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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA1A1B it is the complementary color #45E5E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA1A1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA1A1B shade: #BF1A16, #D02C29, #E13E3C, #F2504F and #FF6262

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA1A1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA1A1B shade: #BA1A1B, #A90808, #980000, #870000 and #760000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA1A1B shade: #BB1A1B and #BB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA1A1B shade: #BB1A1B, #BB1A47, #BB1A72, #BB1A9D and #AD1ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA1A1B shade matches the following richer shades: #BB1A1B and #CC090A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA1A1B shade: #BB1A1B, #AA2C2C, #983D3D, #874E4F and #766060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA1A1B shade: #BB1A73, #BB1A48, #BB1A1D, #BB421A and #BB6D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA1A1B shade: #731011, #971516, #BB1A1B, #DF2021 and #E44445

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA1A1B shade: #BA1A1B, #9DBB1A and #1A5DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA1A1B shade: #BA1A1B, #1DBB1A and #1A1DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA1A1B shade: #BA1A1B, #9DBB1A, #1ABBB8 and #381ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA1A1B shade: #BA1A1B, #6DBB1A, #1ABBB8 and #681ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 85 / 27

HEX #BA1A1B

RGB 186 26 27

HSL 359.63, 0.75%, 0.42%

LAB 40.01, 59.97, 42.83

 

Complementary color

CMYK 70 / 0 / 0 / 10

HEX #45E5E4

RGB 69 229 228

HSL 179.63, 0.75%, 0.58%

LAB 83.39, -40.23, -11.48

 

CMYK 0 / 86 / 88 / 25

HEX #BF1A16

RGB 191 26 22

HSL 1.42, 0.79%, 0.42%

LAB 41.01, 61.25, 46.5

 

CMYK 0 / 79 / 80 / 18

HEX #D02C29

RGB 208 44 41

HSL 1.08, 0.67%, 0.49%

LAB 46.14, 62.11, 42.79

 

CMYK 0 / 72 / 73 / 12

HEX #E13E3C

RGB 225 62 60

HSL 0.73, 0.73%, 0.56%

LAB 51.59, 62.18, 39.08

 

CMYK 0 / 67 / 67 / 5

HEX #F2504F

RGB 242 80 79

HSL 0.37, 0.86%, 0.63%

LAB 57.25, 61.75, 35.75

 

CMYK 0 / 62 / 62 / 0

HEX #FF6262

RGB 255 98 98

HSL 0, 1%, 0.69%

LAB 62.4, 59.7, 31.9

 

CMYK 0 / 86 / 85 / 27

HEX #BA1A1B

RGB 186 26 27

HSL 359.63, 0.75%, 0.42%

LAB 40.01, 59.97, 42.83

 

CMYK 0 / 95 / 95 / 34

HEX #A90808

RGB 169 8 8

HSL 0, 0.91%, 0.35%

LAB 35.25, 57.96, 46.13

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 100 / 100 / 47

HEX #870000

RGB 135 0 0

HSL 0, 1%, 0.26%

LAB 27.16, 49.94, 40.14

HEX #870000

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

HEX #760000

CMYK 0 / 86 / 86 / 27

HEX #BB1A1B

RGB 187 26 27

HSL 359.63, 0.76%, 0.42%

LAB 40.22, 60.24, 43.09

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1A

RGB 187 26 26

HSL 0, 0.76%, 0.42%

LAB 40.21, 60.22, 43.59

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1B

RGB 187 26 27

HSL 359.63, 0.76%, 0.42%

LAB 40.22, 60.24, 43.09

 

CMYK 0 / 86 / 62 / 27

HEX #BB1A47

RGB 187 26 71

HSL 343.23, 0.76%, 0.42%

LAB 40.83, 62.04, 17.59

 

CMYK 0 / 86 / 39 / 27

HEX #BB1A72

RGB 187 26 114

HSL 327.2, 0.76%, 0.42%

LAB 42.03, 65.47, -7.81

 

CMYK 0 / 86 / 16 / 27

HEX #BB1A9D

RGB 187 26 157

HSL 311.18, 0.76%, 0.42%

LAB 43.85, 70.48, -31.32

 

CMYK 7 / 86 / 0 / 27

HEX #AD1ABB

RGB 173 26 187

HSL 294.78, 0.76%, 0.42%

LAB 43.08, 72.29, -50.53

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1B

RGB 187 26 27

HSL 359.63, 0.76%, 0.42%

LAB 40.22, 60.24, 43.09

 

CMYK 0 / 96 / 95 / 20

HEX #CC090A

RGB 204 9 10

HSL 359.69, 0.92%, 0.42%

LAB 42.85, 66.95, 53.66

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1B

RGB 187 26 27

HSL 359.63, 0.76%, 0.42%

LAB 40.22, 60.24, 43.09

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2C

RGB 170 44 44

HSL 0, 0.59%, 0.42%

LAB 38.78, 50.67, 31.03

 

CMYK 0 / 60 / 60 / 40

HEX #983D3D

RGB 152 61 61

HSL 0, 0.43%, 0.42%

LAB 38.46, 38.18, 19.53

 

