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Color name
HEX #B9F428

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9F428 it is the complementary color #460BD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9F428. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9F428 shade: #BEF423, #CFFF36, #E0FF49, #F1FF5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9F428. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9F428 shade: #B9F428, #A8E215, #97D002, #86BE00 and #75AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9F428 shade: #B9F42A, #F0F42A, #F4C12A, #F48B2A and #F4542A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9F428 shade: #B9F42A, #83F42A, #4CF42A, #2AF43E and #2AF474

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9F428 shade matches the following richer shades: #B9F42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9F428 shade: #B9F42A, #B2E23C, #AACF4E, #A2BD60 and #9BAB72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9F428 shade: #F4C12A, #F0F42A, #BBF42A, #85F42A and #4FF42A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9F428 shade: #8CC10A, #A9E80C, #B9F42A, #C6F651 and #D3F878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9F428 shade: #B9F428, #2AF48B and #DC2AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9F428 shade: #B9F428, #2ABBF4 and #F42ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9F428 shade: #B9F428, #2AF48B, #632AF4 and #F42A92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9F428 shade: #B9F428, #2AF4C8, #632AF4 and #F42A56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 84 / 4

HEX #B9F428

RGB 185 244 40

HSL 77.35, 0.9%, 0.56%

LAB 89.47, -43.75, 81.54

 

Complementary color

CMYK 67 / 95 / 0 / 16

HEX #460BD7

RGB 70 11 215

HSL 257.35, 0.9%, 0.44%

LAB 30.52, 69.17, -87.99

 

CMYK 22 / 0 / 86 / 4

HEX #BEF423

RGB 190 244 35

HSL 75.5, 0.9%, 0.55%

LAB 89.75, -42, 82.91

 

CMYK 19 / 0 / 79 / 0

HEX #CFFF36

RGB 207 255 54

HSL 74.33, 1%, 0.61%

LAB 93.91, -39.73, 82.58

 

CMYK 12 / 0 / 71 / 0

HEX #E0FF49

RGB 224 255 73

HSL 70.22, 1%, 0.64%

LAB 95.1, -32.33, 78.44

 

CMYK 5 / 0 / 64 / 0

HEX #F1FF5C

RGB 241 255 92

HSL 65.15, 1%, 0.68%

LAB 96.41, -24.61, 73.35

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 24 / 0 / 84 / 4

HEX #B9F428

RGB 185 244 40

HSL 77.35, 0.9%, 0.56%

LAB 89.47, -43.75, 81.54

 

CMYK 26 / 0 / 91 / 11

HEX #A8E215

RGB 168 226 21

HSL 76.98, 0.83%, 0.48%

LAB 83.32, -42.85, 79.43

 

CMYK 27 / 0 / 99 / 18

HEX #97D002

RGB 151 208 2

HSL 76.6, 0.98%, 0.41%

LAB 77.1, -41.78, 76.15

 

CMYK 29 / 0 / 100 / 25

HEX #86BE00

RGB 134 190 0

HSL 77.68, 1%, 0.37%

LAB 70.8, -40.47, 71.1

 

CMYK 32 / 0 / 100 / 33

HEX #75AC00

RGB 117 172 0

HSL 79.19, 1%, 0.34%

LAB 64.39, -39.11, 65.76

 

CMYK 24 / 0 / 83 / 4

HEX #B9F42A

RGB 185 244 42

HSL 77.52, 0.9%, 0.56%

LAB 89.48, -43.69, 81.11

 

CMYK 2 / 0 / 83 / 4

HEX #F0F42A

RGB 240 244 42

HSL 61.19, 0.9%, 0.56%

LAB 93.19, -21.9, 85.73

 

CMYK 0 / 21 / 83 / 4

HEX #F4C12A

RGB 244 193 42

HSL 44.85, 0.9%, 0.56%

LAB 80.48, 5.27, 75.21

 

CMYK 0 / 43 / 83 / 4

HEX #F48B2A

RGB 244 139 42

HSL 28.81, 0.9%, 0.56%

LAB 67.92, 33.54, 64.48

 

CMYK 0 / 66 / 83 / 4

HEX #F4542A

RGB 244 84 42

HSL 12.48, 0.9%, 0.56%

LAB 57.79, 59.41, 55.59

 

CMYK 24 / 0 / 83 / 4

HEX #B9F42A

RGB 185 244 42

HSL 77.52, 0.9%, 0.56%

LAB 89.48, -43.69, 81.11

 

CMYK 46 / 0 / 83 / 4

HEX #83F42A

RGB 131 244 42

HSL 93.56, 0.9%, 0.56%

LAB 86.85, -62.08, 77.78

 

CMYK 69 / 0 / 83 / 4

HEX #4CF42A

RGB 76 244 42

HSL 109.9, 0.9%, 0.56%

LAB 85.2, -75.3, 75.69

 

CMYK 83 / 0 / 75 / 4

HEX #2AF43E

RGB 42 244 62

HSL 125.94, 0.9%, 0.56%

LAB 84.76, -78.77, 69.51

 

CMYK 83 / 0 / 52 / 4

HEX #2AF474

RGB 42 244 116

HSL 141.98, 0.9%, 0.56%

LAB 85.23, -73.04, 48.22

 

CMYK 24 / 0 / 83 / 4

HEX #B9F42A

RGB 185 244 42

HSL 77.52, 0.9%, 0.56%

LAB 89.48, -43.69, 81.11

 

CMYK 24 / 0 / 83 / 4

HEX #B9F42A

RGB 185 244 42

HSL 77.52, 0.9%, 0.56%

LAB 89.48, -43.69, 81.11

 

