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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2FB7 it is the complementary color #45D048. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2FB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2FB7 shade: #BF2FB2, #D041C5, #E153D8, #F265EB and #FF77FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2FB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2FB7 shade: #BA2FB7, #A91DA4, #980B91, #87007E and #76006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2FB7 shade: #BC2FB9, #BC2F93, #BC2F6D, #BC2F47 and #BC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2FB7 shade: #BC2FB9, #992FBC, #732FBC, #4D2FBC and #2F2FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2FB7 shade matches the following richer shades: #BC2FB9, #CF1CCB and #E209DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2FB7 shade: #BC2FB9, #A942A6, #965594, #836882 and #707B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2FB7 shade: #732FBC, #982FBC, #BC2FB9, #BC2F94 and #BC2F6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2FB7 shade: #7A1E78, #9B2798, #BC2FB9, #D044CD and #D865D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2FB7 shade: #BA2FB7, #BC4D2F and #2FBC86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2FB7 shade: #BA2FB7, #B9BC2F and #2FB9BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2FB7 shade: #BA2FB7, #BC4D2F, #2FBC31 and #2F9DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2FB7 shade: #BA2FB7, #BC782F, #2FBC31 and #2F73BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 2 / 27

HEX #BA2FB7

RGB 186 47 183

HSL 301.29, 0.6%, 0.46%

LAB 46.83, 68.9, -42.06

 

Complementary color

CMYK 67 / 0 / 65 / 18

HEX #45D048

RGB 69 208 72

HSL 121.29, 0.6%, 0.54%

LAB 74.09, -63, 54.88

 

CMYK 0 / 75 / 7 / 25

HEX #BF2FB2

RGB 191 47 178

HSL 305.42, 0.61%, 0.47%

LAB 47.4, 69.2, -38.18

 

CMYK 0 / 69 / 5 / 18

HEX #D041C5

RGB 208 65 197

HSL 304.62, 0.6%, 0.54%

LAB 53.19, 70.04, -39.91

 

CMYK 0 / 63 / 4 / 12

HEX #E153D8

RGB 225 83 216

HSL 303.8, 0.7%, 0.6%

LAB 59.11, 70.32, -41.24

 

CMYK 0 / 58 / 3 / 5

HEX #F265EB

RGB 242 101 235

HSL 302.98, 0.84%, 0.67%

LAB 65.11, 70.23, -42.29

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FE

RGB 255 119 254

HSL 300.44, 1%, 0.73%

LAB 70.6, 68.87, -44.01

 

CMYK 0 / 75 / 2 / 27

HEX #BA2FB7

RGB 186 47 183

HSL 301.29, 0.6%, 0.46%

LAB 46.83, 68.9, -42.06

 

CMYK 0 / 83 / 3 / 34

HEX #A91DA4

RGB 169 29 164

HSL 302.14, 0.71%, 0.39%

LAB 41.21, 67.25, -39.92

 

CMYK 0 / 93 / 5 / 40

HEX #980B91

RGB 152 11 145

HSL 302.98, 0.87%, 0.32%

LAB 35.91, 64.35, -37.02

 

CMYK 0 / 100 / 7 / 47

HEX #87007E

RGB 135 0 126

HSL 304, 1%, 0.26%

LAB 31.01, 59.88, -33.19

 

CMYK 0 / 100 / 9 / 54

HEX #76006B

RGB 118 0 107

HSL 305.59, 1%, 0.23%

LAB 26.49, 53.89, -28.47

 

CMYK 0 / 75 / 2 / 26

HEX #BC2FB9

RGB 188 47 185

HSL 301.28, 0.6%, 0.46%

LAB 47.27, 69.64, -42.51

 

CMYK 0 / 75 / 22 / 26

HEX #BC2F93

RGB 188 47 147

HSL 317.45, 0.6%, 0.46%

LAB 45.4, 64.11, -22.88

 

CMYK 0 / 75 / 42 / 26

HEX #BC2F6D

RGB 188 47 109

HSL 333.62, 0.6%, 0.46%

LAB 43.99, 59.72, -1.77

 

