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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B9C8C0 it is the complementary color #46373F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B9C8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B9C8C0 shade: #BEC8BB, #CFDACE, #E0ECE1 and #F1FEF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B9C8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B9C8C0 shade: #B9C8C0, #A8B6AD, #97A49A, #869287 and #758074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B9C8C0 shade: #B8C7BF, #B8C7BB, #B9C7B8, #BDC7B8 and #C1C7B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B9C8C0 shade: #B8C7BF, #B8C7C3, #B8C7C7, #B8C3C7 and #B8BFC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B9C8C0 shade matches the following richer shades: #B8C7BF, #ADD1BE, #A3DCBD, #99E6BD and #8EF0BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B9C8C0 shade: #B8C7BF, #C2BDBF, #CCB2C0, #D7A8C1 and #E19EC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B9C8C0 shade: #B9C7B8, #B8C7BB, #B8C7BF, #B8C7C3 and #B8C7C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B9C8C0 shade: #89A395, #A0B5AA, #B8C7BF, #CFD9D4 and #E6EBE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B9C8C0 shade: #B9C8C0, #B8BDC7 and #C7B9B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B9C8C0 shade: #B9C8C0, #BFB8C7 and #C7BFB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B9C8C0 shade: #B9C8C0, #B8BDC7, #C7B8C0 and #C7C2B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B9C8C0 shade: #B9C8C0, #B8B8C7, #C7B8C0 and #C7C6B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 22

HEX #B9C8C0

RGB 185 200 192

HSL 148, 0.12%, 0.75%

LAB 79.29, -6.62, 2.23

 

Complementary color

CMYK 0 / 21 / 10 / 73

HEX #46373F

RGB 70 55 63

HSL 328, 0.12%, 0.25%

LAB 24.93, 8.25, -2.44

 

CMYK 5 / 0 / 7 / 22

HEX #BEC8BB

RGB 190 200 187

HSL 106.15, 0.11%, 0.76%

LAB 79.52, -5.82, 5.31

 

CMYK 5 / 0 / 6 / 15

HEX #CFDACE

RGB 207 218 206

HSL 115, 0.14%, 0.83%

LAB 85.94, -5.89, 4.61

 

CMYK 5 / 0 / 5 / 7

HEX #E0ECE1

RGB 224 236 225

HSL 125, 0.24%, 0.9%

LAB 92.25, -5.96, 3.94

 

CMYK 5 / 0 / 4 / 0

HEX #F1FEF4

RGB 241 254 244

HSL 133.85, 0.87%, 0.97%

LAB 98.48, -6.03, 3.3

 

CMYK 8 / 0 / 4 / 22

HEX #B9C8C0

RGB 185 200 192

HSL 148, 0.12%, 0.75%

LAB 79.29, -6.62, 2.23

 

CMYK 8 / 0 / 5 / 29

HEX #A8B6AD

RGB 168 182 173

HSL 141.43, 0.09%, 0.69%

LAB 72.76, -6.58, 2.91

 

CMYK 8 / 0 / 6 / 36

HEX #97A49A

RGB 151 164 154

HSL 133.85, 0.07%, 0.62%

LAB 66.11, -6.55, 3.61

 

CMYK 8 / 0 / 8 / 43

HEX #869287

RGB 134 146 135

HSL 125, 0.05%, 0.55%

LAB 59.32, -6.52, 4.34

 

CMYK 9 / 0 / 9 / 50

HEX #758074

RGB 117 128 116

HSL 115, 0.05%, 0.48%

LAB 52.38, -6.5, 5.13

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7BF

RGB 184 199 191

HSL 148, 0.12%, 0.75%

LAB 78.93, -6.63, 2.24

 

CMYK 8 / 0 / 6 / 22

HEX #B8C7BB

RGB 184 199 187

HSL 132, 0.12%, 0.75%

LAB 78.82, -7.37, 4.24

 

CMYK 7 / 0 / 8 / 22

HEX #B9C7B8

RGB 185 199 184

HSL 116, 0.12%, 0.75%

LAB 78.82, -7.58, 5.86

 

