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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2F85 it is the complementary color #45D07A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2F85 shade: #BF2F80, #D04193, #E153A6, #F265B9 and #FF77CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2F85 shade: #BA2F85, #A91D72, #980B5F, #87004C and #760039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2F85 shade: #BC2F86, #BC2F60, #BC2F3A and #BC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2F85 shade: #BC2F86, #BC2FAC, #A52FBC, #7F2FBC and #5A2FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2F85 shade matches the following richer shades: #BC2F86, #CF1C8B and #E2098F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2F85 shade: #BC2F86, #A94281, #96557D, #836878 and #707B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2F85 shade: #A42FBC, #BC2FAE, #BC2F88, #BC2F63 and #BC2F3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2F85 shade: #7A1E57, #9B276E, #BC2F86, #D0449B and #D865AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2F85 shade: #BA2F85, #BC7F2F and #2FBCB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2F85 shade: #BA2F85, #88BC2F and #2F88BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2F85 shade: #BA2F85, #BC7F2F, #2FBC63 and #2F6CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2F85 shade: #BA2F85, #BCA92F, #2FBC63 and #2F42BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 28 / 27

HEX #BA2F85

RGB 186 47 133

HSL 322.88, 0.6%, 0.46%

LAB 44.47, 61.84, -15.85

 

Complementary color

CMYK 67 / 0 / 41 / 18

HEX #45D07A

RGB 69 208 122

HSL 142.88, 0.6%, 0.54%

LAB 74.69, -56.14, 32.07

 

CMYK 0 / 75 / 33 / 25

HEX #BF2F80

RGB 191 47 128

HSL 326.25, 0.61%, 0.47%

LAB 45.18, 62.54, -11.64

 

CMYK 0 / 69 / 29 / 18

HEX #D04193

RGB 208 65 147

HSL 325.59, 0.6%, 0.54%

LAB 51.03, 63.09, -13.96

 

CMYK 0 / 63 / 26 / 12

HEX #E153A6

RGB 225 83 166

HSL 324.93, 0.7%, 0.6%

LAB 57.02, 63.12, -15.8

 

CMYK 0 / 58 / 24 / 5

HEX #F265B9

RGB 242 101 185

HSL 324.26, 0.84%, 0.67%

LAB 63.08, 62.83, -17.31

 

CMYK 0 / 53 / 20 / 0

HEX #FF77CC

RGB 255 119 204

HSL 322.5, 1%, 0.73%

LAB 68.62, 61.16, -19.45

 

CMYK 0 / 75 / 28 / 27

HEX #BA2F85

RGB 186 47 133

HSL 322.88, 0.6%, 0.46%

LAB 44.47, 61.84, -15.85

 

CMYK 0 / 83 / 33 / 34

HEX #A91D72

RGB 169 29 114

HSL 323.57, 0.71%, 0.39%

LAB 38.77, 60.49, -13.06

 

CMYK 0 / 93 / 38 / 40

HEX #980B5F

RGB 152 11 95

HSL 324.26, 0.87%, 0.32%

LAB 33.44, 57.91, -9.36

 

CMYK 0 / 100 / 44 / 47

HEX #87004C

RGB 135 0 76

HSL 326.22, 1%, 0.26%

LAB 28.57, 53.71, -4.54

 

CMYK 0 / 100 / 52 / 54

HEX #760039

RGB 118 0 57

HSL 331.02, 1%, 0.23%

LAB 24.15, 47.95, 1.44

 

CMYK 0 / 75 / 29 / 26

HEX #BC2F86

RGB 188 47 134

HSL 322.98, 0.6%, 0.46%

LAB 44.87, 62.47, -15.82

 

CMYK 0 / 75 / 49 / 26

HEX #BC2F60

RGB 188 47 96

HSL 339.15, 0.6%, 0.46%

LAB 43.61, 58.51, 5.76

 

