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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3E3A it is the complementary color #45C1C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3E3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3E3A shade: #BF3E35, #D05048, #E1625B, #F2746E and #FF8681

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3E3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3E3A shade: #BA3E3A, #A92C27, #981A14, #870801 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3E3A shade: #BA3E3A and #BA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3E3A shade: #BA3E3A, #BA613A, #BA833A, #BAA53A and #ACBA3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3E3A shade matches the following richer shades: #BA3E3A, #CD2C26 and #E11913

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3E3A shade: #BA3E3A, #A6514E, #926362, #7E7676 and #6A8889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3E3A shade: #BA3A7C, #BA3A5A, #BA3C3A, #BA5E3A and #BA803A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3E3A shade: #7B2926, #9A3430, #BA3E3A, #C95854 and #D37774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3E3A shade: #BA3E3A, #9EBA3A and #3A6BBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3E3A shade: #BA3E3A, #3ABA3C and #3C3ABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3E3A shade: #BA3E3A, #9EBA3A, #3AB7BA and #563ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3E3A shade: #BA3E3A, #78BA3A, #3AB7BA and #7C3ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

Complementary color

CMYK 65 / 2 / 0 / 23

HEX #45C1C5

RGB 69 193 197

HSL 181.88, 0.52%, 0.52%

LAB 71.85, -32.28, -12.08

 

CMYK 0 / 68 / 72 / 25

HEX #BF3E35

RGB 191 62 53

HSL 3.91, 0.57%, 0.48%

LAB 45.33, 51.02, 34.29

 

CMYK 0 / 62 / 65 / 18

HEX #D05048

RGB 208 80 72

HSL 3.53, 0.59%, 0.55%

LAB 51.4, 50.11, 31.29

 

CMYK 0 / 56 / 60 / 12

HEX #E1625B

RGB 225 98 91

HSL 3.13, 0.69%, 0.62%

LAB 57.56, 49.03, 28.71

 

CMYK 0 / 52 / 55 / 5

HEX #F2746E

RGB 242 116 110

HSL 2.73, 0.84%, 0.69%

LAB 63.75, 47.9, 26.49

 

CMYK 0 / 47 / 49 / 0

HEX #FF8681

RGB 255 134 129

HSL 2.38, 1%, 0.75%

LAB 69.39, 45.34, 23.73

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 0 / 74 / 77 / 34

HEX #A92C27

RGB 169 44 39

HSL 2.31, 0.63%, 0.41%

LAB 38.52, 50.14, 33.63

 

CMYK 0 / 83 / 87 / 40

HEX #981A14

RGB 152 26 20

HSL 2.73, 0.77%, 0.34%

LAB 32.84, 49.99, 37.42

 

CMYK 0 / 94 / 99 / 47

HEX #870801

RGB 135 8 1

HSL 3.13, 0.99%, 0.27%

LAB 27.65, 48.57, 40.15

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 0 / 48 / 69 / 27

HEX #BA613A

RGB 186 97 58

HSL 18.28, 0.52%, 0.48%

LAB 51.03, 32.67, 37.83

 

CMYK 0 / 30 / 69 / 27

HEX #BA833A

RGB 186 131 58

HSL 34.22, 0.52%, 0.48%

LAB 58.95, 14.03, 46.61

 

CMYK 0 / 11 / 69 / 27

HEX #BAA53A

RGB 186 165 58

HSL 50.16, 0.52%, 0.48%

LAB 67.77, -4.5, 55.86

 

CMYK 8 / 0 / 69 / 27

HEX #ACBA3A

RGB 172 186 58

HSL 66.56, 0.52%, 0.48%

LAB 72.36, -21.33, 60.13

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 0 / 79 / 81 / 20

HEX #CD2C26

RGB 205 44 38

HSL 2.16, 0.69%, 0.48%

LAB 45.53, 61.15, 43.59

 

CMYK 0 / 89 / 92 / 12

HEX #E11913

RGB 225 25 19

HSL 1.75, 0.84%, 0.48%

LAB 47.94, 70.46, 55.87

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 0 / 51 / 53 / 35

HEX #A6514E

RGB 166 81 78

HSL 2.05, 0.36%, 0.48%

LAB 45, 34.68, 18.19

 

CMYK 0 / 32 / 33 / 43

HEX #926362

RGB 146 99 98

HSL 1.25, 0.2%, 0.48%

LAB 46.86, 18.9, 8.29

 

