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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E7C6 it is the complementary color #461839. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E7C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E7C6 shade: #BEE7C1, #CFF9D4, #E0FFE7 and #F1FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E7C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E7C6 shade: #B9E7C6, #A8D5B3, #97C3A0, #86B18D and #759F7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E7C6 shade: #BAE7C7, #BAE7BB, #C6E7BA, #D2E7BA and #DEE7BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E7C6 shade: #BAE7C7, #BAE7D3, #BAE7DF, #BAE3E7 and #BAD7E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E7C6 shade matches the following richer shades: #BAE7C7, #B3EFC4, #ABF6C0 and #A4FDBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E7C6 shade: #BAE7C7, #C2E0CA, #C9D8CD, #D0D1D1 and #D8C9D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E7C6 shade: #C6E7BA, #BAE7BA, #BAE7C6, #BAE7D2 and #BAE7DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E7C6 shade: #7DD295, #9BDDAE, #BAE7C7, #D9F2E0 and #F8FCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E7C6 shade: #B9E7C6, #BAD2E7 and #E7BAC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E7C6 shade: #B9E7C6, #C6BAE7 and #E7C6BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E7C6 shade: #B9E7C6, #BAD2E7, #E7BADB and #E7CFBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E7C6 shade: #B9E7C6, #BAC5E7, #E7BADB and #E7DDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 14 / 9

HEX #B9E7C6

RGB 185 231 198

HSL 136.96, 0.49%, 0.82%

LAB 87.75, -21.21, 11.22

 

Complementary color

CMYK 0 / 66 / 19 / 73

HEX #461839

RGB 70 24 57

HSL 316.96, 0.49%, 0.18%

LAB 16.75, 26.6, -10.65

 

CMYK 18 / 0 / 16 / 9

HEX #BEE7C1

RGB 190 231 193

HSL 124.39, 0.46%, 0.83%

LAB 87.94, -20.46, 14.15

 

CMYK 17 / 0 / 15 / 2

HEX #CFF9D4

RGB 207 249 212

HSL 127.14, 0.78%, 0.89%

LAB 94.21, -20.34, 13.34

 

CMYK 12 / 0 / 9 / 0

HEX #E0FFE7

RGB 224 255 231

HSL 133.55, 1%, 0.94%

LAB 97.28, -14.39, 8.1

 

CMYK 5 / 0 / 2 / 0

HEX #F1FFFA

RGB 241 255 250

HSL 158.57, 1%, 0.97%

LAB 98.88, -5.46, 0.79

 

CMYK 20 / 0 / 14 / 9

HEX #B9E7C6

RGB 185 231 198

HSL 136.96, 0.49%, 0.82%

LAB 87.75, -21.21, 11.22

 

CMYK 21 / 0 / 16 / 16

HEX #A8D5B3

RGB 168 213 179

HSL 134.67, 0.35%, 0.75%

LAB 81.38, -21.37, 12.04

 

CMYK 23 / 0 / 18 / 24

HEX #97C3A0

RGB 151 195 160

HSL 132.27, 0.27%, 0.68%

LAB 74.92, -21.54, 12.9

 

CMYK 24 / 0 / 20 / 31

HEX #86B18D

RGB 134 177 141

HSL 129.77, 0.22%, 0.61%

LAB 68.34, -21.74, 13.82

 

CMYK 26 / 0 / 23 / 38

HEX #759F7A

RGB 117 159 122

HSL 127.14, 0.18%, 0.54%

LAB 61.64, -21.96, 14.79

 

CMYK 19 / 0 / 14 / 9

HEX #BAE7C7

RGB 186 231 199

HSL 137.33, 0.48%, 0.82%

LAB 87.83, -20.7, 10.83

 

CMYK 19 / 0 / 19 / 9

HEX #BAE7BB

RGB 186 231 187

HSL 121.33, 0.48%, 0.82%

LAB 87.57, -22.83, 16.72

 

CMYK 14 / 0 / 19 / 9

HEX #C6E7BA

RGB 198 231 186

HSL 104, 0.48%, 0.82%

LAB 88.31, -18.95, 18.38

 