CMYK 0 / 75 / 62 / 26

HEX #BC2F47

RGB 188 47 71

HSL 349.79, 0.6%, 0.46%

LAB 43.03, 56.64, 20.54

 

CMYK 0 / 75 / 75 / 26

HEX #BC2F2F

RGB 188 47 47

HSL 0, 0.6%, 0.46%

LAB 42.66, 55.41, 34.58

 

CMYK 0 / 75 / 2 / 26

HEX #BC2FB9

RGB 188 47 185

HSL 301.28, 0.6%, 0.46%

LAB 47.27, 69.64, -42.51

 

CMYK 19 / 75 / 0 / 26

HEX #992FBC

RGB 153 47 188

HSL 285.11, 0.6%, 0.46%

LAB 41.9, 63.04, -53.18

 

CMYK 39 / 75 / 0 / 26

HEX #732FBC

RGB 115 47 188

HSL 268.94, 0.6%, 0.46%

LAB 36.57, 56.01, -62.07

 

CMYK 59 / 75 / 0 / 26

HEX #4D2FBC

RGB 77 47 188

HSL 252.77, 0.6%, 0.46%

LAB 32.35, 50.22, -69.15

 

CMYK 75 / 75 / 0 / 26

HEX #2F2FBC

RGB 47 47 188

HSL 240, 0.6%, 0.46%

LAB 30.08, 46.99, -72.97

 

CMYK 0 / 75 / 2 / 26

HEX #BC2FB9

RGB 188 47 185

HSL 301.28, 0.6%, 0.46%

LAB 47.27, 69.64, -42.51

 

CMYK 0 / 86 / 2 / 19

HEX #CF1CCB

RGB 207 28 203

HSL 301.34, 0.76%, 0.46%

LAB 49.99, 80.42, -48.45

 

CMYK 0 / 96 / 2 / 11

HEX #E209DD

RGB 226 9 221

HSL 301.38, 0.92%, 0.46%

LAB 53.58, 88.36, -52.83

 

CMYK 0 / 75 / 2 / 26

HEX #BC2FB9

RGB 188 47 185

HSL 301.28, 0.6%, 0.46%

LAB 47.27, 69.64, -42.51

 

CMYK 0 / 61 / 2 / 34

HEX #A942A6

RGB 169 66 166

HSL 301.75, 0.44%, 0.46%

LAB 45.75, 55.02, -33.93

 

CMYK 0 / 43 / 1 / 41

HEX #965594

RGB 150 85 148

HSL 301.85, 0.28%, 0.46%

LAB 45.8, 36.73, -23.33

 

CMYK 0 / 21 / 1 / 49

HEX #836882

RGB 131 104 130

HSL 302.22, 0.11%, 0.46%

LAB 47.41, 15.59, -10.3

 

CMYK 9 / 0 / 9 / 52

HEX #707B70

RGB 112 123 112

HSL 120, 0.05%, 0.46%

LAB 50.43, -6.35, 4.62

 

CMYK 39 / 75 / 0 / 26

HEX #732FBC

RGB 115 47 188

HSL 268.94, 0.6%, 0.46%

LAB 36.57, 56.01, -62.07

 

CMYK 19 / 75 / 0 / 26

HEX #982FBC

RGB 152 47 188

HSL 284.68, 0.6%, 0.46%

LAB 41.75, 62.85, -53.43

 

CMYK 0 / 75 / 2 / 26

HEX #BC2FB9

RGB 188 47 185

HSL 301.28, 0.6%, 0.46%

LAB 47.27, 69.64, -42.51

 

CMYK 0 / 75 / 21 / 26

HEX #BC2F94

RGB 188 47 148

HSL 317.02, 0.6%, 0.46%

LAB 45.45, 64.24, -23.41

 

CMYK 0 / 75 / 41 / 26

HEX #BC2F6E

RGB 188 47 110

HSL 333.19, 0.6%, 0.46%

LAB 44.02, 59.82, -2.35

 

