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Color name
HEX #BA2F22

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2F22 it is the complementary color #45D0DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2F22 shade: #BF2F1D, #D04130, #E15343, #F26556 and #FF7769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2F22 shade: #BA2F22, #A91D0F, #980B00, #870000 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2F22 shade: #B92F22 and #B92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2F22 shade: #B92F22, #B95822, #B98122, #B9A922 and #A0B922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2F22 shade matches the following richer shades: #B92F22 and #CB2010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2F22 shade: #B92F22, #A83E34, #964C45, #845B57 and #726A69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2F22 shade: #B92266, #B9223E, #B92F22, #B95722 and #B97F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2F22 shade: #741D15, #96261C, #B92F22, #D83B2C and #DF5B4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2F22 shade: #BA2F22, #8EB922 and #2252B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2F22 shade: #BA2F22, #22B92F and #2F22B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2F22 shade: #BA2F22, #8EB922, #22ADB9 and #4D22B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2F22 shade: #BA2F22, #61B922, #22ADB9 and #7A22B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 82 / 27

HEX #BA2F22

RGB 186 47 34

HSL 5.13, 0.69%, 0.43%

LAB 42.14, 54.33, 41.15

 

Complementary color

CMYK 69 / 6 / 0 / 13

HEX #45D0DD

RGB 69 208 221

HSL 185.13, 0.69%, 0.57%

LAB 77.04, -32.49, -17.28

 

CMYK 0 / 75 / 85 / 25

HEX #BF2F1D

RGB 191 47 29

HSL 6.67, 0.74%, 0.43%

LAB 43.06, 55.76, 44.89

 

CMYK 0 / 69 / 77 / 18

HEX #D04130

RGB 208 65 48

HSL 6.38, 0.63%, 0.5%

LAB 48.76, 55.25, 41.72

 

CMYK 0 / 63 / 70 / 12

HEX #E15343

RGB 225 83 67

HSL 6.08, 0.72%, 0.57%

LAB 54.66, 54.36, 38.69

 

CMYK 0 / 58 / 64 / 5

HEX #F26556

RGB 242 101 86

HSL 5.77, 0.86%, 0.64%

LAB 60.65, 53.28, 35.98

 

CMYK 0 / 53 / 59 / 0

HEX #FF7769

RGB 255 119 105

HSL 5.6, 1%, 0.71%

LAB 66.12, 50.72, 32.72

 

CMYK 0 / 75 / 82 / 27

HEX #BA2F22

RGB 186 47 34

HSL 5.13, 0.69%, 0.43%

LAB 42.14, 54.33, 41.15

 

CMYK 0 / 83 / 91 / 34

HEX #A91D0F

RGB 169 29 15

HSL 5.45, 0.84%, 0.36%

LAB 36.65, 54.17, 44.29

 

CMYK 0 / 93 / 100 / 40

HEX #980B00

RGB 152 11 0

HSL 4.34, 1%, 0.3%

LAB 31.61, 52.84, 45.27

 

CMYK 0 / 100 / 100 / 47

HEX #870000

RGB 135 0 0

HSL 0, 1%, 0.26%

LAB 27.16, 49.94, 40.14

HEX #870000

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

HEX #760000

CMYK 0 / 75 / 82 / 27

HEX #B92F22

RGB 185 47 34

HSL 5.17, 0.69%, 0.43%

LAB 41.94, 54.01, 40.9

 

CMYK 0 / 82 / 82 / 27

HEX #B92222

RGB 185 34 34

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

 

CMYK 0 / 75 / 82 / 27

HEX #B92F22

RGB 185 47 34

HSL 5.17, 0.69%, 0.43%

LAB 41.94, 54.01, 40.9

 

CMYK 0 / 52 / 82 / 27

HEX #B95822

RGB 185 88 34

HSL 21.46, 0.69%, 0.43%

LAB 48.77, 35.9, 47.36

 

CMYK 0 / 30 / 82 / 27

HEX #B98122

RGB 185 129 34

HSL 37.75, 0.69%, 0.43%

LAB 58.16, 13.61, 55.89

 

CMYK 0 / 9 / 82 / 27

HEX #B9A922

RGB 185 169 34

HSL 53.64, 0.69%, 0.43%

LAB 68.61, -8.09, 65.06

 

CMYK 14 / 0 / 82 / 27

HEX #A0B922

RGB 160 185 34

HSL 69.93, 0.69%, 0.43%

LAB 71.07, -26.97, 66.41

 

CMYK 0 / 75 / 82 / 27

HEX #B92F22

RGB 185 47 34

HSL 5.17, 0.69%, 0.43%

LAB 41.94, 54.01, 40.9

 

CMYK 0 / 84 / 92 / 20

HEX #CB2010

RGB 203 32 16

HSL 5.13, 0.85%, 0.43%

LAB 43.9, 63.2, 52.16

 

CMYK 0 / 75 / 82 / 27

HEX #B92F22

RGB 185 47 34

HSL 5.17, 0.69%, 0.43%

LAB 41.94, 54.01, 40.9

 

CMYK 0 / 63 / 69 / 34

HEX #A83E34

RGB 168 62 52

HSL 5.17, 0.53%, 0.43%

LAB 41.24, 42.97, 29.07

 