CMYK 5 / 0 / 8 / 22

HEX #BDC7B8

RGB 189 199 184

HSL 100, 0.12%, 0.75%

LAB 79.11, -6.18, 6.32

 

CMYK 3 / 0 / 8 / 22

HEX #C1C7B8

RGB 193 199 184

HSL 84, 0.12%, 0.75%

LAB 79.41, -4.78, 6.78

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7BF

RGB 184 199 191

HSL 148, 0.12%, 0.75%

LAB 78.93, -6.63, 2.24

 

CMYK 8 / 0 / 2 / 22

HEX #B8C7C3

RGB 184 199 195

HSL 164, 0.12%, 0.75%

LAB 79.03, -5.87, 0.23

 

CMYK 8 / 0 / 0 / 22

HEX #B8C7C7

RGB 184 199 199

HSL 180, 0.12%, 0.75%

LAB 79.13, -5.09, -1.76

 

CMYK 8 / 2 / 0 / 22

HEX #B8C3C7

RGB 184 195 199

HSL 196, 0.12%, 0.75%

LAB 78.08, -2.98, -3.31

 

CMYK 8 / 4 / 0 / 22

HEX #B8BFC7

RGB 184 191 199

HSL 212, 0.12%, 0.75%

LAB 77.03, -0.86, -4.86

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7BF

RGB 184 199 191

HSL 148, 0.12%, 0.75%

LAB 78.93, -6.63, 2.24

 

CMYK 17 / 0 / 9 / 18

HEX #ADD1BE

RGB 173 209 190

HSL 148.33, 0.28%, 0.75%

LAB 80.85, -15.65, 5.47

 

CMYK 26 / 0 / 14 / 14

HEX #A3DCBD

RGB 163 220 189

HSL 147.37, 0.45%, 0.75%

LAB 83.26, -24.52, 9.37

 

CMYK 33 / 0 / 18 / 10

HEX #99E6BD

RGB 153 230 189

HSL 148.05, 0.61%, 0.75%

LAB 85.52, -32.32, 12.53

 

CMYK 41 / 0 / 22 / 6

HEX #8EF0BC

RGB 142 240 188

HSL 148.16, 0.77%, 0.75%

LAB 87.82, -40.18, 16.23

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7BF

RGB 184 199 191

HSL 148, 0.12%, 0.75%

LAB 78.93, -6.63, 2.24

 

CMYK 0 / 3 / 2 / 24

HEX #C2BDBF

RGB 194 189 191

HSL 336, 0.04%, 0.75%

LAB 77.06, 2.12, -0.39

 

CMYK 0 / 13 / 6 / 20

HEX #CCB2C0

RGB 204 178 192

HSL 327.69, 0.2%, 0.75%

LAB 75.13, 11.73, -3.67

 

CMYK 0 / 22 / 10 / 16

HEX #D7A8C1

RGB 215 168 193

HSL 328.09, 0.37%, 0.75%

LAB 73.74, 21.21, -6.15

 

CMYK 0 / 30 / 14 / 12

HEX #E19EC1

RGB 225 158 193

HSL 328.66, 0.53%, 0.75%

LAB 72.44, 30.1, -7.97

 

CMYK 7 / 0 / 8 / 22

HEX #B9C7B8

RGB 185 199 184

HSL 116, 0.12%, 0.75%

LAB 78.82, -7.58, 5.86

 

CMYK 8 / 0 / 6 / 22

HEX #B8C7BB

RGB 184 199 187

HSL 132, 0.12%, 0.75%

LAB 78.82, -7.37, 4.24

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7BF

RGB 184 199 191

HSL 148, 0.12%, 0.75%

LAB 78.93, -6.63, 2.24

 

CMYK 8 / 0 / 2 / 22

HEX #B8C7C3

RGB 184 199 195

HSL 164, 0.12%, 0.75%

LAB 79.03, -5.87, 0.23

 

