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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA388E it is the complementary color #45C771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA388E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA388E shade: #BF3889, #D04A9C, #E15CAF, #F26EC2 and #FF80D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA388E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA388E shade: #BA388E, #A9267B, #981468, #870255 and #760042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA388E shade: #B9378D, #B9376A, #B93747 and #B93737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA388E shade: #B9378D, #B937B0, #9F37B9, #7C37B9 and #5937B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA388E shade matches the following richer shades: #B9378D, #CC2493 and #DF1099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA388E shade: #B9378D, #A54B86, #925E80, #7E717A and #6B8574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA388E shade: #9F37B9, #B937B0, #B9378D, #B9376B and #B93748

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA388E shade: #79245C, #992E75, #B9378D, #CA4FA0 and #D46EB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA388E shade: #BA388E, #B97C37 and #37B9B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA388E shade: #BA388E, #8DB937 and #378DB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA388E shade: #BA388E, #B97C37, #37B962 and #3774B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA388E shade: #BA388E, #B9A337, #37B962 and #374DB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 24 / 27

HEX #BA388E

RGB 186 56 142

HSL 320.31, 0.54%, 0.47%

LAB 45.93, 59.87, -19.07

 

Complementary color

CMYK 65 / 0 / 43 / 22

HEX #45C771

RGB 69 199 113

HSL 140.31, 0.54%, 0.53%

LAB 71.76, -54.3, 32.86

 

CMYK 0 / 71 / 28 / 25

HEX #BF3889

RGB 191 56 137

HSL 324, 0.55%, 0.48%

LAB 46.59, 60.56, -14.96

 

CMYK 0 / 64 / 25 / 18

HEX #D04A9C

RGB 208 74 156

HSL 323.28, 0.59%, 0.55%

LAB 52.63, 60.73, -16.87

 

CMYK 0 / 59 / 22 / 12

HEX #E15CAF

RGB 225 92 175

HSL 322.56, 0.69%, 0.62%

LAB 58.75, 60.5, -18.4

 

CMYK 0 / 55 / 20 / 5

HEX #F26EC2

RGB 242 110 194

HSL 321.82, 0.84%, 0.69%

LAB 64.9, 60.04, -19.65

 

CMYK 0 / 50 / 16 / 0

HEX #FF80D5

RGB 255 128 213

HSL 319.84, 1%, 0.75%

LAB 70.53, 58.26, -21.56

 

CMYK 0 / 70 / 24 / 27

HEX #BA388E

RGB 186 56 142

HSL 320.31, 0.54%, 0.47%

LAB 45.93, 59.87, -19.07

 

CMYK 0 / 78 / 27 / 34

HEX #A9267B

RGB 169 38 123

HSL 321.07, 0.63%, 0.41%

LAB 40, 59.11, -16.8

 

CMYK 0 / 87 / 32 / 40

HEX #981468

RGB 152 20 104

HSL 321.82, 0.77%, 0.34%

LAB 34.35, 57.32, -13.78

 

CMYK 0 / 99 / 37 / 47

HEX #870255

RGB 135 2 85

HSL 322.56, 0.97%, 0.27%

LAB 29.03, 54.29, -9.83

 

CMYK 0 / 100 / 44 / 54

HEX #760042

RGB 118 0 66

HSL 326.44, 1%, 0.23%

LAB 24.47, 48.78, -4.29

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 0 / 70 / 43 / 27

HEX #B9376A

RGB 185 55 106

HSL 336.46, 0.54%, 0.47%

LAB 44.36, 55.76, 0.56

 

CMYK 0 / 70 / 62 / 27

HEX #B93747

RGB 185 55 71

HSL 352.62, 0.54%, 0.47%

LAB 43.51, 52.85, 21.05

 

CMYK 0 / 70 / 70 / 27

HEX #B93737

RGB 185 55 55

HSL 0, 0.54%, 0.47%

LAB 43.25, 51.92, 30.42

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 0 / 70 / 5 / 27

HEX #B937B0

RGB 185 55 176

HSL 304.15, 0.54%, 0.47%

LAB 47.21, 64.96, -37.36

 

CMYK 14 / 70 / 0 / 27

HEX #9F37B9

RGB 159 55 185

HSL 288, 0.54%, 0.47%

LAB 43.66, 60.7, -48.54

 

CMYK 33 / 70 / 0 / 27

HEX #7C37B9

RGB 124 55 185

HSL 271.85, 0.54%, 0.47%

LAB 38.76, 53.39, -56.69

 

CMYK 52 / 70 / 0 / 27

HEX #5937B9

RGB 89 55 185

HSL 255.69, 0.54%, 0.47%

LAB 34.72, 46.96, -63.45

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 0 / 82 / 28 / 20

HEX #CC2493

RGB 204 36 147

HSL 320.36, 0.7%, 0.47%

LAB 47.24, 70.83, -19.8

 

CMYK 0 / 93 / 31 / 13

HEX #DF1099

RGB 223 16 153

HSL 320.29, 0.87%, 0.47%

LAB 49.93, 78.81, -18.97

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 0 / 55 / 19 / 35

HEX #A54B86

RGB 165 75 134

HSL 320.67, 0.38%, 0.47%

LAB 45.29, 44.35, -15.51

 

