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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA3C6E it is the complementary color #45C391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA3C6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA3C6E shade: #BF3C69, #D04E7C, #E1608F, #F272A2 and #FF84B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA3C6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA3C6E shade: #BA3C6E, #A92A5B, #981848, #870635 and #760022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA3C6E shade: #B93C6E, #B93C4C and #B93C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA3C6E shade: #B93C6E, #B93C8F, #B93CB1, #9F3CB9 and #7D3CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA3C6E shade matches the following richer shades: #B93C6E, #CD2869, #E01465 and #F40161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA3C6E shade: #B93C6E, #A55072, #916476, #7D777A and #6A8B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA3C6E shade: #B93CB1, #B93C8F, #B93C6E, #B93C4D and #B94D3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA3C6E shade: #7B2849, #9A325B, #B93C6E, #C85683 and #D2759A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA3C6E shade: #BA3C6E, #B9A03C and #3CA0B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA3C6E shade: #BA3C6E, #6EB93C and #3C6EB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA3C6E shade: #BA3C6E, #B9A03C, #3CB987 and #3C55B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA3C6E shade: #BA3C6E, #ACB93C, #3CB987 and #483CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 41 / 27

HEX #BA3C6E

RGB 186 60 110

HSL 336.19, 0.51%, 0.48%

LAB 45.35, 54.53, -0.43

 

Complementary color

CMYK 65 / 0 / 26 / 24

HEX #45C391

RGB 69 195 145

HSL 156.19, 0.51%, 0.52%

LAB 71.1, -46.44, 15.12

 

CMYK 0 / 69 / 45 / 25

HEX #BF3C69

RGB 191 60 105

HSL 339.39, 0.52%, 0.49%

LAB 46.08, 55.53, 3.81

 

CMYK 0 / 63 / 40 / 18

HEX #D04E7C

RGB 208 78 124

HSL 338.77, 0.58%, 0.56%

LAB 52.19, 55.26, 1.5

 

CMYK 0 / 57 / 36 / 12

HEX #E1608F

RGB 225 96 143

HSL 338.14, 0.68%, 0.63%

LAB 58.37, 54.72, -0.38

 

CMYK 0 / 53 / 33 / 5

HEX #F272A2

RGB 242 114 162

HSL 337.5, 0.83%, 0.7%

LAB 64.58, 54.02, -1.96

 

CMYK 0 / 48 / 29 / 0

HEX #FF84B5

RGB 255 132 181

HSL 336.1, 1%, 0.76%

LAB 70.25, 51.94, -4.15

 

CMYK 0 / 68 / 41 / 27

HEX #BA3C6E

RGB 186 60 110

HSL 336.19, 0.51%, 0.48%

LAB 45.35, 54.53, -0.43

 

CMYK 0 / 75 / 46 / 34

HEX #A92A5B

RGB 169 42 91

HSL 336.85, 0.6%, 0.41%

LAB 39.32, 54.31, 2.27

 

CMYK 0 / 84 / 53 / 40

HEX #981848

RGB 152 24 72

HSL 337.5, 0.73%, 0.35%

LAB 33.56, 53.23, 5.8

 

CMYK 0 / 96 / 61 / 47

HEX #870635

RGB 135 6 53

HSL 338.14, 0.91%, 0.28%

LAB 28.22, 50.84, 10.46

 

CMYK 0 / 100 / 71 / 54

HEX #760022

RGB 118 0 34

HSL 342.71, 1%, 0.23%

LAB 23.56, 46.38, 16.61

 

CMYK 0 / 68 / 41 / 27

HEX #B93C6E

RGB 185 60 110

HSL 336, 0.51%, 0.48%

LAB 45.18, 54.23, -0.7

 

CMYK 0 / 68 / 59 / 27

HEX #B93C4C

RGB 185 60 76

HSL 352.32, 0.51%, 0.48%

LAB 44.33, 51.21, 19.07

 

