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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2DBF it is the complementary color #45D240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2DBF shade: #BF2DBA, #D03FCD, #E151E0, #F263F3 and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2DBF shade: #BA2DBF, #A91BAC, #980999, #870086 and #760073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2DBF shade: #B92DBE, #BE2D9C, #BE2D75, #BE2D4D and #BE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2DBF shade: #B92DBE, #922DBE, #6B2DBE, #432DBE and #2D2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2DBF shade matches the following richer shades: #B92DBE, #CB1AD1 and #DC07E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2DBF shade: #B92DBE, #A740AB, #965398, #846685 and #727872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2DBF shade: #692DBE, #902DBE, #B72DBE, #BE2D9F and #BE2D78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2DBF shade: #781D7B, #99259D, #B92DBE, #CE41D3 and #D663DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2DBF shade: #BA2DBF, #BE422D and #2DBE7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2DBF shade: #BA2DBF, #BEB72D and #2DBEB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2DBF shade: #BA2DBF, #BE422D, #34BE2D and #2DA8BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2DBF shade: #BA2DBF, #BE6E2D, #34BE2D and #2D7DBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 76 / 0 / 25

HEX #BA2DBF

RGB 186 45 191

HSL 297.95, 0.62%, 0.46%

LAB 47.08, 70.78, -46.35

 

Complementary color

CMYK 67 / 0 / 70 / 18

HEX #45D240

RGB 69 210 64

HSL 117.95, 0.62%, 0.54%

LAB 74.65, -64.41, 58.66

 

CMYK 0 / 76 / 3 / 25

HEX #BF2DBA

RGB 191 45 186

HSL 302.05, 0.62%, 0.46%

LAB 47.62, 71, -42.51

 

CMYK 0 / 70 / 1 / 18

HEX #D03FCD

RGB 208 63 205

HSL 301.24, 0.61%, 0.53%

LAB 53.35, 72, -44.24

 

CMYK 0 / 64 / 0 / 12

HEX #E151E0

RGB 225 81 224

HSL 300.42, 0.71%, 0.6%

LAB 59.23, 72.39, -45.57

 

CMYK 0 / 59 / 0 / 5

HEX #F263F3

RGB 242 99 243

HSL 299.58, 0.86%, 0.67%

LAB 65.18, 72.38, -46.61

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 3 / 76 / 0 / 25

HEX #BA2DBF

RGB 186 45 191

HSL 297.95, 0.62%, 0.46%

LAB 47.08, 70.78, -46.35

 

CMYK 2 / 84 / 0 / 33

HEX #A91BAC

RGB 169 27 172

HSL 298.76, 0.73%, 0.39%

LAB 41.53, 68.94, -44.18

 

CMYK 1 / 94 / 0 / 40

HEX #980999

RGB 152 9 153

HSL 299.58, 0.89%, 0.32%

LAB 36.31, 65.83, -41.26

 

CMYK 0 / 100 / 1 / 47

HEX #870086

RGB 135 0 134

HSL 300.44, 1%, 0.26%

LAB 31.51, 61.1, -37.41

 

CMYK 0 / 100 / 3 / 54

HEX #760073

RGB 118 0 115

HSL 301.53, 1%, 0.23%

LAB 26.99, 55.12, -32.82

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 0 / 76 / 18 / 25

HEX #BE2D9C

RGB 190 45 156

HSL 314.07, 0.62%, 0.46%

LAB 45.94, 66.4, -27.42

 

CMYK 0 / 76 / 38 / 25

HEX #BE2D75

RGB 190 45 117

HSL 330.21, 0.62%, 0.46%

LAB 44.39, 61.7, -6.08

 

CMYK 0 / 76 / 59 / 25

HEX #BE2D4D

RGB 190 45 77

HSL 346.76, 0.62%, 0.46%

LAB 43.3, 58.27, 17.23

 

CMYK 0 / 76 / 76 / 25

HEX #BE2D2D

RGB 190 45 45

HSL 0, 0.62%, 0.46%

LAB 42.78, 56.6, 35.99

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 23 / 76 / 0 / 25

HEX #922DBE

RGB 146 45 190

HSL 281.79, 0.62%, 0.46%

LAB 40.74, 62.81, -56.27

 

CMYK 44 / 76 / 0 / 25

HEX #6B2DBE

RGB 107 45 190

HSL 265.66, 0.62%, 0.46%

LAB 35.44, 56.05, -65.14

 

CMYK 65 / 76 / 0 / 25

HEX #432DBE

RGB 67 45 190

HSL 249.1, 0.62%, 0.46%

LAB 31.32, 50.63, -72.06

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 3 / 88 / 0 / 18

HEX #CB1AD1

RGB 203 26 209

HSL 298.03, 0.78%, 0.46%

LAB 49.54, 80.94, -52.66

 

CMYK 4 / 97 / 0 / 11

HEX #DC07E4

RGB 220 7 228

HSL 297.83, 0.94%, 0.46%

LAB 52.92, 88.55, -57.93

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 2 / 63 / 0 / 33

HEX #A740AB

RGB 167 64 171

HSL 297.76, 0.46%, 0.46%

LAB 45.39, 56.26, -37.47

 