CMYK 0 / 75 / 69 / 26

HEX #BC2F3A

RGB 188 47 58

HSL 355.32, 0.6%, 0.46%

LAB 42.81, 55.91, 28.23

 

CMYK 0 / 75 / 75 / 26

HEX #BC2F2F

RGB 188 47 47

HSL 0, 0.6%, 0.46%

LAB 42.66, 55.41, 34.58

 

CMYK 0 / 75 / 29 / 26

HEX #BC2F86

RGB 188 47 134

HSL 322.98, 0.6%, 0.46%

LAB 44.87, 62.47, -15.82

 

CMYK 0 / 75 / 9 / 26

HEX #BC2FAC

RGB 188 47 172

HSL 306.81, 0.6%, 0.46%

LAB 46.58, 67.64, -35.96

 

CMYK 12 / 75 / 0 / 26

HEX #A52FBC

RGB 165 47 188

HSL 290.21, 0.6%, 0.46%

LAB 43.75, 65.42, -50.11

 

CMYK 32 / 75 / 0 / 26

HEX #7F2FBC

RGB 127 47 188

HSL 274.04, 0.6%, 0.46%

LAB 38.16, 58.13, -59.42

 

CMYK 52 / 75 / 0 / 26

HEX #5A2FBC

RGB 90 47 188

HSL 258.3, 0.6%, 0.46%

LAB 33.64, 52.02, -66.98

 

CMYK 0 / 75 / 29 / 26

HEX #BC2F86

RGB 188 47 134

HSL 322.98, 0.6%, 0.46%

LAB 44.87, 62.47, -15.82

 

CMYK 0 / 86 / 33 / 19

HEX #CF1C8B

RGB 207 28 139

HSL 322.79, 0.76%, 0.46%

LAB 46.92, 72.24, -15.41

 

CMYK 0 / 96 / 37 / 11

HEX #E2098F

RGB 226 9 143

HSL 322.95, 0.92%, 0.46%

LAB 49.91, 79.05, -12.94

 

CMYK 0 / 75 / 29 / 26

HEX #BC2F86

RGB 188 47 134

HSL 322.98, 0.6%, 0.46%

LAB 44.87, 62.47, -15.82

 

CMYK 0 / 61 / 24 / 34

HEX #A94281

RGB 169 66 129

HSL 323.3, 0.44%, 0.46%

LAB 44.11, 49.15, -14.21

 

CMYK 0 / 43 / 17 / 41

HEX #96557D

RGB 150 85 125

HSL 323.08, 0.28%, 0.46%

LAB 44.89, 32.59, -10.87

 

CMYK 0 / 21 / 8 / 49

HEX #836878

RGB 131 104 120

HSL 324.44, 0.11%, 0.46%

LAB 47.08, 13.63, -4.81

 

CMYK 9 / 0 / 6 / 52

HEX #707B74

RGB 112 123 116

HSL 141.82, 0.05%, 0.46%

LAB 50.54, -5.54, 2.42

 

CMYK 13 / 75 / 0 / 26

HEX #A42FBC

RGB 164 47 188

HSL 289.79, 0.6%, 0.46%

LAB 43.59, 65.22, -50.37

 

CMYK 0 / 75 / 7 / 26

HEX #BC2FAE

RGB 188 47 174

HSL 305.96, 0.6%, 0.46%

LAB 46.69, 67.94, -36.98

 

CMYK 0 / 75 / 28 / 26

HEX #BC2F88

RGB 188 47 136

HSL 322.13, 0.6%, 0.46%

LAB 44.94, 62.71, -16.92

 

CMYK 0 / 75 / 47 / 26

HEX #BC2F63

RGB 188 47 99

HSL 337.87, 0.6%, 0.46%

LAB 43.69, 58.78, 4.01

 

CMYK 0 / 75 / 68 / 26

HEX #BC2F3D

RGB 188 47 61

HSL 354.04, 0.6%, 0.46%

LAB 42.86, 56.06, 26.46

 