CMYK 9 / 0 / 19 / 9

HEX #D2E7BA

RGB 210 231 186

HSL 88, 0.48%, 0.82%

LAB 89.11, -14.78, 19.62

 

CMYK 4 / 0 / 19 / 9

HEX #DEE7BA

RGB 222 231 186

HSL 72, 0.48%, 0.82%

LAB 89.96, -10.51, 20.94

 

CMYK 19 / 0 / 14 / 9

HEX #BAE7C7

RGB 186 231 199

HSL 137.33, 0.48%, 0.82%

LAB 87.83, -20.7, 10.83

 

CMYK 19 / 0 / 9 / 9

HEX #BAE7D3

RGB 186 231 211

HSL 153.33, 0.48%, 0.82%

LAB 88.11, -18.45, 4.94

 

CMYK 19 / 0 / 3 / 9

HEX #BAE7DF

RGB 186 231 223

HSL 169.33, 0.48%, 0.82%

LAB 88.41, -16.07, -0.91

 

CMYK 19 / 2 / 0 / 9

HEX #BAE3E7

RGB 186 227 231

HSL 185.33, 0.48%, 0.82%

LAB 87.56, -12.4, -6.37

 

CMYK 19 / 7 / 0 / 9

HEX #BAD7E7

RGB 186 215 231

HSL 201.33, 0.48%, 0.82%

LAB 84.39, -6.24, -11.08

 

CMYK 19 / 0 / 14 / 9

HEX #BAE7C7

RGB 186 231 199

HSL 137.33, 0.48%, 0.82%

LAB 87.83, -20.7, 10.83

 

CMYK 25 / 0 / 18 / 6

HEX #B3EFC4

RGB 179 239 196

HSL 137, 0.65%, 0.82%

LAB 89.53, -27.36, 14.75

 

CMYK 30 / 0 / 22 / 4

HEX #ABF6C0

RGB 171 246 192

HSL 136.8, 0.81%, 0.82%

LAB 90.95, -33.84, 18.74

 

CMYK 35 / 0 / 25 / 1

HEX #A4FDBD

RGB 164 253 189

HSL 136.85, 0.96%, 0.82%

LAB 92.49, -39.64, 22.37

 

CMYK 19 / 0 / 14 / 9

HEX #BAE7C7

RGB 186 231 199

HSL 137.33, 0.48%, 0.82%

LAB 87.83, -20.7, 10.83

 

CMYK 13 / 0 / 10 / 12

HEX #C2E0CA

RGB 194 224 202

HSL 136, 0.33%, 0.82%

LAB 86.53, -14.05, 7.45

 

CMYK 7 / 0 / 5 / 15

HEX #C9D8CD

RGB 201 216 205

HSL 136, 0.16%, 0.82%

LAB 84.96, -7.08, 3.68

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D1

RGB 208 209 209

HSL 180, 0.01%, 0.82%

LAB 83.76, -0.34, -0.13

 

CMYK 0 / 7 / 2 / 15

HEX #D8C9D4

RGB 216 201 212

HSL 316, 0.16%, 0.82%

LAB 82.45, 7.16, -3.59

 

CMYK 14 / 0 / 19 / 9

HEX #C6E7BA

RGB 198 231 186

HSL 104, 0.48%, 0.82%

LAB 88.31, -18.95, 18.38

 

CMYK 19 / 0 / 19 / 9

HEX #BAE7BA

RGB 186 231 186

HSL 120, 0.48%, 0.82%

LAB 87.55, -23, 17.21

 

CMYK 19 / 0 / 14 / 9

HEX #BAE7C6

RGB 186 231 198

HSL 136, 0.48%, 0.82%

LAB 87.81, -20.88, 11.32

 

CMYK 19 / 0 / 9 / 9

HEX #BAE7D2

RGB 186 231 210

HSL 152, 0.48%, 0.82%

LAB 88.09, -18.64, 5.43

 

