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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9F98E it is the complementary color #460671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9F98E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9F98E shade: #BEF989, #CFFF9C, #E0FFAF, #F1FFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9F98E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9F98E shade: #B9F98E, #A8E77B, #97D568, #86C355 and #75B142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9F98E shade: #BAF990, #D6F990, #F3F990, #F9E390 and #F9C690

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9F98E shade: #BAF990, #9EF990, #90F99E, #90F9BB and #90F9D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9F98E shade matches the following richer shades: #BAF990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9F98E shade: #BAF990, #BCF099, #BEE6A3, #C0DDAC and #C1D3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9F98E shade: #F4F990, #D8F990, #BCF990, #9FF990 and #90F99C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9F98E shade: #89F541, #A2F768, #BAF990, #D2FBB7 and #EBFDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9F98E shade: #B9F98E, #90F9E2 and #F990E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9F98E shade: #B9F98E, #90BCF9 and #F990BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9F98E shade: #B9F98E, #90F9E2, #CD90F9 and #F990A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9F98E shade: #B9F98E, #90F0F9, #CD90F9 and #F99890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 43 / 2

HEX #B9F98E

RGB 185 249 142

HSL 95.89, 0.9%, 0.77%

LAB 91.69, -38.24, 44.94

 

Complementary color

CMYK 38 / 95 / 0 / 56

HEX #460671

RGB 70 6 113

HSL 275.89, 0.9%, 0.23%

LAB 18.47, 45.64, -45.74

 

CMYK 24 / 0 / 45 / 2

HEX #BEF989

RGB 190 249 137

HSL 91.61, 0.9%, 0.76%

LAB 91.91, -37.11, 47.68

 

CMYK 19 / 0 / 39 / 0

HEX #CFFF9C

RGB 207 255 156

HSL 89.09, 1%, 0.81%

LAB 94.82, -31.58, 42.39

 

CMYK 12 / 0 / 31 / 0

HEX #E0FFAF

RGB 224 255 175

HSL 83.25, 1%, 0.84%

LAB 96.19, -23.1, 35.02

 

CMYK 5 / 0 / 24 / 0

HEX #F1FFC2

RGB 241 255 194

HSL 73.77, 1%, 0.88%

LAB 97.68, -14.45, 27.69

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 26 / 0 / 43 / 2

HEX #B9F98E

RGB 185 249 142

HSL 95.89, 0.9%, 0.77%

LAB 91.69, -38.24, 44.94

 

CMYK 27 / 0 / 47 / 9

HEX #A8E77B

RGB 168 231 123

HSL 95, 0.69%, 0.69%

LAB 85.46, -38.32, 46.09

 

CMYK 29 / 0 / 51 / 16

HEX #97D568

RGB 151 213 104

HSL 94.13, 0.56%, 0.62%

LAB 79.14, -38.35, 47.23

 

CMYK 31 / 0 / 56 / 24

HEX #86C355

RGB 134 195 85

HSL 93.27, 0.48%, 0.55%

LAB 72.73, -38.33, 48.33

 

CMYK 34 / 0 / 63 / 31

HEX #75B142

RGB 117 177 66

HSL 92.43, 0.46%, 0.48%

LAB 66.23, -38.22, 49.3

 

CMYK 25 / 0 / 42 / 2

HEX #BAF990

RGB 186 249 144

HSL 96, 0.9%, 0.77%

LAB 91.78, -37.65, 44.09

 

CMYK 14 / 0 / 42 / 2

HEX #D6F990

RGB 214 249 144

HSL 80, 0.9%, 0.77%

LAB 93.48, -27.69, 46.6

 

CMYK 2 / 0 / 42 / 2

HEX #F3F990

RGB 243 249 144

HSL 63.43, 0.9%, 0.77%

LAB 95.51, -16.8, 49.57

 

CMYK 0 / 9 / 42 / 2

HEX #F9E390

RGB 249 227 144

HSL 47.43, 0.9%, 0.77%

LAB 90.36, -3.58, 43.2

 

CMYK 0 / 20 / 42 / 2

HEX #F9C690

RGB 249 198 144

HSL 30.86, 0.9%, 0.77%

LAB 83.2, 11.33, 33.94

 

CMYK 25 / 0 / 42 / 2

HEX #BAF990

RGB 186 249 144

HSL 96, 0.9%, 0.77%

LAB 91.78, -37.65, 44.09

 

CMYK 37 / 0 / 42 / 2

HEX #9EF990

RGB 158 249 144

HSL 112, 0.9%, 0.77%

LAB 90.34, -46.78, 41.96

 

CMYK 42 / 0 / 37 / 2

HEX #90F99E

RGB 144 249 158

HSL 128, 0.9%, 0.77%

LAB 89.93, -48.84, 34.4

 

CMYK 42 / 0 / 25 / 2

HEX #90F9BB

RGB 144 249 187

HSL 144.57, 0.9%, 0.77%

LAB 90.45, -43.81, 20.41

 

CMYK 42 / 0 / 14 / 2

HEX #90F9D7

RGB 144 249 215

HSL 160.57, 0.9%, 0.77%

LAB 91.05, -38.18, 6.83

 

CMYK 25 / 0 / 42 / 2

HEX #BAF990

RGB 186 249 144

HSL 96, 0.9%, 0.77%

LAB 91.78, -37.65, 44.09

 

CMYK 25 / 0 / 42 / 2

HEX #BAF990

RGB 186 249 144

HSL 96, 0.9%, 0.77%

LAB 91.78, -37.65, 44.09

 

