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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E277 it is the complementary color #461D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E277 shade: #BEE272, #CFF485, #E0FF98, #F1FFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E277 shade: #B9E277, #A8D064, #97BE51, #86AC3E and #759A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E277 shade: #BAE278, #D6E278, #E2D278, #E2B578 and #E29978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E277 shade: #BAE278, #9DE278, #81E278, #78E28D and #78E2A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E277 shade matches the following richer shades: #BAE278, #BDF06B and #C0FD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E277 shade: #BAE278, #B7D586, #B4C893, #B1BBA0 and #ADAEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E277 shade: #E2D178, #D8E278, #BCE278, #9FE278 and #83E278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E277 shade: #97D434, #A8DB56, #BAE278, #CBEA9A and #DDF1BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E277 shade: #B9E277, #78E2B4 and #DF78E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E277 shade: #B9E277, #78BCE2 and #E278BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E277 shade: #B9E277, #78E2B4, #9F78E2 and #E278A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E277 shade: #B9E277, #78E2D4, #9F78E2 and #E27887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 47 / 11

HEX #B9E277

RGB 185 226 119

HSL 82.99, 0.65%, 0.68%

LAB 85.02, -30.36, 47.69

 

Complementary color

CMYK 49 / 79 / 0 / 47

HEX #461D88

RGB 70 29 136

HSL 262.99, 0.65%, 0.32%

LAB 23.53, 43.19, -52.09

 

CMYK 16 / 0 / 50 / 11

HEX #BEE272

RGB 190 226 114

HSL 79.29, 0.66%, 0.67%

LAB 85.28, -29, 50.45

 

CMYK 15 / 0 / 45 / 4

HEX #CFF485

RGB 207 244 133

HSL 80, 0.83%, 0.74%

LAB 91.53, -29.13, 49.34

 

CMYK 12 / 0 / 40 / 0

HEX #E0FF98

RGB 224 255 152

HSL 78.06, 1%, 0.8%

LAB 95.84, -25.94, 45.87

 

CMYK 5 / 0 / 33 / 0

HEX #F1FFAB

RGB 241 255 171

HSL 70, 1%, 0.84%

LAB 97.29, -17.46, 38.68

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 18 / 0 / 47 / 11

HEX #B9E277

RGB 185 226 119

HSL 82.99, 0.65%, 0.68%

LAB 85.02, -30.36, 47.69

 

CMYK 19 / 0 / 52 / 18

HEX #A8D064

RGB 168 208 100

HSL 82.22, 0.53%, 0.6%

LAB 78.67, -30.25, 48.8

 

CMYK 21 / 0 / 57 / 25

HEX #97BE51

RGB 151 190 81

HSL 81.47, 0.46%, 0.53%

LAB 72.23, -30.08, 49.85

 

CMYK 22 / 0 / 64 / 33

HEX #86AC3E

RGB 134 172 62

HSL 80.73, 0.47%, 0.46%

LAB 65.69, -29.82, 50.74

 

CMYK 24 / 0 / 72 / 40

HEX #759A2B

RGB 117 154 43

HSL 80, 0.56%, 0.39%

LAB 59.04, -29.41, 51.24

 

CMYK 18 / 0 / 47 / 11

HEX #BAE278

RGB 186 226 120

HSL 82.64, 0.65%, 0.68%

LAB 85.09, -29.88, 47.32

 

CMYK 5 / 0 / 47 / 11

HEX #D6E278

RGB 214 226 120

HSL 66.79, 0.65%, 0.68%

LAB 87.02, -19.17, 50.11

 

CMYK 0 / 7 / 47 / 11

HEX #E2D278

RGB 226 210 120

HSL 50.94, 0.65%, 0.68%

LAB 83.77, -6.42, 46.36

 

CMYK 0 / 20 / 47 / 11

HEX #E2B578

RGB 226 181 120

HSL 34.53, 0.65%, 0.68%

LAB 76.42, 8.68, 37.16

 

CMYK 0 / 32 / 47 / 11

HEX #E29978

RGB 226 153 120

HSL 18.68, 0.65%, 0.68%

LAB 69.69, 23.63, 28.42

 

CMYK 18 / 0 / 47 / 11

HEX #BAE278

RGB 186 226 120

HSL 82.64, 0.65%, 0.68%

LAB 85.09, -29.88, 47.32

 

CMYK 31 / 0 / 47 / 11

HEX #9DE278

RGB 157 226 120

HSL 99.06, 0.65%, 0.68%

LAB 83.4, -40.22, 44.85

 

CMYK 43 / 0 / 47 / 11

HEX #81E278

RGB 129 226 120

HSL 114.91, 0.65%, 0.68%

LAB 82.06, -49.12, 42.9

 

CMYK 47 / 0 / 38 / 11

HEX #78E28D

RGB 120 226 141

HSL 131.89, 0.65%, 0.68%

LAB 82.01, -48.53, 32.31

 

CMYK 47 / 0 / 25 / 11

HEX #78E2A9

RGB 120 226 169

HSL 147.74, 0.65%, 0.68%

LAB 82.51, -43.47, 18.55

 

CMYK 18 / 0 / 47 / 11

HEX #BAE278

RGB 186 226 120

HSL 82.64, 0.65%, 0.68%

LAB 85.09, -29.88, 47.32

 

CMYK 21 / 0 / 55 / 6

HEX #BDF06B

RGB 189 240 107

HSL 83.01, 0.82%, 0.68%

LAB 89.02, -36.51, 58.04

 

CMYK 24 / 0 / 63 / 1

HEX #C0FD5E

RGB 192 253 94

HSL 83.02, 0.98%, 0.68%

LAB 92.69, -42.26, 67.66

 

