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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9EC5E it is the complementary color #4613A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9EC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9EC5E shade: #BEEC59, #CFFE6C, #E0FF7F, #F1FF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9EC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9EC5E shade: #B9EC5E, #A8DA4B, #97C838, #86B625 and #75A412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9EC5E shade: #BAEC5F, #E0EC5F, #ECD35F, #ECAD5F and #EC875F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9EC5E shade: #BAEC5F, #94EC5F, #6EEC5F, #5FEC77 and #5FEC9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9EC5E shade matches the following richer shades: #BAEC5F and #BEFB51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9EC5E shade: #BAEC5F, #B6DE6E, #B1CF7C, #ADC18B and #A9B299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9EC5E shade: #ECD25F, #E1EC5F, #BBEC5F, #95EC5F and #70EC5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9EC5E shade: #98DF1A, #AAE83A, #BAEC5F, #CAF184 and #DAF5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9EC5E shade: #B9EC5E, #5FECAD and #E55FEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9EC5E shade: #B9EC5E, #5FBBEC and #EC5FBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9EC5E shade: #B9EC5E, #5FECAD, #915FEC and #EC5F9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9EC5E shade: #B9EC5E, #5FECD7, #915FEC and #EC5F74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 60 / 7

HEX #B9EC5E

RGB 185 236 94

HSL 81.55, 0.79%, 0.65%

LAB 87.54, -37.29, 61.92

 

Complementary color

CMYK 57 / 88 / 0 / 37

HEX #4613A1

RGB 70 19 161

HSL 261.55, 0.79%, 0.35%

LAB 24.77, 53.78, -65.49

 

CMYK 19 / 0 / 62 / 7

HEX #BEEC59

RGB 190 236 89

HSL 78.78, 0.79%, 0.64%

LAB 87.8, -35.8, 64.37

 

CMYK 19 / 0 / 57 / 0

HEX #CFFE6C

RGB 207 254 108

HSL 79.32, 0.99%, 0.71%

LAB 93.98, -36.09, 63.55

 

CMYK 12 / 0 / 50 / 0

HEX #E0FF7F

RGB 224 255 127

HSL 74.53, 1%, 0.75%

LAB 95.54, -28.52, 57.25

 

CMYK 5 / 0 / 43 / 0

HEX #F1FF92

RGB 241 255 146

HSL 67.71, 1%, 0.79%

LAB 96.94, -20.26, 50.37

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 22 / 0 / 60 / 7

HEX #B9EC5E

RGB 185 236 94

HSL 81.55, 0.79%, 0.65%

LAB 87.54, -37.29, 61.92

 

CMYK 23 / 0 / 66 / 15

HEX #A8DA4B

RGB 168 218 75

HSL 80.98, 0.66%, 0.57%

LAB 81.28, -36.99, 62.62

 

CMYK 25 / 0 / 72 / 22

HEX #97C838

RGB 151 200 56

HSL 80.42, 0.57%, 0.5%

LAB 74.93, -36.57, 62.96

 

CMYK 26 / 0 / 80 / 29

HEX #86B625

RGB 134 182 37

HSL 79.86, 0.66%, 0.43%

LAB 68.5, -35.98, 62.65

 

CMYK 29 / 0 / 89 / 36

HEX #75A412

RGB 117 164 18

HSL 79.32, 0.8%, 0.36%

LAB 61.98, -35.19, 61.22

 

CMYK 21 / 0 / 60 / 7

HEX #BAEC5F

RGB 186 236 95

HSL 81.28, 0.79%, 0.65%

LAB 87.61, -36.84, 61.59

 

CMYK 5 / 0 / 60 / 7

HEX #E0EC5F

RGB 224 236 95

HSL 65.11, 0.79%, 0.65%

LAB 90.17, -22.12, 65.13

 

CMYK 0 / 11 / 60 / 7

HEX #ECD35F

RGB 236 211 95

HSL 49.36, 0.79%, 0.65%

LAB 84.61, -4.87, 59.29

 

