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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA09193F it is the complementary color #45F6E63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA09193F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA09193F shade: #BF09143F, #D01B273F, #E12D3A3F, #F23F4D3F and #FF51603F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA09193F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA09193F shade: #BA09193F, #A900063F, #9800003F, #8700003F and #7600003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA09193F shade: #B90919 and #B90909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA09193F shade: #B90919, #B90948, #B90978, #B909A7 and #9B09B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA09193F shade matches the following richer shades: #B90919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA09193F shade: #B90919, #A91825, #9A2832, #8A383F and #7A474C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA09193F shade: #B90978, #B90949, #B9091A, #B92609 and #B95509

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA09193F shade: #6A050E, #920713, #B90919, #E00B1E and #F42033

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA09193F shade: #BA0919, #A7B909 and #0961B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA09193F shade: #BA0919, #1AB909 and #091AB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA09193F shade: #BA0919, #A7B909, #09B9A7 and #1A09B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA09193F shade: #BA0919, #73B909, #09B9A7 and #4F09B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 22 / 7

HEX #BA09193F

RGBA 186 9 25 0.25

HSLA 354.58, 0.91%, 0.38%, 0.25

LABA 39.08, 62.56, 43.05, 0.25

 

Complementary color

CMYK 18 / 0 / 2 / 1

HEX #45F6E63F

RGBA 69 246 230 0.25

HSLA 174.58, 0.91%, 0.62%, 0.25

LABA 88.4, -47.18, -5.11, 0.25

 

CMYK 0 / 24 / 22 / 6

HEX #BF09143F

RGBA 191 9 20 0.25

HSLA 356.37, 0.91%, 0.39%, 0.25

LABA 40.12, 63.75, 46.74, 0.25

 

CMYK 0 / 22 / 20 / 5

HEX #D01B273F

RGBA 208 27 39 0.25

HSLA 356.02, 0.77%, 0.46%, 0.25

LABA 44.72, 66.04, 42.48, 0.25

 

CMYK 0 / 20 / 19 / 3

HEX #E12D3A3F

RGBA 225 45 58 0.25

HSLA 355.67, 0.75%, 0.53%, 0.25

LABA 49.73, 67.24, 38.12, 0.25

 

CMYK 0 / 18 / 17 / 1

HEX #F23F4D3F

RGBA 242 63 77 0.25

HSLA 355.31, 0.87%, 0.6%, 0.25

LABA 55.04, 67.66, 34.21, 0.25

 

CMYK 0 / 17 / 16 / 0

HEX #FF51603F

RGBA 255 81 96 0.25

HSLA 354.83, 1%, 0.66%, 0.25

LABA 59.88, 66.33, 29.81, 0.25

 

CMYK 0 / 24 / 22 / 7

HEX #BA09193F

RGBA 186 9 25 0.25

HSLA 354.58, 0.91%, 0.38%, 0.25

LABA 39.08, 62.56, 43.05, 0.25

 

CMYK 0 / 25 / 24 / 8

HEX #A900063F

RGBA 169 0 6 0.25

HSLA 357.87, 1%, 0.33%, 0.25

LABA 34.9, 58.94, 46.74, 0.25

 

CMYK 0 / 25 / 25 / 10

HEX #9800003F

RGBA 152 0 0 0.25

HSLA 0, 1%, 0.3%, 0.25

LABA 31.06, 54.45, 44.88, 0.25

 

CMYK 0 / 25 / 25 / 12

HEX #8700003F

RGBA 135 0 0 0.25

HSLA 0, 1%, 0.26%, 0.25

LABA 27.16, 49.94, 40.14, 0.25

HEX #8700003F

CMYK 0 / 25 / 25 / 13

HEX #7600003F

RGBA 118 0 0 0.25

HSLA 0, 1%, 0.23%, 0.25

LABA 23.17, 45.33, 34.95, 0.25

HEX #7600003F

CMYK 0 / 95 / 86 / 27

HEX #B90919

RGB 185 9 25

HSL 354.55, 0.91%, 0.38%

LAB 38.86, 62.3, 42.78

 

CMYK 0 / 95 / 95 / 27

HEX #B90909

RGB 185 9 9

HSL 0, 0.91%, 0.38%

LAB 38.78, 62.05, 49.58

 

CMYK 0 / 95 / 86 / 27

HEX #B90919

RGB 185 9 25

HSL 354.55, 0.91%, 0.38%

LAB 38.86, 62.3, 42.78

 

CMYK 0 / 95 / 61 / 27

HEX #B90948

RGB 185 9 72

HSL 338.52, 0.91%, 0.38%

LAB 39.54, 64.18, 15.16

 

CMYK 0 / 95 / 35 / 27

HEX #B90978

RGB 185 9 120

HSL 322.16, 0.91%, 0.38%

LAB 41, 68.1, -13.13

 

CMYK 0 / 95 / 10 / 27

HEX #B909A7

RGB 185 9 167

HSL 306.14, 0.91%, 0.38%

LAB 43.21, 73.79, -38.35

 

CMYK 16 / 95 / 0 / 27

HEX #9B09B9

RGB 155 9 185

HSL 289.77, 0.91%, 0.38%

LAB 39.01, 71.59, -56.06

 

CMYK 0 / 95 / 86 / 27

HEX #B90919

RGB 185 9 25

HSL 354.55, 0.91%, 0.38%

LAB 38.86, 62.3, 42.78

 

CMYK 0 / 95 / 86 / 27

HEX #B90919

RGB 185 9 25

HSL 354.55, 0.91%, 0.38%

LAB 38.86, 62.3, 42.78

 

