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Color name
HEX #BA15A3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA15A3 it is the complementary color #45EA5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA15A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA15A3 shade: #BF159E, #D027B1, #E139C4, #F24BD7 and #FF5DEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA15A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA15A3 shade: #BA15A3, #A90390, #98007D, #87006A and #760057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA15A3 shade: #BC15A5, #BC1578, #BC154B, #BC151E and #BC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA15A3 shade: #BC15A5, #A615BC, #7915BC, #4C15BC and #1F15BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA15A3 shade matches the following richer shades: #BC15A5 and #CD04B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA15A3 shade: #BC15A5, #AB2699, #9A378C, #894880 and #795974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA15A3 shade: #7915BC, #A615BC, #BC15A6, #BC1579 and #BC154D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA15A3 shade: #720D64, #971184, #BC15A5, #E119C5 and #E93AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA15A3 shade: #BA15A3, #BC4D15 and #15BC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA15A3 shade: #BA15A3, #A6BC15 and #15A6BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA15A3 shade: #BA15A3, #BC4D15, #15BC2B and #1584BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA15A3 shade: #BA15A3, #BC7F15, #15BC2B and #1552BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 12 / 27

HEX #BA15A3

RGB 186 21 163

HSL 308.36, 0.8%, 0.41%

LAB 43.68, 71.95, -35.2

 

Complementary color

CMYK 71 / 0 / 61 / 8

HEX #45EA5C

RGB 69 234 92

HSL 128.36, 0.8%, 0.59%

LAB 82.32, -69.51, 55.64

 

CMYK 0 / 89 / 17 / 25

HEX #BF159E

RGB 191 21 158

HSL 311.65, 0.8%, 0.42%

LAB 44.35, 72.27, -31.09

 

CMYK 0 / 81 / 15 / 18

HEX #D027B1

RGB 208 39 177

HSL 311.01, 0.68%, 0.48%

LAB 49.54, 74.77, -34.02

 

CMYK 0 / 75 / 13 / 12

HEX #E139C4

RGB 225 57 196

HSL 310.36, 0.74%, 0.55%

LAB 54.99, 76.29, -36.31

 

CMYK 0 / 69 / 11 / 5

HEX #F24BD7

RGB 242 75 215

HSL 309.7, 0.87%, 0.62%

LAB 60.62, 77.11, -38.13

 

CMYK 0 / 64 / 8 / 0

HEX #FF5DEA

RGB 255 93 234

HSL 307.78, 1%, 0.68%

LAB 65.77, 76.47, -40.56

 

CMYK 0 / 89 / 12 / 27

HEX #BA15A3

RGB 186 21 163

HSL 308.36, 0.8%, 0.41%

LAB 43.68, 71.95, -35.2

 

CMYK 0 / 98 / 15 / 34

HEX #A90390

RGB 169 3 144

HSL 309.04, 0.97%, 0.34%

LAB 38.75, 68.33, -31.7

 

CMYK 0 / 100 / 18 / 40

HEX #98007D

RGB 152 0 125

HSL 310.66, 1%, 0.3%

LAB 34.31, 62.93, -27.14

 

CMYK 0 / 100 / 21 / 47

HEX #87006A

RGB 135 0 106

HSL 312.89, 1%, 0.26%

LAB 29.89, 57.1, -22.22

 

CMYK 0 / 100 / 26 / 54

HEX #760057

RGB 118 0 87

HSL 315.76, 1%, 0.23%

LAB 25.38, 51.14, -17.07

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A5

RGB 188 21 165

HSL 308.26, 0.8%, 0.41%

LAB 44.15, 72.61, -35.63

 

CMYK 0 / 89 / 36 / 26

HEX #BC1578

RGB 188 21 120

HSL 324.43, 0.8%, 0.41%

LAB 42.13, 67.21, -11.37

 

CMYK 0 / 89 / 60 / 26

HEX #BC154B

RGB 188 21 75

HSL 340.6, 0.8%, 0.41%

LAB 40.79, 63.48, 15.04

 

CMYK 0 / 89 / 84 / 26

HEX #BC151E

RGB 188 21 30

HSL 356.77, 0.8%, 0.41%

LAB 40.12, 61.54, 41.51

 

CMYK 0 / 89 / 89 / 26

HEX #BC1515

RGB 188 21 21

HSL 0, 0.8%, 0.41%

LAB 40.05, 61.35, 45.95

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A5

RGB 188 21 165

HSL 308.26, 0.8%, 0.41%

LAB 44.15, 72.61, -35.63

 

CMYK 12 / 89 / 0 / 26

HEX #A615BC

RGB 166 21 188

HSL 292.1, 0.8%, 0.41%

LAB 41.65, 72.18, -53.48

 

CMYK 36 / 89 / 0 / 26

HEX #7915BC

RGB 121 21 188

HSL 275.93, 0.8%, 0.41%

LAB 34.46, 65.47, -65.48

 

CMYK 60 / 89 / 0 / 26

HEX #4C15BC

RGB 76 21 188

HSL 259.76, 0.8%, 0.41%

LAB 28.65, 60.62, -75.26

 

CMYK 84 / 89 / 0 / 26

HEX #1F15BC

RGB 31 21 188

HSL 243.59, 0.8%, 0.41%

LAB 25.13, 58.04, -81.21

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A5

RGB 188 21 165

HSL 308.26, 0.8%, 0.41%

LAB 44.15, 72.61, -35.63

 

CMYK 0 / 98 / 14 / 20

HEX #CD04B1

RGB 205 4 177

HSL 308.36, 0.96%, 0.41%

LAB 47.29, 79.18, -37.6

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A5

RGB 188 21 165

HSL 308.26, 0.8%, 0.41%

LAB 44.15, 72.61, -35.63

 