CMYK 0 / 27 / 60 / 7

HEX #ECAD5F

RGB 236 173 95

HSL 33.19, 0.79%, 0.65%

LAB 75.17, 14.92, 48.49

 

CMYK 0 / 43 / 60 / 7

HEX #EC875F

RGB 236 135 95

HSL 17.02, 0.79%, 0.65%

LAB 66.51, 34.98, 38.09

 

CMYK 21 / 0 / 60 / 7

HEX #BAEC5F

RGB 186 236 95

HSL 81.28, 0.79%, 0.65%

LAB 87.61, -36.84, 61.59

 

CMYK 37 / 0 / 60 / 7

HEX #94EC5F

RGB 148 236 95

HSL 97.45, 0.79%, 0.65%

LAB 85.56, -50.17, 58.74

 

CMYK 53 / 0 / 60 / 7

HEX #6EEC5F

RGB 110 236 95

HSL 113.62, 0.79%, 0.65%

LAB 84.03, -61.26, 56.6

 

CMYK 60 / 0 / 50 / 7

HEX #5FEC77

RGB 95 236 119

HSL 130.21, 0.79%, 0.65%

LAB 83.84, -61.85, 45.33

 

CMYK 60 / 0 / 33 / 7

HEX #5FEC9D

RGB 95 236 157

HSL 146.38, 0.79%, 0.65%

LAB 84.41, -55.63, 27.23

 

CMYK 21 / 0 / 60 / 7

HEX #BAEC5F

RGB 186 236 95

HSL 81.28, 0.79%, 0.65%

LAB 87.61, -36.84, 61.59

 

CMYK 24 / 0 / 68 / 2

HEX #BEFB51

RGB 190 251 81

HSL 81.53, 0.96%, 0.65%

LAB 91.92, -43.01, 71.8

 

CMYK 21 / 0 / 60 / 7

HEX #BAEC5F

RGB 186 236 95

HSL 81.28, 0.79%, 0.65%

LAB 87.61, -36.84, 61.59

 

CMYK 18 / 0 / 50 / 13

HEX #B6DE6E

RGB 182 222 110

HSL 81.43, 0.63%, 0.65%

LAB 83.61, -30.54, 50.2

 

CMYK 14 / 0 / 40 / 19

HEX #B1CF7C

RGB 177 207 124

HSL 81.69, 0.46%, 0.65%

LAB 79.29, -23.69, 37.95

 

CMYK 10 / 0 / 28 / 24

HEX #ADC18B

RGB 173 193 139

HSL 82.22, 0.3%, 0.65%

LAB 75.38, -16.21, 24.99

 

CMYK 5 / 0 / 14 / 30

HEX #A9B299

RGB 169 178 153

HSL 81.6, 0.14%, 0.65%

LAB 71.27, -7.7, 11.72

 

CMYK 0 / 11 / 60 / 7

HEX #ECD25F

RGB 236 210 95

HSL 48.94, 0.79%, 0.65%

LAB 84.36, -4.36, 59

 

CMYK 5 / 0 / 60 / 7

HEX #E1EC5F

RGB 225 236 95

HSL 64.68, 0.79%, 0.65%

LAB 90.24, -21.73, 65.23

 

CMYK 21 / 0 / 60 / 7

HEX #BBEC5F

RGB 187 236 95

HSL 80.85, 0.79%, 0.65%

LAB 87.67, -36.47, 61.68

 

CMYK 37 / 0 / 60 / 7

HEX #95EC5F

RGB 149 236 95

HSL 97.02, 0.79%, 0.65%

LAB 85.61, -49.85, 58.8

 

CMYK 53 / 0 / 60 / 7

HEX #70EC5F

RGB 112 236 95

HSL 112.77, 0.79%, 0.65%

LAB 84.1, -60.75, 56.69

 

