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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9FE91 it is the complementary color #46016E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9FE91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9FE91 shade: #BEFE8C, #CFFF9F, #E0FFB2, #F1FFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9FE91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9FE91 shade: #B9FE91, #A8EC7E, #97DA6B, #86C858 and #75B645

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9FE91 shade: #B8FE90, #D6FE90, #F4FE90, #FEEB90 and #FECD90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9FE91 shade: #B8FE90, #9BFE90, #90FEA3, #90FEC1 and #90FEDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9FE91 shade matches the following richer shades: #B8FE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9FE91 shade: #B8FE90, #BBF599, #BDECA2, #C0E3AB and #C2DAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9FE91 shade: #F5FE90, #D7FE90, #BAFE90, #9DFE90 and #90FEA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9FE91 shade: #84FD3E, #9EFD67, #B8FE90, #D2FEB9 and #ECFFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9FE91 shade: #B9FE91, #90FEEA and #FE90E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9FE91 shade: #B9FE91, #90BAFE and #FE90BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9FE91 shade: #B9FE91, #90FEEA, #D490FE and #FE90A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9FE91 shade: #B9FE91, #90F1FE, #D490FE and #FE9D90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 43 / 0

HEX #B9FE91

RGB 185 254 145

HSL 97.98, 0.98%, 0.78%

LAB 93.12, -40.1, 45.3

 

Complementary color

CMYK 36 / 99 / 0 / 57

HEX #46016E

RGB 70 1 110

HSL 277.98, 0.98%, 0.22%

LAB 17.69, 46.42, -45.08

 

CMYK 25 / 0 / 45 / 0

HEX #BEFE8C

RGB 190 254 140

HSL 93.68, 0.98%, 0.77%

LAB 93.33, -39, 48.02

 

CMYK 19 / 0 / 38 / 0

HEX #CFFF9F

RGB 207 255 159

HSL 90, 1%, 0.81%

LAB 94.86, -31.2, 40.98

 

CMYK 12 / 0 / 30 / 0

HEX #E0FFB2

RGB 224 255 178

HSL 84.16, 1%, 0.85%

LAB 96.24, -22.7, 33.58

 

CMYK 5 / 0 / 23 / 0

HEX #F1FFC5

RGB 241 255 197

HSL 74.48, 1%, 0.89%

LAB 97.73, -14.02, 26.24

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 27 / 0 / 43 / 0

HEX #B9FE91

RGB 185 254 145

HSL 97.98, 0.98%, 0.78%

LAB 93.12, -40.1, 45.3

 

CMYK 29 / 0 / 47 / 7

HEX #A8EC7E

RGB 168 236 126

HSL 97.09, 0.74%, 0.71%

LAB 86.91, -40.19, 46.45

 

CMYK 31 / 0 / 51 / 15

HEX #97DA6B

RGB 151 218 107

HSL 96.22, 0.6%, 0.64%

LAB 80.62, -40.25, 47.59

 

CMYK 33 / 0 / 56 / 22

HEX #86C858

RGB 134 200 88

HSL 95.36, 0.5%, 0.56%

LAB 74.24, -40.24, 48.7

 

CMYK 36 / 0 / 62 / 29

HEX #75B645

RGB 117 182 69

HSL 94.51, 0.45%, 0.49%

LAB 67.77, -40.15, 49.69

 

CMYK 28 / 0 / 43 / 0

HEX #B8FE90

RGB 184 254 144

HSL 98.18, 0.98%, 0.78%

LAB 93.05, -40.56, 45.69

 

CMYK 16 / 0 / 43 / 0

HEX #D6FE90

RGB 214 254 144

HSL 81.82, 0.98%, 0.78%

LAB 94.82, -30.03, 48.28

 

CMYK 4 / 0 / 43 / 0

HEX #F4FE90

RGB 244 254 144

HSL 65.45, 0.98%, 0.78%

LAB 96.87, -18.84, 51.29

 

CMYK 0 / 7 / 43 / 0

HEX #FEEB90

RGB 254 235 144

HSL 49.64, 0.98%, 0.78%

LAB 92.8, -5.65, 46.37

 

CMYK 0 / 19 / 43 / 0

HEX #FECD90

RGB 254 205 144

HSL 33.27, 0.98%, 0.78%

LAB 85.38, 9.65, 36.88

 

CMYK 28 / 0 / 43 / 0

HEX #B8FE90

RGB 184 254 144

HSL 98.18, 0.98%, 0.78%

LAB 93.05, -40.56, 45.69

 

CMYK 39 / 0 / 43 / 0

HEX #9BFE90

RGB 155 254 144

HSL 114, 0.98%, 0.78%

LAB 91.62, -49.8, 43.58

 

CMYK 43 / 0 / 36 / 0

HEX #90FEA3

RGB 144 254 163

HSL 130.36, 0.98%, 0.78%

LAB 91.44, -50.13, 33.92

 

CMYK 43 / 0 / 24 / 0

HEX #90FEC1

RGB 144 254 193

HSL 146.73, 0.98%, 0.78%

LAB 91.98, -44.86, 19.48

 

CMYK 43 / 0 / 13 / 0

HEX #90FEDE

RGB 144 254 222

HSL 162.55, 0.98%, 0.78%

LAB 92.61, -38.94, 5.46

 

CMYK 28 / 0 / 43 / 0

HEX #B8FE90

RGB 184 254 144

HSL 98.18, 0.98%, 0.78%

LAB 93.05, -40.56, 45.69

 

CMYK 28 / 0 / 43 / 0

HEX #B8FE90

RGB 184 254 144

HSL 98.18, 0.98%, 0.78%

LAB 93.05, -40.56, 45.69

 