CMYK 0 / 49 / 54 / 41

HEX #964C45

RGB 150 76 69

HSL 5.19, 0.37%, 0.43%

LAB 41.35, 30.24, 18.35

 

CMYK 0 / 31 / 34 / 48

HEX #845B57

RGB 132 91 87

HSL 5.33, 0.21%, 0.43%

LAB 42.88, 16.28, 9.07

 

CMYK 0 / 7 / 8 / 55

HEX #726A69

RGB 114 106 105

HSL 6.67, 0.04%, 0.43%

LAB 45.5, 2.94, 1.68

 

CMYK 0 / 82 / 45 / 27

HEX #B92266

RGB 185 34 102

HSL 332.98, 0.69%, 0.43%

LAB 41.87, 62.03, -0.58

 

CMYK 0 / 82 / 66 / 27

HEX #B9223E

RGB 185 34 62

HSL 348.87, 0.69%, 0.43%

LAB 40.91, 59.13, 23.27

 

CMYK 0 / 75 / 82 / 27

HEX #B92F22

RGB 185 47 34

HSL 5.17, 0.69%, 0.43%

LAB 41.94, 54.01, 40.9

 

CMYK 0 / 53 / 82 / 27

HEX #B95722

RGB 185 87 34

HSL 21.06, 0.69%, 0.43%

LAB 48.57, 36.41, 47.18

 

CMYK 0 / 31 / 82 / 27

HEX #B97F22

RGB 185 127 34

HSL 36.95, 0.69%, 0.43%

LAB 57.66, 14.72, 55.45

 

CMYK 0 / 75 / 82 / 55

HEX #741D15

RGB 116 29 21

HSL 5.05, 0.69%, 0.27%

LAB 25.7, 37.32, 27.44

 

CMYK 0 / 75 / 81 / 41

HEX #96261C

RGB 150 38 28

HSL 4.92, 0.69%, 0.35%

LAB 33.89, 45.72, 33.92

 

CMYK 0 / 75 / 82 / 27

HEX #B92F22

RGB 185 47 34

HSL 5.17, 0.69%, 0.43%

LAB 41.94, 54.01, 40.9

 

CMYK 0 / 73 / 80 / 15

HEX #D83B2C

RGB 216 59 44

HSL 5.23, 0.69%, 0.51%

LAB 49.39, 59.87, 44.94

 

CMYK 0 / 59 / 65 / 13

HEX #DF5B4F

RGB 223 91 79

HSL 5, 0.69%, 0.59%

LAB 55.82, 50.79, 33.29

 

CMYK 0 / 75 / 82 / 27

HEX #BA2F22

RGB 186 47 34

HSL 5.13, 0.69%, 0.43%

LAB 42.14, 54.33, 41.15

 

CMYK 23 / 0 / 82 / 27

HEX #8EB922

RGB 142 185 34

HSL 77.09, 0.69%, 0.43%

LAB 69.87, -34.32, 64.9

 

CMYK 82 / 56 / 0 / 27

HEX #2252B9

RGB 34 82 185

HSL 220.93, 0.69%, 0.43%

LAB 37.62, 22.69, -58.86

 

CMYK 0 / 75 / 82 / 27

HEX #BA2F22

RGB 186 47 34

HSL 5.13, 0.69%, 0.43%

LAB 42.14, 54.33, 41.15

 

CMYK 82 / 0 / 75 / 27

HEX #22B92F

RGB 34 185 47

HSL 125.17, 0.69%, 0.43%

LAB 65.94, -63.3, 55.74

 

CMYK 75 / 82 / 0 / 27

HEX #2F22B9

RGB 47 34 185

HSL 245.17, 0.69%, 0.43%

LAB 27.44, 52.69, -75.57

 

CMYK 0 / 75 / 82 / 27

HEX #BA2F22

RGB 186 47 34

HSL 5.13, 0.69%, 0.43%

LAB 42.14, 54.33, 41.15

 

CMYK 23 / 0 / 82 / 27

HEX #8EB922

RGB 142 185 34

HSL 77.09, 0.69%, 0.43%

LAB 69.87, -34.32, 64.9

 

CMYK 82 / 6 / 0 / 27

HEX #22ADB9

RGB 34 173 185

HSL 184.77, 0.69%, 0.43%

LAB 64.75, -30.45, -16.23

 

CMYK 58 / 82 / 0 / 27

HEX #4D22B9

RGB 77 34 185

HSL 257.09, 0.69%, 0.43%

LAB 29.97, 55.36, -71.29

 

CMYK 0 / 75 / 82 / 27

HEX #BA2F22

RGB 186 47 34

HSL 5.13, 0.69%, 0.43%

LAB 42.14, 54.33, 41.15

 

CMYK 48 / 0 / 82 / 27

HEX #61B922

RGB 97 185 34

HSL 94.97, 0.69%, 0.43%

LAB 67.54, -50.48, 61.93

 

CMYK 82 / 6 / 0 / 27

HEX #22ADB9

RGB 34 173 185

HSL 184.77, 0.69%, 0.43%

LAB 64.75, -30.45, -16.23

 

CMYK 34 / 82 / 0 / 27

HEX #7A22B9

RGB 122 34 185

HSL 274.97, 0.69%, 0.43%

LAB 35.57, 61.39, -61.9

 

Description

Color code: HEX #BA2F22 | qconv.com Color code: HEX #BA2F22 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 47 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 47 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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