CMYK 18 / 0 / 47 / 11

HEX #BAE278

RGB 186 226 120

HSL 82.64, 0.65%, 0.68%

LAB 85.09, -29.88, 47.32

 

CMYK 14 / 0 / 37 / 16

HEX #B7D586

RGB 183 213 134

HSL 82.78, 0.48%, 0.68%

LAB 81.5, -23.12, 35.82

 

CMYK 10 / 0 / 27 / 22

HEX #B4C893

RGB 180 200 147

HSL 82.64, 0.33%, 0.68%

LAB 77.94, -15.98, 24.32

 

CMYK 5 / 0 / 14 / 27

HEX #B1BBA0

RGB 177 187 160

HSL 82.22, 0.17%, 0.68%

LAB 74.46, -8.34, 12.51

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAD

RGB 173 174 173

HSL 120, 0.01%, 0.68%

LAB 70.99, -0.54, 0.38

 

CMYK 0 / 8 / 47 / 11

HEX #E2D178

RGB 226 209 120

HSL 50.38, 0.65%, 0.68%

LAB 83.51, -5.91, 46.04

 

CMYK 4 / 0 / 47 / 11

HEX #D8E278

RGB 216 226 120

HSL 65.66, 0.65%, 0.68%

LAB 87.17, -18.39, 50.32

 

CMYK 17 / 0 / 47 / 11

HEX #BCE278

RGB 188 226 120

HSL 81.51, 0.65%, 0.68%

LAB 85.22, -29.13, 47.5

 

CMYK 30 / 0 / 47 / 11

HEX #9FE278

RGB 159 226 120

HSL 97.92, 0.65%, 0.68%

LAB 83.51, -39.54, 45.01

 

CMYK 42 / 0 / 47 / 11

HEX #83E278

RGB 131 226 120

HSL 113.77, 0.65%, 0.68%

LAB 82.15, -48.53, 43.02

 

CMYK 29 / 0 / 75 / 17

HEX #97D434

RGB 151 212 52

HSL 82.88, 0.65%, 0.52%

LAB 78.41, -42.11, 67.67

 

CMYK 23 / 0 / 61 / 14

HEX #A8DB56

RGB 168 219 86

HSL 83.01, 0.65%, 0.6%

LAB 81.65, -36.61, 58.51

 

CMYK 18 / 0 / 47 / 11

HEX #BAE278

RGB 186 226 120

HSL 82.64, 0.65%, 0.68%

LAB 85.09, -29.88, 47.32

 

CMYK 13 / 0 / 34 / 8

HEX #CBEA9A

RGB 203 234 154

HSL 83.25, 0.66%, 0.76%

LAB 88.86, -23.36, 35.59

 

CMYK 8 / 0 / 22 / 5

HEX #DDF1BC

RGB 221 241 188

HSL 82.64, 0.65%, 0.84%

LAB 92.54, -15.54, 23.46

 

CMYK 18 / 0 / 47 / 11

HEX #B9E277

RGB 185 226 119

HSL 82.99, 0.65%, 0.68%

LAB 85.02, -30.36, 47.69

 

CMYK 47 / 0 / 20 / 11

HEX #78E2B4

RGB 120 226 180

HSL 153.96, 0.65%, 0.68%

LAB 82.74, -41.25, 13.11

 

CMYK 1 / 47 / 0 / 11

HEX #DF78E2

RGB 223 120 226

HSL 298.3, 0.65%, 0.68%

LAB 65.45, 54.91, -36.95

 

CMYK 18 / 0 / 47 / 11

HEX #B9E277

RGB 185 226 119

HSL 82.99, 0.65%, 0.68%

LAB 85.02, -30.36, 47.69

 

CMYK 47 / 17 / 0 / 11

HEX #78BCE2

RGB 120 188 226

HSL 201.51, 0.65%, 0.68%

LAB 73.19, -11.44, -25.67

 

CMYK 0 / 47 / 17 / 11

HEX #E278BC

RGB 226 120 188

HSL 321.51, 0.65%, 0.68%

LAB 64.35, 49.5, -17.3

 

CMYK 18 / 0 / 47 / 11

HEX #B9E277

RGB 185 226 119

HSL 82.99, 0.65%, 0.68%

LAB 85.02, -30.36, 47.69

 

CMYK 47 / 0 / 20 / 11

HEX #78E2B4

RGB 120 226 180

HSL 153.96, 0.65%, 0.68%

LAB 82.74, -41.25, 13.11

 

CMYK 30 / 47 / 0 / 11

HEX #9F78E2

RGB 159 120 226

HSL 262.08, 0.65%, 0.68%

LAB 58.32, 37.17, -48.65

 

CMYK 0 / 47 / 27 / 11

HEX #E278A6

RGB 226 120 166

HSL 333.96, 0.65%, 0.68%

LAB 63.64, 46.34, -5.88

 

CMYK 18 / 0 / 47 / 11

HEX #B9E277

RGB 185 226 119

HSL 82.99, 0.65%, 0.68%

LAB 85.02, -30.36, 47.69

 

CMYK 47 / 0 / 6 / 11

HEX #78E2D4

RGB 120 226 212

HSL 172.08, 0.65%, 0.68%

LAB 83.52, -34.05, -2.67

 

CMYK 30 / 47 / 0 / 11

HEX #9F78E2

RGB 159 120 226

HSL 262.08, 0.65%, 0.68%

LAB 58.32, 37.17, -48.65

 

CMYK 0 / 47 / 40 / 11

HEX #E27887

RGB 226 120 135

HSL 351.51, 0.65%, 0.68%

LAB 62.8, 42.54, 10.63

 

Description

Color code: HEX #B9E277 | qconv.com Color code: HEX #B9E277 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 226 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 226 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 47 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 47% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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