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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA24F9 it is the complementary color #45DB06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA24F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA24F9 shade: #BF24F4, #D036FF, #E148FF, #F25AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA24F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA24F9 shade: #BA24F9, #A912E6, #9800D3, #8700C0 and #7600AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA24F9 shade: #BA24F9, #F424F9, #F924C5, #F9248C and #F92453

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA24F9 shade: #BA24F9, #8124F9, #4724F9 and #2424F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA24F9 shade matches the following richer shades: #BA24F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA24F9 shade: #BA24F9, #B336E7, #AB49D5, #A45BC3 and #9D6DB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA24F9 shade: #4824F9, #8124F9, #B924F9, #F224F9 and #F924C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA24F9 shade: #8D05C6, #AA06EE, #BA24F9, #C74CFA and #D475FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA24F9 shade: #BA24F9, #F9243A and #24F964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA24F9 shade: #BA24F9, #F9B924 and #24F9B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA24F9 shade: #BA24F9, #F9243A, #64F924 and #24F9E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA24F9 shade: #BA24F9, #F94F24, #64F924 and #24CFF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

Complementary color

CMYK 68 / 0 / 97 / 14

HEX #45DB06

RGB 69 219 6

HSL 102.25, 0.95%, 0.44%

LAB 77.25, -69.95, 74.52

 

CMYK 22 / 85 / 0 / 4

HEX #BF24F4

RGB 191 36 244

HSL 284.71, 0.9%, 0.55%

LAB 50.53, 82.99, -71.02

 

CMYK 18 / 79 / 0 / 0

HEX #D036FF

RGB 208 54 255

HSL 285.97, 1%, 0.61%

LAB 55.35, 83.26, -69.24

 

CMYK 12 / 72 / 0 / 0

HEX #E148FF

RGB 225 72 255

HSL 290.16, 1%, 0.64%

LAB 59.76, 80.84, -62

 

CMYK 5 / 65 / 0 / 0

HEX #F25AFF

RGB 242 90 255

HSL 295.27, 1%, 0.68%

LAB 64.49, 77.94, -54.31

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 27 / 92 / 0 / 10

HEX #A912E6

RGB 169 18 230

HSL 282.74, 0.85%, 0.49%

LAB 45.05, 80.49, -72.18

 

CMYK 28 / 100 / 0 / 17

HEX #9800D3

RGB 152 0 211

HSL 283.22, 1%, 0.41%

LAB 40.21, 76.81, -69.32

 

CMYK 30 / 100 / 0 / 25

HEX #8700C0

RGB 135 0 192

HSL 282.19, 1%, 0.38%

LAB 35.9, 71.22, -65.4

 

CMYK 32 / 100 / 0 / 32

HEX #7600AD

RGB 118 0 173

HSL 280.92, 1%, 0.34%

LAB 31.51, 65.52, -61.42

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 2 / 86 / 0 / 2

HEX #F424F9

RGB 244 36 249

HSL 298.59, 0.95%, 0.56%

LAB 59.28, 92.26, -59.28

 

CMYK 0 / 86 / 21 / 2

HEX #F924C5

RGB 249 36 197

HSL 314.65, 0.95%, 0.56%

LAB 57.49, 86.24, -32.67

 

CMYK 0 / 86 / 44 / 2

HEX #F9248C

RGB 249 36 140

HSL 330.7, 0.95%, 0.56%

LAB 55.37, 80.4, -2.54

 

CMYK 0 / 86 / 67 / 2

HEX #F92453

RGB 249 36 83

HSL 346.76, 0.95%, 0.56%

LAB 54.05, 76.63, 29.77

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 48 / 86 / 0 / 2

HEX #8124F9

RGB 129 36 249

HSL 266.2, 0.95%, 0.56%

LAB 42.41, 76.02, -87.45

 

CMYK 71 / 86 / 0 / 2

HEX #4724F9

RGB 71 36 249

HSL 249.86, 0.95%, 0.56%

LAB 36.82, 71.34, -96.89

 

CMYK 86 / 86 / 0 / 2

HEX #2424F9

RGB 36 36 249

HSL 240, 0.95%, 0.56%

LAB 34.96, 69.91, -100.04

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 23 / 77 / 0 / 9

HEX #B336E7

RGB 179 54 231

HSL 282.37, 0.79%, 0.56%

LAB 49.49, 73.83, -65.48

 

CMYK 20 / 66 / 0 / 16

HEX #AB49D5

RGB 171 73 213

HSL 282, 0.63%, 0.56%

LAB 49.77, 61.37, -54.85

 

