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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA2291 it is the complementary color #45DD6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA2291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA2291 shade: #BF228C, #D0349F, #E146B2, #F258C5 and #FF6AD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA2291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA2291 shade: #BA2291, #A9107E, #98006B, #870058 and #760045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA2291 shade: #B92291, #B92268, #B9223F and #B92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA2291 shade: #B92291, #B922B9, #9122B9, #6822B9 and #3F22B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA2291 shade matches the following richer shades: #B92291 and #CB1099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA2291 shade: #B92291, #A83488, #964580, #845778 and #726970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA2291 shade: #9122B9, #B922B9, #B92291, #B92269 and #B92240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA2291 shade: #74155A, #961C75, #B92291, #D82CAA and #DF4FB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA2291 shade: #BA2291, #B96922 and #22B9A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA2291 shade: #BA2291, #91B922 and #2291B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA2291 shade: #BA2291, #B96922, #22B94A and #2273B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA2291 shade: #BA2291, #B99622, #22B94A and #2245B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 22 / 27

HEX #BA2291

RGB 186 34 145

HSL 316.18, 0.69%, 0.43%

LAB 43.69, 66.99, -24.34

 

Complementary color

CMYK 69 / 0 / 50 / 13

HEX #45DD6E

RGB 69 221 110

HSL 136.18, 0.69%, 0.57%

LAB 78.52, -62.79, 42.91

 

CMYK 0 / 82 / 27 / 25

HEX #BF228C

RGB 191 34 140

HSL 319.49, 0.7%, 0.44%

LAB 44.4, 67.51, -20.14

 

CMYK 0 / 75 / 24 / 18

HEX #D0349F

RGB 208 52 159

HSL 318.85, 0.62%, 0.51%

LAB 49.94, 68.95, -22.76

 

CMYK 0 / 69 / 21 / 12

HEX #E146B2

RGB 225 70 178

HSL 318.19, 0.72%, 0.58%

LAB 55.69, 69.64, -24.82

 

CMYK 0 / 64 / 19 / 5

HEX #F258C5

RGB 242 88 197

HSL 317.53, 0.86%, 0.65%

LAB 61.56, 69.83, -26.47

 

CMYK 0 / 58 / 15 / 0

HEX #FF6AD8

RGB 255 106 216

HSL 315.7, 1%, 0.71%

LAB 66.92, 68.6, -28.75

 

CMYK 0 / 82 / 22 / 27

HEX #BA2291

RGB 186 34 145

HSL 316.18, 0.69%, 0.43%

LAB 43.69, 66.99, -24.34

 

CMYK 0 / 91 / 25 / 34

HEX #A9107E

RGB 169 16 126

HSL 316.86, 0.83%, 0.36%

LAB 38.4, 64.47, -21.14

 

CMYK 0 / 100 / 30 / 40

HEX #98006B

RGB 152 0 107

HSL 317.76, 1%, 0.3%

LAB 33.43, 60.72, -17.1

 

CMYK 0 / 100 / 35 / 47

HEX #870058

RGB 135 0 88

HSL 320.89, 1%, 0.26%

LAB 29.04, 54.94, -11.79

 

CMYK 0 / 100 / 42 / 54

HEX #760045

RGB 118 0 69

HSL 324.92, 1%, 0.23%

LAB 24.58, 49.08, -6.17

 

CMYK 0 / 82 / 22 / 27

HEX #B92291

RGB 185 34 145

HSL 315.89, 0.69%, 0.43%

LAB 43.51, 66.77, -24.64

 

CMYK 0 / 82 / 44 / 27

HEX #B92268

RGB 185 34 104

HSL 332.19, 0.69%, 0.43%

LAB 41.93, 62.21, -1.74

 

CMYK 0 / 82 / 66 / 27

HEX #B9223F

RGB 185 34 63

HSL 348.48, 0.69%, 0.43%

LAB 40.92, 59.18, 22.67

 

CMYK 0 / 82 / 82 / 27

HEX #B92222

RGB 185 34 34

HSL 0, 0.69%, 0.43%

LAB 40.53, 57.97, 39.53

 

CMYK 0 / 82 / 22 / 27

HEX #B92291

RGB 185 34 145

HSL 315.89, 0.69%, 0.43%

LAB 43.51, 66.77, -24.64

 

CMYK 0 / 82 / 0 / 27

HEX #B922B9

RGB 185 34 185

HSL 300, 0.69%, 0.43%

LAB 45.58, 72.47, -45.23

 

CMYK 22 / 82 / 0 / 27

HEX #9122B9

RGB 145 34 185

HSL 284.11, 0.69%, 0.43%

LAB 39.01, 65.17, -56.14

 

CMYK 44 / 82 / 0 / 27

HEX #6822B9

RGB 104 34 185

HSL 267.81, 0.69%, 0.43%

LAB 33.11, 58.73, -66.01

 

CMYK 66 / 82 / 0 / 27

HEX #3F22B9

RGB 63 34 185

HSL 251.52, 0.69%, 0.43%

LAB 28.65, 53.96, -73.52

 

CMYK 0 / 82 / 22 / 27

HEX #B92291

RGB 185 34 145

HSL 315.89, 0.69%, 0.43%

LAB 43.51, 66.77, -24.64

 

CMYK 0 / 92 / 25 / 20

HEX #CB1099

RGB 203 16 153

HSL 316.04, 0.85%, 0.43%

LAB 46.13, 74.74, -25.14

 

CMYK 0 / 82 / 22 / 27

HEX #B92291

RGB 185 34 145

HSL 315.89, 0.69%, 0.43%

LAB 43.51, 66.77, -24.64

 

