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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2ED1 it is the complementary color #45D12E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2ED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2ED1 shade: #BF2ECC, #D040DF, #E152F2, #F264FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2ED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2ED1 shade: #BA2ED1, #A91CBE, #980AAB, #870098 and #760085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2ED1 shade: #BA2DD1, #D12DBC, #D12D90, #D12D64 and #D12D38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2ED1 shade: #BA2DD1, #8E2DD1, #622DD1, #362DD1 and #2D2DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2ED1 shade matches the following richer shades: #BA2DD1, #C819E5 and #D704FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2ED1 shade: #BA2DD1, #AB42BC, #9C57A7, #8D6B93 and #7E807E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2ED1 shade: #612DD1, #8D2DD1, #B82DD1, #D12DBE and #D12D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2ED1 shade: #7D1F8D, #9B26AF, #BA2DD1, #C54FD8 and #D071DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2ED1 shade: #BA2ED1, #D1362D and #2DD177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2ED1 shade: #BA2ED1, #D1B82D and #2DD1B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2ED1 shade: #BA2ED1, #D1362D, #46D12D and #2DC8D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2ED1 shade: #BA2ED1, #D1672D, #46D12D and #2D97D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 78 / 0 / 18

HEX #BA2ED1

RGB 186 46 209

HSL 291.53, 0.64%, 0.5%

LAB 48.26, 73.52, -54.88

 

Complementary color

CMYK 67 / 0 / 78 / 18

HEX #45D12E

RGB 69 209 46

HSL 111.53, 0.64%, 0.5%

LAB 74.23, -65.4, 64.41

 

CMYK 6 / 77 / 0 / 20

HEX #BF2ECC

RGB 191 46 204

HSL 295.06, 0.63%, 0.49%

LAB 48.75, 73.62, -51.16

 

CMYK 7 / 71 / 0 / 13

HEX #D040DF

RGB 208 64 223

HSL 294.34, 0.71%, 0.56%

LAB 54.45, 74.62, -52.74

 

CMYK 7 / 66 / 0 / 5

HEX #E152F2

RGB 225 82 242

HSL 293.63, 0.86%, 0.64%

LAB 60.3, 75.02, -53.94

 

CMYK 5 / 61 / 0 / 0

HEX #F264FF

RGB 242 100 255

HSL 294.97, 1%, 0.7%

LAB 65.91, 73.99, -52.06

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 11 / 78 / 0 / 18

HEX #BA2ED1

RGB 186 46 209

HSL 291.53, 0.64%, 0.5%

LAB 48.26, 73.52, -54.88

 

CMYK 11 / 85 / 0 / 25

HEX #A91CBE

RGB 169 28 190

HSL 292.22, 0.74%, 0.43%

LAB 42.74, 71.69, -52.87

 

CMYK 11 / 94 / 0 / 33

HEX #980AAB

RGB 152 10 171

HSL 292.92, 0.89%, 0.35%

LAB 37.54, 68.63, -50.15

 

CMYK 11 / 100 / 0 / 40

HEX #870098

RGB 135 0 152

HSL 293.29, 1%, 0.3%

LAB 32.74, 64.02, -46.56

 

CMYK 11 / 100 / 0 / 48

HEX #760085

RGB 118 0 133

HSL 293.23, 1%, 0.26%

LAB 28.23, 58.09, -42.23

 

CMYK 11 / 78 / 0 / 18

HEX #BA2DD1

RGB 186 45 209

HSL 291.59, 0.65%, 0.5%

LAB 48.16, 73.8, -55.03

 

CMYK 0 / 78 / 10 / 18

HEX #D12DBC

RGB 209 45 188

HSL 307.68, 0.65%, 0.5%

LAB 50.76, 75.04, -38.52

 

CMYK 0 / 78 / 31 / 18

HEX #D12D90

RGB 209 45 144

HSL 323.78, 0.65%, 0.5%

LAB 48.82, 69.42, -15.51

 

CMYK 0 / 78 / 52 / 18

HEX #D12D64

RGB 209 45 100

HSL 339.88, 0.65%, 0.5%

LAB 47.43, 65.24, 9.26

 

CMYK 0 / 78 / 73 / 18

HEX #D12D38

RGB 209 45 56

HSL 355.98, 0.65%, 0.5%

LAB 46.6, 62.65, 34.9

 

CMYK 11 / 78 / 0 / 18

HEX #BA2DD1

RGB 186 45 209

HSL 291.59, 0.65%, 0.5%

LAB 48.16, 73.8, -55.03

 

CMYK 32 / 78 / 0 / 18

HEX #8E2DD1

RGB 142 45 209

HSL 275.49, 0.65%, 0.5%

LAB 41.58, 66.08, -65.99

 

CMYK 53 / 78 / 0 / 18

HEX #622DD1

RGB 98 45 209

HSL 259.39, 0.65%, 0.5%

LAB 36.13, 59.66, -75.13

 

CMYK 74 / 78 / 0 / 18

HEX #362DD1

RGB 54 45 209

HSL 243.29, 0.65%, 0.5%

LAB 32.4, 55.23, -81.41

 

CMYK 78 / 78 / 0 / 18

HEX #2D2DD1

RGB 45 45 209

HSL 240, 0.65%, 0.5%

LAB 31.89, 54.63, -82.27

 

CMYK 11 / 78 / 0 / 18

HEX #BA2DD1

RGB 186 45 209

HSL 291.59, 0.65%, 0.5%

LAB 48.16, 73.8, -55.03

 

CMYK 13 / 89 / 0 / 10

HEX #C819E5

RGB 200 25 229

HSL 291.47, 0.8%, 0.5%

LAB 50.25, 83.77, -62.95

 

