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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA002DCE it is the complementary color #45FFD2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA002DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA002DCE shade: #BF0028CE, #D0123BCE, #E1244ECE, #F23661CE and #FF4874CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA002DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA002DCE shade: #BA002DCE, #A9001ACE, #980007CE, #870000CE and #760000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA002DCE shade: #B8002C and #B80000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA002DCE shade: #B8002C, #B8005E, #B8008F, #AE00B8 and #7D00B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA002DCE shade matches the following richer shades: #B8002C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA002DCE shade: #B8002C, #A90F34, #9A1E3C, #8B2D43 and #7C3B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA002DCE shade: #B80090, #B8005F, #B8002E, #B80300 and #B83400

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA002DCE shade: #650018, #8E0022, #B8002C, #E10036 and #FF0B46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA002DCE shade: #BA002D, #B8AE00 and #0077B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA002DCE shade: #BA002D, #2EB800 and #002EB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA002DCE shade: #BA002D, #B8AE00, #00B88A and #0009B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA002DCE shade: #BA002D, #8AB800, #00B88A and #2E00B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 61 / 22

HEX #BA002DCE

RGBA 186 0 45 0.81

HSLA 345.48, 1%, 0.36%, 0.81

LABA 38.95, 64.09, 31.5, 0.81

 

Complementary color

CMYK 59 / 0 / 14 / 0

HEX #45FFD2CE

RGBA 69 255 210 0.81

HSLA 165.48, 1%, 0.64%, 0.81

LABA 90.52, -55.94, 8.38, 0.81

 

CMYK 0 / 81 / 64 / 20

HEX #BF0028CE

RGBA 191 0 40 0.81

HSLA 347.43, 1%, 0.37%, 0.81

LABA 39.96, 65.16, 35.93, 0.81

 

CMYK 0 / 74 / 58 / 15

HEX #D0123BCE

RGBA 208 18 59 0.81

HSLA 347.05, 0.84%, 0.44%, 0.81

LABA 44.46, 68.16, 30.55, 0.81

 

CMYK 0 / 68 / 53 / 10

HEX #E1244ECE

RGBA 225 36 78 0.81

HSLA 346.67, 0.76%, 0.51%, 0.81

LABA 49.28, 70.26, 25.73, 0.81

 

CMYK 0 / 63 / 49 / 4

HEX #F23661CE

RGBA 242 54 97 0.81

HSLA 346.28, 0.88%, 0.58%, 0.81

LABA 54.43, 71.43, 21.66, 0.81

 

CMYK 0 / 58 / 44 / 0

HEX #FF4874CE

RGBA 255 72 116 0.81

HSLA 345.57, 1%, 0.64%, 0.81

LABA 59.12, 70.79, 17.16, 0.81

 

CMYK 0 / 81 / 61 / 22

HEX #BA002DCE

RGBA 186 0 45 0.81

HSLA 345.48, 1%, 0.36%, 0.81

LABA 38.95, 64.09, 31.5, 0.81

 

CMYK 0 / 81 / 69 / 27

HEX #A9001ACE

RGBA 169 0 26 0.81

HSLA 350.77, 1%, 0.33%, 0.81

LABA 35.02, 59.27, 37.52, 0.81

 

CMYK 0 / 81 / 77 / 33

HEX #980007CE

RGBA 152 0 7 0.81

HSLA 357.24, 1%, 0.3%, 0.81

LABA 31.09, 54.55, 42.05, 0.81

 

CMYK 0 / 81 / 81 / 38

HEX #870000CE

RGBA 135 0 0 0.81

HSLA 0, 1%, 0.26%, 0.81

LABA 27.16, 49.94, 40.14, 0.81

HEX #870000CE

CMYK 0 / 81 / 81 / 44

HEX #760000CE

RGBA 118 0 0 0.81

HSLA 0, 1%, 0.23%, 0.81

LABA 23.17, 45.33, 34.95, 0.81

HEX #760000CE

CMYK 0 / 100 / 76 / 28

HEX #B8002C

RGB 184 0 44

HSL 345.65, 1%, 0.36%

LAB 38.5, 63.57, 31.49

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 76 / 28

HEX #B8002C

RGB 184 0 44

HSL 345.65, 1%, 0.36%

LAB 38.5, 63.57, 31.49

 

CMYK 0 / 100 / 49 / 28

HEX #B8005E

RGB 184 0 94

HSL 329.35, 1%, 0.36%

LAB 39.58, 66.44, 1.11

 

CMYK 0 / 100 / 22 / 28

HEX #B8008F

RGB 184 0 143

HSL 313.37, 1%, 0.36%

LAB 41.49, 71.38, -26.58

 

CMYK 5 / 100 / 0 / 28

HEX #AE00B8

RGB 174 0 184

HSL 296.74, 1%, 0.36%

LAB 41.94, 75.29, -50.59

 

CMYK 32 / 100 / 0 / 28

HEX #7D00B8

RGB 125 0 184

HSL 280.76, 1%, 0.36%

LAB 33.61, 68.49, -64.49

 

CMYK 0 / 100 / 76 / 28

HEX #B8002C

RGB 184 0 44

HSL 345.65, 1%, 0.36%

LAB 38.5, 63.57, 31.49

 

CMYK 0 / 100 / 76 / 28

HEX #B8002C

RGB 184 0 44

HSL 345.65, 1%, 0.36%

LAB 38.5, 63.57, 31.49

 