CMYK 21 / 0 / 73 / 11

HEX #B2E23C

RGB 178 226 60

HSL 77.35, 0.74%, 0.56%

LAB 84.06, -37.68, 71.05

 

CMYK 18 / 0 / 62 / 19

HEX #AACF4E

RGB 170 207 78

HSL 77.21, 0.57%, 0.56%

LAB 78.3, -30.94, 58.26

 

CMYK 14 / 0 / 49 / 26

HEX #A2BD60

RGB 162 189 96

HSL 77.42, 0.41%, 0.56%

LAB 72.84, -23.84, 43.65

 

CMYK 9 / 0 / 33 / 33

HEX #9BAB72

RGB 155 171 114

HSL 76.84, 0.25%, 0.56%

LAB 67.51, -15.34, 27.55

 

CMYK 0 / 21 / 83 / 4

HEX #F4C12A

RGB 244 193 42

HSL 44.85, 0.9%, 0.56%

LAB 80.48, 5.27, 75.21

 

CMYK 2 / 0 / 83 / 4

HEX #F0F42A

RGB 240 244 42

HSL 61.19, 0.9%, 0.56%

LAB 93.19, -21.9, 85.73

 

CMYK 23 / 0 / 83 / 4

HEX #BBF42A

RGB 187 244 42

HSL 76.93, 0.9%, 0.56%

LAB 89.6, -42.93, 81.25

 

CMYK 45 / 0 / 83 / 4

HEX #85F42A

RGB 133 244 42

HSL 92.97, 0.9%, 0.56%

LAB 86.93, -61.48, 77.88

 

CMYK 68 / 0 / 83 / 4

HEX #4FF42A

RGB 79 244 42

HSL 109.01, 0.9%, 0.56%

LAB 85.27, -74.75, 75.77

 

CMYK 27 / 0 / 95 / 24

HEX #8CC10A

RGB 140 193 10

HSL 77.38, 0.9%, 0.4%

LAB 72.05, -39.33, 71.12

 

CMYK 27 / 0 / 95 / 9

HEX #A9E80C

RGB 169 232 12

HSL 77.18, 0.9%, 0.48%

LAB 85.09, -45.19, 81.89

 

CMYK 24 / 0 / 83 / 4

HEX #B9F42A

RGB 185 244 42

HSL 77.52, 0.9%, 0.56%

LAB 89.48, -43.69, 81.11

 

CMYK 20 / 0 / 67 / 4

HEX #C6F651

RGB 198 246 81

HSL 77.45, 0.9%, 0.64%

LAB 91.01, -37.82, 71.01

 

CMYK 15 / 0 / 52 / 3

HEX #D3F878

RGB 211 248 120

HSL 77.34, 0.9%, 0.72%

LAB 92.72, -30.8, 56.88

 

CMYK 24 / 0 / 84 / 4

HEX #B9F428

RGB 185 244 40

HSL 77.35, 0.9%, 0.56%

LAB 89.47, -43.75, 81.54

 

CMYK 83 / 0 / 43 / 4

HEX #2AF48B

RGB 42 244 139

HSL 148.81, 0.9%, 0.56%

LAB 85.53, -69.41, 37.57

 

CMYK 10 / 83 / 0 / 4

HEX #DC2AF4

RGB 220 42 244

HSL 292.87, 0.9%, 0.56%

LAB 55.49, 86.34, -62.8

 

CMYK 24 / 0 / 84 / 4

HEX #B9F428

RGB 185 244 40

HSL 77.35, 0.9%, 0.56%

LAB 89.47, -43.75, 81.54

 

CMYK 83 / 23 / 0 / 4

HEX #2ABBF4

RGB 42 187 244

HSL 196.93, 0.9%, 0.56%

LAB 71.26, -17.55, -38.6

 

CMYK 0 / 83 / 23 / 4

HEX #F42ABB

RGB 244 42 187

HSL 316.93, 0.9%, 0.56%

LAB 56.56, 82.92, -28.42

 

CMYK 24 / 0 / 84 / 4

HEX #B9F428

RGB 185 244 40

HSL 77.35, 0.9%, 0.56%

LAB 89.47, -43.75, 81.54

 

CMYK 83 / 0 / 43 / 4

HEX #2AF48B

RGB 42 244 139

HSL 148.81, 0.9%, 0.56%

LAB 85.53, -69.41, 37.57

 

CMYK 59 / 83 / 0 / 4

HEX #632AF4

RGB 99 42 244

HSL 256.93, 0.9%, 0.56%

LAB 39.31, 69.99, -89.87

 

CMYK 0 / 83 / 40 / 4

HEX #F42A92

RGB 244 42 146

HSL 329.11, 0.9%, 0.56%

LAB 55.04, 78.61, -6.71

 

CMYK 24 / 0 / 84 / 4

HEX #B9F428

RGB 185 244 40

HSL 77.35, 0.9%, 0.56%

LAB 89.47, -43.75, 81.54

 

CMYK 83 / 0 / 18 / 4

HEX #2AF4C8

RGB 42 244 200

HSL 166.93, 0.9%, 0.56%

LAB 86.68, -56.6, 8.01

 

CMYK 59 / 83 / 0 / 4

HEX #632AF4

RGB 99 42 244

HSL 256.93, 0.9%, 0.56%

LAB 39.31, 69.99, -89.87

 

CMYK 0 / 83 / 65 / 4

HEX #F42A56

RGB 244 42 86

HSL 346.93, 0.9%, 0.56%

LAB 53.56, 74.3, 27.16

 

Description

Color code: HEX #B9F428 | qconv.com Color code: HEX #B9F428 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 244 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 244 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 84% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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