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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA11D5 it is the complementary color #45EE2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA11D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA11D5 shade: #BF11D0, #D023E3, #E135F6, #F247FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA11D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA11D5 shade: #BA11D5, #A900C2, #9800AF, #87009C and #760089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA11D5 shade: #B911D4, #D411BB, #D41186, #D41151 and #D4111D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA11D5 shade: #B911D4, #8511D4, #5011D4, #1C11D4 and #1111D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA11D5 shade matches the following richer shades: #B911D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA11D5 shade: #B911D4, #AC24C2, #9F36AF, #91499D and #845B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA11D5 shade: #4F11D4, #8311D4, #B711D4, #D411BE and #D4118A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA11D5 shade: #770B88, #980EAE, #B911D4, #D122ED and #D948F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA11D5 shade: #BA11D5, #D41B11 and #11D469

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA11D5 shade: #BA11D5, #D4B711 and #11D4B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA11D5 shade: #BA11D5, #D41B11, #2ED411 and #11CBD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA11D5 shade: #BA11D5, #D45511, #2ED411 and #1190D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 92 / 0 / 16

HEX #BA11D5

RGB 186 17 213

HSL 291.73, 0.85%, 0.45%

LAB 46.5, 80.08, -59.99

 

Complementary color

CMYK 71 / 0 / 82 / 7

HEX #45EE2A

RGB 69 238 42

HSL 111.73, 0.85%, 0.55%

LAB 83.22, -74.68, 73.85

 

CMYK 8 / 92 / 0 / 18

HEX #BF11D0

RGB 191 17 208

HSL 294.66, 0.85%, 0.44%

LAB 47.02, 80.06, -56.25

 

CMYK 8 / 85 / 0 / 11

HEX #D023E3

RGB 208 35 227

HSL 294.06, 0.77%, 0.51%

LAB 52.02, 83.01, -58.91

 

CMYK 9 / 78 / 0 / 4

HEX #E135F6

RGB 225 53 246

HSL 293.47, 0.91%, 0.59%

LAB 57.28, 84.96, -60.99

 

CMYK 5 / 72 / 0 / 0

HEX #F247FF

RGB 242 71 255

HSL 295.76, 1%, 0.64%

LAB 62.17, 84.51, -58

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 13 / 92 / 0 / 16

HEX #BA11D5

RGB 186 17 213

HSL 291.73, 0.85%, 0.45%

LAB 46.5, 80.08, -59.99

 

CMYK 13 / 100 / 0 / 24

HEX #A900C2

RGB 169 0 194

HSL 292.27, 1%, 0.38%

LAB 41.74, 76.13, -56.83

 

CMYK 13 / 100 / 0 / 31

HEX #9800AF

RGB 152 0 175

HSL 292.11, 1%, 0.34%

LAB 37.43, 70.47, -52.72

 

CMYK 13 / 100 / 0 / 39

HEX #87009C

RGB 135 0 156

HSL 291.92, 1%, 0.31%

LAB 33.03, 64.7, -48.53

 

CMYK 14 / 100 / 0 / 46

HEX #760089

RGB 118 0 137

HSL 291.68, 1%, 0.27%

LAB 28.53, 58.79, -44.25

 

CMYK 13 / 92 / 0 / 17

HEX #B911D4

RGB 185 17 212

HSL 291.69, 0.85%, 0.45%

LAB 46.27, 79.76, -59.81

 

CMYK 0 / 92 / 12 / 17

HEX #D411BB

RGB 212 17 187

HSL 307.69, 0.85%, 0.45%

LAB 49.48, 80.6, -39.92

 

CMYK 0 / 92 / 37 / 17

HEX #D41186

RGB 212 17 134

HSL 324, 0.85%, 0.45%

LAB 47.13, 74.47, -11.96

 

CMYK 0 / 92 / 62 / 17

HEX #D41151

RGB 212 17 81

HSL 340.31, 0.85%, 0.45%

LAB 45.62, 70.36, 18.62

 

CMYK 0 / 92 / 86 / 17

HEX #D4111D

RGB 212 17 29

HSL 356.31, 0.85%, 0.45%

LAB 44.92, 68.4, 48.15

 

CMYK 13 / 92 / 0 / 17

HEX #B911D4

RGB 185 17 212

HSL 291.69, 0.85%, 0.45%

LAB 46.27, 79.76, -59.81

 

CMYK 37 / 92 / 0 / 17

HEX #8511D4

RGB 133 17 212

HSL 275.69, 0.85%, 0.45%

LAB 38.09, 72.7, -73.48

 

CMYK 62 / 92 / 0 / 17

HEX #5011D4

RGB 80 17 212

HSL 259.38, 0.85%, 0.45%

LAB 31.49, 67.86, -84.61

 

CMYK 87 / 92 / 0 / 17

HEX #1C11D4

RGB 28 17 212

HSL 243.38, 0.85%, 0.45%

LAB 27.85, 65.69, -90.76

 

CMYK 92 / 92 / 0 / 17

HEX #1111D4

RGB 17 17 212

HSL 240, 0.85%, 0.45%

LAB 27.5, 65.51, -91.35

 

CMYK 13 / 92 / 0 / 17

HEX #B911D4

RGB 185 17 212

HSL 291.69, 0.85%, 0.45%

LAB 46.27, 79.76, -59.81

 

CMYK 13 / 92 / 0 / 17

HEX #B911D4

RGB 185 17 212

HSL 291.69, 0.85%, 0.45%

LAB 46.27, 79.76, -59.81

 