CMYK 19 / 0 / 4 / 9

HEX #BAE7DE

RGB 186 231 222

HSL 168, 0.48%, 0.82%

LAB 88.38, -16.27, -0.43

 

CMYK 40 / 0 / 29 / 18

HEX #7DD295

RGB 125 210 149

HSL 136.94, 0.49%, 0.66%

LAB 77.65, -38.82, 22.35

 

CMYK 30 / 0 / 21 / 13

HEX #9BDDAE

RGB 155 221 174

HSL 137.27, 0.49%, 0.74%

LAB 82.77, -30.32, 16.53

 

CMYK 19 / 0 / 14 / 9

HEX #BAE7C7

RGB 186 231 199

HSL 137.33, 0.48%, 0.82%

LAB 87.83, -20.7, 10.83

 

CMYK 10 / 0 / 7 / 5

HEX #D9F2E0

RGB 217 242 224

HSL 136.8, 0.49%, 0.9%

LAB 93.29, -11.48, 5.9

 

CMYK 2 / 0 / 1 / 1

HEX #F8FCF9

RGB 248 252 249

HSL 135, 0.4%, 0.98%

LAB 98.6, -1.84, 0.96

 

CMYK 20 / 0 / 14 / 9

HEX #B9E7C6

RGB 185 231 198

HSL 136.96, 0.49%, 0.82%

LAB 87.75, -21.21, 11.22

 

CMYK 19 / 9 / 0 / 9

HEX #BAD2E7

RGB 186 210 231

HSL 208, 0.48%, 0.82%

LAB 83.07, -3.63, -13.04

 

CMYK 0 / 19 / 17 / 9

HEX #E7BAC0

RGB 231 186 192

HSL 352, 0.48%, 0.82%

LAB 79.56, 17.07, 3.11

 

CMYK 20 / 0 / 14 / 9

HEX #B9E7C6

RGB 185 231 198

HSL 136.96, 0.49%, 0.82%

LAB 87.75, -21.21, 11.22

 

CMYK 14 / 19 / 0 / 9

HEX #C6BAE7

RGB 198 186 231

HSL 256, 0.48%, 0.82%

LAB 77.81, 12.98, -20.88

 

CMYK 0 / 14 / 19 / 9

HEX #E7C6BA

RGB 231 198 186

HSL 16, 0.48%, 0.82%

LAB 82.34, 9.79, 10.32

 

CMYK 20 / 0 / 14 / 9

HEX #B9E7C6

RGB 185 231 198

HSL 136.96, 0.49%, 0.82%

LAB 87.75, -21.21, 11.22

 

CMYK 19 / 9 / 0 / 9

HEX #BAD2E7

RGB 186 210 231

HSL 208, 0.48%, 0.82%

LAB 83.07, -3.63, -13.04

 

CMYK 0 / 19 / 5 / 9

HEX #E7BADB

RGB 231 186 219

HSL 316, 0.48%, 0.82%

LAB 80.3, 21.54, -10.37

 

CMYK 0 / 10 / 19 / 9

HEX #E7CFBA

RGB 231 207 186

HSL 28, 0.48%, 0.82%

LAB 84.57, 5.07, 13.48

 

CMYK 20 / 0 / 14 / 9

HEX #B9E7C6

RGB 185 231 198

HSL 136.96, 0.49%, 0.82%

LAB 87.75, -21.21, 11.22

 

CMYK 19 / 15 / 0 / 9

HEX #BAC5E7

RGB 186 197 231

HSL 225.33, 0.48%, 0.82%

LAB 79.69, 3.27, -18.12

 

CMYK 0 / 19 / 5 / 9

HEX #E7BADB

RGB 231 186 219

HSL 316, 0.48%, 0.82%

LAB 80.3, 21.54, -10.37

 

CMYK 0 / 4 / 19 / 9

HEX #E7DDBA

RGB 231 221 186

HSL 46.67, 0.48%, 0.82%

LAB 88.09, -2.18, 18.43

 

Description

Color code: HEX #B9E7C6 | qconv.com Color code: HEX #B9E7C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 231 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 231 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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