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Color name
HEX #BA121B3F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA121B3F it is the complementary color #45EDE43F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #BA121B3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA121B3F shade: #BF12163F, #D024293F, #E1363C3F, #F2484F3F and #FF5A623F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #BA121B3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA121B3F shade: #BA121B3F, #A900083F, #9800003F, #8700003F and #7600003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA121B3F shade: #BA121B and #BA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA121B3F shade: #BA121B, #BA1248, #BA1276, #BA12A3 and #A412BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA121B3F shade matches the following richer shades: #BA121B and #CA020D

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA121B3F shade: #BA121B, #A9232A, #993339, #884448 and #785456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA121B3F shade: #BA1277, #BA124A, #BA121E, #BA3412 and #BA6012

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA121B3F shade: #6F0B10, #940F16, #BA121B, #DF1621 and #EB343D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA121B3F shade: #BA121B, #A3BA12 and #1260BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA121B3F shade: #BA121B, #1EBA12 and #121EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA121B3F shade: #BA121B, #A3BA12, #12BAAE and #2912BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA121B3F shade: #BA121B, #71BA12, #12BAAE and #5B12BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 21 / 7

RGBA 186 18 27 0.25

HSLA 356.79, 0.82%, 0.4%, 0.25

LABA 39.5, 61.44, 42.38, 0.25

Complementary color

CMYK 18 / 0 / 1 / 2

RGBA 69 237 228 0.25

HSLA 176.79, 0.82%, 0.6%, 0.25

LABA 85.72, -43.8, -8.01, 0.25

Lighter colors

CMYK 0 / 23 / 22 / 6

RGBA 191 18 22 0.25

HSLA 358.61, 0.83%, 0.41%, 0.25

LABA 40.52, 62.66, 46.12, 0.25

CMYK 0 / 21 / 20 / 5

RGBA 208 36 41 0.25

HSLA 358.26, 0.7%, 0.48%, 0.25

LABA 45.4, 64.19, 42.06, 0.25

CMYK 0 / 19 / 18 / 3

RGBA 225 54 60 0.25

HSLA 357.89, 0.74%, 0.55%, 0.25

LABA 50.65, 64.78, 38.03, 0.25

CMYK 0 / 18 / 17 / 1

RGBA 242 72 79 0.25

HSLA 357.53, 0.87%, 0.62%, 0.25

LABA 56.16, 64.72, 34.43, 0.25

CMYK 0 / 16 / 15 / 0

RGBA 255 90 98 0.25

HSLA 357.09, 1%, 0.68%, 0.25

LABA 61.18, 63, 30.33, 0.25

Darker colors

CMYK 0 / 23 / 21 / 7

RGBA 186 18 27 0.25

HSLA 356.79, 0.82%, 0.4%, 0.25

LABA 39.5, 61.44, 42.38, 0.25

CMYK 0 / 25 / 24 / 8

RGBA 169 0 8 0.25

HSLA 357.16, 1%, 0.33%, 0.25

LABA 34.91, 58.96, 45.94, 0.25

CMYK 0 / 25 / 25 / 10

RGBA 152 0 0 0.25

HSLA 0, 1%, 0.3%, 0.25

LABA 31.06, 54.45, 44.88, 0.25

CMYK 0 / 25 / 25 / 12

RGBA 135 0 0 0.25

HSLA 0, 1%, 0.26%, 0.25

LABA 27.16, 49.94, 40.14, 0.25

CMYK 0 / 25 / 25 / 13

RGBA 118 0 0 0.25

HSLA 0, 1%, 0.23%, 0.25

LABA 23.17, 45.33, 34.95, 0.25