CMYK 32 / 0 / 88 / 13

HEX #98DF1A

RGB 152 223 26

HSL 81.62, 0.79%, 0.49%

LAB 81.58, -47.4, 76.87

 

CMYK 27 / 0 / 75 / 9

HEX #AAE83A

RGB 170 232 58

HSL 81.38, 0.79%, 0.57%

LAB 85.28, -43.44, 72.69

 

CMYK 21 / 0 / 60 / 7

HEX #BAEC5F

RGB 186 236 95

HSL 81.28, 0.79%, 0.65%

LAB 87.61, -36.84, 61.59

 

CMYK 16 / 0 / 45 / 5

HEX #CAF184

RGB 202 241 132

HSL 81.47, 0.8%, 0.73%

LAB 90.38, -29.68, 48.32

 

CMYK 11 / 0 / 31 / 4

HEX #DAF5A9

RGB 218 245 169

HSL 81.32, 0.79%, 0.81%

LAB 93.05, -21.25, 33.76

 

CMYK 22 / 0 / 60 / 7

HEX #B9EC5E

RGB 185 236 94

HSL 81.55, 0.79%, 0.65%

LAB 87.54, -37.29, 61.92

 

CMYK 60 / 0 / 27 / 7

HEX #5FECAD

RGB 95 236 173

HSL 153.19, 0.79%, 0.65%

LAB 84.71, -52.48, 19.4

 

CMYK 3 / 60 / 0 / 7

HEX #E55FEC

RGB 229 95 236

HSL 297.02, 0.79%, 0.65%

LAB 62.42, 69.72, -47.2

 

CMYK 22 / 0 / 60 / 7

HEX #B9EC5E

RGB 185 236 94

HSL 81.55, 0.79%, 0.65%

LAB 87.54, -37.29, 61.92

 

CMYK 60 / 21 / 0 / 7

HEX #5FBBEC

RGB 95 187 236

HSL 200.85, 0.79%, 0.65%

LAB 72.25, -13.24, -32.63

 

CMYK 0 / 60 / 21 / 7

HEX #EC5FBB

RGB 236 95 187

HSL 320.85, 0.79%, 0.65%

LAB 61.31, 63.97, -21.23

 

CMYK 22 / 0 / 60 / 7

HEX #B9EC5E

RGB 185 236 94

HSL 81.55, 0.79%, 0.65%

LAB 87.54, -37.29, 61.92

 

CMYK 60 / 0 / 27 / 7

HEX #5FECAD

RGB 95 236 173

HSL 153.19, 0.79%, 0.65%

LAB 84.71, -52.48, 19.4

 

CMYK 39 / 60 / 0 / 7

HEX #915FEC

RGB 145 95 236

HSL 261.28, 0.79%, 0.65%

LAB 52.13, 50.17, -64.23

 

CMYK 0 / 60 / 33 / 7

HEX #EC5F9F

RGB 236 95 159

HSL 332.77, 0.79%, 0.65%

LAB 60.36, 60.41, -6.57

 

CMYK 22 / 0 / 60 / 7

HEX #B9EC5E

RGB 185 236 94

HSL 81.55, 0.79%, 0.65%

LAB 87.54, -37.29, 61.92

 

CMYK 60 / 0 / 9 / 7

HEX #5FECD7

RGB 95 236 215

HSL 171.06, 0.79%, 0.65%

LAB 85.67, -42.9, -1.19

 

CMYK 39 / 60 / 0 / 7

HEX #915FEC

RGB 145 95 236

HSL 261.28, 0.79%, 0.65%

LAB 52.13, 50.17, -64.23

 

CMYK 0 / 60 / 51 / 7

HEX #EC5F74

RGB 236 95 116

HSL 351.06, 0.79%, 0.65%

LAB 59.23, 56.07, 16.81

 

Description

Color code: HEX #B9EC5E | qconv.com Color code: HEX #B9EC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 236 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 236 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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