CMYK 16 / 53 / 0 / 24

HEX #A45BC3

RGB 164 91 195

HSL 282.12, 0.46%, 0.56%

LAB 51.05, 47.2, -42.54

 

CMYK 11 / 38 / 0 / 31

HEX #9D6DB1

RGB 157 109 177

HSL 282.35, 0.3%, 0.56%

LAB 53.25, 31.42, -28.75

 

CMYK 71 / 86 / 0 / 2

HEX #4824F9

RGB 72 36 249

HSL 250.14, 0.95%, 0.56%

LAB 36.89, 71.4, -96.77

 

CMYK 48 / 86 / 0 / 2

HEX #8124F9

RGB 129 36 249

HSL 266.2, 0.95%, 0.56%

LAB 42.41, 76.02, -87.45

 

CMYK 26 / 86 / 0 / 2

HEX #B924F9

RGB 185 36 249

HSL 281.97, 0.95%, 0.56%

LAB 50, 83.02, -74.73

 

CMYK 3 / 86 / 0 / 2

HEX #F224F9

RGB 242 36 249

HSL 298.03, 0.95%, 0.56%

LAB 58.95, 91.92, -59.82

 

CMYK 0 / 86 / 20 / 2

HEX #F924C8

RGB 249 36 200

HSL 313.8, 0.95%, 0.56%

LAB 57.63, 86.6, -34.18

 

CMYK 29 / 97 / 0 / 22

HEX #8D05C6

RGB 141 5 198

HSL 282.28, 0.95%, 0.4%

LAB 37.57, 72.48, -66.15

 

CMYK 29 / 97 / 0 / 7

HEX #AA06EE

RGB 170 6 238

HSL 282.41, 0.95%, 0.48%

LAB 45.43, 83.34, -76.1

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 20 / 70 / 0 / 2

HEX #C74CFA

RGB 199 76 250

HSL 282.41, 0.95%, 0.64%

LAB 56.3, 73.36, -64.99

 

CMYK 16 / 53 / 0 / 2

HEX #D475FB

RGB 212 117 251

HSL 282.54, 0.94%, 0.72%

LAB 64.71, 58.21, -52.01

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 0 / 86 / 77 / 2

HEX #F9243A

RGB 249 36 58

HSL 353.8, 0.95%, 0.56%

LAB 53.71, 75.64, 43.84

 

CMYK 86 / 0 / 60 / 2

HEX #24F964

RGB 36 249 100

HSL 138.03, 0.95%, 0.56%

LAB 86.53, -77.16, 56.91

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 0 / 26 / 86 / 2

HEX #F9B924

RGB 249 185 36

HSL 41.97, 0.95%, 0.56%

LAB 79.02, 11.42, 75.79

 

CMYK 86 / 0 / 26 / 2

HEX #24F9B9

RGB 36 249 185

HSL 161.97, 0.95%, 0.56%

LAB 87.79, -62.46, 17.35

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 0 / 86 / 77 / 2

HEX #F9243A

RGB 249 36 58

HSL 353.8, 0.95%, 0.56%

LAB 53.71, 75.64, 43.84

 

CMYK 60 / 0 / 86 / 2

HEX #64F924

RGB 100 249 36

HSL 101.97, 0.95%, 0.56%

LAB 87.28, -72.22, 79.06

 

CMYK 86 / 0 / 8 / 2

HEX #24F9E4

RGB 36 249 228

HSL 174.08, 0.95%, 0.56%

LAB 88.79, -51.85, -3.52

 

CMYK 25 / 86 / 0 / 2

HEX #BA24F9

RGB 186 36 249

HSL 282.25, 0.95%, 0.56%

LAB 50.15, 83.17, -74.48

 

CMYK 0 / 68 / 86 / 2

HEX #F94F24

RGB 249 79 36

HSL 12.11, 0.95%, 0.56%

LAB 57.9, 62.84, 58.59

 

CMYK 60 / 0 / 86 / 2

HEX #64F924

RGB 100 249 36

HSL 101.97, 0.95%, 0.56%

LAB 87.28, -72.22, 79.06

 

CMYK 86 / 17 / 0 / 2

HEX #24CFF9

RGB 36 207 249

HSL 191.83, 0.95%, 0.56%

LAB 77.19, -26.53, -32.12

 

Description

Color code: HEX #BA24F9 | qconv.com Color code: HEX #BA24F9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 36 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 36 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 86 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 86% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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