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Color name
HEX #BA39153F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA39153F it is the complementary color #45C6EA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #BA39153F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA39153F shade: #BF39103F, #D04B233F, #E15D363F, #F26F493F and #FF815C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #BA39153F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA39153F shade: #BA39153F, #A927023F, #9815003F, #8703003F and #7600003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA39153F shade: #BC3915 and #BC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA39153F shade: #BC3915, #BC6715, #BC9415, #B8BC15 and #8BBC15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA39153F shade matches the following richer shades: #BC3915 and #CD3004

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA39153F shade: #BC3915, #AB4326, #9A4C37, #895648 and #796059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA39153F shade: #BC154A, #BC151D, #BC3915, #BC6615 and #BC9215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA39153F shade: #72230D, #972E11, #BC3915, #E14519 and #E9613A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA39153F shade: #BA3915, #76BC15 and #1534BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA39153F shade: #BA3915, #15BC39 and #3915BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA39153F shade: #BA3915, #76BC15, #1598BC and #5B15BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA39153F shade: #BA3915, #44BC15, #1598BC and #8D15BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 22 / 7

RGBA 186 57 21 0.25

HSLA 13.09, 0.8%, 0.41%, 0.25

LABA 43.39, 50.3, 48.35, 0.25

Complementary color

CMYK 18 / 4 / 0 / 2

RGBA 69 198 234 0.25

HSLA 193.09, 0.8%, 0.59%, 0.25

LABA 74.57, -23.66, -28.04, 0.25

Lighter colors

CMYK 0 / 18 / 23 / 6

RGBA 191 57 16 0.25

HSLA 14.06, 0.85%, 0.41%, 0.25

LABA 44.29, 51.9, 51.3, 0.25

CMYK 0 / 16 / 21 / 5

RGBA 208 75 35 0.25

HSLA 13.87, 0.71%, 0.48%, 0.25

LABA 50.17, 50.73, 49.58, 0.25

CMYK 0 / 15 / 19 / 3

RGBA 225 93 54 0.25

HSLA 13.68, 0.74%, 0.55%, 0.25

LABA 56.19, 49.36, 47.26, 0.25

CMYK 0 / 14 / 17 / 1

RGBA 242 111 73 0.25

HSLA 13.49, 0.87%, 0.62%, 0.25

LABA 62.28, 47.93, 44.9, 0.25

CMYK 0 / 12 / 16 / 0

RGBA 255 129 92 0.25

HSLA 13.62, 1%, 0.68%, 0.25

LABA 67.82, 45.05, 41.88, 0.25

Darker colors

CMYK 0 / 17 / 22 / 7

RGBA 186 57 21 0.25

HSLA 13.09, 0.8%, 0.41%, 0.25

LABA 43.39, 50.3, 48.35, 0.25

CMYK 0 / 19 / 25 / 8

RGBA 169 39 2 0.25

HSLA 13.29, 0.98%, 0.34%, 0.25

LABA 37.65, 51.03, 49.72, 0.25

CMYK 0 / 22 / 25 / 10

RGBA 152 21 0 0.25

HSLA 8.29, 1%, 0.3%, 0.25

LABA 32.28, 50.92, 45.72, 0.25

CMYK 0 / 24 / 25 / 12

RGBA 135 3 0 0.25

HSLA 1.33, 1%, 0.26%, 0.25

LABA 27.34, 49.42, 40.3, 0.25

CMYK 0 / 25 / 25 / 13

RGBA 118 0 0 0.25

HSLA 0, 1%, 0.23%, 0.25

LABA 23.17, 45.33, 34.95, 0.25

Warmer colors

CMYK 0 / 70 / 89 / 26

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

CMYK 0 / 89 / 89 / 26

HSL 0, 0.8%, 0.41%

