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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9E129 it is the complementary color #461ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9E129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9E129 shade: #BEE124, #CFF337, #E0FF4A, #F1FF5D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9E129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9E129 shade: #B9E129, #A8CF16, #97BD03, #86AB00 and #759900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9E129 shade: #B8E029, #E0D729, #E0A529, #E07429 and #E04229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9E129 shade: #B8E029, #87E029, #55E029, #29E02E and #29E05F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9E129 shade matches the following richer shades: #B8E029 and #C4F415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9E129 shade: #B8E029, #ADCD3D, #A2B950, #97A564 and #8C9178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9E129 shade: #E0A629, #E0D729, #B9E029, #88E029 and #57E029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9E129 shade: #82A017, #9FC41C, #B8E029, #C4E64D and #D0EB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9E129 shade: #B9E129, #29E075 and #BF29E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9E129 shade: #B9E129, #29B9E0 and #E029B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9E129 shade: #B9E129, #29E075, #5129E0 and #E02994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9E129 shade: #B9E129, #29E0AC, #5129E0 and #E0295D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 12

HEX #B9E129

RGB 185 225 41

HSL 73.04, 0.75%, 0.52%

LAB 84.13, -35.3, 76.71

 

Complementary color

CMYK 67 / 86 / 0 / 16

HEX #461ED6

RGB 70 30 214

HSL 253.04, 0.75%, 0.48%

LAB 32, 64.06, -84.94

 

CMYK 16 / 0 / 84 / 12

HEX #BEE124

RGB 190 225 36

HSL 71.11, 0.76%, 0.51%

LAB 84.45, -33.46, 78.24

 

CMYK 15 / 0 / 77 / 5

HEX #CFF337

RGB 207 243 55

HSL 71.49, 0.89%, 0.58%

LAB 90.62, -34.31, 79.35

 

CMYK 12 / 0 / 71 / 0

HEX #E0FF4A

RGB 224 255 74

HSL 70.28, 1%, 0.65%

LAB 95.1, -32.28, 78.12

 

CMYK 5 / 0 / 64 / 0

HEX #F1FF5D

RGB 241 255 93

HSL 65.19, 1%, 0.68%

LAB 96.41, -24.55, 72.97

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 18 / 0 / 82 / 12

HEX #B9E129

RGB 185 225 41

HSL 73.04, 0.75%, 0.52%

LAB 84.13, -35.3, 76.71

 

CMYK 19 / 0 / 89 / 19

HEX #A8CF16

RGB 168 207 22

HSL 72.65, 0.81%, 0.45%

LAB 77.88, -34.36, 74.88

 

CMYK 20 / 0 / 98 / 26

HEX #97BD03

RGB 151 189 3

HSL 72.26, 0.97%, 0.38%

LAB 71.54, -33.25, 71.78

 

CMYK 22 / 0 / 100 / 33

HEX #86AB00

RGB 134 171 0

HSL 72.98, 1%, 0.34%

LAB 65.12, -31.89, 66.77

 

CMYK 24 / 0 / 100 / 40

HEX #759900

RGB 117 153 0

HSL 74.12, 1%, 0.3%

LAB 58.57, -30.47, 61.31

 

CMYK 18 / 0 / 82 / 12

HEX #B8E029

RGB 184 224 41

HSL 73.11, 0.75%, 0.52%

LAB 83.79, -35.24, 76.38

 

CMYK 0 / 4 / 82 / 12

HEX #E0D729

RGB 224 215 41

HSL 57.05, 0.75%, 0.52%

LAB 84.28, -14.48, 77.96

 

CMYK 0 / 26 / 82 / 12

HEX #E0A529

RGB 224 165 41

HSL 40.66, 0.75%, 0.52%

LAB 71.5, 11.38, 66.98

 

CMYK 0 / 48 / 82 / 12

HEX #E07429

RGB 224 116 41

HSL 24.59, 0.75%, 0.52%

LAB 60.34, 37.31, 57.11

 

CMYK 0 / 71 / 82 / 12

HEX #E04229

RGB 224 66 41

HSL 8.2, 0.75%, 0.52%

LAB 51.73, 59.8, 49.22

 

CMYK 18 / 0 / 82 / 12

HEX #B8E029

RGB 184 224 41

HSL 73.11, 0.75%, 0.52%

LAB 83.79, -35.24, 76.38

 

CMYK 40 / 0 / 82 / 12

HEX #87E029

RGB 135 224 41

HSL 89.18, 0.75%, 0.52%

LAB 81.08, -53.22, 72.96

 

CMYK 62 / 0 / 82 / 12

HEX #55E029

RGB 85 224 41

HSL 105.57, 0.75%, 0.52%

LAB 79.27, -67.22, 70.64

 

CMYK 82 / 0 / 79 / 12

HEX #29E02E

RGB 41 224 46

HSL 121.64, 0.75%, 0.52%

LAB 78.45, -74.17, 68.24

 

CMYK 82 / 0 / 58 / 12

HEX #29E05F

RGB 41 224 95

HSL 137.7, 0.75%, 0.52%

LAB 78.82, -69.64, 50.16

 

CMYK 18 / 0 / 82 / 12

HEX #B8E029

RGB 184 224 41

HSL 73.11, 0.75%, 0.52%

LAB 83.79, -35.24, 76.38

 

CMYK 20 / 0 / 91 / 4

HEX #C4F415

RGB 196 244 21

HSL 72.91, 0.91%, 0.52%

LAB 90.09, -39.98, 85.55

 

CMYK 18 / 0 / 82 / 12

HEX #B8E029

RGB 184 224 41

HSL 73.11, 0.75%, 0.52%

LAB 83.79, -35.24, 76.38

 