CMYK 0 / 78 / 11 / 33

HEX #AB2699

RGB 171 38 153

HSL 308.12, 0.64%, 0.41%

LAB 41.76, 63.69, -32.41

 

CMYK 0 / 64 / 9 / 40

HEX #9A378C

RGB 154 55 140

HSL 308.48, 0.47%, 0.41%

LAB 40.4, 51.41, -26.84

 

CMYK 0 / 47 / 7 / 46

HEX #894880

RGB 137 72 128

HSL 308.31, 0.31%, 0.41%

LAB 40.43, 35.86, -19.66

 

CMYK 0 / 26 / 4 / 53

HEX #795974

RGB 121 89 116

HSL 309.38, 0.15%, 0.41%

LAB 41.95, 18.03, -10.17

 

CMYK 36 / 89 / 0 / 26

HEX #7915BC

RGB 121 21 188

HSL 275.93, 0.8%, 0.41%

LAB 34.46, 65.47, -65.48

 

CMYK 12 / 89 / 0 / 26

HEX #A615BC

RGB 166 21 188

HSL 292.1, 0.8%, 0.41%

LAB 41.65, 72.18, -53.48

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A6

RGB 188 21 166

HSL 307.9, 0.8%, 0.41%

LAB 44.21, 72.75, -36.15

 

CMYK 0 / 89 / 36 / 26

HEX #BC1579

RGB 188 21 121

HSL 324.07, 0.8%, 0.41%

LAB 42.17, 67.31, -11.93

 

CMYK 0 / 89 / 59 / 26

HEX #BC154D

RGB 188 21 77

HSL 339.88, 0.8%, 0.41%

LAB 40.84, 63.61, 13.83

 

CMYK 0 / 89 / 12 / 55

HEX #720D64

RGB 114 13 100

HSL 308.32, 0.8%, 0.25%

LAB 26.11, 49.56, -24.56

 

CMYK 0 / 89 / 13 / 41

HEX #971184

RGB 151 17 132

HSL 308.51, 0.8%, 0.33%

LAB 35.29, 61.32, -29.97

 

CMYK 0 / 89 / 12 / 26

HEX #BC15A5

RGB 188 21 165

HSL 308.26, 0.8%, 0.41%

LAB 44.15, 72.61, -35.63

 

CMYK 0 / 89 / 12 / 12

HEX #E119C5

RGB 225 25 197

HSL 308.4, 0.8%, 0.49%

LAB 52.66, 83.31, -40.56

 

CMYK 0 / 75 / 10 / 9

HEX #E93AD1

RGB 233 58 209

HSL 308.23, 0.8%, 0.57%

LAB 57.03, 79.55, -40.46

 

CMYK 0 / 89 / 12 / 27

HEX #BA15A3

RGB 186 21 163

HSL 308.36, 0.8%, 0.41%

LAB 43.68, 71.95, -35.2

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D15

RGB 188 77 21

HSL 20.12, 0.8%, 0.41%

LAB 47.04, 42.2, 51.34

 

CMYK 89 / 0 / 23 / 26

HEX #15BC90

RGB 21 188 144

HSL 164.19, 0.8%, 0.41%

LAB 68.12, -49.56, 11.35

 

CMYK 0 / 89 / 12 / 27

HEX #BA15A3

RGB 186 21 163

HSL 308.36, 0.8%, 0.41%

LAB 43.68, 71.95, -35.2

 

CMYK 12 / 0 / 89 / 26

HEX #A6BC15

RGB 166 188 21

HSL 67.9, 0.8%, 0.41%

LAB 72.31, -26.27, 70.49

 

CMYK 89 / 12 / 0 / 26

HEX #15A6BC

RGB 21 166 188

HSL 187.9, 0.8%, 0.41%

LAB 62.56, -26.94, -21.24

 

CMYK 0 / 89 / 12 / 27

HEX #BA15A3

RGB 186 21 163

HSL 308.36, 0.8%, 0.41%

LAB 43.68, 71.95, -35.2

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D15

RGB 188 77 21

HSL 20.12, 0.8%, 0.41%

LAB 47.04, 42.2, 51.34

 

CMYK 89 / 0 / 77 / 26

HEX #15BC2B

RGB 21 188 43

HSL 127.9, 0.8%, 0.41%

LAB 66.75, -65.72, 57.85

 

CMYK 89 / 30 / 0 / 26

HEX #1584BC

RGB 21 132 188

HSL 200.12, 0.8%, 0.41%

LAB 52.17, -8.63, -37.35

 

CMYK 0 / 89 / 12 / 27

HEX #BA15A3

RGB 186 21 163

HSL 308.36, 0.8%, 0.41%

LAB 43.68, 71.95, -35.2

 

CMYK 0 / 32 / 89 / 26

HEX #BC7F15

RGB 188 127 21

HSL 38.08, 0.8%, 0.41%

LAB 57.97, 15.7, 59.88

 

CMYK 89 / 0 / 77 / 26

HEX #15BC2B

RGB 21 188 43

HSL 127.9, 0.8%, 0.41%

LAB 66.75, -65.72, 57.85

 

CMYK 89 / 56 / 0 / 26

HEX #1552BC

RGB 21 82 188

HSL 218.08, 0.8%, 0.41%

LAB 37.53, 22.9, -60.79

 

Description

Color code: HEX #BA15A3 | qconv.com Color code: HEX #BA15A3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 21 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 21 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 12 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 12% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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