CMYK 11 / 81 / 0 / 24

HEX #AC24C2

RGB 172 36 194

HSL 291.65, 0.69%, 0.45%

LAB 44.13, 71.05, -52.94

 

CMYK 9 / 69 / 0 / 31

HEX #9F36AF

RGB 159 54 175

HSL 292.07, 0.53%, 0.45%

LAB 42.92, 59.21, -43.84

 

CMYK 8 / 54 / 0 / 38

HEX #91499D

RGB 145 73 157

HSL 291.43, 0.37%, 0.45%

LAB 43.09, 43.41, -32.99

 

CMYK 4 / 34 / 0 / 46

HEX #845B8A

RGB 132 91 138

HSL 292.34, 0.21%, 0.45%

LAB 44.55, 25.31, -19.44

 

CMYK 63 / 92 / 0 / 17

HEX #4F11D4

RGB 79 17 212

HSL 259.08, 0.85%, 0.45%

LAB 31.39, 67.79, -84.78

 

CMYK 38 / 92 / 0 / 17

HEX #8311D4

RGB 131 17 212

HSL 275.08, 0.85%, 0.45%

LAB 37.81, 72.47, -73.96

 

CMYK 14 / 92 / 0 / 17

HEX #B711D4

RGB 183 17 212

HSL 291.08, 0.85%, 0.45%

LAB 45.94, 79.46, -60.36

 

CMYK 0 / 92 / 10 / 17

HEX #D411BE

RGB 212 17 190

HSL 306.77, 0.85%, 0.45%

LAB 49.64, 81, -41.42

 

CMYK 0 / 92 / 35 / 17

HEX #D4118A

RGB 212 17 138

HSL 322.77, 0.85%, 0.45%

LAB 47.28, 74.86, -14.17

 

CMYK 13 / 92 / 0 / 47

HEX #770B88

RGB 119 11 136

HSL 291.84, 0.85%, 0.29%

LAB 29.26, 56.94, -42.44

 

CMYK 13 / 92 / 0 / 32

HEX #980EAE

RGB 152 14 174

HSL 291.75, 0.85%, 0.37%

LAB 37.92, 68.62, -51.32

 

CMYK 13 / 92 / 0 / 17

HEX #B911D4

RGB 185 17 212

HSL 291.69, 0.85%, 0.45%

LAB 46.27, 79.76, -59.81

 

CMYK 12 / 86 / 0 / 7

HEX #D122ED

RGB 209 34 237

HSL 291.72, 0.85%, 0.53%

LAB 52.75, 84.98, -63.37

 

CMYK 10 / 70 / 0 / 6

HEX #D948F0

RGB 217 72 240

HSL 291.79, 0.85%, 0.61%

LAB 57.73, 76.63, -56.99

 

CMYK 13 / 92 / 0 / 16

HEX #BA11D5

RGB 186 17 213

HSL 291.73, 0.85%, 0.45%

LAB 46.5, 80.08, -59.99

 

CMYK 0 / 87 / 92 / 17

HEX #D41B11

RGB 212 27 17

HSL 3.08, 0.85%, 0.45%

LAB 45.39, 66.67, 53.66

 

CMYK 92 / 0 / 50 / 17

HEX #11D469

RGB 17 212 105

HSL 147.08, 0.85%, 0.45%

LAB 74.97, -66.18, 40.76

 

CMYK 13 / 92 / 0 / 16

HEX #BA11D5

RGB 186 17 213

HSL 291.73, 0.85%, 0.45%

LAB 46.5, 80.08, -59.99

 

CMYK 0 / 14 / 92 / 17

HEX #D4B711

RGB 212 183 17

HSL 51.08, 0.85%, 0.45%

LAB 74.76, -3.89, 74.7

 

CMYK 92 / 0 / 14 / 17

HEX #11D4B7

RGB 17 212 183

HSL 171.08, 0.85%, 0.45%

LAB 76.45, -49.5, 2.2

 

CMYK 13 / 92 / 0 / 16

HEX #BA11D5

RGB 186 17 213

HSL 291.73, 0.85%, 0.45%

LAB 46.5, 80.08, -59.99

 

CMYK 0 / 87 / 92 / 17

HEX #D41B11

RGB 212 27 17

HSL 3.08, 0.85%, 0.45%

LAB 45.39, 66.67, 53.66

 

CMYK 78 / 0 / 92 / 17

HEX #2ED411

RGB 46 212 17

HSL 111.08, 0.85%, 0.45%

LAB 74.64, -71.31, 71.02

 

CMYK 92 / 4 / 0 / 17

HEX #11CBD4

RGB 17 203 212

HSL 182.77, 0.85%, 0.45%

LAB 74.56, -37.27, -16.23

 

CMYK 13 / 92 / 0 / 16

HEX #BA11D5

RGB 186 17 213

HSL 291.73, 0.85%, 0.45%

LAB 46.5, 80.08, -59.99

 

CMYK 0 / 60 / 92 / 17

HEX #D45511

RGB 212 85 17

HSL 20.92, 0.85%, 0.45%

LAB 52.44, 47.33, 58.36

 

CMYK 78 / 0 / 92 / 17

HEX #2ED411

RGB 46 212 17

HSL 111.08, 0.85%, 0.45%

LAB 74.64, -71.31, 71.02

 

CMYK 92 / 32 / 0 / 17

HEX #1190D4

RGB 17 144 212

HSL 200.92, 0.85%, 0.45%

LAB 56.9, -6.81, -43.5

 

Description

Color code: HEX #BA11D5 | qconv.com Color code: HEX #BA11D5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 17 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 17 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 92 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 92% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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