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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA1F6B it is the complementary color #45E094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA1F6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA1F6B shade: #BF1F66, #D03179, #E1438C, #F2559F and #FF67B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA1F6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA1F6B shade: #BA1F6B, #A90D58, #980045, #870032 and #76001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA1F6B shade: #BC206C, #BC2042 and #BC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA1F6B shade: #BC206C, #BC2096, #B720BC, #8D20BC and #6320BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA1F6B shade matches the following richer shades: #BC206C and #CD0E6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA1F6B shade: #BC206C, #AA326C, #98436D, #86556D and #75676E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA1F6B shade: #B620BC, #BC2097, #BC206E, #BC2044 and #BC2520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA1F6B shade: #751443, #981A58, #BC206C, #DB2A81 and #E14D95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA1F6B shade: #BA1F6B, #BC8D20 and #20ACBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA1F6B shade: #BA1F6B, #6EBC20 and #206EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA1F6B shade: #BA1F6B, #BC8D20, #20BC6E and #204FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA1F6B shade: #BA1F6B, #BCBC20, #20BC6E and #2020BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 42 / 27

HEX #BA1F6B

RGB 186 31 107

HSL 330.58, 0.71%, 0.43%

LAB 41.97, 63.47, -3.54

 

Complementary color

CMYK 69 / 0 / 34 / 12

HEX #45E094

RGB 69 224 148

HSL 150.58, 0.71%, 0.57%

LAB 80.02, -57.36, 25.8

 

CMYK 0 / 84 / 47 / 25

HEX #BF1F66

RGB 191 31 102

HSL 333.38, 0.72%, 0.44%

LAB 42.79, 64.27, 0.9

 

CMYK 0 / 76 / 42 / 18

HEX #D03179

RGB 208 49 121

HSL 332.83, 0.63%, 0.5%

LAB 48.24, 65.63, -2.46

 

CMYK 0 / 70 / 38 / 12

HEX #E1438C

RGB 225 67 140

HSL 332.28, 0.72%, 0.57%

LAB 53.94, 66.22, -5.15

 

CMYK 0 / 65 / 34 / 5

HEX #F2559F

RGB 242 85 159

HSL 331.72, 0.86%, 0.64%

LAB 59.78, 66.29, -7.32

 

CMYK 0 / 60 / 30 / 0

HEX #FF67B2

RGB 255 103 178

HSL 330.39, 1%, 0.7%

LAB 65.1, 64.86, -10.09

 

CMYK 0 / 83 / 42 / 27

HEX #BA1F6B

RGB 186 31 107

HSL 330.58, 0.71%, 0.43%

LAB 41.97, 63.47, -3.54

 

CMYK 0 / 92 / 48 / 34

HEX #A90D58

RGB 169 13 88

HSL 331.15, 0.86%, 0.36%

LAB 36.79, 60.98, 0.52

 

CMYK 0 / 100 / 55 / 40

HEX #980045

RGB 152 0 69

HSL 332.76, 1%, 0.3%

LAB 32.04, 57.11, 5.63

 

CMYK 0 / 100 / 63 / 47

HEX #870032

RGB 135 0 50

HSL 337.78, 1%, 0.26%

LAB 27.79, 51.66, 11.92

 

CMYK 0 / 100 / 74 / 54

HEX #76001F

RGB 118 0 31

HSL 344.24, 1%, 0.23%

LAB 23.51, 46.23, 18.6

 

CMYK 0 / 83 / 43 / 26

HEX #BC206C

RGB 188 32 108

HSL 330.77, 0.71%, 0.43%

LAB 42.47, 63.83, -3.38

 

CMYK 0 / 83 / 65 / 26

HEX #BC2042

RGB 188 32 66

HSL 346.92, 0.71%, 0.43%

LAB 41.4, 60.68, 21.53

 

CMYK 0 / 83 / 83 / 26

HEX #BC2020

RGB 188 32 32

HSL 0, 0.71%, 0.43%

LAB 40.94, 59.29, 41.21

 

CMYK 0 / 83 / 43 / 26

HEX #BC206C

RGB 188 32 108

HSL 330.77, 0.71%, 0.43%

LAB 42.47, 63.83, -3.38

 

CMYK 0 / 83 / 20 / 26

HEX #BC2096

RGB 188 32 150

HSL 314.62, 0.71%, 0.43%

LAB 44.13, 68.54, -26.66

 

CMYK 3 / 83 / 0 / 26

HEX #B720BC

RGB 183 32 188

HSL 298.08, 0.71%, 0.43%

LAB 45.26, 73.01, -47.52

 

CMYK 25 / 83 / 0 / 26

HEX #8D20BC

RGB 141 32 188

HSL 281.92, 0.71%, 0.43%

LAB 38.42, 65.65, -58.89

 

CMYK 47 / 83 / 0 / 26

HEX #6320BC

RGB 99 32 188

HSL 265.77, 0.71%, 0.43%

LAB 32.52, 59.5, -68.79

 

CMYK 0 / 83 / 43 / 26

HEX #BC206C

RGB 188 32 108

HSL 330.77, 0.71%, 0.43%

LAB 42.47, 63.83, -3.38

 

CMYK 0 / 93 / 47 / 20

HEX #CD0E6C

RGB 205 14 108

HSL 330.47, 0.87%, 0.43%

LAB 44.77, 70.93, 0.38

 

