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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2683 it is the complementary color #45D97C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2683 shade: #BF267E, #D03891, #E14AA4, #F25CB7 and #FF6ECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2683 shade: #BA2683, #A91470, #98025D, #87004A and #760037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2683 shade: #BA2683, #BA265B, #BA2633 and #BA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2683 shade: #BA2683, #BA26AB, #A126BA, #7926BA and #5226BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2683 shade matches the following richer shades: #BA2683, #CC1488 and #DF028D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2683 shade: #BA2683, #A8387F, #964A7A, #845D75 and #726F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2683 shade: #A226BA, #BA26AB, #BA2684, #BA265C and #BA2635

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2683 shade: #761853, #981F6B, #BA2683, #D5349A and #DC56AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2683 shade: #BA2683, #BA7A26 and #26BAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2683 shade: #BA2683, #84BA26 and #2684BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2683 shade: #BA2683, #BA7A26, #26BA5C and #2666BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2683 shade: #BA2683, #BAA726, #26BA5C and #263ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

Complementary color

CMYK 68 / 0 / 43 / 15

HEX #45D97C

RGB 69 217 124

HSL 142.3, 0.66%, 0.56%

LAB 77.49, -59.14, 34.7

 

CMYK 0 / 80 / 34 / 25

HEX #BF267E

RGB 191 38 126

HSL 325.49, 0.67%, 0.45%

LAB 44.19, 64.91, -11.9

 

CMYK 0 / 73 / 30 / 18

HEX #D03891

RGB 208 56 145

HSL 324.87, 0.62%, 0.52%

LAB 49.84, 65.99, -14.58

 

CMYK 0 / 67 / 27 / 12

HEX #E14AA4

RGB 225 74 164

HSL 324.24, 0.72%, 0.59%

LAB 55.67, 66.4, -16.69

 

CMYK 0 / 62 / 24 / 5

HEX #F25CB7

RGB 242 92 183

HSL 323.6, 0.85%, 0.65%

LAB 61.61, 66.37, -18.4

 

CMYK 0 / 57 / 21 / 0

HEX #FF6ECA

RGB 255 110 202

HSL 321.93, 1%, 0.72%

LAB 67.03, 64.92, -20.74

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 88 / 34 / 34

HEX #A91470

RGB 169 20 112

HSL 322.95, 0.79%, 0.37%

LAB 38.03, 62.19, -12.93

 

CMYK 0 / 99 / 39 / 40

HEX #98025D

RGB 152 2 93

HSL 323.6, 0.97%, 0.3%

LAB 32.94, 58.94, -8.82

 

CMYK 0 / 100 / 45 / 47

HEX #87004A

RGB 135 0 74

HSL 327.11, 1%, 0.26%

LAB 28.5, 53.52, -3.31

 

CMYK 0 / 100 / 53 / 54

HEX #760037

RGB 118 0 55

HSL 332.03, 1%, 0.23%

LAB 24.09, 47.79, 2.74

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 80 / 51 / 27

HEX #BA265B

RGB 186 38 91

HSL 338.51, 0.66%, 0.44%

LAB 42.12, 60.28, 6.72

 

CMYK 0 / 80 / 73 / 27

HEX #BA2633

RGB 186 38 51

HSL 354.73, 0.66%, 0.44%

LAB 41.32, 57.78, 30.58

 

CMYK 0 / 80 / 80 / 27

HEX #BA2626

RGB 186 38 38

HSL 0, 0.66%, 0.44%

LAB 41.16, 57.29, 38.01

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 80 / 8 / 27

HEX #BA26AB

RGB 186 38 171

HSL 306.08, 0.66%, 0.44%

LAB 45.31, 69.58, -37.4

 

CMYK 13 / 80 / 0 / 27

HEX #A126BA

RGB 161 38 186

HSL 289.86, 0.66%, 0.44%

LAB 42.01, 67.08, -51.76

 

CMYK 35 / 80 / 0 / 27

HEX #7926BA

RGB 121 38 186

HSL 273.65, 0.66%, 0.44%

LAB 35.98, 60.09, -61.83

 

CMYK 56 / 80 / 0 / 27

HEX #5226BA

RGB 82 38 186

HSL 257.84, 0.66%, 0.44%

LAB 31.17, 54.52, -69.89

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 90 / 33 / 20

HEX #CC1488

RGB 204 20 136

HSL 322.17, 0.82%, 0.44%

LAB 45.79, 72.55, -15.36

 

CMYK 0 / 99 / 37 / 13

HEX #DF028D

RGB 223 2 141

HSL 322.26, 0.98%, 0.44%

LAB 49.07, 78.78, -13.06

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 67 / 24 / 34

HEX #A8387F

RGB 168 56 127

HSL 321.96, 0.5%, 0.44%

LAB 42.29, 52.92, -15.79

 