CMYK 24 / 0 / 38 / 4

HEX #BBF599

RGB 187 245 153

HSL 97.83, 0.82%, 0.78%

LAB 90.86, -34.32, 38.51

 

CMYK 20 / 0 / 31 / 7

HEX #BDECA2

RGB 189 236 162

HSL 98.11, 0.66%, 0.78%

LAB 88.65, -28.18, 31.09

 

CMYK 15 / 0 / 25 / 11

HEX #C0E3AB

RGB 192 227 171

HSL 97.5, 0.5%, 0.78%

LAB 86.55, -21.45, 23.66

 

CMYK 11 / 0 / 17 / 15

HEX #C2DAB4

RGB 194 218 180

HSL 97.89, 0.34%, 0.78%

LAB 84.44, -14.85, 16.06

 

CMYK 4 / 0 / 43 / 0

HEX #F5FE90

RGB 245 254 144

HSL 64.91, 0.98%, 0.78%

LAB 96.95, -18.46, 51.39

 

CMYK 15 / 0 / 43 / 0

HEX #D7FE90

RGB 215 254 144

HSL 81.27, 0.98%, 0.78%

LAB 94.88, -29.66, 48.38

 

CMYK 27 / 0 / 43 / 0

HEX #BAFE90

RGB 186 254 144

HSL 97.09, 0.98%, 0.78%

LAB 93.16, -39.88, 45.85

 

CMYK 38 / 0 / 43 / 0

HEX #9DFE90

RGB 157 254 144

HSL 112.91, 0.98%, 0.78%

LAB 91.71, -49.2, 43.71

 

CMYK 43 / 0 / 37 / 0

HEX #90FEA0

RGB 144 254 160

HSL 128.73, 0.98%, 0.78%

LAB 91.39, -50.61, 35.34

 

CMYK 48 / 0 / 75 / 1

HEX #84FD3E

RGB 132 253 62

HSL 98.01, 0.98%, 0.62%

LAB 89.63, -64.13, 74.99

 

CMYK 38 / 0 / 59 / 1

HEX #9EFD67

RGB 158 253 103

HSL 98, 0.97%, 0.7%

LAB 91.01, -53.16, 61.6

 

CMYK 28 / 0 / 43 / 0

HEX #B8FE90

RGB 184 254 144

HSL 98.18, 0.98%, 0.78%

LAB 93.05, -40.56, 45.69

 

CMYK 17 / 0 / 27 / 0

HEX #D2FEB9

RGB 210 254 185

HSL 98.26, 0.97%, 0.86%

LAB 95.2, -26.1, 28.51

 

CMYK 7 / 0 / 11 / 0

HEX #ECFFE2

RGB 236 255 226

HSL 99.31, 1%, 0.94%

LAB 97.97, -11.28, 11.75

 

CMYK 27 / 0 / 43 / 0

HEX #B9FE91

RGB 185 254 145

HSL 97.98, 0.98%, 0.78%

LAB 93.12, -40.1, 45.3

 

CMYK 43 / 0 / 8 / 0

HEX #90FEEA

RGB 144 254 234

HSL 169.09, 0.98%, 0.78%

LAB 92.91, -36.27, -0.31

 

CMYK 0 / 43 / 9 / 0

HEX #FE90E6

RGB 254 144 230

HSL 313.09, 0.98%, 0.78%

LAB 74.02, 52.8, -25.61

 

CMYK 27 / 0 / 43 / 0

HEX #B9FE91

RGB 185 254 145

HSL 97.98, 0.98%, 0.78%

LAB 93.12, -40.1, 45.3

 

CMYK 43 / 27 / 0 / 0

HEX #90BAFE

RGB 144 186 254

HSL 217.09, 0.98%, 0.78%

LAB 74.95, 3.21, -37.98

 

CMYK 0 / 43 / 27 / 0

HEX #FE90BA

RGB 254 144 186

HSL 337.09, 0.98%, 0.78%

LAB 72.6, 46.32, -3.48

 

CMYK 27 / 0 / 43 / 0

HEX #B9FE91

RGB 185 254 145

HSL 97.98, 0.98%, 0.78%

LAB 93.12, -40.1, 45.3

 

CMYK 43 / 0 / 8 / 0

HEX #90FEEA

RGB 144 254 234

HSL 169.09, 0.98%, 0.78%

LAB 92.91, -36.27, -0.31

 

CMYK 17 / 43 / 0 / 0

HEX #D490FE

RGB 212 144 254

HSL 277.09, 0.98%, 0.78%

LAB 70.25, 44.94, -44.93

 

CMYK 0 / 43 / 35 / 0

HEX #FE90A4

RGB 254 144 164

HSL 349.09, 0.98%, 0.78%

LAB 72.03, 43.57, 7.91

 

CMYK 27 / 0 / 43 / 0

HEX #B9FE91

RGB 185 254 145

HSL 97.98, 0.98%, 0.78%

LAB 93.12, -40.1, 45.3

 

CMYK 43 / 5 / 0 / 0

HEX #90F1FE

RGB 144 241 254

HSL 187.09, 0.98%, 0.78%

LAB 89.86, -25.36, -15.22

 

CMYK 17 / 43 / 0 / 0

HEX #D490FE

RGB 212 144 254

HSL 277.09, 0.98%, 0.78%

LAB 70.25, 44.94, -44.93

 

CMYK 0 / 38 / 43 / 0

HEX #FE9D90

RGB 254 157 144

HSL 7.09, 0.98%, 0.78%

LAB 74.32, 34.72, 22.14

 

Description

Color code: HEX #B9FE91 | qconv.com Color code: HEX #B9FE91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 254 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 254 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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