CMYK 0 / 36 / 12 / 43

HEX #925E80

RGB 146 94 128

HSL 320.77, 0.22%, 0.47%

LAB 46.55, 26.58, -10.24

 

CMYK 0 / 10 / 3 / 51

HEX #7E717A

RGB 126 113 122

HSL 318.46, 0.05%, 0.47%

LAB 49.07, 6.78, -3.12

 

CMYK 20 / 0 / 13 / 48

HEX #6B8574

RGB 107 133 116

HSL 140.77, 0.11%, 0.47%

LAB 53.13, -12.95, 6.1

 

CMYK 14 / 70 / 0 / 27

HEX #9F37B9

RGB 159 55 185

HSL 288, 0.54%, 0.47%

LAB 43.66, 60.7, -48.54

 

CMYK 0 / 70 / 5 / 27

HEX #B937B0

RGB 185 55 176

HSL 304.15, 0.54%, 0.47%

LAB 47.21, 64.96, -37.36

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 0 / 70 / 42 / 27

HEX #B9376B

RGB 185 55 107

HSL 336, 0.54%, 0.47%

LAB 44.39, 55.86, -0.01

 

CMYK 0 / 70 / 61 / 27

HEX #B93748

RGB 185 55 72

HSL 352.15, 0.54%, 0.47%

LAB 43.53, 52.91, 20.46

 

CMYK 0 / 70 / 24 / 53

HEX #79245C

RGB 121 36 92

HSL 320.47, 0.54%, 0.31%

LAB 29.66, 42.7, -13.71

 

CMYK 0 / 70 / 24 / 40

HEX #992E75

RGB 153 46 117

HSL 320.19, 0.54%, 0.39%

LAB 37.86, 51.33, -16.59

 

CMYK 0 / 70 / 24 / 27

HEX #B9378D

RGB 185 55 141

HSL 320.31, 0.54%, 0.47%

LAB 45.59, 59.84, -19

 

CMYK 0 / 61 / 21 / 21

HEX #CA4FA0

RGB 202 79 160

HSL 320.49, 0.54%, 0.55%

LAB 52.6, 57.47, -19.35

 

CMYK 0 / 48 / 17 / 17

HEX #D46EB1

RGB 212 110 177

HSL 320.59, 0.54%, 0.63%

LAB 60.18, 48.39, -17.54

 

CMYK 0 / 70 / 24 / 27

HEX #BA388E

RGB 186 56 142

HSL 320.31, 0.54%, 0.47%

LAB 45.93, 59.87, -19.07

 

CMYK 0 / 33 / 70 / 27

HEX #B97C37

RGB 185 124 55

HSL 31.85, 0.54%, 0.47%

LAB 57.08, 17.31, 45.99

 

CMYK 70 / 0 / 5 / 27

HEX #37B9B0

RGB 55 185 176

HSL 175.85, 0.54%, 0.47%

LAB 68.49, -36.48, -5.6

 

CMYK 0 / 70 / 24 / 27

HEX #BA388E

RGB 186 56 142

HSL 320.31, 0.54%, 0.47%

LAB 45.93, 59.87, -19.07

 

CMYK 24 / 0 / 70 / 27

HEX #8DB937

RGB 141 185 55

HSL 80.31, 0.54%, 0.47%

LAB 69.92, -33.65, 58.12

 

CMYK 70 / 24 / 0 / 27

HEX #378DB9

RGB 55 141 185

HSL 200.31, 0.54%, 0.47%

LAB 55.45, -11.27, -30.46

 

CMYK 0 / 70 / 24 / 27

HEX #BA388E

RGB 186 56 142

HSL 320.31, 0.54%, 0.47%

LAB 45.93, 59.87, -19.07

 

CMYK 0 / 33 / 70 / 27

HEX #B97C37

RGB 185 124 55

HSL 31.85, 0.54%, 0.47%

LAB 57.08, 17.31, 45.99

 

CMYK 70 / 0 / 47 / 27

HEX #37B962

RGB 55 185 98

HSL 139.85, 0.54%, 0.47%

LAB 66.82, -54.09, 34.12

 

CMYK 70 / 37 / 0 / 27

HEX #3774B9

RGB 55 116 185

HSL 211.85, 0.54%, 0.47%

LAB 48.01, 3.44, -42.13

 

CMYK 0 / 70 / 24 / 27

HEX #BA388E

RGB 186 56 142

HSL 320.31, 0.54%, 0.47%

LAB 45.93, 59.87, -19.07

 

CMYK 0 / 12 / 70 / 27

HEX #B9A337

RGB 185 163 55

HSL 49.85, 0.54%, 0.47%

LAB 67.12, -4.04, 56.4

 

CMYK 70 / 0 / 47 / 27

HEX #37B962

RGB 55 185 98

HSL 139.85, 0.54%, 0.47%

LAB 66.82, -54.09, 34.12

 

CMYK 70 / 58 / 0 / 27

HEX #374DB9

RGB 55 77 185

HSL 229.85, 0.54%, 0.47%

LAB 37.16, 28.4, -59.58

 

Description

Color code: HEX #BA388E | qconv.com Color code: HEX #BA388E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 56 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 56 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 24 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 24% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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