CMYK 8 / 0 / 0 / 22

HEX #B8C7C7

RGB 184 199 199

HSL 180, 0.12%, 0.75%

LAB 79.13, -5.09, -1.76

 

CMYK 16 / 0 / 9 / 36

HEX #89A395

RGB 137 163 149

HSL 147.69, 0.12%, 0.59%

LAB 64.71, -11.91, 4.25

 

CMYK 12 / 0 / 6 / 29

HEX #A0B5AA

RGB 160 181 170

HSL 148.57, 0.12%, 0.67%

LAB 71.84, -9.39, 3.15

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7BF

RGB 184 199 191

HSL 148, 0.12%, 0.75%

LAB 78.93, -6.63, 2.24

 

CMYK 5 / 0 / 2 / 15

HEX #CFD9D4

RGB 207 217 212

HSL 150, 0.12%, 0.83%

LAB 85.83, -4.29, 1.28

 

CMYK 2 / 0 / 1 / 8

HEX #E6EBE8

RGB 230 235 232

HSL 144, 0.11%, 0.91%

LAB 92.6, -2.2, 0.86

 

CMYK 8 / 0 / 4 / 22

HEX #B9C8C0

RGB 185 200 192

HSL 148, 0.12%, 0.75%

LAB 79.29, -6.62, 2.23

 

CMYK 8 / 5 / 0 / 22

HEX #B8BDC7

RGB 184 189 199

HSL 220, 0.12%, 0.75%

LAB 76.5, 0.21, -5.64

 

CMYK 0 / 7 / 8 / 22

HEX #C7B9B8

RGB 199 185 184

HSL 4, 0.12%, 0.75%

LAB 76.25, 4.78, 2.28

 

CMYK 8 / 0 / 4 / 22

HEX #B9C8C0

RGB 185 200 192

HSL 148, 0.12%, 0.75%

LAB 79.29, -6.62, 2.23

 

CMYK 4 / 8 / 0 / 22

HEX #BFB8C7

RGB 191 184 199

HSL 268, 0.12%, 0.75%

LAB 75.75, 5.27, -6.69

 

CMYK 0 / 4 / 8 / 22

HEX #C7BFB8

RGB 199 191 184

HSL 28, 0.12%, 0.75%

LAB 77.79, 1.58, 4.52

 

CMYK 8 / 0 / 4 / 22

HEX #B9C8C0

RGB 185 200 192

HSL 148, 0.12%, 0.75%

LAB 79.29, -6.62, 2.23

 

CMYK 8 / 5 / 0 / 22

HEX #B8BDC7

RGB 184 189 199

HSL 220, 0.12%, 0.75%

LAB 76.5, 0.21, -5.64

 

CMYK 0 / 8 / 4 / 22

HEX #C7B8C0

RGB 199 184 192

HSL 328, 0.12%, 0.75%

LAB 76.21, 6.73, -2.13

 

CMYK 0 / 3 / 8 / 22

HEX #C7C2B8

RGB 199 194 184

HSL 40, 0.12%, 0.75%

LAB 78.57, -0.02, 5.63

 

CMYK 8 / 0 / 4 / 22

HEX #B9C8C0

RGB 185 200 192

HSL 148, 0.12%, 0.75%

LAB 79.29, -6.62, 2.23

 

CMYK 8 / 8 / 0 / 22

HEX #B8B8C7

RGB 184 184 199

HSL 240, 0.12%, 0.75%

LAB 75.2, 2.9, -7.57

 

CMYK 0 / 8 / 4 / 22

HEX #C7B8C0

RGB 199 184 192

HSL 328, 0.12%, 0.75%

LAB 76.21, 6.73, -2.13

 

CMYK 0 / 1 / 8 / 22

HEX #C7C6B8

RGB 199 198 184

HSL 56, 0.12%, 0.75%

LAB 79.61, -2.12, 7.13

 

Description

Color code: HEX #B9C8C0 | qconv.com Color code: HEX #B9C8C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 200 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 200 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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