CMYK 14 / 98 / 0 / 2

HEX #D704FA

RGB 215 4 250

HSL 291.46, 0.97%, 0.5%

LAB 53.42, 91.39, -69.51

 

CMYK 11 / 78 / 0 / 18

HEX #BA2DD1

RGB 186 45 209

HSL 291.59, 0.65%, 0.5%

LAB 48.16, 73.8, -55.03

 

CMYK 9 / 65 / 0 / 26

HEX #AB42BC

RGB 171 66 188

HSL 291.64, 0.48%, 0.5%

LAB 47.22, 59.49, -44.51

 

CMYK 7 / 48 / 0 / 35

HEX #9C57A7

RGB 156 87 167

HSL 291.75, 0.31%, 0.5%

LAB 47.85, 41.24, -31.35

 

CMYK 4 / 27 / 0 / 42

HEX #8D6B93

RGB 141 107 147

HSL 291, 0.16%, 0.5%

LAB 49.84, 20.9, -16.62

 

CMYK 2 / 0 / 2 / 50

HEX #7E807E

RGB 126 128 126

HSL 120, 0.01%, 0.5%

LAB 53.36, -1.14, 0.82

 

CMYK 54 / 78 / 0 / 18

HEX #612DD1

RGB 97 45 209

HSL 259.02, 0.65%, 0.5%

LAB 36.03, 59.53, -75.31

 

CMYK 33 / 78 / 0 / 18

HEX #8D2DD1

RGB 141 45 209

HSL 275.12, 0.65%, 0.5%

LAB 41.44, 65.92, -66.22

 

CMYK 12 / 78 / 0 / 18

HEX #B82DD1

RGB 184 45 209

HSL 290.85, 0.65%, 0.5%

LAB 47.84, 73.43, -55.56

 

CMYK 0 / 78 / 9 / 18

HEX #D12DBE

RGB 209 45 190

HSL 306.95, 0.65%, 0.5%

LAB 50.86, 75.32, -39.52

 

CMYK 0 / 78 / 30 / 18

HEX #D12D92

RGB 209 45 146

HSL 323.05, 0.65%, 0.5%

LAB 48.89, 69.64, -16.59

 

CMYK 11 / 78 / 0 / 45

HEX #7D1F8D

RGB 125 31 141

HSL 291.27, 0.64%, 0.34%

LAB 32.4, 53.9, -40.44

 

CMYK 11 / 78 / 0 / 31

HEX #9B26AF

RGB 155 38 175

HSL 291.24, 0.64%, 0.42%

LAB 40.33, 63.96, -48.02

 

CMYK 11 / 78 / 0 / 18

HEX #BA2DD1

RGB 186 45 209

HSL 291.59, 0.65%, 0.5%

LAB 48.16, 73.8, -55.03

 

CMYK 9 / 63 / 0 / 15

HEX #C54FD8

RGB 197 79 216

HSL 291.68, 0.64%, 0.58%

LAB 54.47, 65.29, -48.85

 

CMYK 7 / 49 / 0 / 13

HEX #D071DF

RGB 208 113 223

HSL 291.82, 0.63%, 0.66%

LAB 62.12, 53.64, -40.61

 

CMYK 11 / 78 / 0 / 18

HEX #BA2ED1

RGB 186 46 209

HSL 291.53, 0.64%, 0.5%

LAB 48.26, 73.52, -54.88

 

CMYK 0 / 74 / 78 / 18

HEX #D1362D

RGB 209 54 45

HSL 3.29, 0.65%, 0.5%

LAB 47.47, 59.45, 42.05

 

CMYK 78 / 0 / 43 / 18

HEX #2DD177

RGB 45 209 119

HSL 147.07, 0.65%, 0.5%

LAB 74.5, -60.55, 33.27

 

CMYK 11 / 78 / 0 / 18

HEX #BA2ED1

RGB 186 46 209

HSL 291.53, 0.64%, 0.5%

LAB 48.26, 73.52, -54.88

 

CMYK 0 / 12 / 78 / 18

HEX #D1B82D

RGB 209 184 45

HSL 50.85, 0.65%, 0.5%

LAB 74.84, -5.04, 68.11

 

CMYK 78 / 0 / 12 / 18

HEX #2DD1B8

RGB 45 209 184

HSL 170.85, 0.65%, 0.5%

LAB 75.84, -46.08, 0.8

 

CMYK 11 / 78 / 0 / 18

HEX #BA2ED1

RGB 186 46 209

HSL 291.53, 0.64%, 0.5%

LAB 48.26, 73.52, -54.88

 

CMYK 0 / 74 / 78 / 18

HEX #D1362D

RGB 209 54 45

HSL 3.29, 0.65%, 0.5%

LAB 47.47, 59.45, 42.05

 

CMYK 67 / 0 / 78 / 18

HEX #46D12D

RGB 70 209 45

HSL 110.85, 0.65%, 0.5%

LAB 74.25, -65.26, 64.73

 

CMYK 78 / 4 / 0 / 18

HEX #2DC8D1

RGB 45 200 209

HSL 183.29, 0.65%, 0.5%

LAB 73.85, -34.99, -15.65

 

CMYK 11 / 78 / 0 / 18

HEX #BA2ED1

RGB 186 46 209

HSL 291.53, 0.64%, 0.5%

LAB 48.26, 73.52, -54.88

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 67 / 0 / 78 / 18

HEX #46D12D

RGB 70 209 45

HSL 110.85, 0.65%, 0.5%

LAB 74.25, -65.26, 64.73

 

CMYK 78 / 28 / 0 / 18

HEX #2D97D1

RGB 45 151 209

HSL 201.22, 0.65%, 0.5%

LAB 59.25, -9.82, -38.1

 

Description

Color code: HEX #BA2ED1 | qconv.com Color code: HEX #BA2ED1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 46 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 46 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 78 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 78% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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