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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA24E6 it is the complementary color #45DB19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA24E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA24E6 shade: #BF24E1, #D036F4, #E148FF, #F25AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA24E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA24E6 shade: #BA24E6, #A912D3, #9800C0, #8700AD and #76009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA24E6 shade: #BA23E7, #E723DE, #E723A9, #E72375 and #E72340

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA24E6 shade: #BA23E7, #8523E7, #5023E7 and #2323E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA24E6 shade matches the following richer shades: #BA23E7 and #C50FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA24E6 shade: #BA23E7, #AF36D3, #A44ABF, #9A5EAB and #8F7297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA24E6 shade: #5023E7, #8523E7, #B923E7, #E723E0 and #E723AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA24E6 shade: #8312A4, #A116CA, #BA23E7, #C648EB and #D16DEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA24E6 shade: #BA24E6, #E72329 and #23E76A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA24E6 shade: #BA24E6, #E7B923 and #23E7B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA24E6 shade: #BA24E6, #E72329, #50E723 and #23E7E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA24E6 shade: #BA24E6, #E75723, #50E723 and #23B2E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 84 / 0 / 10

HEX #BA24E6

RGB 186 36 230

HSL 286.39, 0.8%, 0.52%

LAB 48.78, 79.73, -66.01

 

Complementary color

CMYK 68 / 0 / 89 / 14

HEX #45DB19

RGB 69 219 25

HSL 106.39, 0.8%, 0.48%

LAB 77.28, -69.53, 72.18

 

CMYK 15 / 84 / 0 / 12

HEX #BF24E1

RGB 191 36 225

HSL 289.21, 0.76%, 0.51%

LAB 49.22, 79.65, -62.42

 

CMYK 15 / 78 / 0 / 4

HEX #D036F4

RGB 208 54 244

HSL 288.63, 0.9%, 0.58%

LAB 54.64, 81.32, -64.26

 

CMYK 12 / 72 / 0 / 0

HEX #E148FF

RGB 225 72 255

HSL 290.16, 1%, 0.64%

LAB 59.76, 80.84, -62

 

CMYK 5 / 65 / 0 / 0

HEX #F25AFF

RGB 242 90 255

HSL 295.27, 1%, 0.68%

LAB 64.49, 77.94, -54.31

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 19 / 84 / 0 / 10

HEX #BA24E6

RGB 186 36 230

HSL 286.39, 0.8%, 0.52%

LAB 48.78, 79.73, -66.01

 

CMYK 20 / 91 / 0 / 17

HEX #A912D3

RGB 169 18 211

HSL 286.94, 0.84%, 0.45%

LAB 43.61, 77.08, -63.66

 

CMYK 21 / 100 / 0 / 25

HEX #9800C0

RGB 152 0 192

HSL 287.5, 1%, 0.38%

LAB 38.69, 73.39, -60.73

 

CMYK 22 / 100 / 0 / 32

HEX #8700AD

RGB 135 0 173

HSL 286.82, 1%, 0.34%

LAB 34.33, 67.69, -56.69

 

CMYK 23 / 100 / 0 / 40

HEX #76009A

RGB 118 0 154

HSL 285.97, 1%, 0.3%

LAB 29.87, 61.88, -52.57

 

CMYK 19 / 85 / 0 / 9

HEX #BA23E7

RGB 186 35 231

HSL 286.22, 0.8%, 0.52%

LAB 48.77, 80.12, -66.59

 

CMYK 0 / 85 / 4 / 9

HEX #E723DE

RGB 231 35 222

HSL 302.76, 0.8%, 0.52%

LAB 55.55, 86.26, -50.21

 

CMYK 0 / 85 / 27 / 9

HEX #E723A9

RGB 231 35 169

HSL 318.98, 0.8%, 0.52%

LAB 53.01, 79.46, -23.6

 

CMYK 0 / 85 / 49 / 9

HEX #E72375

RGB 231 35 117

HSL 334.9, 0.8%, 0.52%

LAB 51.24, 74.49, 4.86

 

CMYK 0 / 85 / 72 / 9

HEX #E72340

RGB 231 35 64

HSL 351.12, 0.8%, 0.52%

LAB 50.17, 71.39, 35.46

 

CMYK 19 / 85 / 0 / 9

HEX #BA23E7

RGB 186 35 231

HSL 286.22, 0.8%, 0.52%

LAB 48.77, 80.12, -66.59

 

CMYK 42 / 85 / 0 / 9

HEX #8523E7

RGB 133 35 231

HSL 270, 0.8%, 0.52%

LAB 41.15, 72.73, -79.35

 

CMYK 65 / 85 / 0 / 9

HEX #5023E7

RGB 80 35 231

HSL 253.78, 0.8%, 0.52%

LAB 35.35, 67.53, -89.11

 

CMYK 85 / 85 / 0 / 9

HEX #2323E7

RGB 35 35 231

HSL 240, 0.8%, 0.52%

LAB 32.54, 65.2, -93.86

 

CMYK 19 / 85 / 0 / 9

HEX #BA23E7

RGB 186 35 231

HSL 286.22, 0.8%, 0.52%

LAB 48.77, 80.12, -66.59

 

CMYK 21 / 94 / 0 / 2

HEX #C50FFA

RGB 197 15 250

HSL 286.47, 0.96%, 0.52%

LAB 50.82, 88.08, -73.87

 

CMYK 19 / 85 / 0 / 9

HEX #BA23E7

RGB 186 35 231

HSL 286.22, 0.8%, 0.52%

LAB 48.77, 80.12, -66.59

 

