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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9DA62 it is the complementary color #46259D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9DA62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9DA62 shade: #BEDA5D, #CFEC70, #E0FE83, #F1FF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9DA62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9DA62 shade: #B9DA62, #A8C84F, #97B63C, #86A429 and #759216

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9DA62 shade: #B9DA62, #DADA62, #DABA62, #DA9A62 and #DA7A62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9DA62 shade: #B9DA62, #99DA62, #78DA62, #62DA6C and #62DA8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9DA62 shade matches the following richer shades: #B9DA62, #C0EA52 and #C7FA43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9DA62 shade: #B9DA62, #B2CA72, #ABBB81, #A4AB91 and #9D9BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9DA62 shade: #DABA62, #DADA62, #BADA62, #9ADA62 and #7ADA62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9DA62 shade: #95BD2C, #AAD241, #B9DA62, #C8E283 and #D7EAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9DA62 shade: #B9DA62, #62DA9A and #CA62DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9DA62 shade: #B9DA62, #62BADA and #DA62BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9DA62 shade: #B9DA62, #62DA9A, #8262DA and #DA62A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9DA62 shade: #B9DA62, #62DABE, #8262DA and #DA627E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

Complementary color

CMYK 55 / 76 / 0 / 38

HEX #46259D

RGB 70 37 157

HSL 256.5, 0.62%, 0.38%

LAB 26.9, 45.25, -59.53

 

CMYK 13 / 0 / 57 / 15

HEX #BEDA5D

RGB 190 218 93

HSL 73.44, 0.63%, 0.61%

LAB 82.85, -27.12, 57.21

 

CMYK 12 / 0 / 53 / 7

HEX #CFEC70

RGB 207 236 112

HSL 74.03, 0.77%, 0.68%

LAB 89.12, -27.44, 56.21

 

CMYK 12 / 0 / 48 / 0

HEX #E0FE83

RGB 224 254 131

HSL 74.63, 0.98%, 0.75%

LAB 95.32, -27.68, 55.15

 

CMYK 5 / 0 / 41 / 0

HEX #F1FF96

RGB 241 255 150

HSL 68, 1%, 0.79%

LAB 96.99, -19.84, 48.53

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 16 / 0 / 61 / 22

HEX #A8C84F

RGB 168 200 79

HSL 75.87, 0.52%, 0.55%

LAB 76.19, -28.34, 55.49

 

CMYK 17 / 0 / 67 / 29

HEX #97B63C

RGB 151 182 60

HSL 75.25, 0.5%, 0.47%

LAB 69.73, -27.92, 56.18

 

CMYK 18 / 0 / 75 / 36

HEX #86A429

RGB 134 164 41

HSL 74.63, 0.6%, 0.4%

LAB 63.16, -27.36, 56.39

 

CMYK 20 / 0 / 85 / 43

HEX #759216

RGB 117 146 22

HSL 74.03, 0.74%, 0.33%

LAB 56.48, -26.58, 55.66

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 0 / 0 / 55 / 15

HEX #DADA62

RGB 218 218 98

HSL 60, 0.62%, 0.62%

LAB 84.96, -15.54, 57.93

 

CMYK 0 / 15 / 55 / 15

HEX #DABA62

RGB 218 186 98

HSL 44, 0.62%, 0.62%

LAB 76.62, 0.8, 48.29

 

CMYK 0 / 29 / 55 / 15

HEX #DA9A62

RGB 218 154 98

HSL 28, 0.62%, 0.62%

LAB 68.68, 17.87, 38.7

 

CMYK 0 / 44 / 55 / 15

HEX #DA7A62

RGB 218 122 98

HSL 12, 0.62%, 0.62%

LAB 61.4, 34.97, 29.51

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 30 / 0 / 55 / 15

HEX #99DA62

RGB 153 218 98

HSL 92.5, 0.62%, 0.62%

LAB 80.63, -40.51, 51.82

 

CMYK 45 / 0 / 55 / 15

HEX #78DA62

RGB 120 218 98

HSL 109, 0.62%, 0.62%

LAB 79.05, -51.25, 49.57

 

CMYK 55 / 0 / 50 / 15

HEX #62DA6C

RGB 98 218 108

HSL 125, 0.62%, 0.62%

LAB 78.36, -55.95, 43.84

 

CMYK 55 / 0 / 35 / 15

HEX #62DA8D

RGB 98 218 141

HSL 141.5, 0.62%, 0.62%

LAB 78.85, -50.73, 27.96

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 18 / 0 / 65 / 8

HEX #C0EA52

RGB 192 234 82

HSL 76.58, 0.78%, 0.62%

LAB 87.32, -34.62, 66.68

 