CMYK 0 / 75 / 29 / 52

HEX #7A1E57

RGB 122 30 87

HSL 322.83, 0.61%, 0.3%

LAB 28.78, 44.65, -11.77

 

CMYK 0 / 75 / 29 / 39

HEX #9B276E

RGB 155 39 110

HSL 323.28, 0.6%, 0.38%

LAB 37.01, 53.52, -13.46

 

CMYK 0 / 75 / 29 / 26

HEX #BC2F86

RGB 188 47 134

HSL 322.98, 0.6%, 0.46%

LAB 44.87, 62.47, -15.82

 

CMYK 0 / 67 / 25 / 18

HEX #D0449B

RGB 208 68 155

HSL 322.71, 0.6%, 0.54%

LAB 51.74, 62.96, -17.64

 

CMYK 0 / 53 / 20 / 15

HEX #D865AC

RGB 216 101 172

HSL 322.96, 0.6%, 0.62%

LAB 58.87, 53.29, -16.61

 

CMYK 0 / 75 / 28 / 27

HEX #BA2F85

RGB 186 47 133

HSL 322.88, 0.6%, 0.46%

LAB 44.47, 61.84, -15.85

 

CMYK 0 / 32 / 75 / 26

HEX #BC7F2F

RGB 188 127 47

HSL 34.04, 0.6%, 0.46%

LAB 58.11, 16.56, 50.82

 

CMYK 75 / 0 / 3 / 26

HEX #2FBCB7

RGB 47 188 183

HSL 177.87, 0.6%, 0.46%

LAB 69.46, -36.86, -8.03

 

CMYK 0 / 75 / 28 / 27

HEX #BA2F85

RGB 186 47 133

HSL 322.88, 0.6%, 0.46%

LAB 44.47, 61.84, -15.85

 

CMYK 28 / 0 / 75 / 26

HEX #88BC2F

RGB 136 188 47

HSL 82.13, 0.6%, 0.46%

LAB 70.46, -37.42, 61.4

 

CMYK 75 / 28 / 0 / 26

HEX #2F88BC

RGB 47 136 188

HSL 202.13, 0.6%, 0.46%

LAB 53.86, -8.5, -34.66

 

CMYK 0 / 75 / 28 / 27

HEX #BA2F85

RGB 186 47 133

HSL 322.88, 0.6%, 0.46%

LAB 44.47, 61.84, -15.85

 

CMYK 0 / 32 / 75 / 26

HEX #BC7F2F

RGB 188 127 47

HSL 34.04, 0.6%, 0.46%

LAB 58.11, 16.56, 50.82

 

CMYK 75 / 0 / 47 / 26

HEX #2FBC63

RGB 47 188 99

HSL 142.13, 0.6%, 0.46%

LAB 67.63, -56.26, 34.61

 

CMYK 75 / 43 / 0 / 26

HEX #2F6CBC

RGB 47 108 188

HSL 214.04, 0.6%, 0.46%

LAB 45.58, 8.4, -47.76

 

CMYK 0 / 75 / 28 / 27

HEX #BA2F85

RGB 186 47 133

HSL 322.88, 0.6%, 0.46%

LAB 44.47, 61.84, -15.85

 

CMYK 0 / 10 / 75 / 26

HEX #BCA92F

RGB 188 169 47

HSL 51.91, 0.6%, 0.46%

LAB 68.95, -6.28, 61.32

 

CMYK 75 / 0 / 47 / 26

HEX #2FBC63

RGB 47 188 99

HSL 142.13, 0.6%, 0.46%

LAB 67.63, -56.26, 34.61

 

CMYK 75 / 65 / 0 / 26

HEX #2F42BC

RGB 47 66 188

HSL 231.91, 0.6%, 0.46%

LAB 34.26, 35.58, -66.1

 

Description

Color code: HEX #BA2F85 | qconv.com Color code: HEX #BA2F85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 47 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 47 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 28 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 28% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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