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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9ECD8 it is the complementary color #461327. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9ECD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9ECD8 shade: #BEECD3, #CFFEE6, #E0FFF9, #F1FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9ECD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9ECD8 shade: #B9ECD8, #A8DAC5, #97C8B2, #86B69F and #75A48C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9ECD8 shade: #BBECD9, #BBECCC, #BBECBE, #C5ECBB and #D2ECBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9ECD8 shade: #BBECD9, #BBECE6, #BBE5EC, #BBD8EC and #BBCAEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9ECD8 shade matches the following richer shades: #BBECD9, #B4F3DA and #ADFADC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9ECD8 shade: #BBECD9, #C2E5D7, #C9DED6, #D0D7D4 and #D7D0D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9ECD8 shade: #BBECBE, #BBECCB, #BBECD9, #BBECE6 and #BBE6EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9ECD8 shade: #7ADBB5, #9BE3C7, #BBECD9, #DBF5EB and #FCFEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9ECD8 shade: #B9ECD8, #BBC5EC and #ECC5BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9ECD8 shade: #B9ECD8, #D9BBEC and #ECD9BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9ECD8 shade: #B9ECD8, #BBC5EC, #ECBBCF and #ECE2BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9ECD8 shade: #B9ECD8, #C0BBEC, #ECBBCF and #E7ECBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 8 / 7

HEX #B9ECD8

RGB 185 236 216

HSL 156.47, 0.57%, 0.83%

LAB 89.52, -20.25, 4.35

 

Complementary color

CMYK 0 / 73 / 44 / 73

HEX #461327

RGB 70 19 39

HSL 336.47, 0.57%, 0.17%

LAB 15.03, 26.42, -0.34

 

CMYK 19 / 0 / 11 / 7

HEX #BEECD3

RGB 190 236 211

HSL 147.39, 0.55%, 0.84%

LAB 89.69, -19.65, 7.26

 

CMYK 19 / 0 / 9 / 0

HEX #CFFEE6

RGB 207 254 230

HSL 149.36, 0.96%, 0.9%

LAB 95.94, -19.52, 6.54

 

CMYK 12 / 0 / 2 / 0

HEX #E0FFF9

RGB 224 255 249

HSL 168.39, 1%, 0.94%

LAB 97.72, -11.09, -0.52

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 22 / 0 / 8 / 7

HEX #B9ECD8

RGB 185 236 216

HSL 156.47, 0.57%, 0.83%

LAB 89.52, -20.25, 4.35

 

CMYK 23 / 0 / 10 / 15

HEX #A8DAC5

RGB 168 218 197

HSL 154.8, 0.4%, 0.76%

LAB 83.18, -20.4, 5.06

 

CMYK 25 / 0 / 11 / 22

HEX #97C8B2

RGB 151 200 178

HSL 153.06, 0.31%, 0.69%

LAB 76.74, -20.57, 5.81

 

CMYK 26 / 0 / 13 / 29

HEX #86B69F

RGB 134 182 159

HSL 151.25, 0.25%, 0.62%

LAB 70.2, -20.76, 6.59

 

CMYK 29 / 0 / 15 / 36

HEX #75A48C

RGB 117 164 140

HSL 149.36, 0.21%, 0.55%

LAB 63.53, -20.97, 7.42

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD9

RGB 187 236 217

HSL 156.73, 0.56%, 0.83%

LAB 89.66, -19.44, 4.05

 

CMYK 21 / 0 / 14 / 7

HEX #BBECCC

RGB 187 236 204

HSL 140.82, 0.56%, 0.83%

LAB 89.35, -21.91, 10.4

 

CMYK 21 / 0 / 19 / 7

HEX #BBECBE

RGB 187 236 190

HSL 123.67, 0.56%, 0.83%

LAB 89.05, -24.41, 17.25

 

CMYK 17 / 0 / 21 / 7

HEX #C5ECBB

RGB 197 236 187

HSL 107.76, 0.56%, 0.83%

LAB 89.6, -21.57, 19.66

 

CMYK 11 / 0 / 21 / 7

HEX #D2ECBB

RGB 210 236 187

HSL 91.84, 0.56%, 0.83%

LAB 90.45, -17.1, 20.97

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD9

RGB 187 236 217

HSL 156.73, 0.56%, 0.83%

LAB 89.66, -19.44, 4.05

 

CMYK 21 / 0 / 3 / 7

HEX #BBECE6

RGB 187 236 230

HSL 172.65, 0.56%, 0.83%

LAB 89.98, -16.83, -2.27

 

CMYK 21 / 3 / 0 / 7

HEX #BBE5EC

RGB 187 229 236

HSL 188.57, 0.56%, 0.83%

LAB 88.29, -12.05, -7.91

 

CMYK 21 / 8 / 0 / 7

HEX #BBD8EC

RGB 187 216 236

HSL 204.49, 0.56%, 0.83%

LAB 84.86, -5.37, -13.01

 

CMYK 21 / 14 / 0 / 7

HEX #BBCAEC

RGB 187 202 236

HSL 221.63, 0.56%, 0.83%

LAB 81.22, 2.01, -18.49

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD9

RGB 187 236 217

HSL 156.73, 0.56%, 0.83%

LAB 89.66, -19.44, 4.05

 

CMYK 26 / 0 / 10 / 5

HEX #B4F3DA

RGB 180 243 218

HSL 156.19, 0.72%, 0.83%

LAB 91.17, -24.79, 5.67

 

CMYK 31 / 0 / 12 / 2

HEX #ADFADC

RGB 173 250 220

HSL 156.62, 0.89%, 0.83%

LAB 92.76, -29.78, 6.88

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD9

RGB 187 236 217

HSL 156.73, 0.56%, 0.83%

LAB 89.66, -19.44, 4.05

 