CMYK 1 / 45 / 0 / 40

HEX #965398

RGB 150 83 152

HSL 298.26, 0.29%, 0.46%

LAB 45.55, 38.59, -26.11

 

CMYK 1 / 23 / 0 / 48

HEX #846685

RGB 132 102 133

HSL 298.06, 0.13%, 0.46%

LAB 47.11, 17.75, -12.55

 

CMYK 5 / 0 / 5 / 53

HEX #727872

RGB 114 120 114

HSL 120, 0.03%, 0.46%

LAB 49.77, -3.48, 2.51

 

CMYK 45 / 76 / 0 / 25

HEX #692DBE

RGB 105 45 190

HSL 264.83, 0.62%, 0.46%

LAB 35.2, 55.73, -65.54

 

CMYK 24 / 76 / 0 / 25

HEX #902DBE

RGB 144 45 190

HSL 280.97, 0.62%, 0.46%

LAB 40.45, 62.44, -56.76

 

CMYK 4 / 76 / 0 / 25

HEX #B72DBE

RGB 183 45 190

HSL 297.1, 0.62%, 0.46%

LAB 46.53, 70.01, -46.67

 

CMYK 0 / 76 / 16 / 25

HEX #BE2D9F

RGB 190 45 159

HSL 312.83, 0.62%, 0.46%

LAB 46.08, 66.81, -29

 

CMYK 0 / 76 / 37 / 25

HEX #BE2D78

RGB 190 45 120

HSL 328.97, 0.62%, 0.46%

LAB 44.49, 62.02, -7.78

 

CMYK 2 / 76 / 0 / 52

HEX #781D7B

RGB 120 29 123

HSL 298.09, 0.62%, 0.3%

LAB 30.16, 50.18, -32.83

 

CMYK 3 / 76 / 0 / 38

HEX #99259D

RGB 153 37 157

HSL 298, 0.62%, 0.38%

LAB 38.78, 60.71, -39.74

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 2 / 69 / 0 / 17

HEX #CE41D3

RGB 206 65 211

HSL 297.95, 0.62%, 0.54%

LAB 53.61, 71.84, -47.29

 

CMYK 2 / 55 / 0 / 15

HEX #D663DA

RGB 214 99 218

HSL 297.98, 0.62%, 0.62%

LAB 60.14, 61.06, -40.86

 

CMYK 3 / 76 / 0 / 25

HEX #BA2DBF

RGB 186 45 191

HSL 297.95, 0.62%, 0.46%

LAB 47.08, 70.78, -46.35

 

CMYK 0 / 65 / 76 / 25

HEX #BE422D

RGB 190 66 45

HSL 8.69, 0.62%, 0.46%

LAB 45.68, 48.66, 39.11

 

CMYK 76 / 0 / 34 / 25

HEX #2DBE7D

RGB 45 190 125

HSL 153.1, 0.62%, 0.46%

LAB 68.65, -52.42, 22.38

 

CMYK 3 / 76 / 0 / 25

HEX #BA2DBF

RGB 186 45 191

HSL 297.95, 0.62%, 0.46%

LAB 47.08, 70.78, -46.35

 

CMYK 0 / 4 / 76 / 25

HEX #BEB72D

RGB 190 183 45

HSL 57.1, 0.62%, 0.46%

LAB 72.89, -12.76, 65.72

 

CMYK 76 / 0 / 4 / 25

HEX #2DBEB7

RGB 45 190 183

HSL 177.1, 0.62%, 0.46%

LAB 70.04, -37.99, -7.18

 

CMYK 3 / 76 / 0 / 25

HEX #BA2DBF

RGB 186 45 191

HSL 297.95, 0.62%, 0.46%

LAB 47.08, 70.78, -46.35

 

CMYK 0 / 65 / 76 / 25

HEX #BE422D

RGB 190 66 45

HSL 8.69, 0.62%, 0.46%

LAB 45.68, 48.66, 39.11

 

CMYK 73 / 0 / 76 / 25

HEX #34BE2D

RGB 52 190 45

HSL 117.1, 0.62%, 0.46%

LAB 67.83, -62.46, 58.4

 

CMYK 76 / 12 / 0 / 25

HEX #2DA8BE

RGB 45 168 190

HSL 189.1, 0.62%, 0.46%

LAB 63.57, -25.31, -20.78

 

CMYK 3 / 76 / 0 / 25

HEX #BA2DBF

RGB 186 45 191

HSL 297.95, 0.62%, 0.46%

LAB 47.08, 70.78, -46.35

 

CMYK 0 / 42 / 76 / 25

HEX #BE6E2D

RGB 190 110 45

HSL 26.9, 0.62%, 0.46%

LAB 54.33, 26.68, 48.02

 

CMYK 73 / 0 / 76 / 25

HEX #34BE2D

RGB 52 190 45

HSL 117.1, 0.62%, 0.46%

LAB 67.83, -62.46, 58.4

 

CMYK 76 / 34 / 0 / 25

HEX #2D7DBE

RGB 45 125 190

HSL 206.9, 0.62%, 0.46%

LAB 50.62, -1.57, -40.9

 

Description

Color code: HEX #BA2DBF | qconv.com Color code: HEX #BA2DBF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 45 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 45 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 76 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 76% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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