CMYK 20 / 0 / 73 / 2

HEX #C7FA43

RGB 199 250 67

HSL 76.72, 0.95%, 0.62%

LAB 92.1, -40.01, 76.95

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 12 / 0 / 44 / 21

HEX #B2CA72

RGB 178 202 114

HSL 76.36, 0.45%, 0.62%

LAB 77.83, -22.04, 41.14

 

CMYK 9 / 0 / 31 / 27

HEX #ABBB81

RGB 171 187 129

HSL 76.55, 0.3%, 0.62%

LAB 73.4, -15.33, 27.61

 

CMYK 4 / 0 / 15 / 33

HEX #A4AB91

RGB 164 171 145

HSL 76.15, 0.13%, 0.62%

LAB 68.8, -7.18, 12.56

 

CMYK 2 / 4 / 0 / 37

HEX #9D9BA1

RGB 157 155 161

HSL 260, 0.03%, 0.62%

LAB 64.31, 1.89, -2.88

 

CMYK 0 / 15 / 55 / 15

HEX #DABA62

RGB 218 186 98

HSL 44, 0.62%, 0.62%

LAB 76.62, 0.8, 48.29

 

CMYK 0 / 0 / 55 / 15

HEX #DADA62

RGB 218 218 98

HSL 60, 0.62%, 0.62%

LAB 84.96, -15.54, 57.93

 

CMYK 15 / 0 / 55 / 15

HEX #BADA62

RGB 186 218 98

HSL 76, 0.62%, 0.62%

LAB 82.63, -28.26, 54.65

 

CMYK 29 / 0 / 55 / 15

HEX #9ADA62

RGB 154 218 98

HSL 92, 0.62%, 0.62%

LAB 80.68, -40.16, 51.89

 

CMYK 44 / 0 / 55 / 15

HEX #7ADA62

RGB 122 218 98

HSL 108, 0.62%, 0.62%

LAB 79.13, -50.65, 49.69

 

CMYK 21 / 0 / 77 / 26

HEX #95BD2C

RGB 149 189 44

HSL 76.55, 0.62%, 0.46%

LAB 71.53, -32.95, 63.67

 

CMYK 19 / 0 / 69 / 18

HEX #AAD241

RGB 170 210 65

HSL 76.55, 0.62%, 0.54%

LAB 79.05, -33.22, 64.2

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 12 / 0 / 42 / 11

HEX #C8E283

RGB 200 226 131

HSL 76.42, 0.62%, 0.7%

LAB 86.16, -23.41, 43.51

 

CMYK 8 / 0 / 29 / 8

HEX #D7EAA5

RGB 215 234 165

HSL 76.52, 0.62%, 0.78%

LAB 89.86, -17.52, 31.5

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 55 / 0 / 29 / 15

HEX #62DA9A

RGB 98 218 154

HSL 148, 0.62%, 0.62%

LAB 79.08, -48.27, 21.53

 

CMYK 7 / 55 / 0 / 15

HEX #CA62DA

RGB 202 98 218

HSL 292, 0.62%, 0.62%

LAB 58.37, 58.39, -43.76

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 55 / 15 / 0 / 15

HEX #62BADA

RGB 98 186 218

HSL 196, 0.62%, 0.62%

LAB 71.4, -17.5, -24.13

 

CMYK 0 / 55 / 15 / 15

HEX #DA62BA

RGB 218 98 186

HSL 316, 0.62%, 0.62%

LAB 59.15, 57.37, -24.2

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 55 / 0 / 29 / 15

HEX #62DA9A

RGB 98 218 154

HSL 148, 0.62%, 0.62%

LAB 79.08, -48.27, 21.53

 

CMYK 40 / 55 / 0 / 15

HEX #8262DA

RGB 130 98 218

HSL 256, 0.62%, 0.62%

LAB 50.15, 40.4, -57.35

 

CMYK 0 / 55 / 26 / 15

HEX #DA62A2

RGB 218 98 162

HSL 328, 0.62%, 0.62%

LAB 58.27, 53.93, -11.7

 

CMYK 15 / 0 / 55 / 15

HEX #B9DA62

RGB 185 218 98

HSL 76.5, 0.62%, 0.62%

LAB 82.56, -28.65, 54.56

 

CMYK 55 / 0 / 13 / 15

HEX #62DABE

RGB 98 218 190

HSL 166, 0.62%, 0.62%

LAB 79.87, -40.43, 3.61

 

CMYK 40 / 55 / 0 / 15

HEX #8262DA

RGB 130 98 218

HSL 256, 0.62%, 0.62%

LAB 50.15, 40.4, -57.35

 

CMYK 0 / 55 / 42 / 15

HEX #DA627E

RGB 218 98 126

HSL 346, 0.62%, 0.62%

LAB 57.22, 49.64, 7.75

 

Description

Color code: HEX #B9DA62 | qconv.com Color code: HEX #B9DA62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 218 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 218 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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