CMYK 17 / 74 / 0 / 17

HEX #AF36D3

RGB 175 54 211

HSL 286.24, 0.64%, 0.52%

LAB 47.57, 69.28, -57.22

 

CMYK 14 / 61 / 0 / 25

HEX #A44ABF

RGB 164 74 191

HSL 286.15, 0.48%, 0.52%

LAB 47.69, 54.82, -45.57

 

CMYK 10 / 45 / 0 / 33

HEX #9A5EAB

RGB 154 94 171

HSL 286.75, 0.31%, 0.52%

LAB 49.27, 37.64, -31.49

 

CMYK 5 / 25 / 0 / 41

HEX #8F7297

RGB 143 114 151

HSL 287.03, 0.15%, 0.52%

LAB 51.96, 18.34, -15.73

 

CMYK 65 / 85 / 0 / 9

HEX #5023E7

RGB 80 35 231

HSL 253.78, 0.8%, 0.52%

LAB 35.35, 67.53, -89.11

 

CMYK 42 / 85 / 0 / 9

HEX #8523E7

RGB 133 35 231

HSL 270, 0.8%, 0.52%

LAB 41.15, 72.73, -79.35

 

CMYK 20 / 85 / 0 / 9

HEX #B923E7

RGB 185 35 231

HSL 285.92, 0.8%, 0.52%

LAB 48.62, 79.97, -66.85

 

CMYK 0 / 85 / 3 / 9

HEX #E723E0

RGB 231 35 224

HSL 302.14, 0.8%, 0.52%

LAB 55.66, 86.55, -51.17

 

CMYK 0 / 85 / 26 / 9

HEX #E723AC

RGB 231 35 172

HSL 318.06, 0.8%, 0.52%

LAB 53.13, 79.8, -25.17

 

CMYK 20 / 89 / 0 / 36

HEX #8312A4

RGB 131 18 164

HSL 286.44, 0.8%, 0.36%

LAB 33.85, 62.77, -52.08

 

CMYK 20 / 89 / 0 / 21

HEX #A116CA

RGB 161 22 202

HSL 286.33, 0.8%, 0.44%

LAB 41.87, 73.66, -61.34

 

CMYK 19 / 85 / 0 / 9

HEX #BA23E7

RGB 186 35 231

HSL 286.22, 0.8%, 0.52%

LAB 48.77, 80.12, -66.59

 

CMYK 16 / 69 / 0 / 8

HEX #C648EB

RGB 198 72 235

HSL 286.38, 0.8%, 0.6%

LAB 54.7, 71.83, -59.2

 

CMYK 13 / 54 / 0 / 6

HEX #D16DEF

RGB 209 109 239

HSL 286.15, 0.8%, 0.68%

LAB 62.27, 58.96, -49.27

 

CMYK 19 / 84 / 0 / 10

HEX #BA24E6

RGB 186 36 230

HSL 286.39, 0.8%, 0.52%

LAB 48.78, 79.73, -66.01

 

CMYK 0 / 85 / 82 / 9

HEX #E72329

RGB 231 35 41

HSL 358.16, 0.8%, 0.52%

LAB 49.92, 70.65, 48.01

 

CMYK 85 / 0 / 54 / 9

HEX #23E76A

RGB 35 231 106

HSL 141.73, 0.8%, 0.52%

LAB 81.04, -70.92, 47.76

 

CMYK 19 / 84 / 0 / 10

HEX #BA24E6

RGB 186 36 230

HSL 286.39, 0.8%, 0.52%

LAB 48.78, 79.73, -66.01

 

CMYK 0 / 20 / 85 / 9

HEX #E7B923

RGB 231 185 35

HSL 45.92, 0.8%, 0.52%

LAB 77.17, 3.68, 73.76

 

CMYK 85 / 0 / 20 / 9

HEX #23E7B9

RGB 35 231 185

HSL 165.92, 0.8%, 0.52%

LAB 82.39, -55.65, 9.7

 

CMYK 19 / 84 / 0 / 10

HEX #BA24E6

RGB 186 36 230

HSL 286.39, 0.8%, 0.52%

LAB 48.78, 79.73, -66.01

 

CMYK 0 / 85 / 82 / 9

HEX #E72329

RGB 231 35 41

HSL 358.16, 0.8%, 0.52%

LAB 49.92, 70.65, 48.01

 

CMYK 65 / 0 / 85 / 9

HEX #50E723

RGB 80 231 35

HSL 106.22, 0.8%, 0.52%

LAB 81.28, -70.8, 73.8

 

CMYK 85 / 0 / 3 / 9

HEX #23E7E0

RGB 35 231 224

HSL 177.86, 0.8%, 0.52%

LAB 83.38, -45.37, -9.42

 

CMYK 19 / 84 / 0 / 10

HEX #BA24E6

RGB 186 36 230

HSL 286.39, 0.8%, 0.52%

LAB 48.78, 79.73, -66.01

 

CMYK 0 / 62 / 85 / 9

HEX #E75723

RGB 231 87 35

HSL 15.92, 0.8%, 0.52%

LAB 56.01, 53.58, 56.18

 

CMYK 65 / 0 / 85 / 9

HEX #50E723

RGB 80 231 35

HSL 106.22, 0.8%, 0.52%

LAB 81.28, -70.8, 73.8

 

CMYK 85 / 23 / 0 / 9

HEX #23B2E7

RGB 35 178 231

HSL 196.22, 0.8%, 0.52%

LAB 68, -17.74, -36.62

 

Description

Color code: HEX #BA24E6 | qconv.com Color code: HEX #BA24E6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 36 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 36 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 84 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 84% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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