CMYK 0 / 68 / 68 / 27

HEX #B93C3C

RGB 185 60 60

HSL 0, 0.51%, 0.48%

LAB 44.05, 50.19, 28.41

 

CMYK 0 / 68 / 41 / 27

HEX #B93C6E

RGB 185 60 110

HSL 336, 0.51%, 0.48%

LAB 45.18, 54.23, -0.7

 

CMYK 0 / 68 / 23 / 27

HEX #B93C8F

RGB 185 60 143

HSL 320.16, 0.51%, 0.48%

LAB 46.35, 58.22, -19.05

 

CMYK 0 / 68 / 4 / 27

HEX #B93CB1

RGB 185 60 177

HSL 303.84, 0.51%, 0.48%

LAB 47.91, 63.3, -36.85

 

CMYK 14 / 68 / 0 / 27

HEX #9F3CB9

RGB 159 60 185

HSL 287.52, 0.51%, 0.48%

LAB 44.38, 58.67, -47.38

 

CMYK 32 / 68 / 0 / 27

HEX #7D3CB9

RGB 125 60 185

HSL 271.2, 0.51%, 0.48%

LAB 39.74, 51.23, -55.1

 

CMYK 0 / 68 / 41 / 27

HEX #B93C6E

RGB 185 60 110

HSL 336, 0.51%, 0.48%

LAB 45.18, 54.23, -0.7

 

CMYK 0 / 80 / 49 / 20

HEX #CD2869

RGB 205 40 105

HSL 336.36, 0.67%, 0.48%

LAB 46.33, 65.92, 4.5

 

CMYK 0 / 91 / 55 / 12

HEX #E01465

RGB 224 20 101

HSL 336.18, 0.84%, 0.48%

LAB 48.62, 74.09, 10.73

 

CMYK 0 / 100 / 60 / 4

HEX #F40161

RGB 244 1 97

HSL 336.3, 0.99%, 0.48%

LAB 51.97, 80.08, 18.43

 

CMYK 0 / 68 / 41 / 27

HEX #B93C6E

RGB 185 60 110

HSL 336, 0.51%, 0.48%

LAB 45.18, 54.23, -0.7

 

CMYK 0 / 52 / 31 / 35

HEX #A55072

RGB 165 80 114

HSL 336, 0.35%, 0.48%

LAB 45.57, 38.91, -2.95

 

CMYK 0 / 31 / 19 / 43

HEX #916476

RGB 145 100 118

HSL 336, 0.18%, 0.48%

LAB 47.55, 21, -2.75

 

CMYK 0 / 5 / 2 / 51

HEX #7D777A

RGB 125 119 122

HSL 330, 0.02%, 0.48%

LAB 50.64, 2.88, -0.83

 

CMYK 24 / 0 / 9 / 45

HEX #6A8B7E

RGB 106 139 126

HSL 156.36, 0.13%, 0.48%

LAB 55.11, -14.45, 3.17

 

CMYK 0 / 68 / 4 / 27

HEX #B93CB1

RGB 185 60 177

HSL 303.84, 0.51%, 0.48%

LAB 47.91, 63.3, -36.85

 

CMYK 0 / 68 / 23 / 27

HEX #B93C8F

RGB 185 60 143

HSL 320.16, 0.51%, 0.48%

LAB 46.35, 58.22, -19.05

 

CMYK 0 / 68 / 41 / 27

HEX #B93C6E

RGB 185 60 110

HSL 336, 0.51%, 0.48%

LAB 45.18, 54.23, -0.7

 

CMYK 0 / 68 / 58 / 27

HEX #B93C4D

RGB 185 60 77

HSL 351.84, 0.51%, 0.48%

LAB 44.35, 51.28, 18.48

 

CMYK 0 / 58 / 68 / 27

HEX #B94D3C

RGB 185 77 60

HSL 8.16, 0.51%, 0.48%

LAB 46.91, 42.57, 31.87

 

