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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA33C9 it is the complementary color #45CC36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA33C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA33C9 shade: #BF33C4, #D045D7, #E157EA, #F269FD and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA33C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA33C9 shade: #BA33C9, #A921B6, #980FA3, #870090 and #76007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA33C9 shade: #B932C8, #C832AE, #C83286, #C8325E and #C83235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA33C9 shade: #B932C8, #9032C8, #6832C8, #4032C8 and #3232C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA33C9 shade matches the following richer shades: #B932C8, #C91EDC and #D90AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA33C9 shade: #B932C8, #A946B4, #995A9F, #886F8B and #788377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA33C9 shade: #6932C8, #9132C8, #B932C8, #C832AF and #C83287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA33C9 shade: #7C2186, #9A2AA7, #B932C8, #C650D3 and #D171DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA33C9 shade: #BA33C9, #C84132 and #32C87D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA33C9 shade: #BA33C9, #C8B932 and #32C8B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA33C9 shade: #BA33C9, #C84132, #41C832 and #32B9C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA33C9 shade: #BA33C9, #C86E32, #41C832 and #328CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 0 / 21

HEX #BA33C9

RGB 186 51 201

HSL 294, 0.6%, 0.49%

LAB 48.29, 70.64, -50.21

 

Complementary color

CMYK 66 / 0 / 74 / 20

HEX #45CC36

RGB 69 204 54

HSL 114, 0.6%, 0.51%

LAB 72.71, -63.22, 60.31

 

CMYK 3 / 74 / 0 / 23

HEX #BF33C4

RGB 191 51 196

HSL 297.93, 0.59%, 0.48%

LAB 48.8, 70.82, -46.46

 

CMYK 3 / 68 / 0 / 16

HEX #D045D7

RGB 208 69 215

HSL 297.12, 0.65%, 0.56%

LAB 54.63, 71.52, -47.93

 

CMYK 4 / 63 / 0 / 8

HEX #E157EA

RGB 225 87 234

HSL 296.33, 0.78%, 0.63%

LAB 60.57, 71.71, -49.04

 

CMYK 4 / 58 / 0 / 1

HEX #F269FD

RGB 242 105 253

HSL 295.54, 0.97%, 0.7%

LAB 66.58, 71.55, -49.91

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 7 / 75 / 0 / 21

HEX #BA33C9

RGB 186 51 201

HSL 294, 0.6%, 0.49%

LAB 48.29, 70.64, -50.21

 

CMYK 7 / 82 / 0 / 29

HEX #A921B6

RGB 169 33 182

HSL 294.77, 0.69%, 0.42%

LAB 42.61, 69.21, -48.37

 

CMYK 7 / 91 / 0 / 36

HEX #980FA3

RGB 152 15 163

HSL 295.54, 0.83%, 0.35%

LAB 37.23, 66.62, -45.85

 

CMYK 6 / 100 / 0 / 44

HEX #870090

RGB 135 0 144

HSL 296.25, 1%, 0.28%

LAB 32.18, 62.69, -42.55

 

CMYK 6 / 100 / 0 / 51

HEX #76007D

RGB 118 0 125

HSL 296.64, 1%, 0.25%

LAB 27.66, 56.74, -38.11

 

CMYK 8 / 75 / 0 / 22

HEX #B932C8

RGB 185 50 200

HSL 294, 0.6%, 0.49%

LAB 47.96, 70.58, -50.16

 

CMYK 0 / 75 / 13 / 22

HEX #C832AE

RGB 200 50 174

HSL 310.4, 0.6%, 0.49%

LAB 49.03, 69.7, -33.15

 

CMYK 0 / 75 / 33 / 22

HEX #C83286

RGB 200 50 134

HSL 326.4, 0.6%, 0.49%

LAB 47.34, 64.6, -11.86

 

CMYK 0 / 75 / 53 / 22

HEX #C8325E

RGB 200 50 94

HSL 342.4, 0.6%, 0.49%

LAB 46.14, 60.78, 10.88

 

CMYK 0 / 75 / 74 / 22

HEX #C83235

RGB 200 50 53

HSL 358.8, 0.6%, 0.49%

LAB 45.38, 58.33, 34.8

 

CMYK 8 / 75 / 0 / 22

HEX #B932C8

RGB 185 50 200

HSL 294, 0.6%, 0.49%

LAB 47.96, 70.58, -50.16

 

CMYK 28 / 75 / 0 / 22

HEX #9032C8

RGB 144 50 200

HSL 277.6, 0.6%, 0.49%

LAB 41.81, 62.68, -60.39

 

CMYK 48 / 75 / 0 / 22

HEX #6832C8

RGB 104 50 200

HSL 261.6, 0.6%, 0.49%

LAB 36.73, 55.93, -68.89

 

CMYK 68 / 75 / 0 / 22

HEX #4032C8

RGB 64 50 200

HSL 245.6, 0.6%, 0.49%

LAB 33.01, 50.79, -75.15

 

CMYK 75 / 75 / 0 / 22

HEX #3232C8

RGB 50 50 200

HSL 240, 0.6%, 0.49%

LAB 32.1, 49.5, -76.68

 

CMYK 8 / 75 / 0 / 22

HEX #B932C8

RGB 185 50 200

HSL 294, 0.6%, 0.49%

LAB 47.96, 70.58, -50.16

 

CMYK 9 / 86 / 0 / 14

HEX #C91EDC

RGB 201 30 220

HSL 294, 0.76%, 0.49%

LAB 50.11, 81.65, -58.06

 

CMYK 10 / 96 / 0 / 6

HEX #D90AF0

RGB 217 10 240

HSL 294, 0.92%, 0.49%

LAB 53.23, 89.69, -64.21

 