CMYK 0 / 86 / 78 / 34

HEX #A91825

RGB 169 24 37

HSL 354.62, 0.75%, 0.38%

LAB 36.41, 55.94, 32.52

 

CMYK 0 / 74 / 68 / 40

HEX #9A2832

RGB 154 40 50

HSL 354.74, 0.59%, 0.38%

LAB 35.24, 47.3, 22.37

 

CMYK 0 / 59 / 54 / 46

HEX #8A383F

RGB 138 56 63

HSL 354.88, 0.42%, 0.38%

LAB 35.18, 35.62, 13.49

 

CMYK 0 / 42 / 38 / 52

HEX #7A474C

RGB 122 71 76

HSL 354.12, 0.26%, 0.38%

LAB 36.3, 22.46, 6.42

 

CMYK 0 / 95 / 35 / 27

HEX #B90978

RGB 185 9 120

HSL 322.16, 0.91%, 0.38%

LAB 41, 68.1, -13.13

 

CMYK 0 / 95 / 61 / 27

HEX #B90949

RGB 185 9 73

HSL 338.18, 0.91%, 0.38%

LAB 39.56, 64.24, 14.55

 

CMYK 0 / 95 / 86 / 27

HEX #B9091A

RGB 185 9 26

HSL 354.2, 0.91%, 0.38%

LAB 38.87, 62.32, 42.27

 

CMYK 0 / 79 / 95 / 27

HEX #B92609

RGB 185 38 9

HSL 9.89, 0.91%, 0.38%

LAB 40.77, 56.38, 50.72

 

CMYK 0 / 54 / 95 / 27

HEX #B95509

RGB 185 85 9

HSL 25.91, 0.91%, 0.38%

LAB 48.05, 36.89, 55.31

 

CMYK 0 / 95 / 87 / 58

HEX #6A050E

RGB 106 5 14

HSL 354.65, 0.91%, 0.22%

LAB 20.84, 41.13, 25.73

 

CMYK 0 / 95 / 87 / 43

HEX #920713

RGB 146 7 19

HSL 354.82, 0.91%, 0.3%

LAB 30.18, 52.11, 35.13

 

CMYK 0 / 95 / 86 / 27

HEX #B90919

RGB 185 9 25

HSL 354.55, 0.91%, 0.38%

LAB 38.86, 62.3, 42.78

 

CMYK 0 / 95 / 87 / 12

HEX #E00B1E

RGB 224 11 30

HSL 354.65, 0.91%, 0.46%

LAB 47.21, 72.07, 50.57

 

CMYK 0 / 87 / 79 / 4

HEX #F42033

RGB 244 32 51

HSL 354.62, 0.91%, 0.54%

LAB 52.4, 74.86, 46.01

 

CMYK 0 / 95 / 87 / 27

HEX #BA0919

RGB 186 9 25

HSL 354.58, 0.91%, 0.38%

LAB 39.08, 62.56, 43.05

 

CMYK 10 / 0 / 95 / 27

HEX #A7B909

RGB 167 185 9

HSL 66.14, 0.91%, 0.38%

LAB 71.51, -24.59, 71.57

 

CMYK 95 / 48 / 0 / 27

HEX #0961B9

RGB 9 97 185

HSL 210, 0.91%, 0.38%

LAB 41.39, 11.19, -52.78

 

CMYK 0 / 95 / 87 / 27

HEX #BA0919

RGB 186 9 25

HSL 354.58, 0.91%, 0.38%

LAB 39.08, 62.56, 43.05

 

CMYK 86 / 0 / 95 / 27

HEX #1AB909

RGB 26 185 9

HSL 114.2, 0.91%, 0.38%

LAB 65.7, -65.96, 64.49

 

CMYK 95 / 86 / 0 / 27

HEX #091AB9

RGB 9 26 185

HSL 234.2, 0.91%, 0.38%

LAB 24.64, 54.73, -80.27

 

CMYK 0 / 95 / 87 / 27

HEX #BA0919

RGB 186 9 25

HSL 354.58, 0.91%, 0.38%

LAB 39.08, 62.56, 43.05

 

CMYK 10 / 0 / 95 / 27

HEX #A7B909

RGB 167 185 9

HSL 66.14, 0.91%, 0.38%

LAB 71.51, -24.59, 71.57

 

CMYK 95 / 0 / 10 / 27

HEX #09B9A7

RGB 9 185 167

HSL 173.86, 0.91%, 0.38%

LAB 67.68, -42.78, -1.9

 

CMYK 86 / 95 / 0 / 27

HEX #1A09B9

RGB 26 9 185

HSL 245.8, 0.91%, 0.38%

LAB 23.4, 60.42, -82.32

 

CMYK 0 / 95 / 87 / 27

HEX #BA0919

RGB 186 9 25

HSL 354.58, 0.91%, 0.38%

LAB 39.08, 62.56, 43.05

 

CMYK 38 / 0 / 95 / 27

HEX #73B909

RGB 115 185 9

HSL 83.86, 0.91%, 0.38%

LAB 68.29, -45.23, 67.67

 

CMYK 95 / 0 / 10 / 27

HEX #09B9A7

RGB 9 185 167

HSL 173.86, 0.91%, 0.38%

LAB 67.68, -42.78, -1.9

 

CMYK 57 / 95 / 0 / 27

HEX #4F09B9

RGB 79 9 185

HSL 263.86, 0.91%, 0.38%

LAB 27.74, 62.86, -74.98

 

Description

Color code: HEX #BA09193F | qconv.com Color code: HEX #BA09193F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 9 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 9 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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