CMYK 16 / 0 / 70 / 20

HEX #ADCD3D

RGB 173 205 61

HSL 73.33, 0.59%, 0.52%

LAB 77.81, -29.93, 64.48

 

CMYK 12 / 0 / 57 / 27

HEX #A2B950

RGB 162 185 80

HSL 73.14, 0.43%, 0.52%

LAB 71.53, -23.39, 49.71

 

CMYK 8 / 0 / 39 / 35

HEX #97A564

RGB 151 165 100

HSL 72.92, 0.27%, 0.52%

LAB 65.29, -15.64, 32.04

 

CMYK 3 / 0 / 17 / 43

HEX #8C9178

RGB 140 145 120

HSL 72, 0.1%, 0.52%

LAB 59.14, -6.42, 12.67

 

CMYK 0 / 26 / 82 / 12

HEX #E0A629

RGB 224 166 41

HSL 40.98, 0.75%, 0.52%

LAB 71.74, 10.84, 67.2

 

CMYK 0 / 4 / 82 / 12

HEX #E0D729

RGB 224 215 41

HSL 57.05, 0.75%, 0.52%

LAB 84.28, -14.48, 77.96

 

CMYK 17 / 0 / 82 / 12

HEX #B9E029

RGB 185 224 41

HSL 72.79, 0.75%, 0.52%

LAB 83.85, -34.84, 76.46

 

CMYK 39 / 0 / 82 / 12

HEX #88E029

RGB 136 224 41

HSL 88.85, 0.75%, 0.52%

LAB 81.13, -52.89, 73.01

 

CMYK 61 / 0 / 82 / 12

HEX #57E029

RGB 87 224 41

HSL 104.92, 0.75%, 0.52%

LAB 79.33, -66.77, 70.71

 

CMYK 19 / 0 / 86 / 37

HEX #82A017

RGB 130 160 23

HSL 73.14, 0.75%, 0.36%

LAB 61.61, -27.85, 60.17

 

CMYK 19 / 0 / 86 / 23

HEX #9FC41C

RGB 159 196 28

HSL 73.21, 0.75%, 0.44%

LAB 74.15, -32.77, 70.45

 

CMYK 18 / 0 / 82 / 12

HEX #B8E029

RGB 184 224 41

HSL 73.11, 0.75%, 0.52%

LAB 83.79, -35.24, 76.38

 

CMYK 15 / 0 / 67 / 10

HEX #C4E64D

RGB 196 230 77

HSL 73.33, 0.75%, 0.6%

LAB 86.44, -31.55, 67.77

 

CMYK 11 / 0 / 52 / 8

HEX #D0EB71

RGB 208 235 113

HSL 73.28, 0.75%, 0.68%

LAB 88.93, -26.49, 55.55

 

CMYK 18 / 0 / 82 / 12

HEX #B9E129

RGB 185 225 41

HSL 73.04, 0.75%, 0.52%

LAB 84.13, -35.3, 76.71

 

CMYK 82 / 0 / 48 / 12

HEX #29E075

RGB 41 224 117

HSL 144.92, 0.75%, 0.52%

LAB 79.08, -66.47, 40.11

 

CMYK 15 / 82 / 0 / 12

HEX #BF29E0

RGB 191 41 224

HSL 289.18, 0.75%, 0.52%

LAB 49.55, 78.33, -61.32

 

CMYK 18 / 0 / 82 / 12

HEX #B9E129

RGB 185 225 41

HSL 73.04, 0.75%, 0.52%

LAB 84.13, -35.3, 76.71

 

CMYK 82 / 17 / 0 / 12

HEX #29B9E0

RGB 41 185 224

HSL 192.79, 0.75%, 0.52%

LAB 69.86, -23.28, -29.9

 

CMYK 0 / 82 / 17 / 12

HEX #E029B9

RGB 224 41 185

HSL 312.79, 0.75%, 0.52%

LAB 52.88, 78.71, -33.26

 

CMYK 18 / 0 / 82 / 12

HEX #B9E129

RGB 185 225 41

HSL 73.04, 0.75%, 0.52%

LAB 84.13, -35.3, 76.71

 

CMYK 82 / 0 / 48 / 12

HEX #29E075

RGB 41 224 117

HSL 144.92, 0.75%, 0.52%

LAB 79.08, -66.47, 40.11

 

CMYK 64 / 82 / 0 / 12

HEX #5129E0

RGB 81 41 224

HSL 253.11, 0.75%, 0.52%

LAB 35.43, 63.51, -84.98

 

CMYK 0 / 82 / 34 / 12

HEX #E02994

RGB 224 41 148

HSL 324.92, 0.75%, 0.52%

LAB 51.35, 74.39, -13.81

 

CMYK 18 / 0 / 82 / 12

HEX #B9E129

RGB 185 225 41

HSL 73.04, 0.75%, 0.52%

LAB 84.13, -35.3, 76.71

 

CMYK 82 / 0 / 23 / 12

HEX #29E0AC

RGB 41 224 172

HSL 162.95, 0.75%, 0.52%

LAB 80.05, -55.55, 13.23

 

CMYK 64 / 82 / 0 / 12

HEX #5129E0

RGB 81 41 224

HSL 253.11, 0.75%, 0.52%

LAB 35.43, 63.51, -84.98

 

CMYK 0 / 82 / 58 / 12

HEX #E0295D

RGB 224 41 93

HSL 342.95, 0.75%, 0.52%

LAB 49.77, 69.75, 17.22

 

Description

Color code: HEX #B9E129 | qconv.com Color code: HEX #B9E129 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 225 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 225 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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