CMYK 8 / 75 / 0 / 22

HEX #B932C8

RGB 185 50 200

HSL 294, 0.6%, 0.49%

LAB 47.96, 70.58, -50.16

 

CMYK 6 / 61 / 0 / 29

HEX #A946B4

RGB 169 70 180

HSL 294, 0.44%, 0.49%

LAB 47.12, 55.77, -40.01

 

CMYK 4 / 43 / 0 / 38

HEX #995A9F

RGB 153 90 159

HSL 294.78, 0.28%, 0.49%

LAB 47.74, 37.08, -26.84

 

CMYK 2 / 20 / 0 / 45

HEX #886F8B

RGB 136 111 139

HSL 293.57, 0.11%, 0.49%

LAB 50.06, 15.11, -11.62

 

CMYK 8 / 0 / 9 / 49

HEX #788377

RGB 120 131 119

HSL 115, 0.05%, 0.49%

LAB 53.55, -6.47, 5.1

 

CMYK 48 / 75 / 0 / 22

HEX #6932C8

RGB 105 50 200

HSL 262, 0.6%, 0.49%

LAB 36.85, 56.08, -68.7

 

CMYK 28 / 75 / 0 / 22

HEX #9132C8

RGB 145 50 200

HSL 278, 0.6%, 0.49%

LAB 41.96, 62.86, -60.15

 

CMYK 8 / 75 / 0 / 22

HEX #B932C8

RGB 185 50 200

HSL 294, 0.6%, 0.49%

LAB 47.96, 70.58, -50.16

 

CMYK 0 / 75 / 13 / 22

HEX #C832AF

RGB 200 50 175

HSL 310, 0.6%, 0.49%

LAB 49.08, 69.85, -33.67

 

CMYK 0 / 75 / 33 / 22

HEX #C83287

RGB 200 50 135

HSL 326, 0.6%, 0.49%

LAB 47.38, 64.71, -12.41

 

CMYK 7 / 75 / 0 / 47

HEX #7C2186

RGB 124 33 134

HSL 294.06, 0.6%, 0.33%

LAB 32.02, 51.68, -36.71

 

CMYK 8 / 75 / 0 / 35

HEX #9A2AA7

RGB 154 42 167

HSL 293.76, 0.6%, 0.41%

LAB 40.11, 61.05, -43.62

 

CMYK 8 / 75 / 0 / 22

HEX #B932C8

RGB 185 50 200

HSL 294, 0.6%, 0.49%

LAB 47.96, 70.58, -50.16

 

CMYK 6 / 62 / 0 / 17

HEX #C650D3

RGB 198 80 211

HSL 294.05, 0.6%, 0.57%

LAB 54.5, 64.2, -45.95

 

CMYK 5 / 48 / 0 / 14

HEX #D171DB

RGB 209 113 219

HSL 294.34, 0.6%, 0.65%

LAB 62.07, 53.16, -38.45

 

CMYK 7 / 75 / 0 / 21

HEX #BA33C9

RGB 186 51 201

HSL 294, 0.6%, 0.49%

LAB 48.29, 70.64, -50.21

 

CMYK 0 / 68 / 75 / 22

HEX #C84132

RGB 200 65 50

HSL 6, 0.6%, 0.49%

LAB 47.35, 52.69, 38.69

 

CMYK 75 / 0 / 38 / 22

HEX #32C87D

RGB 50 200 125

HSL 150, 0.6%, 0.49%

LAB 71.87, -55.55, 26.73

 

CMYK 7 / 75 / 0 / 21

HEX #BA33C9

RGB 186 51 201

HSL 294, 0.6%, 0.49%

LAB 48.29, 70.64, -50.21

 

CMYK 0 / 8 / 75 / 22

HEX #C8B932

RGB 200 185 50

HSL 54, 0.6%, 0.49%

LAB 74.32, -9.26, 65.71

 

CMYK 75 / 0 / 8 / 22

HEX #32C8B9

RGB 50 200 185

HSL 174, 0.6%, 0.49%

LAB 73.21, -41.38, -3.57

 

CMYK 7 / 75 / 0 / 21

HEX #BA33C9

RGB 186 51 201

HSL 294, 0.6%, 0.49%

LAB 48.29, 70.64, -50.21

 

CMYK 0 / 68 / 75 / 22

HEX #C84132

RGB 200 65 50

HSL 6, 0.6%, 0.49%

LAB 47.35, 52.69, 38.69

 

CMYK 68 / 0 / 75 / 22

HEX #41C832

RGB 65 200 50

HSL 114, 0.6%, 0.49%

LAB 71.33, -62.98, 60.27

 

CMYK 75 / 8 / 0 / 22

HEX #32B9C8

RGB 50 185 200

HSL 186, 0.6%, 0.49%

LAB 69.15, -30.05, -17.84

 

CMYK 7 / 75 / 0 / 21

HEX #BA33C9

RGB 186 51 201

HSL 294, 0.6%, 0.49%

LAB 48.29, 70.64, -50.21

 

CMYK 0 / 45 / 75 / 22

HEX #C86E32

RGB 200 110 50

HSL 24, 0.6%, 0.49%

LAB 55.75, 31.07, 47.57

 

CMYK 68 / 0 / 75 / 22

HEX #41C832

RGB 65 200 50

HSL 114, 0.6%, 0.49%

LAB 71.33, -62.98, 60.27

 

CMYK 75 / 30 / 0 / 22

HEX #328CC8

RGB 50 140 200

HSL 204, 0.6%, 0.49%

LAB 55.69, -6.17, -38.6

 

Description

Color code: HEX #BA33C9 | qconv.com Color code: HEX #BA33C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 51 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 51 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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