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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3CA9 it is the complementary color #45C356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3CA9 shade: #BF3CA4, #D04EB7, #E160CA, #F272DD and #FF84F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3CA9 shade: #BA3CA9, #A92A96, #981883, #870670 and #76005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3CA9 shade: #B93CA8, #B93C86, #B93C65, #B93C43 and #B93C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3CA9 shade: #B93CA8, #A83CB9, #863CB9, #653CB9 and #433CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3CA9 shade matches the following richer shades: #B93CA8, #CD28B6, #E014C5 and #F401D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3CA9 shade: #B93CA8, #A5509A, #91648B, #7D777D and #6A8B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3CA9 shade: #873CB9, #A83CB9, #B93CA8, #B93C87 and #B93C66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3CA9 shade: #7B286F, #9A328C, #B93CA8, #C856B9 and #D275C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3CA9 shade: #BA3CA9, #B9663C and #3CB998

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3CA9 shade: #BA3CA9, #A8B93C and #3CA8B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3CA9 shade: #BA3CA9, #B9663C, #3CB94D and #3C8FB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3CA9 shade: #BA3CA9, #B98B3C, #3CB94D and #3C6AB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 9 / 27

HEX #BA3CA9

RGB 186 60 169

HSL 308.1, 0.51%, 0.48%

LAB 47.67, 62.28, -32.5

 

Complementary color

CMYK 65 / 0 / 56 / 24

HEX #45C356

RGB 69 195 86

HSL 128.1, 0.51%, 0.52%

LAB 70.15, -56.87, 44.19

 

CMYK 0 / 69 / 14 / 25

HEX #BF3CA4

RGB 191 60 164

HSL 312.37, 0.52%, 0.49%

LAB 48.25, 62.76, -28.58

 

CMYK 0 / 63 / 12 / 18

HEX #D04EB7

RGB 208 78 183

HSL 311.54, 0.58%, 0.56%

LAB 54.32, 62.91, -30.05

 

CMYK 0 / 57 / 10 / 12

HEX #E160CA

RGB 225 96 202

HSL 310.7, 0.68%, 0.63%

LAB 60.46, 62.69, -31.21

 

CMYK 0 / 53 / 9 / 5

HEX #F272DD

RGB 242 114 221

HSL 309.84, 0.83%, 0.7%

LAB 66.62, 62.26, -32.15

 

CMYK 0 / 48 / 6 / 0

HEX #FF84F0

RGB 255 132 240

HSL 307.32, 1%, 0.76%

LAB 72.26, 60.56, -33.77

 

CMYK 0 / 68 / 9 / 27

HEX #BA3CA9

RGB 186 60 169

HSL 308.1, 0.51%, 0.48%

LAB 47.67, 62.28, -32.5

 

CMYK 0 / 75 / 11 / 34

HEX #A92A96

RGB 169 42 150

HSL 308.98, 0.6%, 0.41%

LAB 41.68, 61.58, -30.74

 

CMYK 0 / 84 / 14 / 40

HEX #981883

RGB 152 24 131

HSL 309.84, 0.73%, 0.35%

LAB 35.92, 59.96, -28.35

 

CMYK 0 / 96 / 17 / 47

HEX #870670

RGB 135 6 112

HSL 310.7, 0.91%, 0.28%

LAB 30.52, 56.96, -25.09

 

CMYK 0 / 100 / 21 / 54

HEX #76005D

RGB 118 0 93

HSL 312.71, 1%, 0.23%

LAB 25.69, 51.91, -20.57

 

CMYK 0 / 68 / 9 / 27

HEX #B93CA8

RGB 185 60 168

HSL 308.16, 0.51%, 0.48%

LAB 47.46, 61.87, -32.25

 

CMYK 0 / 68 / 28 / 27

HEX #B93C86

RGB 185 60 134

HSL 324.48, 0.51%, 0.48%

LAB 46, 57.04, -14.15

 

CMYK 0 / 68 / 45 / 27

HEX #B93C65

RGB 185 60 101

HSL 340.32, 0.51%, 0.48%

LAB 44.92, 53.32, 4.47

 