CMYK 0 / 75 / 2 / 52

HEX #7A1E78

RGB 122 30 120

HSL 301.3, 0.61%, 0.3%

LAB 30.45, 49.77, -30.45

 

CMYK 0 / 75 / 2 / 39

HEX #9B2798

RGB 155 39 152

HSL 301.55, 0.6%, 0.38%

LAB 39.05, 59.68, -36.26

 

CMYK 0 / 75 / 2 / 26

HEX #BC2FB9

RGB 188 47 185

HSL 301.28, 0.6%, 0.46%

LAB 47.27, 69.64, -42.51

 

CMYK 0 / 67 / 1 / 18

HEX #D044CD

RGB 208 68 205

HSL 301.29, 0.6%, 0.54%

LAB 53.98, 70.24, -43.26

 

CMYK 0 / 53 / 1 / 15

HEX #D865D6

RGB 216 101 214

HSL 301.04, 0.6%, 0.62%

LAB 60.57, 59.97, -37.92

 

CMYK 0 / 75 / 2 / 27

HEX #BA2FB7

RGB 186 47 183

HSL 301.29, 0.6%, 0.46%

LAB 46.83, 68.9, -42.06

 

CMYK 0 / 59 / 75 / 26

HEX #BC4D2F

RGB 188 77 47

HSL 12.77, 0.6%, 0.46%

LAB 47.24, 43.02, 39.6

 

CMYK 75 / 0 / 29 / 26

HEX #2FBC86

RGB 47 188 134

HSL 157.02, 0.6%, 0.46%

LAB 68.24, -49.45, 16.99

 

CMYK 0 / 75 / 2 / 27

HEX #BA2FB7

RGB 186 47 183

HSL 301.29, 0.6%, 0.46%

LAB 46.83, 68.9, -42.06

 

CMYK 2 / 0 / 75 / 26

HEX #B9BC2F

RGB 185 188 47

HSL 61.28, 0.6%, 0.46%

LAB 73.86, -17.36, 65.81

 

CMYK 75 / 2 / 0 / 26

HEX #2FB9BC

RGB 47 185 188

HSL 181.28, 0.6%, 0.46%

LAB 68.7, -34, -11.92

 

CMYK 0 / 75 / 2 / 27

HEX #BA2FB7

RGB 186 47 183

HSL 301.29, 0.6%, 0.46%

LAB 46.83, 68.9, -42.06

 

CMYK 0 / 59 / 75 / 26

HEX #BC4D2F

RGB 188 77 47

HSL 12.77, 0.6%, 0.46%

LAB 47.24, 43.02, 39.6

 

CMYK 75 / 0 / 74 / 26

HEX #2FBC31

RGB 47 188 49

HSL 120.85, 0.6%, 0.46%

LAB 67.12, -62.33, 56.29

 

CMYK 75 / 16 / 0 / 26

HEX #2F9DBC

RGB 47 157 188

HSL 193.19, 0.6%, 0.46%

LAB 60.2, -20.05, -24.82

 

CMYK 0 / 75 / 2 / 27

HEX #BA2FB7

RGB 186 47 183

HSL 301.29, 0.6%, 0.46%

LAB 46.83, 68.9, -42.06

 

CMYK 0 / 36 / 75 / 26

HEX #BC782F

RGB 188 120 47

HSL 31.06, 0.6%, 0.46%

LAB 56.42, 20.43, 49.13

 

CMYK 75 / 0 / 74 / 26

HEX #2FBC31

RGB 47 188 49

HSL 120.85, 0.6%, 0.46%

LAB 67.12, -62.33, 56.29

 

CMYK 75 / 39 / 0 / 26

HEX #2F73BC

RGB 47 115 188

HSL 211.06, 0.6%, 0.46%

LAB 47.62, 4.02, -44.51

 

Description

Color code: HEX #BA2FB7 | qconv.com Color code: HEX #BA2FB7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 47 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 47 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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