LAB 40.05, 61.35, 45.95

Colder colors

CMYK 0 / 70 / 89 / 26

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

CMYK 0 / 45 / 89 / 26

HSL 29.46, 0.8%, 0.41%

LAB 52.34, 28.87, 55.47

CMYK 0 / 21 / 89 / 26

HSL 45.63, 0.8%, 0.41%

LAB 63.28, 4.15, 64.07

CMYK 2 / 0 / 89 / 26

HSL 61.44, 0.8%, 0.41%

LAB 73.68, -18.59, 72.16

CMYK 26 / 0 / 89 / 26

HSL 77.6, 0.8%, 0.41%

LAB 70.53, -37.28, 68.3

Richer colors

CMYK 0 / 70 / 89 / 26

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

CMYK 0 / 77 / 98 / 20

HSL 13.13, 0.96%, 0.41%

LAB 45.77, 59.37, 57.05

Paler colors

CMYK 0 / 70 / 89 / 26

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

CMYK 0 / 61 / 78 / 33

HSL 13.08, 0.64%, 0.41%

LAB 42.48, 41.06, 38.49

CMYK 0 / 51 / 64 / 40

HSL 12.73, 0.47%, 0.41%

LAB 41.71, 30.73, 27.33

CMYK 0 / 37 / 47 / 46

HSL 12.92, 0.31%, 0.41%

LAB 41.91, 19.47, 16.95

CMYK 0 / 21 / 26 / 53

HSL 13.13, 0.15%, 0.41%

LAB 42.99, 8.97, 7.84

Analogue colors

CMYK 0 / 89 / 61 / 26

HSL 340.96, 0.8%, 0.41%

LAB 40.77, 63.42, 15.65

CMYK 0 / 89 / 85 / 26

HSL 357.13, 0.8%, 0.41%

LAB 40.11, 61.52, 42.04

CMYK 0 / 70 / 89 / 26

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

CMYK 0 / 46 / 89 / 26

HSL 29.1, 0.8%, 0.41%

LAB 52.12, 29.4, 55.29

CMYK 0 / 22 / 89 / 26

HSL 44.91, 0.8%, 0.41%

LAB 62.76, 5.25, 63.66

Monochromatic colors

CMYK 0 / 69 / 89 / 55

HSL 13.07, 0.8%, 0.25%

LAB 26.18, 33.71, 32.16

CMYK 0 / 70 / 89 / 41

HSL 12.99, 0.8%, 0.33%

LAB 35.15, 42.58, 40.72

CMYK 0 / 70 / 89 / 26

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

CMYK 0 / 69 / 89 / 12

HSL 13.2, 0.8%, 0.49%

LAB 52.21, 58.66, 56.63

CMYK 0 / 58 / 75 / 9

HSL 13.37, 0.8%, 0.57%

LAB 58.21, 50.55, 47.75

Partial complementary colors

CMYK 0 / 69 / 89 / 27

HSL 13.09, 0.8%, 0.41%

LAB 43.39, 50.3, 48.35

CMYK 37 / 0 / 89 / 26

HSL 85.15, 0.8%, 0.41%

LAB 69.38, -45.15, 66.87

CMYK 89 / 72 / 0 / 26

HSL 228.86, 0.8%, 0.41%

LAB 30.03, 42.4, -73.1

Triadic colors

CMYK 0 / 69 / 89 / 27

HSL 13.09, 0.8%, 0.41%

LAB 43.39, 50.3, 48.35

CMYK 89 / 0 / 70 / 26

HSL 132.93, 0.8%, 0.41%

LAB 66.84, -64.56, 52.9

CMYK 70 / 89 / 0 / 26

HSL 252.93, 0.8%, 0.41%

LAB 26.84, 59.25, -78.32

Rectangular (tetradic) colors

CMYK 0 / 69 / 89 / 27

HSL 13.09, 0.8%, 0.41%

LAB 43.39, 50.3, 48.35

CMYK 37 / 0 / 89 / 26

HSL 85.15, 0.8%, 0.41%

LAB 69.38, -45.15, 66.87

CMYK 89 / 19 / 0 / 26

HSL 192.93, 0.8%, 0.41%

LAB 58.27, -19.72, -27.83

CMYK 52 / 89 / 0 / 26

HSL 265.15, 0.8%, 0.41%

LAB 30.38, 61.99, -72.35

Square colors

CMYK 0 / 69 / 89 / 27

HSL 13.09, 0.8%, 0.41%

LAB 43.39, 50.3, 48.35

CMYK 64 / 0 / 89 / 26

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

CMYK 89 / 19 / 0 / 26

HSL 192.93, 0.8%, 0.41%

LAB 58.27, -19.72, -27.83

CMYK 25 / 89 / 0 / 26

HSL 283.11, 0.8%, 0.41%

LAB 37.54, 68.26, -60.34

Description

Color code: HEX #BA39153F | qconv.com

Color code: HEX #BA39153F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 57 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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