CMYK 15 / 0 / 6 / 10

HEX #C2E5D7

RGB 194 229 215

HSL 156, 0.4%, 0.83%

LAB 88.17, -14.13, 2.99

 

CMYK 9 / 0 / 4 / 13

HEX #C9DED6

RGB 201 222 214

HSL 157.14, 0.24%, 0.83%

LAB 86.76, -8.49, 1.53

 

CMYK 3 / 0 / 1 / 16

HEX #D0D7D4

RGB 208 215 212

HSL 154.29, 0.08%, 0.83%

LAB 85.38, -2.91, 0.64

 

CMYK 0 / 3 / 2 / 16

HEX #D7D0D3

RGB 215 208 211

HSL 334.29, 0.08%, 0.83%

LAB 84.1, 2.94, -0.64

 

CMYK 21 / 0 / 19 / 7

HEX #BBECBE

RGB 187 236 190

HSL 123.67, 0.56%, 0.83%

LAB 89.05, -24.41, 17.25

 

CMYK 21 / 0 / 14 / 7

HEX #BBECCB

RGB 187 236 203

HSL 139.59, 0.56%, 0.83%

LAB 89.33, -22.09, 10.88

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD9

RGB 187 236 217

HSL 156.73, 0.56%, 0.83%

LAB 89.66, -19.44, 4.05

 

CMYK 21 / 0 / 3 / 7

HEX #BBECE6

RGB 187 236 230

HSL 172.65, 0.56%, 0.83%

LAB 89.98, -16.83, -2.27

 

CMYK 21 / 3 / 0 / 7

HEX #BBE6EC

RGB 187 230 236

HSL 187.35, 0.56%, 0.83%

LAB 88.55, -12.56, -7.52

 

CMYK 44 / 0 / 17 / 14

HEX #7ADBB5

RGB 122 219 181

HSL 156.49, 0.57%, 0.67%

LAB 80.81, -37.38, 9.85

 

CMYK 32 / 0 / 12 / 11

HEX #9BE3C7

RGB 155 227 199

HSL 156.67, 0.56%, 0.75%

LAB 85.01, -28.31, 6.56

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD9

RGB 187 236 217

HSL 156.73, 0.56%, 0.83%

LAB 89.66, -19.44, 4.05

 

CMYK 11 / 0 / 4 / 4

HEX #DBF5EB

RGB 219 245 235

HSL 156.92, 0.57%, 0.91%

LAB 94.47, -10.32, 1.92

 

CMYK 1 / 0 / 0 / 0

HEX #FCFEFD

RGB 252 254 253

HSL 150, 0.5%, 0.99%

LAB 99.48, -0.83, 0.24

 

CMYK 22 / 0 / 8 / 7

HEX #B9ECD8

RGB 185 236 216

HSL 156.47, 0.57%, 0.83%

LAB 89.52, -20.25, 4.35

 

CMYK 21 / 17 / 0 / 7

HEX #BBC5EC

RGB 187 197 236

HSL 227.76, 0.56%, 0.83%

LAB 79.93, 4.68, -20.44

 

CMYK 0 / 17 / 21 / 7

HEX #ECC5BB

RGB 236 197 187

HSL 12.24, 0.56%, 0.83%

LAB 82.57, 12.3, 10.18

 

CMYK 22 / 0 / 8 / 7

HEX #B9ECD8

RGB 185 236 216

HSL 156.47, 0.57%, 0.83%

LAB 89.52, -20.25, 4.35

 

CMYK 8 / 21 / 0 / 7

HEX #D9BBEC

RGB 217 187 236

HSL 276.73, 0.56%, 0.83%

LAB 79.81, 19.54, -20.39

 

CMYK 0 / 8 / 21 / 7

HEX #ECD9BB

RGB 236 217 187

HSL 36.73, 0.56%, 0.83%

LAB 87.51, 1.86, 17.16

 

CMYK 22 / 0 / 8 / 7

HEX #B9ECD8

RGB 185 236 216

HSL 156.47, 0.57%, 0.83%

LAB 89.52, -20.25, 4.35

 

CMYK 21 / 17 / 0 / 7

HEX #BBC5EC

RGB 187 197 236

HSL 227.76, 0.56%, 0.83%

LAB 79.93, 4.68, -20.44

 

CMYK 0 / 21 / 12 / 7

HEX #ECBBCF

RGB 236 187 207

HSL 335.51, 0.56%, 0.83%

LAB 80.67, 20.7, -3.31

 

CMYK 0 / 4 / 21 / 7

HEX #ECE2BB

RGB 236 226 187

HSL 47.76, 0.56%, 0.83%

LAB 89.77, -2.76, 20.32

 

CMYK 22 / 0 / 8 / 7

HEX #B9ECD8

RGB 185 236 216

HSL 156.47, 0.57%, 0.83%

LAB 89.52, -20.25, 4.35

 

CMYK 19 / 21 / 0 / 7

HEX #C0BBEC

RGB 192 187 236

HSL 246.12, 0.56%, 0.83%

LAB 77.76, 11.64, -23.7

 

CMYK 0 / 21 / 12 / 7

HEX #ECBBCF

RGB 236 187 207

HSL 335.51, 0.56%, 0.83%

LAB 80.67, 20.7, -3.31

 

CMYK 2 / 0 / 21 / 7

HEX #E7ECBB

RGB 231 236 187

HSL 66.12, 0.56%, 0.83%

LAB 91.94, -9.63, 23.26

 

Description

Color code: HEX #B9ECD8 | qconv.com Color code: HEX #B9ECD8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 236 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 236 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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