Warmer colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 0 / 90 / 90 / 27

HSL 0, 0.82%, 0.4%

LAB 39.44, 61.26, 46.65

Colder colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 0 / 90 / 61 / 27

HSL 340.71, 0.82%, 0.4%

LAB 40.15, 63.28, 16.01

CMYK 0 / 90 / 37 / 27

HSL 324.29, 0.82%, 0.4%

LAB 41.5, 67.02, -11.11

CMYK 0 / 90 / 12 / 27

HSL 308.21, 0.82%, 0.4%

LAB 43.53, 72.4, -35.44

CMYK 12 / 90 / 0 / 27

HSL 292.14, 0.82%, 0.4%

LAB 41.01, 72, -53.35

Richer colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 0 / 99 / 94 / 21

HSL 356.7, 0.98%, 0.4%

LAB 42.2, 67.14, 52.08

Paler colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 0 / 79 / 75 / 34

HSL 356.87, 0.66%, 0.4%

LAB 37.49, 53.25, 30.72

CMYK 0 / 67 / 63 / 40

HSL 356.47, 0.5%, 0.4%

LAB 36.81, 42.93, 19.92

CMYK 0 / 50 / 47 / 47

HSL 356.47, 0.33%, 0.4%

LAB 37.55, 29.36, 10.99

CMYK 0 / 30 / 28 / 53

HSL 356.67, 0.18%, 0.4%

LAB 39.59, 15.31, 4.82

Analogue colors

CMYK 0 / 90 / 36 / 27

HSL 323.93, 0.82%, 0.4%

LAB 41.54, 67.12, -11.68

CMYK 0 / 90 / 60 / 27

HSL 340, 0.82%, 0.4%

LAB 40.19, 63.4, 14.79

CMYK 0 / 90 / 84 / 27

HSL 355.71, 0.82%, 0.4%

LAB 39.52, 61.51, 40.81

CMYK 0 / 72 / 90 / 27

HSL 12.14, 0.82%, 0.4%

LAB 42.67, 52.17, 48.99

CMYK 0 / 48 / 90 / 27

HSL 27.86, 0.82%, 0.4%

LAB 50.51, 31.71, 54.83

Monochromatic colors

CMYK 0 / 90 / 86 / 56

HSL 357, 0.82%, 0.24%

LAB 22.5, 41.3, 26.79

CMYK 0 / 90 / 85 / 42

HSL 356.84, 0.82%, 0.32%

LAB 31.1, 51.43, 34.46

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 0 / 90 / 85 / 13

HSL 356.72, 0.82%, 0.48%

LAB 47.46, 70.62, 49.24

CMYK 0 / 78 / 74 / 8

HSL 357.05, 0.82%, 0.56%

LAB 52.35, 68.27, 39.88

Partial complementary colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 12 / 0 / 90 / 27

HSL 68.21, 0.82%, 0.4%

LAB 71.52, -26.63, 70.26

CMYK 90 / 48 / 0 / 27

HSL 212.14, 0.82%, 0.4%

LAB 41.28, 12.66, -53.54

Triadic colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 84 / 0 / 90 / 27

HSL 115.71, 0.82%, 0.4%

LAB 66.09, -65.62, 63.55

CMYK 90 / 84 / 0 / 27

HSL 235.71, 0.82%, 0.4%

LAB 25.57, 53.48, -79.3

Rectangular (tetradic) colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 12 / 0 / 90 / 27

HSL 68.21, 0.82%, 0.4%

LAB 71.52, -26.63, 70.26

CMYK 90 / 0 / 6 / 27

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

CMYK 78 / 90 / 0 / 27

HSL 248.21, 0.82%, 0.4%

LAB 25.1, 58.82, -80.05

Square colors

CMYK 0 / 90 / 85 / 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

CMYK 39 / 0 / 90 / 27

HSL 86.07, 0.82%, 0.4%

LAB 68.51, -46.17, 66.57

CMYK 90 / 0 / 6 / 27

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

CMYK 51 / 90 / 0 / 27

HSL 266.07, 0.82%, 0.4%

LAB 29.92, 62.27, -71.93

Description

Color code: HEX #BA121B3F | qconv.com

Color code: HEX #BA121B3F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 18 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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