CMYK 0 / 67 / 41 / 52

HEX #7B2849

RGB 123 40 73

HSL 336.14, 0.51%, 0.32%

LAB 29.94, 39.06, -0.8

 

CMYK 0 / 68 / 41 / 40

HEX #9A325B

RGB 154 50 91

HSL 336.35, 0.51%, 0.4%

LAB 37.67, 46.75, -0.46

 

CMYK 0 / 68 / 41 / 27

HEX #B93C6E

RGB 185 60 110

HSL 336, 0.51%, 0.48%

LAB 45.18, 54.23, -0.7

 

CMYK 0 / 57 / 35 / 22

HEX #C85683

RGB 200 86 131

HSL 336.32, 0.51%, 0.56%

LAB 52.48, 49.9, -2.4

 

CMYK 0 / 44 / 27 / 18

HEX #D2759A

RGB 210 117 154

HSL 336.13, 0.51%, 0.64%

LAB 60.57, 40.79, -3.78

 

CMYK 0 / 68 / 41 / 27

HEX #BA3C6E

RGB 186 60 110

HSL 336.19, 0.51%, 0.48%

LAB 45.35, 54.53, -0.43

 

CMYK 0 / 14 / 68 / 27

HEX #B9A03C

RGB 185 160 60

HSL 48, 0.51%, 0.48%

LAB 66.35, -2.16, 53.53

 

CMYK 68 / 14 / 0 / 27

HEX #3CA0B9

RGB 60 160 185

HSL 192, 0.51%, 0.48%

LAB 61.31, -20.8, -21.4

 

CMYK 0 / 68 / 41 / 27

HEX #BA3C6E

RGB 186 60 110

HSL 336.19, 0.51%, 0.48%

LAB 45.35, 54.53, -0.43

 

CMYK 41 / 0 / 68 / 27

HEX #6EB93C

RGB 110 185 60

HSL 96, 0.51%, 0.48%

LAB 68.27, -44.61, 53.93

 

CMYK 68 / 41 / 0 / 27

HEX #3C6EB9

RGB 60 110 185

HSL 216, 0.51%, 0.48%

LAB 46.47, 7.95, -44.58

 

CMYK 0 / 68 / 41 / 27

HEX #BA3C6E

RGB 186 60 110

HSL 336.19, 0.51%, 0.48%

LAB 45.35, 54.53, -0.43

 

CMYK 0 / 14 / 68 / 27

HEX #B9A03C

RGB 185 160 60

HSL 48, 0.51%, 0.48%

LAB 66.35, -2.16, 53.53

 

CMYK 68 / 0 / 27 / 27

HEX #3CB987

RGB 60 185 135

HSL 156, 0.51%, 0.48%

LAB 67.58, -46.07, 15.58

 

CMYK 68 / 54 / 0 / 27

HEX #3C55B9

RGB 60 85 185

HSL 228, 0.51%, 0.48%

LAB 39.51, 23.95, -55.74

 

CMYK 0 / 68 / 41 / 27

HEX #BA3C6E

RGB 186 60 110

HSL 336.19, 0.51%, 0.48%

LAB 45.35, 54.53, -0.43

 

CMYK 7 / 0 / 68 / 27

HEX #ACB93C

RGB 172 185 60

HSL 66.24, 0.51%, 0.48%

LAB 72.09, -20.71, 59.09

 

CMYK 68 / 0 / 27 / 27

HEX #3CB987

RGB 60 185 135

HSL 156, 0.51%, 0.48%

LAB 67.58, -46.07, 15.58

 

CMYK 61 / 68 / 0 / 27

HEX #483CB9

RGB 72 60 185

HSL 245.76, 0.51%, 0.48%

LAB 34.22, 41.47, -64.33

 

Description

Color code: HEX #BA3C6E | qconv.com Color code: HEX #BA3C6E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 60 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 60 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 41 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 41% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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