CMYK 0 / 68 / 64 / 27

HEX #B93C43

RGB 185 60 67

HSL 356.64, 0.51%, 0.48%

LAB 44.16, 50.6, 24.34

 

CMYK 0 / 68 / 68 / 27

HEX #B93C3C

RGB 185 60 60

HSL 0, 0.51%, 0.48%

LAB 44.05, 50.19, 28.41

 

CMYK 0 / 68 / 9 / 27

HEX #B93CA8

RGB 185 60 168

HSL 308.16, 0.51%, 0.48%

LAB 47.46, 61.87, -32.25

 

CMYK 9 / 68 / 0 / 27

HEX #A83CB9

RGB 168 60 185

HSL 291.84, 0.51%, 0.48%

LAB 45.72, 60.72, -45.18

 

CMYK 28 / 68 / 0 / 27

HEX #863CB9

RGB 134 60 185

HSL 275.52, 0.51%, 0.48%

LAB 40.9, 53.14, -53.17

 

CMYK 45 / 68 / 0 / 27

HEX #653CB9

RGB 101 60 185

HSL 259.68, 0.51%, 0.48%

LAB 36.93, 46.42, -59.78

 

CMYK 64 / 68 / 0 / 27

HEX #433CB9

RGB 67 60 185

HSL 243.36, 0.51%, 0.48%

LAB 33.83, 40.74, -64.98

 

CMYK 0 / 68 / 9 / 27

HEX #B93CA8

RGB 185 60 168

HSL 308.16, 0.51%, 0.48%

LAB 47.46, 61.87, -32.25

 

CMYK 0 / 80 / 11 / 20

HEX #CD28B6

RGB 205 40 182

HSL 308.36, 0.67%, 0.48%

LAB 49.34, 74.6, -37.29

 

CMYK 0 / 91 / 12 / 12

HEX #E014C5

RGB 224 20 197

HSL 307.94, 0.84%, 0.48%

LAB 52.26, 83.77, -41.19

 

CMYK 0 / 100 / 14 / 4

HEX #F401D3

RGB 244 1 211

HSL 308.15, 0.99%, 0.48%

LAB 56.05, 90.59, -43.03

 

CMYK 0 / 68 / 9 / 27

HEX #B93CA8

RGB 185 60 168

HSL 308.16, 0.51%, 0.48%

LAB 47.46, 61.87, -32.25

 

CMYK 0 / 52 / 7 / 35

HEX #A5509A

RGB 165 80 154

HSL 307.76, 0.35%, 0.48%

LAB 47.07, 45.15, -24.79

 

CMYK 0 / 31 / 4 / 43

HEX #91648B

RGB 145 100 139

HSL 308, 0.18%, 0.48%

LAB 48.26, 24.79, -14.25

 

CMYK 0 / 5 / 0 / 51

HEX #7D777D

RGB 125 119 125

HSL 300, 0.02%, 0.48%

LAB 50.73, 3.48, -2.47

 

CMYK 24 / 0 / 21 / 45

HEX #6A8B6E

RGB 106 139 110

HSL 127.27, 0.13%, 0.48%

LAB 54.72, -17.72, 11.8

 

CMYK 27 / 68 / 0 / 27

HEX #873CB9

RGB 135 60 185

HSL 276, 0.51%, 0.48%

LAB 41.03, 53.36, -52.95

 

CMYK 9 / 68 / 0 / 27

HEX #A83CB9

RGB 168 60 185

HSL 291.84, 0.51%, 0.48%

LAB 45.72, 60.72, -45.18

 

CMYK 0 / 68 / 9 / 27

HEX #B93CA8

RGB 185 60 168

HSL 308.16, 0.51%, 0.48%

LAB 47.46, 61.87, -32.25

 

CMYK 0 / 68 / 27 / 27

HEX #B93C87

RGB 185 60 135

HSL 324, 0.51%, 0.48%

LAB 46.04, 57.16, -14.69

 