CMYK 0 / 91 / 69 / 34

HEX #A90F34

RGB 169 15 52

HSL 345.58, 0.84%, 0.36%

LAB 36.03, 58.28, 22.75

 

CMYK 0 / 81 / 61 / 40

HEX #9A1E3C

RGB 154 30 60

HSL 345.48, 0.67%, 0.36%

LAB 34.24, 51.26, 14.65

 

CMYK 0 / 68 / 52 / 45

HEX #8B2D43

RGB 139 45 67

HSL 345.96, 0.51%, 0.36%

LAB 33.5, 41.57, 8.63

 

CMYK 0 / 52 / 40 / 51

HEX #7C3B4B

RGB 124 59 75

HSL 345.23, 0.36%, 0.36%

LAB 33.82, 30, 3.55

 

CMYK 0 / 100 / 22 / 28

HEX #B80090

RGB 184 0 144

HSL 313.04, 1%, 0.36%

LAB 41.54, 71.5, -27.12

 

CMYK 0 / 100 / 48 / 28

HEX #B8005F

RGB 184 0 95

HSL 329.02, 1%, 0.36%

LAB 39.61, 66.52, 0.52

 

CMYK 0 / 100 / 75 / 28

HEX #B8002E

RGB 184 0 46

HSL 345, 1%, 0.36%

LAB 38.53, 63.64, 30.29

 

CMYK 0 / 98 / 100 / 28

HEX #B80300

RGB 184 3 0

HSL 0.98, 1%, 0.36%

LAB 38.3, 62.36, 52.64

 

CMYK 0 / 72 / 100 / 28

HEX #B83400

RGB 184 52 0

HSL 16.96, 1%, 0.36%

LAB 42.23, 51.28, 54.28

 

CMYK 0 / 100 / 76 / 60

HEX #650018

RGB 101 0 24

HSL 345.74, 1%, 0.2%

LAB 19.36, 41.35, 17.48

 

CMYK 0 / 100 / 76 / 44

HEX #8E0022

RGB 142 0 34

HSL 345.63, 1%, 0.28%

LAB 29.07, 52.62, 24.57

 

CMYK 0 / 100 / 76 / 28

HEX #B8002C

RGB 184 0 44

HSL 345.65, 1%, 0.36%

LAB 38.5, 63.57, 31.49

 

CMYK 0 / 100 / 76 / 12

HEX #E10036

RGB 225 0 54

HSL 345.6, 1%, 0.44%

LAB 47.33, 73.83, 37.77

 

CMYK 0 / 96 / 73 / 0

HEX #FF0B46

RGB 255 11 70

HSL 345.49, 1%, 0.52%

LAB 53.96, 80.67, 37.6

 

CMYK 0 / 100 / 76 / 27

HEX #BA002D

RGB 186 0 45

HSL 345.48, 1%, 0.36%

LAB 38.95, 64.09, 31.5

 

CMYK 0 / 5 / 100 / 28

HEX #B8AE00

RGB 184 174 0

HSL 56.74, 1%, 0.36%

LAB 69.8, -11.77, 71.94

 

CMYK 100 / 35 / 0 / 28

HEX #0077B8

RGB 0 119 184

HSL 201.2, 1%, 0.36%

LAB 47.82, -3.41, -41.92

 

CMYK 0 / 100 / 76 / 27

HEX #BA002D

RGB 186 0 45

HSL 345.48, 1%, 0.36%

LAB 38.95, 64.09, 31.5

 

CMYK 75 / 0 / 100 / 28

HEX #2EB800

RGB 46 184 0

HSL 105, 1%, 0.36%

LAB 65.64, -63.35, 65.65

 

CMYK 100 / 75 / 0 / 28

HEX #002EB8

RGB 0 46 184

HSL 225, 1%, 0.36%

LAB 27.88, 43.93, -74.28

 

CMYK 0 / 100 / 76 / 27

HEX #BA002D

RGB 186 0 45

HSL 345.48, 1%, 0.36%

LAB 38.95, 64.09, 31.5

 

CMYK 0 / 5 / 100 / 28

HEX #B8AE00

RGB 184 174 0

HSL 56.74, 1%, 0.36%

LAB 69.8, -11.77, 71.94

 

CMYK 100 / 0 / 25 / 28

HEX #00B88A

RGB 0 184 138

HSL 165, 1%, 0.36%

LAB 66.61, -50.35, 12.47

 

CMYK 100 / 95 / 0 / 28

HEX #0009B8

RGB 0 9 184

HSL 237.07, 1%, 0.36%

LAB 22.5, 59.81, -83.25

 

CMYK 0 / 100 / 76 / 27

HEX #BA002D

RGB 186 0 45

HSL 345.48, 1%, 0.36%

LAB 38.95, 64.09, 31.5

 

CMYK 25 / 0 / 100 / 28

HEX #8AB800

RGB 138 184 0

HSL 75, 1%, 0.36%

LAB 69.24, -36.24, 70.01

 

CMYK 100 / 0 / 25 / 28

HEX #00B88A

RGB 0 184 138

HSL 165, 1%, 0.36%

LAB 66.61, -50.35, 12.47

 

CMYK 75 / 100 / 0 / 28

HEX #2E00B8

RGB 46 0 184

HSL 255, 1%, 0.36%

LAB 23.81, 62.7, -81.01

 

Description

Color code: HEX #BA002DCE | qconv.com Color code: HEX #BA002DCE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, none green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 0 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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