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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2CDB it is the complementary color #45D324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2CDB shade: #BF2CD6, #D03EE9, #E150FC, #F262FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2CDB shade: #BA2CDB, #A91AC8, #9808B5, #8700A2 and #76008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2CDB shade: #BB2EDC, #DC2ECD, #DC2E9F, #DC2E70 and #DC2E41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2CDB shade: #BB2EDC, #8C2EDC, #5D2EDC and #2E2EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2CDB shade matches the following richer shades: #BB2EDC and #C71AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2CDB shade: #BB2EDC, #AE42C8, #A255B4, #9669A0 and #897D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2CDB shade: #5C2EDC, #8A2EDC, #B92EDC, #DC2ED0 and #DC2EA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2CDB shade: #841A9C, #A120BF, #BB2EDC, #C651E1 and #D274E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2CDB shade: #BA2CDB, #DC2E2E and #2EDC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2CDB shade: #BA2CDB, #DCB92E and #2EDCB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2CDB shade: #BA2CDB, #DC2E2E, #50DC2E and #2EDCDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2CDB shade: #BA2CDB, #DC622E, #50DC2E and #2EA7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 80 / 0 / 14

HEX #BA2CDB

RGB 186 44 219

HSL 288.69, 0.71%, 0.52%

LAB 48.7, 75.82, -59.88

 

Complementary color

CMYK 67 / 0 / 83 / 17

HEX #45D324

RGB 69 211 36

HSL 108.69, 0.71%, 0.48%

LAB 74.81, -66.58, 67.69

 

CMYK 11 / 79 / 0 / 16

HEX #BF2CD6

RGB 191 44 214

HSL 291.88, 0.67%, 0.51%

LAB 49.17, 75.84, -56.23

 

CMYK 11 / 73 / 0 / 9

HEX #D03EE9

RGB 208 62 233

HSL 291.23, 0.8%, 0.58%

LAB 54.8, 76.99, -57.83

 

CMYK 11 / 68 / 0 / 1

HEX #E150FC

RGB 225 80 252

HSL 290.58, 0.97%, 0.65%

LAB 60.58, 77.51, -59.03

 

CMYK 5 / 62 / 0 / 0

HEX #F262FF

RGB 242 98 255

HSL 295.03, 1%, 0.69%

LAB 65.62, 74.81, -52.52

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 15 / 80 / 0 / 14

HEX #BA2CDB

RGB 186 44 219

HSL 288.69, 0.71%, 0.52%

LAB 48.7, 75.82, -59.88

 

CMYK 16 / 87 / 0 / 22

HEX #A91AC8

RGB 169 26 200

HSL 289.31, 0.77%, 0.44%

LAB 43.28, 73.82, -57.84

 

CMYK 16 / 96 / 0 / 29

HEX #9808B5

RGB 152 8 181

HSL 289.94, 0.92%, 0.37%

LAB 38.17, 70.56, -55.08

 

CMYK 17 / 100 / 0 / 36

HEX #8700A2

RGB 135 0 162

HSL 290, 1%, 0.32%

LAB 33.48, 65.74, -51.45

 

CMYK 17 / 100 / 0 / 44

HEX #76008F

RGB 118 0 143

HSL 289.51, 1%, 0.28%

LAB 28.99, 59.86, -47.23

 

CMYK 15 / 79 / 0 / 14

HEX #BB2EDC

RGB 187 46 220

HSL 288.62, 0.71%, 0.52%

LAB 49.11, 75.62, -59.78

 

CMYK 0 / 79 / 7 / 14

HEX #DC2ECD

RGB 220 46 205

HSL 305.17, 0.71%, 0.52%

LAB 53.58, 79.46, -43.77

 

CMYK 0 / 79 / 28 / 14

HEX #DC2E9F

RGB 220 46 159

HSL 321.03, 0.71%, 0.52%

LAB 51.47, 73.46, -20.24

 

CMYK 0 / 79 / 49 / 14

HEX #DC2E70

RGB 220 46 112

HSL 337.24, 0.71%, 0.52%

LAB 49.91, 68.82, 5.71

 

CMYK 0 / 79 / 70 / 14

HEX #DC2E41

RGB 220 46 65

HSL 353.45, 0.71%, 0.52%

LAB 48.95, 65.87, 32.9

 

CMYK 15 / 79 / 0 / 14

HEX #BB2EDC

RGB 187 46 220

HSL 288.62, 0.71%, 0.52%

LAB 49.11, 75.62, -59.78

 

CMYK 36 / 79 / 0 / 14

HEX #8C2EDC

RGB 140 46 220

HSL 272.41, 0.71%, 0.52%

LAB 42.3, 67.81, -71.15

 

CMYK 58 / 79 / 0 / 14

HEX #5D2EDC

RGB 93 46 220

HSL 256.21, 0.71%, 0.52%

LAB 36.83, 61.56, -80.33

 

CMYK 79 / 79 / 0 / 14

HEX #2E2EDC

RGB 46 46 220

HSL 240, 0.71%, 0.52%

LAB 33.35, 57.6, -86.2

 

CMYK 15 / 79 / 0 / 14

HEX #BB2EDC

RGB 187 46 220

HSL 288.62, 0.71%, 0.52%

LAB 49.11, 75.62, -59.78

 

CMYK 17 / 89 / 0 / 6

HEX #C71AEF

RGB 199 26 239

HSL 288.73, 0.87%, 0.52%

LAB 50.82, 85.12, -67.69

 

CMYK 15 / 79 / 0 / 14

HEX #BB2EDC

RGB 187 46 220

HSL 288.62, 0.71%, 0.52%

LAB 49.11, 75.62, -59.78

 