CMYK 22 / 0 / 36 / 6

HEX #BCF099

RGB 188 240 153

HSL 95.86, 0.74%, 0.77%

LAB 89.54, -31.67, 36.8

 

CMYK 17 / 0 / 29 / 10

HEX #BEE6A3

RGB 190 230 163

HSL 95.82, 0.57%, 0.77%

LAB 87.09, -24.82, 28.5

 

CMYK 13 / 0 / 22 / 13

HEX #C0DDAC

RGB 192 221 172

HSL 95.51, 0.42%, 0.77%

LAB 84.94, -18.34, 20.94

 

CMYK 9 / 0 / 14 / 17

HEX #C1D3B6

RGB 193 211 182

HSL 97.24, 0.25%, 0.77%

LAB 82.54, -11.32, 12.32

 

CMYK 2 / 0 / 42 / 2

HEX #F4F990

RGB 244 249 144

HSL 62.86, 0.9%, 0.77%

LAB 95.58, -16.42, 49.68

 

CMYK 13 / 0 / 42 / 2

HEX #D8F990

RGB 216 249 144

HSL 78.86, 0.9%, 0.77%

LAB 93.61, -26.96, 46.79

 

CMYK 24 / 0 / 42 / 2

HEX #BCF990

RGB 188 249 144

HSL 94.86, 0.9%, 0.77%

LAB 91.89, -36.96, 44.26

 

CMYK 36 / 0 / 42 / 2

HEX #9FF990

RGB 159 249 144

HSL 111.43, 0.9%, 0.77%

LAB 90.38, -46.47, 42.03

 

CMYK 42 / 0 / 37 / 2

HEX #90F99C

RGB 144 249 156

HSL 126.86, 0.9%, 0.77%

LAB 89.9, -49.15, 35.36

 

CMYK 44 / 0 / 73 / 4

HEX #89F541

RGB 137 245 65

HSL 96, 0.9%, 0.61%

LAB 87.49, -59.5, 72.03

 

CMYK 34 / 0 / 58 / 3

HEX #A2F768

RGB 162 247 104

HSL 95.66, 0.9%, 0.69%

LAB 89.49, -49.29, 59.5

 

CMYK 25 / 0 / 42 / 2

HEX #BAF990

RGB 186 249 144

HSL 96, 0.9%, 0.77%

LAB 91.78, -37.65, 44.09

 

CMYK 16 / 0 / 27 / 2

HEX #D2FBB7

RGB 210 251 183

HSL 96.18, 0.89%, 0.85%

LAB 94.36, -24.98, 28.38

 

CMYK 7 / 0 / 12 / 1

HEX #EBFDDE

RGB 235 253 222

HSL 94.84, 0.89%, 0.93%

LAB 97.3, -11.29, 12.84

 

CMYK 26 / 0 / 43 / 2

HEX #B9F98E

RGB 185 249 142

HSL 95.89, 0.9%, 0.77%

LAB 91.69, -38.24, 44.94

 

CMYK 42 / 0 / 9 / 2

HEX #90F9E2

RGB 144 249 226

HSL 166.86, 0.9%, 0.77%

LAB 91.31, -35.78, 1.5

 

CMYK 0 / 42 / 8 / 2

HEX #F990E6

RGB 249 144 230

HSL 310.86, 0.9%, 0.77%

LAB 73.42, 51.28, -26.58

 

CMYK 26 / 0 / 43 / 2

HEX #B9F98E

RGB 185 249 142

HSL 95.89, 0.9%, 0.77%

LAB 91.69, -38.24, 44.94

 

CMYK 42 / 24 / 0 / 2

HEX #90BCF9

RGB 144 188 249

HSL 214.86, 0.9%, 0.77%

LAB 75.29, 0.74, -34.77

 

CMYK 0 / 42 / 24 / 2

HEX #F990BC

RGB 249 144 188

HSL 334.86, 0.9%, 0.77%

LAB 72.04, 44.91, -5.49

 

CMYK 26 / 0 / 43 / 2

HEX #B9F98E

RGB 185 249 142

HSL 95.89, 0.9%, 0.77%

LAB 91.69, -38.24, 44.94

 

CMYK 42 / 0 / 9 / 2

HEX #90F9E2

RGB 144 249 226

HSL 166.86, 0.9%, 0.77%

LAB 91.31, -35.78, 1.5

 

CMYK 18 / 42 / 0 / 2

HEX #CD90F9

RGB 205 144 249

HSL 274.86, 0.9%, 0.77%

LAB 69.3, 41.91, -43.73

 

CMYK 0 / 42 / 33 / 2

HEX #F990A6

RGB 249 144 166

HSL 347.43, 0.9%, 0.77%

LAB 71.45, 42.05, 5.88

 

CMYK 26 / 0 / 43 / 2

HEX #B9F98E

RGB 185 249 142

HSL 95.89, 0.9%, 0.77%

LAB 91.69, -38.24, 44.94

 

CMYK 42 / 4 / 0 / 2

HEX #90F0F9

RGB 144 240 249

HSL 185.14, 0.9%, 0.77%

LAB 89.43, -26.11, -13.25

 

CMYK 18 / 42 / 0 / 2

HEX #CD90F9

RGB 205 144 249

HSL 274.86, 0.9%, 0.77%

LAB 69.3, 41.91, -43.73

 

CMYK 0 / 39 / 42 / 2

HEX #F99890

RGB 249 152 144

HSL 4.57, 0.9%, 0.77%

LAB 72.63, 35.44, 19.74

 

Description

Color code: HEX #B9F98E | qconv.com Color code: HEX #B9F98E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 249 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 249 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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