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Color name
HEX #BA0A9D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA0A9D it is the complementary color #45F562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA0A9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA0A9D shade: #BF0A98, #D01CAB, #E12EBE, #F240D1 and #FF52E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA0A9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA0A9D shade: #BA0A9D, #A9008A, #980077, #870064 and #760051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA0A9D shade: #B80A9B, #B80A6C, #B80A3D, #B80A0E and #B80A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA0A9D shade: #B80A9B, #A60AB8, #770AB8, #480AB8 and #190AB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA0A9D shade matches the following richer shades: #B80A9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA0A9D shade: #B80A9B, #A81991, #992986, #89397C and #794871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA0A9D shade: #750AB8, #A40AB8, #B80A9E, #B80A6F and #B80A41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA0A9D shade: #6A0659, #91087A, #B80A9B, #DF0CBC and #F321D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA0A9D shade: #BA0A9D, #B8470A and #0AB88D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA0A9D shade: #BA0A9D, #9EB80A and #0A9EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA0A9D shade: #BA0A9D, #B8470A, #0AB824 and #0A7BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA0A9D shade: #BA0A9D, #B87B0A, #0AB824 and #0A47B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 16 / 27

HEX #BA0A9D

RGB 186 10 157

HSL 309.89, 0.9%, 0.38%

LAB 42.9, 72.54, -32.83

 

Complementary color

CMYK 72 / 0 / 60 / 4

HEX #45F562

RGB 69 245 98

HSL 129.89, 0.9%, 0.62%

LAB 85.73, -72.39, 56.97

 

CMYK 0 / 95 / 20 / 25

HEX #BF0A98

RGB 191 10 152

HSL 312.93, 0.9%, 0.39%

LAB 43.6, 72.86, -28.66

 

CMYK 0 / 87 / 18 / 18

HEX #D01CAB

RGB 208 28 171

HSL 312.33, 0.76%, 0.46%

LAB 48.49, 76.2, -32.13

 

CMYK 0 / 80 / 16 / 12

HEX #E12EBE

RGB 225 46 190

HSL 311.73, 0.75%, 0.53%

LAB 53.69, 78.41, -34.89

 

CMYK 0 / 74 / 14 / 5

HEX #F240D1

RGB 242 64 209

HSL 311.12, 0.87%, 0.6%

LAB 59.11, 79.77, -37.09

 

CMYK 0 / 68 / 11 / 0

HEX #FF52E4

RGB 255 82 228

HSL 309.36, 1%, 0.66%

LAB 64.08, 79.58, -39.87

 

CMYK 0 / 95 / 16 / 27

HEX #BA0A9D

RGB 186 10 157

HSL 309.89, 0.9%, 0.38%

LAB 42.9, 72.54, -32.83

 

CMYK 0 / 100 / 18 / 34

HEX #A9008A

RGB 169 0 138

HSL 311.01, 1%, 0.33%

LAB 38.32, 67.88, -28.68

 

CMYK 0 / 100 / 22 / 40

HEX #980077

RGB 152 0 119

HSL 313.03, 1%, 0.3%

LAB 34, 62.16, -23.85

 

CMYK 0 / 100 / 26 / 47

HEX #870064

RGB 135 0 100

HSL 315.56, 1%, 0.26%

LAB 29.59, 56.34, -18.81

 

CMYK 0 / 100 / 31 / 54

HEX #760051

RGB 118 0 81

HSL 318.81, 1%, 0.23%

LAB 25.09, 50.4, -13.51

 

CMYK 0 / 95 / 16 / 28

HEX #B80A9B

RGB 184 10 155

HSL 310, 0.9%, 0.38%

LAB 42.42, 71.89, -32.41

 

CMYK 0 / 95 / 41 / 28

HEX #B80A6C

RGB 184 10 108

HSL 326.21, 0.9%, 0.38%

LAB 40.39, 66.6, -6.55

 

CMYK 0 / 95 / 67 / 28

HEX #B80A3D

RGB 184 10 61

HSL 342.41, 0.9%, 0.38%

LAB 39.15, 63.21, 21.61

 

CMYK 0 / 95 / 92 / 28

HEX #B80A0E

RGB 184 10 14

HSL 358.62, 0.9%, 0.38%

LAB 38.62, 61.74, 47.56

 

CMYK 0 / 95 / 95 / 28

HEX #B80A0A

RGB 184 10 10

HSL 0, 0.9%, 0.38%

LAB 38.6, 61.7, 49.03

 

CMYK 0 / 95 / 16 / 28

HEX #B80A9B

RGB 184 10 155

HSL 310, 0.9%, 0.38%

LAB 42.42, 71.89, -32.41

 

CMYK 10 / 95 / 0 / 28

HEX #A60AB8

RGB 166 10 184

HSL 293.79, 0.9%, 0.38%

LAB 40.87, 73.01, -52.38

 

CMYK 35 / 95 / 0 / 28

HEX #770AB8

RGB 119 10 184

HSL 277.59, 0.9%, 0.38%

LAB 33.13, 66.39, -65.3

 

CMYK 61 / 95 / 0 / 28

HEX #480AB8

RGB 72 10 184

HSL 261.38, 0.9%, 0.38%

LAB 26.89, 61.94, -75.81

 

CMYK 86 / 95 / 0 / 28

HEX #190AB8

RGB 25 10 184

HSL 245.17, 0.9%, 0.38%

LAB 23.29, 59.91, -81.92

 

CMYK 0 / 95 / 16 / 28

HEX #B80A9B

RGB 184 10 155

HSL 310, 0.9%, 0.38%

LAB 42.42, 71.89, -32.41

 

CMYK 0 / 95 / 16 / 28

HEX #B80A9B

RGB 184 10 155

HSL 310, 0.9%, 0.38%

LAB 42.42, 71.89, -32.41

 