CMYK 13 / 67 / 0 / 22

HEX #AE42C8

RGB 174 66 200

HSL 288.36, 0.55%, 0.52%

LAB 48.34, 62.45, -49.65

 

CMYK 10 / 53 / 0 / 29

HEX #A255B4

RGB 162 85 180

HSL 288.63, 0.39%, 0.52%

LAB 48.85, 46.65, -37.34

 

CMYK 6 / 34 / 0 / 37

HEX #9669A0

RGB 150 105 160

HSL 289.09, 0.22%, 0.52%

LAB 50.83, 27.84, -22.66

 

CMYK 2 / 11 / 0 / 45

HEX #897D8C

RGB 137 125 140

HSL 288, 0.06%, 0.52%

LAB 53.9, 7.48, -6.45

 

CMYK 58 / 79 / 0 / 14

HEX #5C2EDC

RGB 92 46 220

HSL 255.86, 0.71%, 0.52%

LAB 36.74, 61.45, -80.5

 

CMYK 37 / 79 / 0 / 14

HEX #8A2EDC

RGB 138 46 220

HSL 271.72, 0.71%, 0.52%

LAB 42.04, 67.51, -71.59

 

CMYK 16 / 79 / 0 / 14

HEX #B92EDC

RGB 185 46 220

HSL 287.93, 0.71%, 0.52%

LAB 48.8, 75.27, -60.3

 

CMYK 0 / 79 / 5 / 14

HEX #DC2ED0

RGB 220 46 208

HSL 304.14, 0.71%, 0.52%

LAB 53.73, 79.9, -45.24

 

CMYK 0 / 79 / 26 / 14

HEX #DC2EA2

RGB 220 46 162

HSL 320, 0.71%, 0.52%

LAB 51.59, 73.81, -21.83

 

CMYK 15 / 83 / 0 / 39

HEX #841A9C

RGB 132 26 156

HSL 288.92, 0.71%, 0.36%

LAB 34.08, 59.58, -46.87

 

CMYK 16 / 83 / 0 / 25

HEX #A120BF

RGB 161 32 191

HSL 288.68, 0.71%, 0.44%

LAB 41.8, 69.58, -55.03

 

CMYK 15 / 79 / 0 / 14

HEX #BB2EDC

RGB 187 46 220

HSL 288.62, 0.71%, 0.52%

LAB 49.11, 75.62, -59.78

 

CMYK 12 / 64 / 0 / 12

HEX #C651E1

RGB 198 81 225

HSL 288.75, 0.71%, 0.6%

LAB 55.41, 66.35, -52.44

 

CMYK 9 / 50 / 0 / 9

HEX #D274E7

RGB 210 116 231

HSL 289.04, 0.71%, 0.68%

LAB 63.31, 54.22, -43.18

 

CMYK 15 / 80 / 0 / 14

HEX #BA2CDB

RGB 186 44 219

HSL 288.69, 0.71%, 0.52%

LAB 48.7, 75.82, -59.88

 

CMYK 0 / 79 / 79 / 14

HEX #DC2E2E

RGB 220 46 46

HSL 0, 0.71%, 0.52%

LAB 48.72, 65.16, 43.46

 

CMYK 79 / 0 / 48 / 14

HEX #2EDC73

RGB 46 220 115

HSL 143.79, 0.71%, 0.52%

LAB 77.88, -64.92, 39.59

 

CMYK 15 / 80 / 0 / 14

HEX #BA2CDB

RGB 186 44 219

HSL 288.69, 0.71%, 0.52%

LAB 48.7, 75.82, -59.88

 

CMYK 0 / 16 / 79 / 14

HEX #DCB92E

RGB 220 185 46

HSL 47.93, 0.71%, 0.52%

LAB 76.14, -0.76, 69.35

 

CMYK 79 / 0 / 16 / 14

HEX #2EDCB9

RGB 46 220 185

HSL 167.93, 0.71%, 0.52%

LAB 79.2, -50.33, 5.14

 

CMYK 15 / 80 / 0 / 14

HEX #BA2CDB

RGB 186 44 219

HSL 288.69, 0.71%, 0.52%

LAB 48.7, 75.82, -59.88

 

CMYK 0 / 79 / 79 / 14

HEX #DC2E2E

RGB 220 46 46

HSL 0, 0.71%, 0.52%

LAB 48.72, 65.16, 43.46

 

CMYK 64 / 0 / 79 / 14

HEX #50DC2E

RGB 80 220 46

HSL 108.28, 0.71%, 0.52%

LAB 77.93, -66.73, 68

 

CMYK 79 / 0 / 0 / 14

HEX #2EDCDC

RGB 46 220 220

HSL 180, 0.71%, 0.52%

LAB 80.14, -40.85, -12.12

 

CMYK 15 / 80 / 0 / 14

HEX #BA2CDB

RGB 186 44 219

HSL 288.69, 0.71%, 0.52%

LAB 48.7, 75.82, -59.88

 

CMYK 0 / 55 / 79 / 14

HEX #DC622E

RGB 220 98 46

HSL 17.93, 0.71%, 0.52%

LAB 56.24, 44.88, 50.91

 

CMYK 64 / 0 / 79 / 14

HEX #50DC2E

RGB 80 220 46

HSL 108.28, 0.71%, 0.52%

LAB 77.93, -66.73, 68

 

CMYK 79 / 24 / 0 / 14

HEX #2EA7DC

RGB 46 167 220

HSL 198.28, 0.71%, 0.52%

LAB 64.47, -14.71, -36.05

 

Description

Color code: HEX #BA2CDB | qconv.com Color code: HEX #BA2CDB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 44 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 44 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 80 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 80% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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