CMYK 0 / 6 / 6 / 51

HEX #7E7676

RGB 126 118 118

HSL 0, 0.03%, 0.48%

LAB 50.33, 3.07, 1.1

 

CMYK 23 / 1 / 0 / 46

HEX #6A8889

RGB 106 136 137

HSL 181.94, 0.13%, 0.48%

LAB 54.53, -10.32, -4.03

 

CMYK 0 / 69 / 33 / 27

HEX #BA3A7C

RGB 186 58 124

HSL 329.06, 0.52%, 0.48%

LAB 45.53, 56.87, -8.76

 

CMYK 0 / 69 / 52 / 27

HEX #BA3A5A

RGB 186 58 90

HSL 345, 0.52%, 0.48%

LAB 44.52, 53.42, 10.72

 

CMYK 0 / 68 / 69 / 27

HEX #BA3C3A

RGB 186 60 58

HSL 0.94, 0.52%, 0.48%

LAB 44.2, 50.42, 29.82

 

CMYK 0 / 49 / 69 / 27

HEX #BA5E3A

RGB 186 94 58

HSL 16.88, 0.52%, 0.48%

LAB 50.39, 34.25, 37.1

 

CMYK 0 / 31 / 69 / 27

HEX #BA803A

RGB 186 128 58

HSL 32.81, 0.52%, 0.48%

LAB 58.21, 15.7, 45.81

 

CMYK 0 / 67 / 69 / 52

HEX #7B2926

RGB 123 41 38

HSL 2.12, 0.53%, 0.32%

LAB 29.25, 35.44, 21.26

 

CMYK 0 / 66 / 69 / 40

HEX #9A3430

RGB 154 52 48

HSL 2.26, 0.52%, 0.4%

LAB 37, 42.27, 25.78

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 0 / 56 / 58 / 21

HEX #C95854

RGB 201 88 84

HSL 2.05, 0.52%, 0.56%

LAB 51.88, 44.71, 24.69

 

CMYK 0 / 44 / 45 / 17

HEX #D37774

RGB 211 119 116

HSL 1.89, 0.52%, 0.64%

LAB 60.16, 35.52, 17.52

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 15 / 0 / 69 / 27

HEX #9EBA3A

RGB 158 186 58

HSL 73.13, 0.52%, 0.48%

LAB 71.35, -27.13, 58.78

 

CMYK 69 / 42 / 0 / 27

HEX #3A6BBA

RGB 58 107 186

HSL 217.03, 0.52%, 0.48%

LAB 45.58, 9.87, -46.58

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 69 / 0 / 68 / 27

HEX #3ABA3C

RGB 58 186 60

HSL 120.94, 0.52%, 0.48%

LAB 66.78, -58.83, 51.81

 

CMYK 68 / 69 / 0 / 27

HEX #3C3ABA

RGB 60 58 186

HSL 240.94, 0.52%, 0.48%

LAB 32.99, 41.33, -66.97

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 15 / 0 / 69 / 27

HEX #9EBA3A

RGB 158 186 58

HSL 73.13, 0.52%, 0.48%

LAB 71.35, -27.13, 58.78

 

CMYK 69 / 2 / 0 / 27

HEX #3AB7BA

RGB 58 183 186

HSL 181.41, 0.52%, 0.48%

LAB 68.25, -32.28, -11.47

 

CMYK 54 / 69 / 0 / 27

HEX #563ABA

RGB 86 58 186

HSL 253.13, 0.52%, 0.48%

LAB 35.1, 45.13, -63.42

 

CMYK 0 / 67 / 69 / 27

HEX #BA3E3A

RGB 186 62 58

HSL 1.88, 0.52%, 0.48%

LAB 44.5, 49.59, 30.19

 

CMYK 35 / 0 / 69 / 27

HEX #78BA3A

RGB 120 186 58

HSL 90.94, 0.52%, 0.48%

LAB 69.05, -41.74, 55.7

 

CMYK 69 / 2 / 0 / 27

HEX #3AB7BA

RGB 58 183 186

HSL 181.41, 0.52%, 0.48%

LAB 68.25, -32.28, -11.47

 

CMYK 33 / 69 / 0 / 27

HEX #7C3ABA

RGB 124 58 186

HSL 270.94, 0.52%, 0.48%

LAB 39.34, 52.22, -56.34

 

Description

Color code: HEX #BA3E3A | qconv.com Color code: HEX #BA3E3A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 62 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 62 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 69 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 69% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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