CMYK 0 / 85 / 14 / 34

HEX #A81991

RGB 168 25 145

HSL 309.65, 0.74%, 0.38%

LAB 39.69, 65.12, -30.84

 

CMYK 0 / 73 / 12 / 40

HEX #992986

RGB 153 41 134

HSL 310.18, 0.58%, 0.38%

LAB 37.98, 55.67, -26.96

 

CMYK 0 / 58 / 9 / 46

HEX #89397C

RGB 137 57 124

HSL 309.75, 0.41%, 0.38%

LAB 37.3, 42.95, -22.04

 

CMYK 0 / 40 / 7 / 53

HEX #794871

RGB 121 72 113

HSL 309.8, 0.25%, 0.38%

LAB 37.65, 27.58, -14.85

 

CMYK 36 / 95 / 0 / 28

HEX #750AB8

RGB 117 10 184

HSL 276.9, 0.9%, 0.38%

LAB 32.83, 66.15, -65.81

 

CMYK 11 / 95 / 0 / 28

HEX #A40AB8

RGB 164 10 184

HSL 293.1, 0.9%, 0.38%

LAB 40.52, 72.7, -52.95

 

CMYK 0 / 95 / 14 / 28

HEX #B80A9E

RGB 184 10 158

HSL 308.97, 0.9%, 0.38%

LAB 42.58, 72.29, -33.97

 

CMYK 0 / 95 / 40 / 28

HEX #B80A6F

RGB 184 10 111

HSL 325.17, 0.9%, 0.38%

LAB 40.5, 66.89, -8.28

 

CMYK 0 / 95 / 65 / 28

HEX #B80A41

RGB 184 10 65

HSL 341.03, 0.9%, 0.38%

LAB 39.22, 63.42, 19.17

 

CMYK 0 / 94 / 16 / 58

HEX #6A0659

RGB 106 6 89

HSL 310.2, 0.89%, 0.22%

LAB 23.39, 47.61, -21.7

 

CMYK 0 / 94 / 16 / 43

HEX #91087A

RGB 145 8 122

HSL 310.07, 0.9%, 0.3%

LAB 33.13, 60.08, -27.2

 

CMYK 0 / 95 / 16 / 28

HEX #B80A9B

RGB 184 10 155

HSL 310, 0.9%, 0.38%

LAB 42.42, 71.89, -32.41

 

CMYK 0 / 95 / 16 / 13

HEX #DF0CBC

RGB 223 12 188

HSL 309.95, 0.9%, 0.46%

LAB 51.36, 83.22, -37.4

 

CMYK 0 / 86 / 14 / 5

HEX #F321D1

RGB 243 33 209

HSL 309.71, 0.9%, 0.54%

LAB 56.83, 87.05, -40.66

 

CMYK 0 / 95 / 16 / 27

HEX #BA0A9D

RGB 186 10 157

HSL 309.89, 0.9%, 0.38%

LAB 42.9, 72.54, -32.83

 

CMYK 0 / 61 / 95 / 28

HEX #B8470A

RGB 184 71 10

HSL 21.03, 0.9%, 0.38%

LAB 45.25, 43.35, 53.14

 

CMYK 95 / 0 / 23 / 28

HEX #0AB88D

RGB 10 184 141

HSL 165.17, 0.9%, 0.38%

LAB 66.72, -49.24, 11.01

 

CMYK 0 / 95 / 16 / 27

HEX #BA0A9D

RGB 186 10 157

HSL 309.89, 0.9%, 0.38%

LAB 42.9, 72.54, -32.83

 

CMYK 14 / 0 / 95 / 28

HEX #9EB80A

RGB 158 184 10

HSL 68.97, 0.9%, 0.38%

LAB 70.57, -27.9, 70.46

 

CMYK 95 / 14 / 0 / 28

HEX #0A9EB8

RGB 10 158 184

HSL 188.97, 0.9%, 0.38%

LAB 59.87, -24.74, -23.12

 

CMYK 0 / 95 / 16 / 27

HEX #BA0A9D

RGB 186 10 157

HSL 309.89, 0.9%, 0.38%

LAB 42.9, 72.54, -32.83

 

CMYK 0 / 61 / 95 / 28

HEX #B8470A

RGB 184 71 10

HSL 21.03, 0.9%, 0.38%

LAB 45.25, 43.35, 53.14

 

CMYK 95 / 0 / 80 / 28

HEX #0AB824

RGB 10 184 36

HSL 128.97, 0.9%, 0.38%

LAB 65.34, -65.68, 58.63

 

CMYK 95 / 33 / 0 / 28

HEX #0A7BB8

RGB 10 123 184

HSL 201.03, 0.9%, 0.38%

LAB 49.12, -5.42, -39.86

 

CMYK 0 / 95 / 16 / 27

HEX #BA0A9D

RGB 186 10 157

HSL 309.89, 0.9%, 0.38%

LAB 42.9, 72.54, -32.83

 

CMYK 0 / 33 / 95 / 28

HEX #B87B0A

RGB 184 123 10

HSL 38.97, 0.9%, 0.38%

LAB 56.46, 15.95, 60.9

 

CMYK 95 / 0 / 80 / 28

HEX #0AB824

RGB 10 184 36

HSL 128.97, 0.9%, 0.38%

LAB 65.34, -65.68, 58.63

 

CMYK 95 / 61 / 0 / 28

HEX #0A47B8

RGB 10 71 184

HSL 218.97, 0.9%, 0.38%

LAB 34.05, 28.16, -64.12

 

Description

Color code: HEX #BA0A9D | qconv.com Color code: HEX #BA0A9D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 10 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 10 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 16 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 16% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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