CMYK 0 / 42 / 41 / 47

HEX #874E4F

RGB 135 78 79

HSL 358.95, 0.27%, 0.42%

LAB 39.86, 24.1, 9.81

 

CMYK 0 / 19 / 19 / 54

HEX #766060

RGB 118 96 96

HSL 0, 0.1%, 0.42%

LAB 42.86, 8.88, 3.34

 

CMYK 0 / 86 / 39 / 27

HEX #BB1A73

RGB 187 26 115

HSL 326.83, 0.76%, 0.42%

LAB 42.06, 65.57, -8.38

 

CMYK 0 / 86 / 61 / 27

HEX #BB1A48

RGB 187 26 72

HSL 342.86, 0.76%, 0.42%

LAB 40.85, 62.1, 16.99

 

CMYK 0 / 86 / 84 / 27

HEX #BB1A1D

RGB 187 26 29

HSL 358.88, 0.76%, 0.42%

LAB 40.23, 60.29, 42.07

 

CMYK 0 / 65 / 86 / 27

HEX #BB421A

RGB 187 66 26

HSL 14.91, 0.76%, 0.42%

LAB 44.99, 46.99, 47.64

 

CMYK 0 / 42 / 86 / 27

HEX #BB6D1A

RGB 187 109 26

HSL 30.93, 0.76%, 0.42%

LAB 53.57, 25.3, 54.81

 

CMYK 0 / 86 / 85 / 55

HEX #731011

RGB 115 16 17

HSL 359.39, 0.76%, 0.26%

LAB 23.86, 41.29, 27.89

 

CMYK 0 / 86 / 85 / 41

HEX #971516

RGB 151 21 22

HSL 359.54, 0.76%, 0.34%

LAB 32.2, 51.02, 35.7

 

CMYK 0 / 86 / 86 / 27

HEX #BB1A1B

RGB 187 26 27

HSL 359.63, 0.76%, 0.42%

LAB 40.22, 60.24, 43.09

 

CMYK 0 / 86 / 85 / 13

HEX #DF2021

RGB 223 32 33

HSL 359.69, 0.75%, 0.5%

LAB 48.05, 68.93, 49.74

 

CMYK 0 / 70 / 70 / 11

HEX #E44445

RGB 228 68 69

HSL 359.63, 0.75%, 0.58%

LAB 53.01, 61.38, 35.77

 

CMYK 0 / 86 / 85 / 27

HEX #BA1A1B

RGB 186 26 27

HSL 359.63, 0.75%, 0.42%

LAB 40.01, 59.97, 42.83

 

CMYK 16 / 0 / 86 / 27

HEX #9DBB1A

RGB 157 187 26

HSL 71.18, 0.76%, 0.42%

LAB 71.41, -29.42, 68.52

 

CMYK 86 / 50 / 0 / 27

HEX #1A5DBB

RGB 26 93 187

HSL 215.03, 0.76%, 0.42%

LAB 40.63, 15.54, -55.16

 

CMYK 0 / 86 / 85 / 27

HEX #BA1A1B

RGB 186 26 27

HSL 359.63, 0.75%, 0.42%

LAB 40.01, 59.97, 42.83

 

CMYK 84 / 0 / 86 / 27

HEX #1DBB1A

RGB 29 187 26

HSL 118.88, 0.76%, 0.42%

LAB 66.43, -65.71, 62.26

 

CMYK 86 / 84 / 0 / 27

HEX #1A1DBB

RGB 26 29 187

HSL 238.88, 0.76%, 0.42%

LAB 25.82, 54.47, -79.47

 

CMYK 0 / 86 / 85 / 27

HEX #BA1A1B

RGB 186 26 27

HSL 359.63, 0.75%, 0.42%

LAB 40.01, 59.97, 42.83

 

CMYK 16 / 0 / 86 / 27

HEX #9DBB1A

RGB 157 187 26

HSL 71.18, 0.76%, 0.42%

LAB 71.41, -29.42, 68.52

 

CMYK 86 / 0 / 2 / 27

HEX #1ABBB8

RGB 26 187 184

HSL 178.88, 0.76%, 0.42%

LAB 68.91, -37.93, -9.43

 

CMYK 70 / 86 / 0 / 27

HEX #381ABB

RGB 56 26 187

HSL 251.18, 0.76%, 0.42%

LAB 27.21, 57.21, -77.12

 

CMYK 0 / 86 / 85 / 27

HEX #BA1A1B

RGB 186 26 27

HSL 359.63, 0.75%, 0.42%

LAB 40.01, 59.97, 42.83

 

CMYK 42 / 0 / 86 / 27

HEX #6DBB1A

RGB 109 187 26

HSL 89.07, 0.76%, 0.42%

LAB 68.65, -47.71, 65.08

 

CMYK 86 / 0 / 2 / 27

HEX #1ABBB8

RGB 26 187 184

HSL 178.88, 0.76%, 0.42%

LAB 68.91, -37.93, -9.43

 

CMYK 44 / 86 / 0 / 27

HEX #681ABB

RGB 104 26 187

HSL 269.07, 0.76%, 0.42%

LAB 32.41, 61.81, -68.35

 

Description

Color code: HEX #BA1A1B | qconv.com Color code: HEX #BA1A1B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 26 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 26 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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