CMYK 0 / 51 / 19 / 41

HEX #964A7A

RGB 150 74 122

HSL 322.11, 0.34%, 0.44%

LAB 42.44, 38.07, -12.75

 

CMYK 0 / 30 / 11 / 48

HEX #845D75

RGB 132 93 117

HSL 323.08, 0.17%, 0.44%

LAB 44.26, 19.98, -7.19

 

CMYK 0 / 3 / 1 / 55

HEX #726F71

RGB 114 111 113

HSL 320, 0.01%, 0.44%

LAB 47.16, 1.56, -0.7

 

CMYK 13 / 80 / 0 / 27

HEX #A226BA

RGB 162 38 186

HSL 290.27, 0.66%, 0.44%

LAB 42.17, 67.27, -51.49

 

CMYK 0 / 80 / 8 / 27

HEX #BA26AB

RGB 186 38 171

HSL 306.08, 0.66%, 0.44%

LAB 45.31, 69.58, -37.4

 

CMYK 0 / 80 / 29 / 27

HEX #BA2684

RGB 186 38 132

HSL 321.89, 0.66%, 0.44%

LAB 43.49, 64.38, -16.73

 

CMYK 0 / 80 / 51 / 27

HEX #BA265C

RGB 186 38 92

HSL 338.11, 0.66%, 0.44%

LAB 42.15, 60.36, 6.13

 

CMYK 0 / 80 / 72 / 27

HEX #BA2635

RGB 186 38 53

HSL 353.92, 0.66%, 0.44%

LAB 41.35, 57.87, 29.41

 

CMYK 0 / 80 / 30 / 54

HEX #761853

RGB 118 24 83

HSL 322.34, 0.66%, 0.28%

LAB 27.1, 45.11, -11.77

 

CMYK 0 / 80 / 30 / 40

HEX #981F6B

RGB 152 31 107

HSL 322.31, 0.66%, 0.36%

LAB 35.43, 54.91, -14.02

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 76 / 28 / 16

HEX #D5349A

RGB 213 52 154

HSL 321.99, 0.66%, 0.52%

LAB 50.61, 69.55, -18.69

 

CMYK 0 / 61 / 22 / 14

HEX #DC56AB

RGB 220 86 171

HSL 321.94, 0.66%, 0.6%

LAB 56.89, 61.11, -18.98

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 34 / 80 / 27

HEX #BA7A26

RGB 186 122 38

HSL 34.05, 0.66%, 0.44%

LAB 56.58, 18.08, 53

 

CMYK 80 / 0 / 3 / 27

HEX #26BAB5

RGB 38 186 181

HSL 177.97, 0.66%, 0.44%

LAB 68.65, -37.43, -8.15

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 29 / 0 / 80 / 27

HEX #84BA26

RGB 132 186 38

HSL 81.89, 0.66%, 0.44%

LAB 69.59, -38.51, 63.31

 

CMYK 80 / 29 / 0 / 27

HEX #2684BA

RGB 38 132 186

HSL 201.89, 0.66%, 0.44%

LAB 52.35, -7.95, -35.89

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 34 / 80 / 27

HEX #BA7A26

RGB 186 122 38

HSL 34.05, 0.66%, 0.44%

LAB 56.58, 18.08, 53

 

CMYK 80 / 0 / 51 / 27

HEX #26BA5C

RGB 38 186 92

HSL 141.89, 0.66%, 0.44%

LAB 66.75, -57.86, 37

 

CMYK 80 / 45 / 0 / 27

HEX #2666BA

RGB 38 102 186

HSL 214.05, 0.66%, 0.44%

LAB 43.45, 10.39, -50.03

 

CMYK 0 / 80 / 30 / 27

HEX #BA2683

RGB 186 38 131

HSL 322.3, 0.66%, 0.44%

LAB 43.45, 64.26, -16.17

 

CMYK 0 / 10 / 80 / 27

HEX #BAA726

RGB 186 167 38

HSL 52.3, 0.66%, 0.44%

LAB 68.18, -6.46, 63.53

 

CMYK 80 / 0 / 51 / 27

HEX #26BA5C

RGB 38 186 92

HSL 141.89, 0.66%, 0.44%

LAB 66.75, -57.86, 37

 

CMYK 80 / 69 / 0 / 27

HEX #263ABA

RGB 38 58 186

HSL 231.89, 0.66%, 0.44%

LAB 31.77, 39.05, -69.02

 

Description

Color code: HEX #BA2683 | qconv.com Color code: HEX #BA2683 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 38 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 38 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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