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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3EFE it is the complementary color #45C101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3EFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3EFE shade: #BF3EF9, #D050FF, #E162FF, #F274FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3EFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3EFE shade: #BA3EFE, #A92CEB, #981AD8, #8708C5 and #7600B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3EFE shade: #BA3EFE, #ED3EFE, #FE3EDA, #FE3EA6 and #FE3E73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3EFE shade: #BA3EFE, #863EFE, #523EFE and #3E3EFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3EFE shade matches the following richer shades: #BA3EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3EFE shade: #BA3EFE, #B54DEE, #B05DDE, #AC6DCE and #A77CBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3EFE shade: #513EFE, #843EFE, #B73EFE, #EA3EFE and #FE3EDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3EFE shade: #9601E8, #AB15FD, #BA3EFE, #C867FE and #D790FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3EFE shade: #BA3EFE, #FE3E5E and #3EFE6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3EFE shade: #BA3EFE, #FEB73E and #3EFEB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3EFE shade: #BA3EFE, #FE3E5E, #84FE3E and #3EFEDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3EFE shade: #BA3EFE, #FE573E, #84FE3E and #3EE4FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

Complementary color

CMYK 64 / 0 / 99 / 24

HEX #45C101

RGB 69 193 1

HSL 98.75, 0.99%, 0.38%

LAB 69.05, -61.78, 68.46

 

CMYK 23 / 75 / 0 / 2

HEX #BF3EF9

RGB 191 62 249

HSL 281.39, 0.94%, 0.61%

LAB 53.34, 76.76, -69.26

 

CMYK 18 / 69 / 0 / 0

HEX #D050FF

RGB 208 80 255

HSL 283.89, 1%, 0.66%

LAB 58.38, 74.57, -64.34

 

CMYK 12 / 62 / 0 / 0

HEX #E162FF

RGB 225 98 255

HSL 288.54, 1%, 0.69%

LAB 63.31, 70.89, -56.33

 

CMYK 5 / 55 / 0 / 0

HEX #F274FF

RGB 242 116 255

HSL 294.39, 1%, 0.73%

LAB 68.45, 67.07, -48.05

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 28 / 81 / 0 / 8

HEX #A92CEB

RGB 169 44 235

HSL 279.27, 0.83%, 0.55%

LAB 47.28, 76.01, -71.39

 

CMYK 30 / 88 / 0 / 15

HEX #981AD8

RGB 152 26 216

HSL 279.79, 0.79%, 0.47%

LAB 41.8, 74.23, -69.6

 

CMYK 31 / 96 / 0 / 23

HEX #8708C5

RGB 135 8 197

HSL 280.32, 0.92%, 0.4%

LAB 36.66, 71.18, -67.09

 

CMYK 34 / 100 / 0 / 30

HEX #7600B2

RGB 118 0 178

HSL 279.78, 1%, 0.35%

LAB 31.96, 66.5, -63.67

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 7 / 76 / 0 / 0

HEX #ED3EFE

RGB 237 62 254

HSL 294.69, 0.99%, 0.62%

LAB 60.43, 86.04, -60.27

 

CMYK 0 / 76 / 14 / 0

HEX #FE3EDA

RGB 254 62 218

HSL 311.25, 0.99%, 0.62%

LAB 61.29, 84.15, -38.64

 

CMYK 0 / 76 / 35 / 0

HEX #FE3EA6

RGB 254 62 166

HSL 327.5, 0.99%, 0.62%

LAB 59.22, 77.98, -12.02

 

CMYK 0 / 76 / 55 / 0

HEX #FE3E73

RGB 254 62 115

HSL 343.44, 0.99%, 0.62%

LAB 57.8, 73.57, 15.91

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 47 / 76 / 0 / 0

HEX #863EFE

RGB 134 62 254

HSL 262.5, 0.99%, 0.62%

LAB 46.54, 68.76, -83.45

 

CMYK 68 / 76 / 0 / 0

HEX #523EFE

RGB 82 62 254

HSL 246.25, 0.99%, 0.62%

LAB 41.84, 62.69, -91.35

 

CMYK 76 / 76 / 0 / 0

HEX #3E3EFE

RGB 62 62 254

HSL 240, 0.99%, 0.62%

LAB 40.61, 61.09, -93.41

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 24 / 68 / 0 / 7

HEX #B54DEE

RGB 181 77 238

HSL 278.76, 0.83%, 0.62%

LAB 53.28, 66.92, -63.28

 