CMYK 0 / 83 / 43 / 26

HEX #BC206C

RGB 188 32 108

HSL 330.77, 0.71%, 0.43%

LAB 42.47, 63.83, -3.38

 

CMYK 0 / 71 / 36 / 33

HEX #AA326C

RGB 170 50 108

HSL 331, 0.55%, 0.43%

LAB 41.07, 53.48, -5.82

 

CMYK 0 / 56 / 28 / 40

HEX #98436D

RGB 152 67 109

HSL 330.35, 0.39%, 0.43%

LAB 40.89, 40.42, -7.04

 

CMYK 0 / 37 / 19 / 47

HEX #86556D

RGB 134 85 109

HSL 330.61, 0.22%, 0.43%

LAB 42.26, 24.03, -5.26

 

CMYK 0 / 12 / 6 / 54

HEX #75676E

RGB 117 103 110

HSL 330, 0.06%, 0.43%

LAB 45.09, 6.88, -1.9

 

CMYK 3 / 83 / 0 / 26

HEX #B620BC

RGB 182 32 188

HSL 297.69, 0.71%, 0.43%

LAB 45.09, 72.83, -47.8

 

CMYK 0 / 83 / 20 / 26

HEX #BC2097

RGB 188 32 151

HSL 314.23, 0.71%, 0.43%

LAB 44.17, 68.67, -27.2

 

CMYK 0 / 83 / 41 / 26

HEX #BC206E

RGB 188 32 110

HSL 330, 0.71%, 0.43%

LAB 42.54, 64.02, -4.53

 

CMYK 0 / 83 / 64 / 26

HEX #BC2044

RGB 188 32 68

HSL 346.15, 0.71%, 0.43%

LAB 41.44, 60.79, 20.32

 

CMYK 0 / 80 / 83 / 26

HEX #BC2520

RGB 188 37 32

HSL 1.92, 0.71%, 0.43%

LAB 41.4, 57.98, 41.65

 

CMYK 0 / 83 / 43 / 54

HEX #751443

RGB 117 20 67

HSL 330.93, 0.71%, 0.27%

LAB 25.83, 44.18, -2.97

 

CMYK 0 / 83 / 42 / 40

HEX #981A58

RGB 152 26 88

HSL 330.48, 0.71%, 0.35%

LAB 34.23, 54.17, -3.65

 

CMYK 0 / 83 / 43 / 26

HEX #BC206C

RGB 188 32 108

HSL 330.77, 0.71%, 0.43%

LAB 42.47, 63.83, -3.38

 

CMYK 0 / 81 / 41 / 14

HEX #DB2A81

RGB 219 42 129

HSL 330.51, 0.71%, 0.51%

LAB 49.86, 71.07, -4.71

 

CMYK 0 / 66 / 34 / 12

HEX #E14D95

RGB 225 77 149

HSL 330.81, 0.71%, 0.59%

LAB 55.57, 63.47, -8.04

 

CMYK 0 / 83 / 42 / 27

HEX #BA1F6B

RGB 186 31 107

HSL 330.58, 0.71%, 0.43%

LAB 41.97, 63.47, -3.54

 

CMYK 0 / 25 / 83 / 26

HEX #BC8D20

RGB 188 141 32

HSL 41.92, 0.71%, 0.43%

LAB 61.52, 8.26, 59.64

 

CMYK 83 / 9 / 0 / 26

HEX #20ACBC

RGB 32 172 188

HSL 186.15, 0.71%, 0.43%

LAB 64.52, -29.17, -18.25

 

CMYK 0 / 83 / 42 / 27

HEX #BA1F6B

RGB 186 31 107

HSL 330.58, 0.71%, 0.43%

LAB 41.97, 63.47, -3.54

 

CMYK 41 / 0 / 83 / 26

HEX #6EBC20

RGB 110 188 32

HSL 90, 0.71%, 0.43%

LAB 69.03, -47.55, 64.01

 

CMYK 83 / 41 / 0 / 26

HEX #206EBC

RGB 32 110 188

HSL 210, 0.71%, 0.43%

LAB 45.76, 5.49, -47.5

 

CMYK 0 / 83 / 42 / 27

HEX #BA1F6B

RGB 186 31 107

HSL 330.58, 0.71%, 0.43%

LAB 41.97, 63.47, -3.54

 

CMYK 0 / 25 / 83 / 26

HEX #BC8D20

RGB 188 141 32

HSL 41.92, 0.71%, 0.43%

LAB 61.52, 8.26, 59.64

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 83 / 58 / 0 / 26

HEX #204FBC

RGB 32 79 188

HSL 221.92, 0.71%, 0.43%

LAB 36.99, 25.67, -61.66

 

CMYK 0 / 83 / 42 / 27

HEX #BA1F6B

RGB 186 31 107

HSL 330.58, 0.71%, 0.43%

LAB 41.97, 63.47, -3.54

 

CMYK 0 / 0 / 83 / 26

HEX #BCBC20

RGB 188 188 32

HSL 60, 0.71%, 0.43%

LAB 74.04, -16.6, 70.31

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6E

RGB 32 188 110

HSL 150, 0.71%, 0.43%

LAB 67.58, -56.09, 28.83

 

CMYK 83 / 83 / 0 / 26

HEX #2020BC

RGB 32 32 188

HSL 240, 0.71%, 0.43%

LAB 26.65, 53.68, -78.68

 

Description

Color code: HEX #BA1F6B | qconv.com Color code: HEX #BA1F6B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 31 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 31 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 42 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 42% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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