0 / 29 / 65 / 27

HEX #B98341

RGB 185 131 65

HSL 33, 0.48%, 0.49%

LAB 58.91, 14.03, 43.12

 

CMYK 0 / 12 / 65 / 27

HEX #B9A341

RGB 185 163 65

HSL 49, 0.48%, 0.49%

LAB 67.19, -3.46, 52.23

 

CMYK 6 / 0 / 65 / 27

HEX #AEB941

RGB 174 185 65

HSL 65.5, 0.48%, 0.49%

LAB 72.28, -19.57, 57.33

 

CMYK 0 / 64 / 65 / 27

HEX #B94241

RGB 185 66 65

HSL 0.5, 0.48%, 0.49%

LAB 45.07, 47.93, 26.69

 

CMYK 0 / 78 / 78 / 20

HEX #CD2E2D

RGB 205 46 45

HSL 0.37, 0.64%, 0.49%

LAB 45.8, 60.78, 40.08

 

CMYK 0 / 88 / 89 / 12

HEX #E11A19

RGB 225 26 25

HSL 0.3, 0.8%, 0.49%

LAB 48.03, 70.38, 53.55

 

CMYK 0 / 98 / 98 / 4

HEX #F60604

RGB 246 6 4

HSL 0.5, 0.97%, 0.49%

LAB 51.53, 77.55, 64.42

 

CMYK 0 / 64 / 65 / 27

HEX #B94241

RGB 185 66 65

HSL 0.5, 0.48%, 0.49%

LAB 45.07, 47.93, 26.69

 

CMYK 0 / 48 / 48 / 35

HEX #A55655

RGB 165 86 85

HSL 0.75, 0.32%, 0.49%

LAB 46.06, 32.29, 15.37

 

CMYK 0 / 26 / 27 / 44

HEX #906A69

RGB 144 106 105

HSL 1.54, 0.16%, 0.49%

LAB 48.58, 15.03, 6.51

 

CMYK 2 / 0 / 0 / 51

HEX #7C7E7E

RGB 124 126 126

HSL 180, 0.01%, 0.49%

LAB 52.63, -0.74, -0.27

 

CMYK 29 / 1 / 0 / 43

HEX #689192

RGB 104 145 146

HSL 181.43, 0.17%, 0.49%

LAB 57.34, -13.73, -5.08

 

CMYK 0 / 65 / 30 / 27

HEX #B94181

RGB 185 65 129

HSL 328, 0.48%, 0.49%

LAB 46.55, 54.37, -10.28

 

CMYK 0 / 65 / 48 / 27

HEX #B94161

RGB 185 65 97

HSL 344, 0.48%, 0.49%

LAB 45.58, 50.86, 7.86

 

CMYK 0 / 65 / 65 / 27

HEX #B94141

RGB 185 65 65

HSL 0, 0.48%, 0.49%

LAB 44.91, 48.37, 26.49

 

CMYK 0 / 48 / 65 / 27

HEX #B96141

RGB 185 97 65

HSL 16, 0.48%, 0.49%

LAB 50.97, 32.69, 33.91

 

CMYK 0 / 30 / 65 / 27

HEX #B98141

RGB 185 129 65

HSL 32, 0.48%, 0.49%

LAB 58.41, 15.14, 42.56

 

CMYK 0 / 65 / 65 / 51

HEX #7C2C2C

RGB 124 44 44

HSL 0, 0.48%, 0.33%

LAB 30.08, 34.78, 18.49

 

CMYK 0 / 64 / 65 / 40

HEX #9A3736

RGB 154 55 54

HSL 0.6, 0.48%, 0.41%

LAB 37.61, 41.28, 22.84

 

CMYK 0 / 64 / 65 / 27

HEX #B94241

RGB 185 66 65

HSL 0.5, 0.48%, 0.49%

LAB 45.07, 47.93, 26.69

 

CMYK 0 / 53 / 53 / 22

HEX #C65E5D

RGB 198 94 93

HSL 0.57, 0.48%, 0.57%

LAB 52.73, 41.38, 20.46

 

CMYK 0 / 41 / 41 / 18

HEX #D17C7C

RGB 209 124 124

HSL 0, 0.48%, 0.65%

LAB 61.16, 32.98, 14.28

 

CMYK 0 / 64 / 65 / 27

HEX #BA4342

RGB 186 67 66

HSL 0.5, 0.48%, 0.49%

LAB 45.42, 47.9, 26.57

 

CMYK 13 / 0 / 65 / 27

HEX #A1B941

RGB 161 185 65

HSL 72, 0.48%, 0.49%

LAB 71.32, -24.96, 56.03

 

CMYK 65 / 39 / 0 / 27

HEX #4171B9

RGB 65 113 185

HSL 216, 0.48%, 0.49%

LAB 47.54, 6.95, -42.85

 

CMYK 0 / 64 / 65 / 27

HEX #BA4342

RGB 186 67 66

HSL 0.5, 0.48%, 0.49%

LAB 45.42, 47.9, 26.57

 

CMYK 65 / 0 / 65 / 27

HEX #41B941

RGB 65 185 65

HSL 120, 0.48%, 0.49%

LAB 66.68, -56.59, 49.65

 

CMYK 65 / 65 / 0 / 27

HEX #4141B9

RGB 65 65 185

HSL 240, 0.48%, 0.49%

LAB 34.82, 37.43, -63.37

 

CMYK 0 / 64 / 65 / 27

HEX #BA4342

RGB 186 67 66

HSL 0.5, 0.48%, 0.49%

LAB 45.42, 47.9, 26.57

 

CMYK 13 / 0 / 65 / 27

HEX #A1B941

RGB 161 185 65

HSL 72, 0.48%, 0.49%

LAB 71.32, -24.96, 56.03

 

CMYK 65 / 0 / 0 / 27

HEX #41B9B9

RGB 65 185 185

HSL 180, 0.48%, 0.49%

LAB 68.99, -32.5, -9.8

 

CMYK 52 / 65 / 0 / 27

HEX #5941B9

RGB 89 65 185

HSL 252, 0.48%, 0.49%

LAB 36.76, 41.4, -60.12

 

CMYK 0 / 64 / 65 / 27

HEX #BA4342

RGB 186 67 66

HSL 0.5, 0.48%, 0.49%

LAB 45.42, 47.9, 26.57

 

CMYK 32 / 0 / 65 / 27

HEX #7DB941

RGB 125 185 65

HSL 90, 0.48%, 0.49%

LAB 69.07, -38.97, 52.95

 

CMYK 65 / 0 / 0 / 27

HEX #41B9B9

RGB 65 185 185

HSL 180, 0.48%, 0.49%

LAB 68.99, -32.5, -9.8

 

CMYK 32 / 65 / 0 / 27

HEX #7D41B9

RGB 125 65 185

HSL 270, 0.48%, 0.49%

LAB 40.64, 48.74, -53.64

 

Description

Color code: HEX #BA4342 | qconv.com Color code: HEX #BA4342 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 67 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 67 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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