CMYK 21 / 58 / 0 / 13

HEX #B05DDE

RGB 176 93 222

HSL 278.6, 0.66%, 0.62%

LAB 54.38, 55.04, -52.56

 

CMYK 17 / 47 / 0 / 19

HEX #AC6DCE

RGB 172 109 206

HSL 278.97, 0.5%, 0.62%

LAB 56.25, 42.19, -40.56

 

CMYK 13 / 35 / 0 / 25

HEX #A77CBF

RGB 167 124 191

HSL 278.51, 0.34%, 0.62%

LAB 58.41, 29.09, -28.71

 

CMYK 68 / 76 / 0 / 0

HEX #513EFE

RGB 81 62 254

HSL 245.94, 0.99%, 0.62%

LAB 41.77, 62.6, -91.47

 

CMYK 48 / 76 / 0 / 0

HEX #843EFE

RGB 132 62 254

HSL 261.88, 0.99%, 0.62%

LAB 46.32, 68.48, -83.81

 

CMYK 28 / 76 / 0 / 0

HEX #B73EFE

RGB 183 62 254

HSL 277.81, 0.99%, 0.62%

LAB 52.58, 76.37, -73.32

 

CMYK 8 / 76 / 0 / 0

HEX #EA3EFE

RGB 234 62 254

HSL 293.75, 0.99%, 0.62%

LAB 59.97, 85.48, -61.03

 

CMYK 0 / 76 / 13 / 0

HEX #FE3EDE

RGB 254 62 222

HSL 310, 0.99%, 0.62%

LAB 61.47, 84.68, -40.6

 

CMYK 35 / 100 / 0 / 9

HEX #9601E8

RGB 150 1 232

HSL 278.7, 0.99%, 0.46%

LAB 41.74, 80.43, -78.86

 

CMYK 32 / 92 / 0 / 1

HEX #AB15FD

RGB 171 21 253

HSL 278.79, 0.98%, 0.54%

LAB 47.35, 84.62, -81.38

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 21 / 59 / 0 / 0

HEX #C867FE

RGB 200 103 254

HSL 278.54, 0.99%, 0.7%

LAB 60.9, 62.68, -59.81

 

CMYK 15 / 43 / 0 / 0

HEX #D790FE

RGB 215 144 254

HSL 278.73, 0.98%, 0.78%

LAB 70.56, 45.78, -44.41

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5E

RGB 254 62 94

HSL 350, 0.99%, 0.62%

LAB 57.39, 72.25, 27.73

 

CMYK 76 / 0 / 58 / 0

HEX #3EFE6A

RGB 62 254 106

HSL 133.75, 0.99%, 0.62%

LAB 88.42, -75.31, 56.59

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 0 / 28 / 76 / 0

HEX #FEB73E

RGB 254 183 62

HSL 37.81, 0.99%, 0.62%

LAB 79.21, 15.37, 67.9

 

CMYK 76 / 0 / 28 / 0

HEX #3EFEB7

RGB 62 254 183

HSL 157.81, 0.99%, 0.62%

LAB 89.55, -62.44, 20.87

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5E

RGB 254 62 94

HSL 350, 0.99%, 0.62%

LAB 57.39, 72.25, 27.73

 

CMYK 48 / 0 / 76 / 0

HEX #84FE3E

RGB 132 254 62

HSL 98.13, 0.99%, 0.62%

LAB 89.92, -64.49, 75.27

 

CMYK 76 / 0 / 13 / 0

HEX #3EFEDE

RGB 62 254 222

HSL 170, 0.99%, 0.62%

LAB 90.41, -53.37, 1.99

 

CMYK 27 / 76 / 0 / 0

HEX #BA3EFE

RGB 186 62 254

HSL 278.75, 0.99%, 0.62%

LAB 52.99, 76.88, -72.64

 

CMYK 0 / 66 / 76 / 0

HEX #FE573E

RGB 254 87 62

HSL 7.81, 0.99%, 0.62%

LAB 60.1, 62.11, 48.76

 

CMYK 48 / 0 / 76 / 0

HEX #84FE3E

RGB 132 254 62

HSL 98.13, 0.99%, 0.62%

LAB 89.92, -64.49, 75.27

 

CMYK 76 / 10 / 0 / 0

HEX #3EE4FE

RGB 62 228 254

HSL 188.13, 0.99%, 0.62%

LAB 83.79, -33.02, -24.62

 

Description

Color code: HEX #BA3EFE | qconv.com Color code: HEX #BA3EFE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 62 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 62 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 76 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 76% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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