CMYK 0 / 69 / 19 / 34

HEX #A83488

RGB 168 52 136

HSL 316.55, 0.53%, 0.43%

LAB 42.09, 55.77, -21.6

 

CMYK 0 / 54 / 15 / 41

HEX #964580

RGB 150 69 128

HSL 316.3, 0.37%, 0.43%

LAB 41.69, 41.65, -17.57

 

CMYK 0 / 34 / 9 / 48

HEX #845778

RGB 132 87 120

HSL 316, 0.21%, 0.43%

LAB 42.88, 24.08, -11.09

 

CMYK 0 / 8 / 2 / 55

HEX #726970

RGB 114 105 112

HSL 313.33, 0.04%, 0.43%

LAB 45.43, 4.92, -2.64

 

CMYK 22 / 82 / 0 / 27

HEX #9122B9

RGB 145 34 185

HSL 284.11, 0.69%, 0.43%

LAB 39.01, 65.17, -56.14

 

CMYK 0 / 82 / 0 / 27

HEX #B922B9

RGB 185 34 185

HSL 300, 0.69%, 0.43%

LAB 45.58, 72.47, -45.23

 

CMYK 0 / 82 / 22 / 27

HEX #B92291

RGB 185 34 145

HSL 315.89, 0.69%, 0.43%

LAB 43.51, 66.77, -24.64

 

CMYK 0 / 82 / 43 / 27

HEX #B92269

RGB 185 34 105

HSL 331.79, 0.69%, 0.43%

LAB 41.97, 62.31, -2.32

 

CMYK 0 / 82 / 65 / 27

HEX #B92240

RGB 185 34 64

HSL 348.08, 0.69%, 0.43%

LAB 40.94, 59.23, 22.07

 

CMYK 0 / 82 / 22 / 55

HEX #74155A

RGB 116 21 90

HSL 316.42, 0.69%, 0.27%

LAB 26.7, 46.49, -17.05

 

CMYK 0 / 81 / 22 / 41

HEX #961C75

RGB 150 28 117

HSL 316.23, 0.69%, 0.35%

LAB 35.2, 56.55, -20.74

 

CMYK 0 / 82 / 22 / 27

HEX #B92291

RGB 185 34 145

HSL 315.89, 0.69%, 0.43%

LAB 43.51, 66.77, -24.64

 

CMYK 0 / 80 / 21 / 15

HEX #D82CAA

RGB 216 44 170

HSL 316.05, 0.69%, 0.51%

LAB 51.04, 74.39, -27.46

 

CMYK 0 / 65 / 17 / 13

HEX #DF4FB8

RGB 223 79 184

HSL 316.25, 0.69%, 0.59%

LAB 56.82, 66.59, -26.57

 

CMYK 0 / 82 / 22 / 27

HEX #BA2291

RGB 186 34 145

HSL 316.18, 0.69%, 0.43%

LAB 43.69, 66.99, -24.34

 

CMYK 0 / 43 / 82 / 27

HEX #B96922

RGB 185 105 34

HSL 28.21, 0.69%, 0.43%

LAB 52.43, 26.86, 50.73

 

CMYK 82 / 0 / 11 / 27

HEX #22B9A5

RGB 34 185 165

HSL 172.05, 0.69%, 0.43%

LAB 67.84, -41.87, -0.55

 

CMYK 0 / 82 / 22 / 27

HEX #BA2291

RGB 186 34 145

HSL 316.18, 0.69%, 0.43%

LAB 43.69, 66.99, -24.34

 

CMYK 22 / 0 / 82 / 27

HEX #91B922

RGB 145 185 34

HSL 75.89, 0.69%, 0.43%

LAB 70.06, -33.12, 65.14

 

CMYK 82 / 22 / 0 / 27

HEX #2291B9

RGB 34 145 185

HSL 195.89, 0.69%, 0.43%

LAB 56.18, -16.02, -29.35

 

CMYK 0 / 82 / 22 / 27

HEX #BA2291

RGB 186 34 145

HSL 316.18, 0.69%, 0.43%

LAB 43.69, 66.99, -24.34

 

CMYK 0 / 43 / 82 / 27

HEX #B96922

RGB 185 105 34

HSL 28.21, 0.69%, 0.43%

LAB 52.43, 26.86, 50.73

 

CMYK 82 / 0 / 60 / 27

HEX #22B94A

RGB 34 185 74

HSL 135.89, 0.69%, 0.43%

LAB 66.16, -60.54, 44.92

 

CMYK 82 / 38 / 0 / 27

HEX #2273B9

RGB 34 115 185

HSL 207.81, 0.69%, 0.43%

LAB 47.11, 1.42, -43.6

 

CMYK 0 / 82 / 22 / 27

HEX #BA2291

RGB 186 34 145

HSL 316.18, 0.69%, 0.43%

LAB 43.69, 66.99, -24.34

 

CMYK 0 / 19 / 82 / 27

HEX #B99622

RGB 185 150 34

HSL 46.09, 0.69%, 0.43%

LAB 63.54, 2.07, 60.65

 

CMYK 82 / 0 / 60 / 27

HEX #22B94A

RGB 34 185 74

HSL 135.89, 0.69%, 0.43%

LAB 66.16, -60.54, 44.92

 

CMYK 82 / 63 / 0 / 27

HEX #2245B9

RGB 34 69 185

HSL 226.09, 0.69%, 0.43%

LAB 34.19, 31.29, -64.46

 

Description

Color code: HEX #BA2291 | qconv.com Color code: HEX #BA2291 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 34 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 34 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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