CMYK 0 / 68 / 45 / 27

HEX #B93C66

RGB 185 60 102

HSL 339.84, 0.51%, 0.48%

LAB 44.95, 53.41, 3.89

 

CMYK 0 / 67 / 10 / 52

HEX #7B286F

RGB 123 40 111

HSL 308.67, 0.51%, 0.32%

LAB 31.52, 44.56, -23.04

 

CMYK 0 / 68 / 9 / 40

HEX #9A328C

RGB 154 50 140

HSL 308.08, 0.51%, 0.4%

LAB 39.66, 53.48, -28.01

 

CMYK 0 / 68 / 9 / 27

HEX #B93CA8

RGB 185 60 168

HSL 308.16, 0.51%, 0.48%

LAB 47.46, 61.87, -32.25

 

CMYK 0 / 57 / 8 / 22

HEX #C856B9

RGB 200 86 185

HSL 307.89, 0.51%, 0.56%

LAB 54.49, 57.61, -31.04

 

CMYK 0 / 44 / 6 / 18

HEX #D275C6

RGB 210 117 198

HSL 307.74, 0.51%, 0.64%

LAB 62.08, 47.66, -26.6

 

CMYK 0 / 68 / 9 / 27

HEX #BA3CA9

RGB 186 60 169

HSL 308.1, 0.51%, 0.48%

LAB 47.67, 62.28, -32.5

 

CMYK 0 / 45 / 68 / 27

HEX #B9663C

RGB 185 102 60

HSL 20.16, 0.51%, 0.48%

LAB 52, 29.7, 37.83

 

CMYK 68 / 0 / 18 / 27

HEX #3CB998

RGB 60 185 152

HSL 164.16, 0.51%, 0.48%

LAB 67.97, -42.08, 6.84

 

CMYK 0 / 68 / 9 / 27

HEX #BA3CA9

RGB 186 60 169

HSL 308.1, 0.51%, 0.48%

LAB 47.67, 62.28, -32.5

 

CMYK 9 / 0 / 68 / 27

HEX #A8B93C

RGB 168 185 60

HSL 68.16, 0.51%, 0.48%

LAB 71.79, -22.39, 58.69

 

CMYK 68 / 9 / 0 / 27

HEX #3CA8B9

RGB 60 168 185

HSL 188.16, 0.51%, 0.48%

LAB 63.73, -24.92, -17.73

 

CMYK 0 / 68 / 9 / 27

HEX #BA3CA9

RGB 186 60 169

HSL 308.1, 0.51%, 0.48%

LAB 47.67, 62.28, -32.5

 

CMYK 0 / 45 / 68 / 27

HEX #B9663C

RGB 185 102 60

HSL 20.16, 0.51%, 0.48%

LAB 52, 29.7, 37.83

 

CMYK 68 / 0 / 58 / 27

HEX #3CB94D

RGB 60 185 77

HSL 128.16, 0.51%, 0.48%

LAB 66.67, -56.22, 44.24

 

CMYK 68 / 23 / 0 / 27

HEX #3C8FB9

RGB 60 143 185

HSL 200.16, 0.51%, 0.48%

LAB 56.2, -11.62, -29.28

 

CMYK 0 / 68 / 9 / 27

HEX #BA3CA9

RGB 186 60 169

HSL 308.1, 0.51%, 0.48%

LAB 47.67, 62.28, -32.5

 

CMYK 0 / 25 / 68 / 27

HEX #B98B3C

RGB 185 139 60

HSL 37.92, 0.51%, 0.48%

LAB 60.87, 9.29, 47.71

 

CMYK 68 / 0 / 58 / 27

HEX #3CB94D

RGB 60 185 77

HSL 128.16, 0.51%, 0.48%

LAB 66.67, -56.22, 44.24

 

CMYK 68 / 43 / 0 / 27

HEX #3C6AB9

RGB 60 106 185

HSL 217.92, 0.51%, 0.48%

LAB 45.32, 10.47, -46.41

 

Description

Color code: HEX #BA3CA9 | qconv.com Color code: HEX #BA3CA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 60 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 60 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 9 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 9% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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